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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76518D it is the complementary color #89AE72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76518D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76518D shade: #7B5188, #8C639B, #9D75AE, #AE87C1 and #BF99D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76518D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76518D shade: #76518D, #653F7A, #542D67, #431B54 and #320941

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76518D shade: #77528E, #88528E, #8E5285, #8E5275 and #8E5264

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76518D shade: #77528E, #67528E, #57528E and #52528E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76518D shade matches the following richer shades: #77528E, #7C40A1, #802EB3, #841BC5 and #8809D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76518D shade: #77528E, #73647C, #6F766A, #6B8858 and #669B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76518D shade: #57528E, #67528E, #77528E, #87528E and #8E5285

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76518D shade: #4B345A, #614374, #77528E, #8D64A6 and #A07EB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76518D shade: #76518D, #8E525D and #528E5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76518D shade: #76518D, #8E7752 and #528E77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76518D shade: #76518D, #8E525D, #698E52 and #528E83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76518D shade: #76518D, #8E5952, #698E52 and #52878E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 43 / 0 / 45

HEX #76518D

RGB 118 81 141

HSL 277, 0.27%, 0.44%

LAB 40.67, 27.26, -27.4

 

Complementary color

CMYK 21 / 0 / 34 / 32

HEX #89AE72

RGB 137 174 114

HSL 97, 0.27%, 0.56%

LAB 67.13, -23.7, 26.83

 

CMYK 10 / 40 / 0 / 47

HEX #7B5188

RGB 123 81 136

HSL 285.82, 0.25%, 0.43%

LAB 41.01, 27.74, -23.78

 

CMYK 10 / 36 / 0 / 39

HEX #8C639B

RGB 140 99 155

HSL 283.93, 0.22%, 0.5%

LAB 48.09, 26.95, -24.04

 

CMYK 10 / 33 / 0 / 32

HEX #9D75AE

RGB 157 117 174

HSL 282.11, 0.26%, 0.57%

LAB 55.02, 26.21, -24.29

 

CMYK 10 / 30 / 0 / 24

HEX #AE87C1

RGB 174 135 193

HSL 280.34, 0.32%, 0.64%

LAB 61.81, 25.53, -24.54

 

CMYK 10 / 28 / 0 / 17

HEX #BF99D4

RGB 191 153 212

HSL 278.64, 0.41%, 0.72%

LAB 68.47, 24.91, -24.8

 

CMYK 16 / 43 / 0 / 45

HEX #76518D

RGB 118 81 141

HSL 277, 0.27%, 0.44%

LAB 40.67, 27.26, -27.4

 

CMYK 17 / 48 / 0 / 52

HEX #653F7A

RGB 101 63 122

HSL 278.64, 0.32%, 0.36%

LAB 33.41, 28.14, -27.24

 

CMYK 18 / 56 / 0 / 60

HEX #542D67

RGB 84 45 103

HSL 280.34, 0.39%, 0.29%

LAB 25.98, 29.05, -27.04

 

CMYK 20 / 68 / 0 / 67

HEX #431B54

RGB 67 27 84

HSL 282.11, 0.51%, 0.22%

LAB 18.44, 29.8, -26.65

 

CMYK 23 / 86 / 0 / 75

HEX #320941

RGB 50 9 65

HSL 283.93, 0.76%, 0.15%

LAB 10.96, 29.82, -25.7

 

CMYK 16 / 42 / 0 / 44

HEX #77528E

RGB 119 82 142

HSL 277, 0.27%, 0.44%

LAB 41.07, 27.22, -27.36

 

CMYK 4 / 42 / 0 / 44

HEX #88528E

RGB 136 82 142

HSL 294, 0.27%, 0.44%

LAB 43.1, 32.69, -24.06

 

CMYK 0 / 42 / 6 / 44

HEX #8E5285

RGB 142 82 133

HSL 309, 0.27%, 0.44%

LAB 43.48, 32.91, -17.97

 

CMYK 0 / 42 / 18 / 44

HEX #8E5275

RGB 142 82 117

HSL 325, 0.27%, 0.44%

LAB 42.87, 30.07, -9.15

 

CMYK 0 / 42 / 30 / 44

HEX #8E5264

RGB 142 82 100

HSL 342, 0.27%, 0.44%

LAB 42.32, 27.41, 0.47

 

CMYK 16 / 42 / 0 / 44

HEX #77528E

RGB 119 82 142

HSL 277, 0.27%, 0.44%

LAB 41.07, 27.22, -27.36

 

CMYK 27 / 42 / 0 / 44

HEX #67528E

RGB 103 82 142

HSL 261, 0.27%, 0.44%

LAB 39.36, 22.2, -30.16

 

CMYK 39 / 42 / 0 / 44

HEX #57528E

RGB 87 82 142

HSL 245, 0.27%, 0.44%

LAB 37.87, 17.46, -32.62

 

CMYK 42 / 42 / 0 / 44

HEX #52528E

RGB 82 82 142

HSL 240, 0.27%, 0.44%

LAB 37.45, 16.06, -33.31

 

CMYK 16 / 42 / 0 / 44

HEX #77528E

RGB 119 82 142

HSL 277, 0.27%, 0.44%

LAB 41.07, 27.22, -27.36

 

CMYK 23 / 60 / 0 / 37

HEX #7C40A1

RGB 124 64 161

HSL 277.11, 0.43%, 0.44%

LAB 38.77, 43.29, -42.41

 

CMYK 28 / 74 / 0 / 30

HEX #802EB3

RGB 128 46 179

HSL 276.99, 0.59%, 0.44%

LAB 37.48, 56.71, -55.2

 

CMYK 33 / 86 / 0 / 23

HEX #841BC5

RGB 132 27 197

HSL 277.06, 0.76%, 0.44%

LAB 37.34, 67.43, -66

 

CMYK 37 / 96 / 0 / 16

HEX #8809D7

RGB 136 9 215

HSL 276.99, 0.92%, 0.44%

LAB 38.44, 74.73, -74.63

 

CMYK 16 / 42 / 0 / 44

HEX #77528E

RGB 119 82 142

HSL 277, 0.27%, 0.44%

LAB 41.07, 27.22, -27.36

 

CMYK 7 / 19 / 0 / 51

HEX #73647C

RGB 115 100 124

HSL 277.5, 0.11%, 0.44%

LAB 44.54, 10.84, -11.19

 

CMYK 6 / 0 / 10 / 54

HEX #6F766A

RGB 111 118 106

HSL 95, 0.05%, 0.44%

LAB 48.73, -5.05, 5.7

 

CMYK 21 / 0 / 35 / 47

HEX #6B8858

RGB 107 136 88

HSL 96.25, 0.21%, 0.44%

LAB 53.43, -19.6, 22.51

 

CMYK 34 / 0 / 55 / 39

HEX #669B46

RGB 102 155 70

HSL 97.41, 0.38%, 0.44%

LAB 58.7, -33.25, 38.61

 

CMYK 39 / 42 / 0 / 44

HEX #57528E

RGB 87 82 142

HSL 245, 0.27%, 0.44%

LAB 37.87, 17.46, -32.62

 

CMYK 27 / 42 / 0 / 44

HEX #67528E

RGB 103 82 142

HSL 261, 0.27%, 0.44%

LAB 39.36, 22.2, -30.16

 

CMYK 16 / 42 / 0 / 44

HEX #77528E

RGB 119 82 142

HSL 277, 0.27%, 0.44%

LAB 41.07, 27.22, -27.36

 

CMYK 5 / 42 / 0 / 44

HEX #87528E

RGB 135 82 142

HSL 293, 0.27%, 0.44%

LAB 42.97, 32.37, -24.26

 

CMYK 0 / 42 / 6 / 44

HEX #8E5285

RGB 142 82 133

HSL 309, 0.27%, 0.44%

LAB 43.48, 32.91, -17.97

 

CMYK 17 / 42 / 0 / 65

HEX #4B345A

RGB 75 52 90

HSL 276.32, 0.27%, 0.28%

LAB 25.83, 18.5, -18.89

 

CMYK 16 / 42 / 0 / 55

HEX #614374

RGB 97 67 116

HSL 276.73, 0.27%, 0.36%

LAB 33.6, 22.96, -23.23

 

CMYK 16 / 42 / 0 / 44

HEX #77528E

RGB 119 82 142

HSL 277, 0.27%, 0.44%

LAB 41.07, 27.22, -27.36

 

CMYK 15 / 40 / 0 / 35

HEX #8D64A6

RGB 141 100 166

HSL 277.27, 0.27%, 0.52%

LAB 48.92, 29.12, -29.22

 

CMYK 12 / 30 / 0 / 29

HEX #A07EB5

RGB 160 126 181

HSL 277.09, 0.27%, 0.6%

LAB 57.78, 23.54, -24.03

 

CMYK 16 / 43 / 0 / 45

HEX #76518D

RGB 118 81 141

HSL 277, 0.27%, 0.44%

LAB 40.67, 27.26, -27.4

 

CMYK 0 / 42 / 35 / 44

HEX #8E525D

RGB 142 82 93

HSL 349, 0.27%, 0.44%

LAB 42.12, 26.42, 4.49

 

CMYK 42 / 0 / 33 / 44

HEX #528E5F

RGB 82 142 95

HSL 133, 0.27%, 0.44%

LAB 53.99, -30.18, 19.1

 

CMYK 16 / 43 / 0 / 45

HEX #76518D

RGB 118 81 141

HSL 277, 0.27%, 0.44%

LAB 40.67, 27.26, -27.4

 

CMYK 0 / 16 / 42 / 44

HEX #8E7752

RGB 142 119 82

HSL 37, 0.27%, 0.44%

LAB 51.33, 3.55, 23.67

 

CMYK 42 / 0 / 16 / 44

HEX #528E77

RGB 82 142 119

HSL 157, 0.27%, 0.44%

LAB 54.52, -25.16, 6.18

 

CMYK 16 / 43 / 0 / 45

HEX #76518D

RGB 118 81 141

HSL 277, 0.27%, 0.44%

LAB 40.67, 27.26, -27.4

 

CMYK 0 / 42 / 35 / 44

HEX #8E525D

RGB 142 82 93

HSL 349, 0.27%, 0.44%

LAB 42.12, 26.42, 4.49

 

CMYK 26 / 0 / 42 / 44

HEX #698E52

RGB 105 142 82

HSL 97, 0.27%, 0.44%

LAB 55.03, -24.33, 27.88

 

CMYK 42 / 0 / 8 / 44

HEX #528E83

RGB 82 142 131

HSL 169, 0.27%, 0.44%

LAB 54.84, -22.28, -0.26

 

CMYK 16 / 43 / 0 / 45

HEX #76518D

RGB 118 81 141

HSL 277, 0.27%, 0.44%

LAB 40.67, 27.26, -27.4

 

CMYK 0 / 37 / 42 / 44

HEX #8E5952

RGB 142 89 82

HSL 7, 0.27%, 0.44%

LAB 43.51, 20.99, 13.19

 

CMYK 26 / 0 / 42 / 44

HEX #698E52

RGB 105 142 82

HSL 97, 0.27%, 0.44%

LAB 55.03, -24.33, 27.88

 

CMYK 42 / 5 / 0 / 44

HEX #52878E

RGB 82 135 142

HSL 187, 0.27%, 0.44%

LAB 53.03, -15.69, -9.31

 

Description

Color code: HEX #76518D | qconv.com Color code: HEX #76518D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 81 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 81 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 43 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 43% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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