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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #766367 it is the complementary color #899C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #766367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #766367 shade: #7B6362, #8C7575, #9D8788, #AE999B and #BFABAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #766367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #766367 shade: #766367, #655154, #543F41, #432D2E and #321B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #766367 shade: #786468 and #786464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #766367 shade: #786468, #78646D, #786473, #776478 and #726478

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #766367 shade matches the following richer shades: #786468, #89525E, #9B4053, #AD2F49 and #BE1D3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #766367 shade: #786468, #667672, #54877C, #429987 and #31AB91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #766367 shade: #786473, #78646D, #786468, #786564 and #786A64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #766367 shade: #4B3E41, #615154, #786468, #8E777C and #A08E91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #766367 shade: #766367, #787764 and #647078

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #766367 shade: #766367, #687864 and #646878

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #766367 shade: #766367, #787764, #647873 and #646478

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #766367 shade: #766367, #727864, #647873 and #696478

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 13 / 54

HEX #766367

RGB 118 99 103

HSL 347.37, 0.09%, 0.43%

LAB 43.88, 8.34, 0.57

 

Complementary color

CMYK 12 / 0 / 3 / 39

HEX #899C98

RGB 137 156 152

HSL 167.37, 0.09%, 0.57%

LAB 62.81, -7.52, -0.19

 

CMYK 0 / 20 / 20 / 52

HEX #7B6362

RGB 123 99 98

HSL 2.4, 0.11%, 0.43%

LAB 44.26, 9.48, 4.21

 

CMYK 0 / 16 / 16 / 45

HEX #8C7575

RGB 140 117 117

HSL 0, 0.09%, 0.5%

LAB 51.36, 8.95, 3.34

 

CMYK 0 / 14 / 13 / 38

HEX #9D8788

RGB 157 135 136

HSL 357.27, 0.1%, 0.57%

LAB 58.3, 8.49, 2.54

 

CMYK 0 / 12 / 11 / 32

HEX #AE999B

RGB 174 153 155

HSL 354.29, 0.11%, 0.64%

LAB 65.08, 8.09, 1.79

 

CMYK 0 / 10 / 9 / 25

HEX #BFABAE

RGB 191 171 174

HSL 351, 0.14%, 0.71%

LAB 71.73, 7.73, 1.09

 

CMYK 0 / 16 / 13 / 54

HEX #766367

RGB 118 99 103

HSL 347.37, 0.09%, 0.43%

LAB 43.88, 8.34, 0.57

 

CMYK 0 / 20 / 17 / 60

HEX #655154

RGB 101 81 84

HSL 351, 0.11%, 0.36%

LAB 36.54, 8.86, 1.39

 

CMYK 0 / 25 / 23 / 67

HEX #543F41

RGB 84 63 65

HSL 354.29, 0.14%, 0.29%

LAB 28.96, 9.5, 2.31

 

CMYK 0 / 33 / 31 / 74

HEX #432D2E

RGB 67 45 46

HSL 357.27, 0.2%, 0.22%

LAB 21.08, 10.31, 3.41

 

CMYK 0 / 46 / 46 / 80

HEX #321B1B

RGB 50 27 27

HSL 0, 0.3%, 0.15%

LAB 12.87, 11.39, 4.85

 

CMYK 0 / 17 / 13 / 53

HEX #786468

RGB 120 100 104

HSL 348, 0.09%, 0.43%

LAB 44.39, 8.72, 0.73

 

CMYK 0 / 17 / 17 / 53

HEX #786464

RGB 120 100 100

HSL 0, 0.09%, 0.43%

LAB 44.27, 8, 2.99

 

CMYK 0 / 17 / 13 / 53

HEX #786468

RGB 120 100 104

HSL 348, 0.09%, 0.43%

LAB 44.39, 8.72, 0.73

 

CMYK 0 / 17 / 9 / 53

HEX #78646D

RGB 120 100 109

HSL 333, 0.09%, 0.43%

LAB 44.53, 9.65, -2.08

 

CMYK 0 / 17 / 4 / 53

HEX #786473

RGB 120 100 115

HSL 315, 0.09%, 0.43%

LAB 44.72, 10.83, -5.43

 

CMYK 1 / 17 / 0 / 53

HEX #776478

RGB 119 100 120

HSL 297, 0.09%, 0.43%

LAB 44.79, 11.47, -8.36

 

CMYK 5 / 17 / 0 / 53

HEX #726478

RGB 114 100 120

HSL 282, 0.09%, 0.43%

LAB 44.3, 9.6, -9.14

 

CMYK 0 / 17 / 13 / 53

HEX #786468

RGB 120 100 104

HSL 348, 0.09%, 0.43%

LAB 44.39, 8.72, 0.73

 

CMYK 0 / 40 / 31 / 46

HEX #89525E

RGB 137 82 94

HSL 346.91, 0.25%, 0.43%

LAB 41.47, 24.59, 2.86

 

CMYK 0 / 59 / 46 / 39

HEX #9B4053

RGB 155 64 83

HSL 347.47, 0.42%, 0.43%

LAB 40.01, 39.78, 7.98

 

CMYK 0 / 73 / 58 / 32

HEX #AD2F49

RGB 173 47 73

HSL 347.62, 0.57%, 0.43%

LAB 40.24, 52.23, 15.07

 

CMYK 0 / 85 / 67 / 25

HEX #BE1D3F

RGB 190 29 63

HSL 347.33, 0.74%, 0.43%

LAB 41.51, 61.75, 23.62

 

CMYK 0 / 17 / 13 / 53

HEX #786468

RGB 120 100 104

HSL 348, 0.09%, 0.43%

LAB 44.39, 8.72, 0.73

 

CMYK 14 / 0 / 3 / 54

HEX #667672

RGB 102 118 114

HSL 165, 0.07%, 0.43%

LAB 48.26, -6.79, 0.19

 

CMYK 38 / 0 / 8 / 47

HEX #54877C

RGB 84 135 124

HSL 167.06, 0.23%, 0.43%

LAB 52.58, -19.78, 0.5

 

CMYK 57 / 0 / 12 / 40

HEX #429987

RGB 66 153 135

HSL 167.59, 0.4%, 0.43%

LAB 57.74, -30.66, 1.6

 

CMYK 71 / 0 / 15 / 33

HEX #31AB91

RGB 49 171 145

HSL 167.21, 0.55%, 0.43%

LAB 63.2, -39.38, 3.81

 

CMYK 0 / 17 / 4 / 53

HEX #786473

RGB 120 100 115

HSL 315, 0.09%, 0.43%

LAB 44.72, 10.83, -5.43

 

CMYK 0 / 17 / 9 / 53

HEX #78646D

RGB 120 100 109

HSL 333, 0.09%, 0.43%

LAB 44.53, 9.65, -2.08

 

CMYK 0 / 17 / 13 / 53

HEX #786468

RGB 120 100 104

HSL 348, 0.09%, 0.43%

LAB 44.39, 8.72, 0.73

 

CMYK 0 / 16 / 17 / 53

HEX #786564

RGB 120 101 100

HSL 3, 0.09%, 0.43%

LAB 44.55, 7.41, 3.38

 

CMYK 0 / 12 / 17 / 53

HEX #786A64

RGB 120 106 100

HSL 18, 0.09%, 0.43%

LAB 45.94, 4.43, 5.38

 

CMYK 0 / 17 / 13 / 71

HEX #4B3E41

RGB 75 62 65

HSL 346.15, 0.09%, 0.27%

LAB 27.64, 6.23, 0.27

 

CMYK 0 / 16 / 13 / 62

HEX #615154

RGB 97 81 84

HSL 348.75, 0.09%, 0.35%

LAB 36.11, 7.2, 0.71

 

CMYK 0 / 17 / 13 / 53

HEX #786468

RGB 120 100 104

HSL 348, 0.09%, 0.43%

LAB 44.39, 8.72, 0.73

 

CMYK 0 / 16 / 13 / 44

HEX #8E777C

RGB 142 119 124

HSL 346.96, 0.09%, 0.51%

LAB 52.29, 9.8, 0.59

 

CMYK 0 / 11 / 9 / 37

HEX #A08E91

RGB 160 142 145

HSL 350, 0.09%, 0.59%

LAB 60.66, 7.25, 0.86

 

CMYK 0 / 16 / 13 / 54

HEX #766367

RGB 118 99 103

HSL 347.37, 0.09%, 0.43%

LAB 43.88, 8.34, 0.57

 

CMYK 0 / 1 / 17 / 53

HEX #787764

RGB 120 119 100

HSL 57, 0.09%, 0.43%

LAB 49.63, -3.14, 10.61

 

CMYK 17 / 7 / 0 / 53

HEX #647078

RGB 100 112 120

HSL 204, 0.09%, 0.43%

LAB 46.52, -2.67, -5.96

 

CMYK 0 / 16 / 13 / 54

HEX #766367

RGB 118 99 103

HSL 347.37, 0.09%, 0.43%

LAB 43.88, 8.34, 0.57

 

CMYK 13 / 0 / 17 / 53

HEX #687864

RGB 104 120 100

HSL 108, 0.09%, 0.43%

LAB 48.63, -10.04, 9.02

 

CMYK 17 / 13 / 0 / 53

HEX #646878

RGB 100 104 120

HSL 228, 0.09%, 0.43%

LAB 44.18, 2.08, -9.44

 

CMYK 0 / 16 / 13 / 54

HEX #766367

RGB 118 99 103

HSL 347.37, 0.09%, 0.43%

LAB 43.88, 8.34, 0.57

 

CMYK 0 / 1 / 17 / 53

HEX #787764

RGB 120 119 100

HSL 57, 0.09%, 0.43%

LAB 49.63, -3.14, 10.61

 

CMYK 17 / 0 / 4 / 53

HEX #647873

RGB 100 120 115

HSL 165, 0.09%, 0.43%

LAB 48.74, -8.43, 0.28

 

CMYK 17 / 17 / 0 / 53

HEX #646478

RGB 100 100 120

HSL 240, 0.09%, 0.43%

LAB 43.03, 4.5, -11.18

 

CMYK 0 / 16 / 13 / 54

HEX #766367

RGB 118 99 103

HSL 347.37, 0.09%, 0.43%

LAB 43.88, 8.34, 0.57

 

CMYK 5 / 0 / 17 / 53

HEX #727864

RGB 114 120 100

HSL 78, 0.09%, 0.43%

LAB 49.41, -6.12, 10.23

 

CMYK 17 / 0 / 4 / 53

HEX #647873

RGB 100 120 115

HSL 165, 0.09%, 0.43%

LAB 48.74, -8.43, 0.28

 

CMYK 13 / 17 / 0 / 53

HEX #696478

RGB 105 100 120

HSL 255, 0.09%, 0.43%

LAB 43.47, 6.29, -10.48

 

Description

Color code: HEX #766367 | qconv.com Color code: HEX #766367 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 99 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 99 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 13 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 13% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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