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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #766151 it is the complementary color #899EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #766151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #766151 shade: #7B614C, #8C735F, #9D8572, #AE9785 and #BFA998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #766151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #766151 shade: #766151, #654F3E, #543D2B, #432B18 and #321905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #766151 shade: #766151, #765751 and #765151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #766151 shade: #766151, #766B51, #767551, #6D7651 and #637651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #766151 shade matches the following richer shades: #766151, #865F40, #975D30, #A75A20 and #B75810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #766151 shade: #766151, #666361, #566571, #466781 and #366A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #766151 shade: #765155, #765651, #766051, #766A51 and #767451

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #766151 shade: #45392F, #5E4D40, #766151, #8F7561 and #A28A77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #766151 shade: #766151, #5F7651 and #515176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #766151 shade: #766151, #517660 and #605176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #766151 shade: #766151, #5F7651, #516776 and #685176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #766151 shade: #766151, #547651, #516776 and #735176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

Complementary color

CMYK 21 / 9 / 0 / 32

HEX #899EAE

RGB 137 158 174

HSL 205.95, 0.19%, 0.61%

LAB 64.02, -3.8, -10.78

 

CMYK 0 / 21 / 38 / 52

HEX #7B614C

RGB 123 97 76

HSL 26.81, 0.24%, 0.39%

LAB 43.19, 7.35, 15.98

 

CMYK 0 / 18 / 32 / 45

HEX #8C735F

RGB 140 115 95

HSL 26.67, 0.19%, 0.46%

LAB 50.29, 6.68, 14.75

 

CMYK 0 / 15 / 27 / 38

HEX #9D8572

RGB 157 133 114

HSL 26.51, 0.18%, 0.53%

LAB 57.23, 6.12, 13.64

 

CMYK 0 / 13 / 24 / 32

HEX #AE9785

RGB 174 151 133

HSL 26.34, 0.2%, 0.6%

LAB 64.02, 5.64, 12.62

 

CMYK 0 / 12 / 20 / 25

HEX #BFA998

RGB 191 169 152

HSL 26.15, 0.23%, 0.67%

LAB 70.68, 5.23, 11.69

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 0 / 22 / 39 / 60

HEX #654F3E

RGB 101 79 62

HSL 26.15, 0.24%, 0.32%

LAB 35.41, 6.56, 13.56

 

CMYK 0 / 27 / 49 / 67

HEX #543D2B

RGB 84 61 43

HSL 26.34, 0.32%, 0.25%

LAB 27.84, 7.46, 15.02

 

CMYK 0 / 36 / 64 / 74

HEX #432B18

RGB 67 43 24

HSL 26.51, 0.47%, 0.18%

LAB 19.99, 8.69, 16.76

 

CMYK 0 / 50 / 90 / 80

HEX #321905

RGB 50 25 5

HSL 26.67, 0.82%, 0.11%

LAB 11.85, 10.46, 15.83

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 0 / 26 / 31 / 54

HEX #765751

RGB 118 87 81

HSL 9.73, 0.19%, 0.39%

LAB 40.02, 11.89, 8.48

 

CMYK 0 / 31 / 31 / 54

HEX #765151

RGB 118 81 81

HSL 0, 0.19%, 0.39%

LAB 38.43, 15.52, 6.24

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 0 / 9 / 31 / 54

HEX #766B51

RGB 118 107 81

HSL 42.16, 0.19%, 0.39%

LAB 45.58, -0.04, 16.17

 

CMYK 0 / 1 / 31 / 54

HEX #767551

RGB 118 117 81

HSL 58.38, 0.19%, 0.39%

LAB 48.47, -5.8, 20.05

 

CMYK 8 / 0 / 31 / 54

HEX #6D7651

RGB 109 118 81

HSL 74.59, 0.19%, 0.39%

LAB 48.01, -10.16, 19.3

 

CMYK 16 / 0 / 31 / 54

HEX #637651

RGB 99 118 81

HSL 90.81, 0.19%, 0.39%

LAB 47.24, -14.25, 18.14

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 0 / 29 / 52 / 47

HEX #865F40

RGB 134 95 64

HSL 26.57, 0.35%, 0.39%

LAB 43.69, 12.02, 23.96

 

CMYK 0 / 38 / 68 / 41

HEX #975D30

RGB 151 93 48

HSL 26.21, 0.52%, 0.39%

LAB 45.11, 19.46, 35.15

 

CMYK 0 / 46 / 81 / 35

HEX #A75A20

RGB 167 90 32

HSL 25.78, 0.68%, 0.39%

LAB 46.49, 27.32, 45.15

 

CMYK 0 / 52 / 91 / 28

HEX #B75810

RGB 183 88 16

HSL 25.87, 0.84%, 0.39%

LAB 48.37, 34.64, 53.61

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 0 / 3 / 5 / 60

HEX #666361

RGB 102 99 97

HSL 24, 0.03%, 0.39%

LAB 42.17, 0.78, 1.55

 

CMYK 24 / 11 / 0 / 56

HEX #566571

RGB 86 101 113

HSL 206.67, 0.14%, 0.39%

LAB 41.97, -2.75, -8.65

 

CMYK 46 / 20 / 0 / 49

HEX #466781

RGB 70 103 129

HSL 206.44, 0.3%, 0.39%

LAB 42.14, -4.45, -18.19

 

CMYK 63 / 27 / 0 / 43

HEX #366A91

RGB 54 106 145

HSL 205.71, 0.46%, 0.39%

LAB 42.97, -4.84, -26.57

 

CMYK 0 / 31 / 28 / 54

HEX #765155

RGB 118 81 85

HSL 353.51, 0.19%, 0.39%

LAB 38.54, 16.13, 3.9

 

CMYK 0 / 27 / 31 / 54

HEX #765651

RGB 118 86 81

HSL 8.11, 0.19%, 0.39%

LAB 39.75, 12.49, 8.11

 

CMYK 0 / 19 / 31 / 54

HEX #766051

RGB 118 96 81

HSL 24.32, 0.19%, 0.39%

LAB 42.48, 6.47, 11.92

 

CMYK 0 / 10 / 31 / 54

HEX #766A51

RGB 118 106 81

HSL 40.54, 0.19%, 0.39%

LAB 45.29, 0.55, 15.78

 

CMYK 0 / 2 / 31 / 54

HEX #767451

RGB 118 116 81

HSL 56.76, 0.19%, 0.39%

LAB 48.18, -5.23, 19.67

 

CMYK 0 / 17 / 32 / 73

HEX #45392F

RGB 69 57 47

HSL 27.27, 0.19%, 0.23%

LAB 24.94, 3.47, 8.2

 

CMYK 0 / 18 / 32 / 63

HEX #5E4D40

RGB 94 77 64

HSL 26, 0.19%, 0.31%

LAB 34.1, 4.93, 10.39

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 0 / 18 / 32 / 44

HEX #8F7561

RGB 143 117 97

HSL 26.09, 0.19%, 0.47%

LAB 51.18, 7.06, 14.85

 

CMYK 0 / 15 / 27 / 36

HEX #A28A77

RGB 162 138 119

HSL 26.51, 0.19%, 0.55%

LAB 59.15, 6.05, 13.54

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 19 / 0 / 31 / 54

HEX #5F7651

RGB 95 118 81

HSL 97.3, 0.19%, 0.39%

LAB 46.95, -15.85, 17.7

 

CMYK 31 / 31 / 0 / 54

HEX #515176

RGB 81 81 118

HSL 240, 0.19%, 0.39%

LAB 35.87, 9.31, -21.06

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 31 / 0 / 19 / 54

HEX #517660

RGB 81 118 96

HSL 144.32, 0.19%, 0.39%

LAB 46.38, -18.16, 7.98

 

CMYK 19 / 31 / 0 / 54

HEX #605176

RGB 96 81 118

HSL 264.32, 0.19%, 0.39%

LAB 37.26, 14.36, -18.8

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 19 / 0 / 31 / 54

HEX #5F7651

RGB 95 118 81

HSL 97.3, 0.19%, 0.39%

LAB 46.95, -15.85, 17.7

 

CMYK 31 / 13 / 0 / 54

HEX #516776

RGB 81 103 118

HSL 204.32, 0.19%, 0.39%

LAB 42.4, -4.31, -11.07

 

CMYK 12 / 31 / 0 / 54

HEX #685176

RGB 104 81 118

HSL 277.3, 0.19%, 0.39%

LAB 38.09, 17.16, -17.46

 

CMYK 0 / 18 / 31 / 54

HEX #766151

RGB 118 97 81

HSL 25.95, 0.19%, 0.39%

LAB 42.76, 5.88, 12.3

 

CMYK 29 / 0 / 31 / 54

HEX #547651

RGB 84 118 81

HSL 115.14, 0.19%, 0.39%

LAB 46.23, -20.06, 16.6

 

CMYK 31 / 13 / 0 / 54

HEX #516776

RGB 81 103 118

HSL 204.32, 0.19%, 0.39%

LAB 42.4, -4.31, -11.07

 

CMYK 3 / 31 / 0 / 54

HEX #735176

RGB 115 81 118

HSL 295.14, 0.19%, 0.39%

LAB 39.31, 21.08, -15.48

 

Description

Color code: HEX #766151 | qconv.com Color code: HEX #766151 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 97 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 97 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 31 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 31% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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