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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #765511 it is the complementary color #89AAEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #765511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #765511 shade: #7B550C, #8C671F, #9D7932, #AE8B45 and #BF9D58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #765511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #765511 shade: #765511, #654300, #543100, #431F00 and #320D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #765511 shade: #745411, #743911, #741E11 and #741111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #765511 shade: #745411, #746E11, #5F7411, #447411 and #297411

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #765511 shade matches the following richer shades: #745411 and #7F5706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #765511 shade: #745411, #69501B, #5F4C26, #544831 and #49453B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #765511 shade: #741E11, #743811, #745311, #746D11 and #607411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #765511 shade: #2C2006, #503A0B, #745411, #986E16 and #BC881B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #765511 shade: #765511, #1E7411 and #2B1174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #765511 shade: #765511, #117453 and #531174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #765511 shade: #765511, #1E7411, #113274 and #671174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #765511 shade: #765511, #117421, #113274 and #741163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 86 / 54

HEX #765511

RGB 118 85 17

HSL 40.4, 0.75%, 0.26%

LAB 38.53, 7.28, 41.56

 

Complementary color

CMYK 42 / 29 / 0 / 7

HEX #89AAEE

RGB 137 170 238

HSL 220.4, 0.75%, 0.74%

LAB 69.64, 5.94, -37.6

 

CMYK 0 / 31 / 90 / 52

HEX #7B550C

RGB 123 85 12

HSL 39.46, 0.82%, 0.26%

LAB 39.13, 9.55, 43.97

 

CMYK 0 / 26 / 78 / 45

HEX #8C671F

RGB 140 103 31

HSL 39.63, 0.64%, 0.34%

LAB 46.14, 7.72, 44.01

 

CMYK 0 / 23 / 68 / 38

HEX #9D7932

RGB 157 121 50

HSL 39.81, 0.52%, 0.41%

LAB 53.03, 6.25, 43.07

 

CMYK 0 / 20 / 60 / 32

HEX #AE8B45

RGB 174 139 69

HSL 40, 0.43%, 0.48%

LAB 59.79, 5.06, 41.81

 

CMYK 0 / 18 / 54 / 25

HEX #BF9D58

RGB 191 157 88

HSL 40.19, 0.45%, 0.55%

LAB 66.44, 4.08, 40.48

 

CMYK 0 / 28 / 86 / 54

HEX #765511

RGB 118 85 17

HSL 40.4, 0.75%, 0.26%

LAB 38.53, 7.28, 41.56

 

CMYK 0 / 34 / 100 / 60

HEX #654300

RGB 101 67 0

HSL 39.8, 1%, 0.2%

LAB 31.3, 9.36, 40.81

 

CMYK 0 / 42 / 100 / 67

HEX #543100

RGB 84 49 0

HSL 35, 1%, 0.16%

LAB 23.94, 12.08, 33.59

 

CMYK 0 / 54 / 100 / 74

HEX #431F00

RGB 67 31 0

HSL 27.76, 1%, 0.13%

LAB 16.37, 14.98, 24.34

 

CMYK 0 / 74 / 100 / 80

HEX #320D00

RGB 50 13 0

HSL 15.6, 1%, 0.1%

LAB 8.7, 17.79, 13.44

 

CMYK 0 / 28 / 85 / 55

HEX #745411

RGB 116 84 17

HSL 40.61, 0.74%, 0.26%

LAB 38.01, 6.91, 41.01

 

CMYK 0 / 51 / 85 / 55

HEX #743911

RGB 116 57 17

HSL 24.24, 0.74%, 0.26%

LAB 31.07, 23.04, 34.77

 

CMYK 0 / 74 / 85 / 55

HEX #741E11

RGB 116 30 17

HSL 7.88, 0.74%, 0.26%

LAB 25.81, 36.77, 29.86

 

CMYK 0 / 85 / 85 / 55

HEX #741111

RGB 116 17 17

HSL 0, 0.74%, 0.26%

LAB 24.18, 41.33, 28.28

 

CMYK 0 / 28 / 85 / 55

HEX #745411

RGB 116 84 17

HSL 40.61, 0.74%, 0.26%

LAB 38.01, 6.91, 41.01

 

CMYK 0 / 5 / 85 / 55

HEX #746E11

RGB 116 110 17

HSL 56.36, 0.74%, 0.26%

LAB 45.5, -8.29, 47.52

 

CMYK 18 / 0 / 85 / 55

HEX #5F7411

RGB 95 116 17

HSL 72.73, 0.74%, 0.26%

LAB 45.59, -21.31, 46.9

 

CMYK 41 / 0 / 85 / 55

HEX #447411

RGB 68 116 17

HSL 89.09, 0.74%, 0.26%

LAB 43.89, -32.54, 44.74

 

CMYK 65 / 0 / 85 / 55

HEX #297411

RGB 41 116 17

HSL 105.45, 0.74%, 0.26%

LAB 42.77, -41.15, 43.31

 

CMYK 0 / 28 / 85 / 55

HEX #745411

RGB 116 84 17

HSL 40.61, 0.74%, 0.26%

LAB 38.01, 6.91, 41.01

 

CMYK 0 / 31 / 95 / 50

HEX #7F5706

RGB 127 87 6

HSL 40.17, 0.91%, 0.26%

LAB 40.15, 10.15, 46.64

 

CMYK 0 / 28 / 85 / 55

HEX #745411

RGB 116 84 17

HSL 40.61, 0.74%, 0.26%

LAB 38.01, 6.91, 41.01

 

CMYK 0 / 24 / 74 / 59

HEX #69501B

RGB 105 80 27

HSL 40.77, 0.59%, 0.26%

LAB 35.63, 4.42, 33.98

 

CMYK 0 / 20 / 60 / 63

HEX #5F4C26

RGB 95 76 38

HSL 40, 0.43%, 0.26%

LAB 33.44, 2.81, 25.34

 

CMYK 0 / 14 / 42 / 67

HEX #544831

RGB 84 72 49

HSL 39.43, 0.26%, 0.26%

LAB 31.21, 1.27, 15.68

 

CMYK 0 / 5 / 19 / 71

HEX #49453B

RGB 73 69 59

HSL 42.86, 0.11%, 0.26%

LAB 29.38, -0.31, 6.65

 

CMYK 0 / 74 / 85 / 55

HEX #741E11

RGB 116 30 17

HSL 7.88, 0.74%, 0.26%

LAB 25.81, 36.77, 29.86

 

CMYK 0 / 52 / 85 / 55

HEX #743811

RGB 116 56 17

HSL 23.64, 0.74%, 0.26%

LAB 30.84, 23.61, 34.56

 

CMYK 0 / 28 / 85 / 55

HEX #745311

RGB 116 83 17

HSL 40, 0.74%, 0.26%

LAB 37.73, 7.51, 40.76

 

CMYK 0 / 6 / 85 / 55

HEX #746D11

RGB 116 109 17

HSL 55.76, 0.74%, 0.26%

LAB 45.21, -7.72, 47.26

 

CMYK 17 / 0 / 85 / 55

HEX #607411

RGB 96 116 17

HSL 72.12, 0.74%, 0.26%

LAB 45.66, -20.86, 46.99

 

CMYK 0 / 27 / 86 / 83

HEX #2C2006

RGB 44 32 6

HSL 41.05, 0.76%, 0.1%

LAB 13.12, 2.32, 16.98

 

CMYK 0 / 28 / 86 / 69

HEX #503A0B

RGB 80 58 11

HSL 40.87, 0.76%, 0.18%

LAB 26.03, 4.71, 30.9

 

CMYK 0 / 28 / 85 / 55

HEX #745411

RGB 116 84 17

HSL 40.61, 0.74%, 0.26%

LAB 38.01, 6.91, 41.01

 

CMYK 0 / 28 / 86 / 40

HEX #986E16

RGB 152 110 22

HSL 40.62, 0.75%, 0.34%

LAB 49.36, 8.94, 50.79

 

CMYK 0 / 28 / 86 / 26

HEX #BC881B

RGB 188 136 27

HSL 40.62, 0.75%, 0.42%

LAB 60.23, 10.87, 60.06

 

CMYK 0 / 28 / 86 / 54

HEX #765511

RGB 118 85 17

HSL 40.4, 0.75%, 0.26%

LAB 38.53, 7.28, 41.56

 

CMYK 74 / 0 / 85 / 55

HEX #1E7411

RGB 30 116 17

HSL 112.12, 0.74%, 0.26%

LAB 42.47, -43.63, 42.93

 

CMYK 63 / 85 / 0 / 55

HEX #2B1174

RGB 43 17 116

HSL 255.76, 0.74%, 0.26%

LAB 16.38, 39.26, -51.25

 

CMYK 0 / 28 / 86 / 54

HEX #765511

RGB 118 85 17

HSL 40.4, 0.75%, 0.26%

LAB 38.53, 7.28, 41.56

 

CMYK 85 / 0 / 28 / 55

HEX #117453

RGB 17 116 83

HSL 160, 0.74%, 0.26%

LAB 43.11, -35.34, 10.75

 

CMYK 28 / 85 / 0 / 55

HEX #531174

RGB 83 17 116

HSL 280, 0.74%, 0.26%

LAB 21.95, 45.22, -41.92

 

CMYK 0 / 28 / 86 / 54

HEX #765511

RGB 118 85 17

HSL 40.4, 0.75%, 0.26%

LAB 38.53, 7.28, 41.56

 

CMYK 74 / 0 / 85 / 55

HEX #1E7411

RGB 30 116 17

HSL 112.12, 0.74%, 0.26%

LAB 42.47, -43.63, 42.93

 

CMYK 85 / 57 / 0 / 55

HEX #113274

RGB 17 50 116

HSL 220, 0.74%, 0.26%

LAB 22.52, 15.18, -41.26

 

CMYK 11 / 85 / 0 / 55

HEX #671174

RGB 103 17 116

HSL 292.12, 0.74%, 0.26%

LAB 25.4, 49, -36.17

 

CMYK 0 / 28 / 86 / 54

HEX #765511

RGB 118 85 17

HSL 40.4, 0.75%, 0.26%

LAB 38.53, 7.28, 41.56

 

CMYK 85 / 0 / 72 / 55

HEX #117421

RGB 17 116 33

HSL 129.7, 0.74%, 0.26%

LAB 42.34, -44.39, 36.76

 

CMYK 85 / 57 / 0 / 55

HEX #113274

RGB 17 50 116

HSL 220, 0.74%, 0.26%

LAB 22.52, 15.18, -41.26

 

CMYK 0 / 85 / 15 / 55

HEX #741163

RGB 116 17 99

HSL 310.3, 0.74%, 0.26%

LAB 26.78, 48.91, -22.83

 

Description

Color code: HEX #765511 | qconv.com Color code: HEX #765511 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 85 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 85 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 86 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 86% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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