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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #766478 it is the complementary color #899B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #766478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #766478 shade: #7B6473, #8C7686, #9D8899, #AE9AAC and #BFACBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #766478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #766478 shade: #766478, #655265, #544052, #432E3F and #321C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #766478 shade: #766478, #786474, #78646F, #78646A and #786464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #766478 shade: #766478, #706478, #6B6478, #666478 and #646478

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #766478 shade matches the following richer shades: #766478, #845289, #92409B, #A02FAD and #AE1DBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #766478 shade: #766478, #677666, #598754, #4B9942 and #3DAB31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #766478 shade: #6B6478, #706478, #766478, #786474 and #78646F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #766478 shade: #493E4B, #5F5161, #766478, #8B778E and #9E8EA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #766478 shade: #766478, #786664 and #64786E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #766478 shade: #766478, #787664 and #647876

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #766478 shade: #766478, #786664, #667864 and #647678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #766478 shade: #766478, #786C64, #667864 and #647078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

Complementary color

CMYK 12 / 0 / 13 / 39

HEX #899B87

RGB 137 155 135

HSL 114, 0.09%, 0.57%

LAB 62.09, -10.33, 8.34

 

CMYK 0 / 19 / 7 / 52

HEX #7B6473

RGB 123 100 115

HSL 320.87, 0.1%, 0.44%

LAB 45.03, 11.98, -4.94

 

CMYK 0 / 16 / 4 / 45

HEX #8C7686

RGB 140 118 134

HSL 316.36, 0.09%, 0.51%

LAB 52.12, 11.48, -5.54

 

CMYK 0 / 13 / 3 / 38

HEX #9D8899

RGB 157 136 153

HSL 311.43, 0.1%, 0.57%

LAB 59.04, 11.03, -6.12

 

CMYK 0 / 11 / 1 / 32

HEX #AE9AAC

RGB 174 154 172

HSL 306, 0.11%, 0.64%

LAB 65.82, 10.63, -6.67

 

CMYK 0 / 10 / 0 / 25

HEX #BFACBF

RGB 191 172 191

HSL 300, 0.13%, 0.71%

LAB 72.46, 10.26, -7.2

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 0 / 19 / 0 / 60

HEX #655265

RGB 101 82 101

HSL 300, 0.1%, 0.36%

LAB 37.37, 11.62, -8.02

 

CMYK 0 / 24 / 2 / 67

HEX #544052

RGB 84 64 82

HSL 306, 0.14%, 0.29%

LAB 29.81, 12.23, -7.49

 

CMYK 0 / 31 / 6 / 74

HEX #432E3F

RGB 67 46 63

HSL 311.43, 0.19%, 0.22%

LAB 21.97, 12.96, -6.91

 

CMYK 0 / 44 / 12 / 80

HEX #321C2C

RGB 50 28 44

HSL 316.36, 0.28%, 0.15%

LAB 13.77, 13.85, -6.22

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 0 / 17 / 3 / 53

HEX #786474

RGB 120 100 116

HSL 312, 0.09%, 0.43%

LAB 44.76, 11.03, -5.98

 

CMYK 0 / 17 / 8 / 53

HEX #78646F

RGB 120 100 111

HSL 327, 0.09%, 0.43%

LAB 44.6, 10.04, -3.2

 

CMYK 0 / 17 / 12 / 53

HEX #78646A

RGB 120 100 106

HSL 342, 0.09%, 0.43%

LAB 44.44, 9.09, -0.4

 

CMYK 0 / 17 / 17 / 53

HEX #786464

RGB 120 100 100

HSL 0, 0.09%, 0.43%

LAB 44.27, 8, 2.99

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 7 / 17 / 0 / 53

HEX #706478

RGB 112 100 120

HSL 276, 0.09%, 0.43%

LAB 44.11, 8.86, -9.45

 

CMYK 11 / 17 / 0 / 53

HEX #6B6478

RGB 107 100 120

HSL 261, 0.09%, 0.43%

LAB 43.65, 7.02, -10.19

 

CMYK 15 / 17 / 0 / 53

HEX #666478

RGB 102 100 120

HSL 246, 0.09%, 0.43%

LAB 43.2, 5.21, -10.9

 

CMYK 17 / 17 / 0 / 53

HEX #646478

RGB 100 100 120

HSL 240, 0.09%, 0.43%

LAB 43.03, 4.5, -11.18

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 4 / 40 / 0 / 46

HEX #845289

RGB 132 82 137

HSL 294.55, 0.25%, 0.43%

LAB 42.38, 30.35, -22.19

 

CMYK 6 / 59 / 0 / 39

HEX #92409B

RGB 146 64 155

HSL 294.07, 0.42%, 0.43%

LAB 41.44, 47.81, -34.37

 

CMYK 8 / 73 / 0 / 32

HEX #A02FAD

RGB 160 47 173

HSL 293.81, 0.57%, 0.43%

LAB 42.04, 61.67, -44.05

 

CMYK 8 / 85 / 0 / 25

HEX #AE1DBE

RGB 174 29 190

HSL 294.04, 0.74%, 0.43%

LAB 43.65, 72.35, -51.36

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 13 / 0 / 14 / 54

HEX #677666

RGB 103 118 102

HSL 116.25, 0.07%, 0.43%

LAB 48.01, -8.91, 6.95

 

CMYK 34 / 0 / 38 / 47

HEX #598754

RGB 89 135 84

HSL 114.12, 0.23%, 0.43%

LAB 51.94, -26.4, 22.58

 

CMYK 51 / 0 / 57 / 40

HEX #4B9942

RGB 75 153 66

HSL 113.79, 0.4%, 0.43%

LAB 56.75, -41.75, 37.96

 

CMYK 64 / 0 / 71 / 33

HEX #3DAB31

RGB 61 171 49

HSL 114.1, 0.55%, 0.43%

LAB 61.95, -54.03, 51.1

 

CMYK 11 / 17 / 0 / 53

HEX #6B6478

RGB 107 100 120

HSL 261, 0.09%, 0.43%

LAB 43.65, 7.02, -10.19

 

CMYK 7 / 17 / 0 / 53

HEX #706478

RGB 112 100 120

HSL 276, 0.09%, 0.43%

LAB 44.11, 8.86, -9.45

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 0 / 17 / 3 / 53

HEX #786474

RGB 120 100 116

HSL 312, 0.09%, 0.43%

LAB 44.76, 11.03, -5.98

 

CMYK 0 / 17 / 8 / 53

HEX #78646F

RGB 120 100 111

HSL 327, 0.09%, 0.43%

LAB 44.6, 10.04, -3.2

 

CMYK 3 / 17 / 0 / 71

HEX #493E4B

RGB 73 62 75

HSL 290.77, 0.09%, 0.27%

LAB 27.76, 7.54, -6.13

 

CMYK 2 / 16 / 0 / 62

HEX #5F5161

RGB 95 81 97

HSL 292.5, 0.09%, 0.35%

LAB 36.33, 9.05, -7.14

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 2 / 16 / 0 / 44

HEX #8B778E

RGB 139 119 142

HSL 292.17, 0.09%, 0.51%

LAB 52.55, 12.12, -9.61

 

CMYK 1 / 11 / 0 / 37

HEX #9E8EA0

RGB 158 142 160

HSL 293.33, 0.09%, 0.59%

LAB 60.92, 9.34, -7.32

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 0 / 15 / 17 / 53

HEX #786664

RGB 120 102 100

HSL 6, 0.09%, 0.43%

LAB 44.82, 6.81, 3.78

 

CMYK 17 / 0 / 8 / 53

HEX #64786E

RGB 100 120 110

HSL 150, 0.09%, 0.43%

LAB 48.6, -9.52, 3.04

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 0 / 2 / 17 / 53

HEX #787664

RGB 120 118 100

HSL 54, 0.09%, 0.43%

LAB 49.34, -2.57, 10.2

 

CMYK 17 / 0 / 2 / 53

HEX #647876

RGB 100 120 118

HSL 174, 0.09%, 0.43%

LAB 48.82, -7.76, -1.36

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 0 / 15 / 17 / 53

HEX #786664

RGB 120 102 100

HSL 6, 0.09%, 0.43%

LAB 44.82, 6.81, 3.78

 

CMYK 15 / 0 / 17 / 53

HEX #667864

RGB 102 120 100

HSL 114, 0.09%, 0.43%

LAB 48.48, -10.8, 8.79

 

CMYK 17 / 2 / 0 / 53

HEX #647678

RGB 100 118 120

HSL 186, 0.09%, 0.43%

LAB 48.29, -6.16, -3.33

 

CMYK 2 / 17 / 0 / 53

HEX #766478

RGB 118 100 120

HSL 294, 0.09%, 0.43%

LAB 44.69, 11.09, -8.52

 

CMYK 0 / 10 / 17 / 53

HEX #786C64

RGB 120 108 100

HSL 24, 0.09%, 0.43%

LAB 46.5, 3.25, 6.18

 

CMYK 15 / 0 / 17 / 53

HEX #667864

RGB 102 120 100

HSL 114, 0.09%, 0.43%

LAB 48.48, -10.8, 8.79

 

CMYK 17 / 7 / 0 / 53

HEX #647078

RGB 100 112 120

HSL 204, 0.09%, 0.43%

LAB 46.52, -2.67, -5.96

 

Description

Color code: HEX #766478 | qconv.com Color code: HEX #766478 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 100 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 100 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 17 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 17% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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