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Color name
HEX #765F154C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #765F154C it is the complementary color #89A0EA4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #765F154C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #765F154C shade: #7B5F104C, #8C71234C, #9D83364C, #AE95494C and #BFA75C4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #765F154C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #765F154C shade: #765F154C, #654D024C, #543B004C, #4329004C and #3217004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #765F154C shade: #755E15, #754415, #752A15 and #751515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #765F154C shade: #755E15, #727515, #587515, #3E7515 and #247515

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #765F154C shade matches the following richer shades: #755E15 and #80640A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #765F154C shade: #755E15, #6A5820, #5F522B, #544D36 and #484741

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #765F154C shade: #752A15, #754315, #755D15, #737515 and #5A7515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #765F154C shade: #2F2608, #52420E, #755E15, #987A1B and #BB9721

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #765F154C shade: #765F15, #197515 and #361575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #765F154C shade: #765F15, #15755D and #5D1575

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #765F154C shade: #765F15, #197515, #152D75 and #701575

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #765F154C shade: #765F15, #15752D, #152D75 and #75155D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 25 / 16

HEX #765F154C

RGBA 118 95 21 0.3

HSLA 45.77, 0.7%, 0.27%, 0.3

LABA 41.36, 1.48, 42.61, 0.3

 

Complementary color

CMYK 12 / 9 / 0 / 2

HEX #89A0EA4C

RGBA 137 160 234 0.3

HSLA 225.77, 0.7%, 0.73%, 0.3

LABA 66.82, 10.49, -39.81, 0.3

 

CMYK 0 / 7 / 26 / 16

HEX #7B5F104C

RGBA 123 95 16 0.3

HSLA 44.3, 0.77%, 0.27%, 0.3

LABA 41.9, 3.73, 45.03, 0.3

 

CMYK 0 / 6 / 23 / 14

HEX #8C71234C

RGBA 140 113 35 0.3

HSLA 44.57, 0.6%, 0.34%, 0.3

LABA 48.89, 2.13, 45, 0.3

 

CMYK 0 / 5 / 20 / 12

HEX #9D83364C

RGBA 157 131 54 0.3

HSLA 44.85, 0.49%, 0.41%, 0.3

LABA 55.75, 0.88, 44.12, 0.3

 

CMYK 0 / 4 / 17 / 10

HEX #AE95494C

RGBA 174 149 73 0.3

HSLA 45.15, 0.41%, 0.48%, 0.3

LABA 62.49, -0.13, 42.94, 0.3

 

CMYK 0 / 4 / 16 / 8

HEX #BFA75C4C

RGBA 191 167 92 0.3

HSLA 45.45, 0.44%, 0.55%, 0.3

LABA 69.1, -0.96, 41.66, 0.3

 

CMYK 0 / 6 / 25 / 16

HEX #765F154C

RGBA 118 95 21 0.3

HSLA 45.77, 0.7%, 0.27%, 0.3

LABA 41.36, 1.48, 42.61, 0.3

 

CMYK 0 / 7 / 29 / 18

HEX #654D024C

RGBA 101 77 2 0.3

HSLA 45.45, 0.96%, 0.2%, 0.3

LABA 34.15, 3.26, 42.03, 0.3

 

CMYK 0 / 9 / 30 / 20

HEX #543B004C

RGBA 84 59 0 0.3

HSLA 42.14, 1%, 0.16%, 0.3

LABA 26.77, 5.7, 36.25, 0.3

 

CMYK 0 / 12 / 30 / 22

HEX #4329004C

RGBA 67 41 0 0.3

HSLA 36.72, 1%, 0.13%, 0.3

LABA 19.14, 8.43, 27.66, 0.3

 

CMYK 0 / 16 / 30 / 24

HEX #3217004C

RGBA 50 23 0 0.3

HSLA 27.6, 1%, 0.1%, 0.3

LABA 11.21, 11.43, 16.99, 0.3

 

CMYK 0 / 20 / 82 / 54

HEX #755E15

RGB 117 94 21

HSL 45.63, 0.7%, 0.27%

LAB 40.96, 1.58, 42.21

 

CMYK 0 / 42 / 82 / 54

HEX #754415

RGB 117 68 21

HSL 29.38, 0.7%, 0.27%

LAB 33.92, 17.18, 35.64

 

CMYK 0 / 64 / 82 / 54

HEX #752A15

RGB 117 42 21

HSL 13.13, 0.7%, 0.27%

LAB 28.09, 31.77, 29.94

 

CMYK 0 / 82 / 82 / 54

HEX #751515

RGB 117 21 21

HSL 0, 0.7%, 0.27%

LAB 24.87, 40.57, 26.64

 

CMYK 0 / 20 / 82 / 54

HEX #755E15

RGB 117 94 21

HSL 45.63, 0.7%, 0.27%

LAB 40.96, 1.58, 42.21

 

CMYK 3 / 0 / 82 / 54

HEX #727515

RGB 114 117 21

HSL 61.88, 0.7%, 0.27%

LAB 47.44, -12.97, 47.92

 

CMYK 25 / 0 / 82 / 54

HEX #587515

RGB 88 117 21

HSL 78.13, 0.7%, 0.27%

LAB 45.43, -24.71, 45.36

 

CMYK 47 / 0 / 82 / 54

HEX #3E7515

RGB 62 117 21

HSL 94.38, 0.7%, 0.27%

LAB 43.95, -34.94, 43.45

 

CMYK 69 / 0 / 82 / 54

HEX #247515

RGB 36 117 21

HSL 110.63, 0.7%, 0.27%

LAB 42.99, -42.47, 42.21

 

CMYK 0 / 20 / 82 / 54

HEX #755E15

RGB 117 94 21

HSL 45.63, 0.7%, 0.27%

LAB 40.96, 1.58, 42.21

 

CMYK 0 / 22 / 92 / 50

HEX #80640A

RGB 128 100 10

HSL 45.76, 0.86%, 0.27%

LAB 43.84, 3.05, 48.49

 

CMYK 0 / 20 / 82 / 54

HEX #755E15

RGB 117 94 21

HSL 45.63, 0.7%, 0.27%

LAB 40.96, 1.58, 42.21

 

CMYK 0 / 17 / 70 / 58

HEX #6A5820

RGB 106 88 32

HSL 45.41, 0.54%, 0.27%

LAB 38.11, 0.39, 34.15

 

CMYK 0 / 14 / 55 / 63

HEX #5F522B

RGB 95 82 43

HSL 45, 0.38%, 0.27%

LAB 35.29, -0.37, 24.69

 

CMYK 0 / 8 / 36 / 67

HEX #544D36

RGB 84 77 54

HSL 46, 0.22%, 0.27%

LAB 32.83, -1.13, 14.72

 

CMYK 0 / 1 / 10 / 72

HEX #484741

RGB 72 71 65

HSL 51.43, 0.05%, 0.27%

LAB 30.07, -0.84, 3.75

 

CMYK 0 / 64 / 82 / 54

HEX #752A15

RGB 117 42 21

HSL 13.13, 0.7%, 0.27%

LAB 28.09, 31.77, 29.94

 

CMYK 0 / 43 / 82 / 54

HEX #754315

RGB 117 67 21

HSL 28.75, 0.7%, 0.27%

LAB 33.67, 17.78, 35.4

 

CMYK 0 / 21 / 82 / 54

HEX #755D15

RGB 117 93 21

HSL 45, 0.7%, 0.27%

LAB 40.68, 2.18, 41.95

 

CMYK 2 / 0 / 82 / 54

HEX #737515

RGB 115 117 21

HSL 61.25, 0.7%, 0.27%

LAB 47.52, -12.5, 48.03

 

CMYK 23 / 0 / 82 / 54

HEX #5A7515

RGB 90 117 21

HSL 76.88, 0.7%, 0.27%

LAB 45.57, -23.85, 45.54

 

CMYK 0 / 19 / 83 / 82

HEX #2F2608

RGB 47 38 8

HSL 46.15, 0.71%, 0.11%

LAB 15.53, 0.01, 19.38

 

CMYK 0 / 20 / 83 / 68

HEX #52420E

RGB 82 66 14

HSL 45.88, 0.71%, 0.19%

LAB 28.7, 0.81, 32.2

 

CMYK 0 / 20 / 82 / 54

HEX #755E15

RGB 117 94 21

HSL 45.63, 0.7%, 0.27%

LAB 40.96, 1.58, 42.21

 

CMYK 0 / 20 / 82 / 40

HEX #987A1B

RGB 152 122 27

HSL 45.6, 0.7%, 0.35%

LAB 52.59, 2.27, 51.95

 

CMYK 0 / 19 / 82 / 27

HEX #BB9721

RGB 187 151 33

HSL 45.97, 0.7%, 0.43%

LAB 64, 2.39, 61.44

 

CMYK 0 / 19 / 82 / 54

HEX #765F15

RGB 118 95 21

HSL 45.77, 0.7%, 0.27%

LAB 41.36, 1.48, 42.61

 

CMYK 79 / 0 / 82 / 54

HEX #197515

RGB 25 117 21

HSL 117.5, 0.7%, 0.27%

LAB 42.74, -44.63, 41.88

 

CMYK 54 / 82 / 0 / 54

HEX #361575

RGB 54 21 117

HSL 260.63, 0.7%, 0.27%

LAB 18.39, 39.13, -48.55

 

CMYK 0 / 19 / 82 / 54

HEX #765F15

RGB 118 95 21

HSL 45.77, 0.7%, 0.27%

LAB 41.36, 1.48, 42.61

 

CMYK 82 / 0 / 21 / 54

HEX #15755D

RGB 21 117 93

HSL 165, 0.7%, 0.27%

LAB 43.76, -32.71, 5.73

 

CMYK 21 / 82 / 0 / 54

HEX #5D1575

RGB 93 21 117

HSL 285, 0.7%, 0.27%

LAB 24.15, 45.98, -38.9

 

CMYK 0 / 19 / 82 / 54

HEX #765F15

RGB 118 95 21

HSL 45.77, 0.7%, 0.27%

LAB 41.36, 1.48, 42.61

 

CMYK 79 / 0 / 82 / 54

HEX #197515

RGB 25 117 21

HSL 117.5, 0.7%, 0.27%

LAB 42.74, -44.63, 41.88

 

CMYK 82 / 62 / 0 / 54

HEX #152D75

RGB 21 45 117

HSL 225, 0.7%, 0.27%

LAB 21.28, 19.62, -43.91

 

CMYK 4 / 82 / 0 / 54

HEX #701575

RGB 112 21 117

HSL 296.88, 0.7%, 0.27%

LAB 27.48, 49.9, -33.38

 

CMYK 0 / 19 / 82 / 54

HEX #765F15

RGB 118 95 21

HSL 45.77, 0.7%, 0.27%

LAB 41.36, 1.48, 42.61

 

CMYK 82 / 0 / 62 / 54

HEX #15752D

RGB 21 117 45

HSL 135, 0.7%, 0.27%

LAB 42.87, -42.74, 31.7

 

CMYK 82 / 62 / 0 / 54

HEX #152D75

RGB 21 45 117

HSL 225, 0.7%, 0.27%

LAB 21.28, 19.62, -43.91

 

CMYK 0 / 82 / 21 / 54

HEX #75155D

RGB 117 21 93

HSL 315, 0.7%, 0.27%

LAB 27.04, 47.17, -18.48

 

Description

Color code: HEX #765F154C | qconv.com Color code: HEX #765F154C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 95 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 95 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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