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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76482D it is the complementary color #89B7D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76482D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76482D shade: #7B4828, #8C5A3B, #9D6C4E, #AE7E61 and #BF9074

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76482D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76482D shade: #76482D, #65361A, #542407, #431200 and #320000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76482D shade: #76482D, #76342D and #762D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76482D shade: #76482D, #765C2D, #76702D, #69762D and #55762D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76482D shade matches the following richer shades: #76482D, #844520, #914112 and #9E3E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76482D shade: #76482D, #694B3A, #5C4F47, #4F5254 and #425662

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76482D shade: #762D39, #76342D, #76482D, #765B2D and #766F2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76482D shade: #3A2416, #583622, #76482D, #945A38 and #B26C44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76482D shade: #76482D, #4D762D and #2D2F76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76482D shade: #76482D, #2D7648 and #482D76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76482D shade: #76482D, #4D762D, #2D5B76 and #562D76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76482D shade: #76482D, #37762D, #2D5B76 and #6D2D76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

Complementary color

CMYK 35 / 13 / 0 / 18

HEX #89B7D2

RGB 137 183 210

HSL 202.19, 0.45%, 0.68%

LAB 72.12, -8.66, -18.51

 

CMYK 0 / 41 / 67 / 52

HEX #7B4828

RGB 123 72 40

HSL 23.13, 0.51%, 0.32%

LAB 35.98, 18.63, 28.09

 

CMYK 0 / 36 / 58 / 45

HEX #8C5A3B

RGB 140 90 59

HSL 22.96, 0.41%, 0.39%

LAB 43.07, 17.15, 26.24

 

CMYK 0 / 31 / 50 / 38

HEX #9D6C4E

RGB 157 108 78

HSL 22.78, 0.34%, 0.46%

LAB 50.03, 15.94, 24.58

 

CMYK 0 / 28 / 44 / 32

HEX #AE7E61

RGB 174 126 97

HSL 22.6, 0.32%, 0.53%

LAB 56.86, 14.92, 23.11

 

CMYK 0 / 25 / 39 / 25

HEX #BF9074

RGB 191 144 116

HSL 22.4, 0.37%, 0.6%

LAB 63.58, 14.05, 21.78

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 0 / 47 / 74 / 60

HEX #65361A

RGB 101 54 26

HSL 22.4, 0.59%, 0.25%

LAB 28.06, 18.39, 26.25

 

CMYK 0 / 57 / 92 / 67

HEX #542407

RGB 84 36 7

HSL 22.6, 0.85%, 0.18%

LAB 20.68, 20.4, 27.31

 

CMYK 0 / 73 / 100 / 74

HEX #431200

RGB 67 18 0

HSL 16.12, 1%, 0.13%

LAB 13.39, 22.64, 20.5

 

CMYK 0 / 100 / 100 / 80

HEX #320000

RGB 50 0 0

HSL 0, 1%, 0.1%

LAB 6.13, 24.68, 9.68

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 0 / 56 / 62 / 54

HEX #76342D

RGB 118 52 45

HSL 5.75, 0.45%, 0.32%

LAB 30.63, 28.34, 18.34

 

CMYK 0 / 62 / 62 / 54

HEX #762D2D

RGB 118 45 45

HSL 0, 0.45%, 0.32%

LAB 29.2, 32.06, 16.5

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 0 / 22 / 62 / 54

HEX #765C2D

RGB 118 92 45

HSL 38.63, 0.45%, 0.32%

LAB 40.73, 4.72, 30.66

 

CMYK 0 / 5 / 62 / 54

HEX #76702D

RGB 118 112 45

HSL 55.07, 0.45%, 0.32%

LAB 46.48, -6.92, 37.2

 

CMYK 11 / 0 / 62 / 54

HEX #69762D

RGB 105 118 45

HSL 70.68, 0.45%, 0.32%

LAB 47.17, -16.15, 37.65

 

CMYK 28 / 0 / 62 / 54

HEX #55762D

RGB 85 118 45

HSL 87.12, 0.45%, 0.32%

LAB 45.74, -24.71, 35.65

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 0 / 48 / 76 / 48

HEX #844520

RGB 132 69 32

HSL 22.2, 0.61%, 0.32%

LAB 36.49, 23.91, 33.45

 

CMYK 0 / 55 / 88 / 43

HEX #914112

RGB 145 65 18

HSL 22.2, 0.78%, 0.32%

LAB 37.56, 31.14, 41.86

 

CMYK 0 / 61 / 97 / 38

HEX #9E3E05

RGB 158 62 5

HSL 22.35, 0.94%, 0.32%

LAB 39.11, 37.66, 48.41

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 0 / 29 / 45 / 59

HEX #694B3A

RGB 105 75 58

HSL 21.7, 0.29%, 0.32%

LAB 34.68, 10.32, 15.14

 

CMYK 0 / 14 / 23 / 64

HEX #5C4F47

RGB 92 79 71

HSL 22.86, 0.13%, 0.32%

LAB 34.65, 3.95, 6.71

 

CMYK 6 / 2 / 0 / 67

HEX #4F5254

RGB 79 82 84

HSL 204, 0.03%, 0.32%

LAB 34.67, -0.76, -1.59

 

CMYK 33 / 12 / 0 / 62

HEX #425662

RGB 66 86 98

HSL 202.5, 0.2%, 0.32%

LAB 35.39, -4.43, -9.43

 

CMYK 0 / 62 / 52 / 54

HEX #762D39

RGB 118 45 57

HSL 350.14, 0.45%, 0.32%

LAB 29.47, 33.14, 8.99

 

CMYK 0 / 56 / 62 / 54

HEX #76342D

RGB 118 52 45

HSL 5.75, 0.45%, 0.32%

LAB 30.63, 28.34, 18.34

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 0 / 23 / 62 / 54

HEX #765B2D

RGB 118 91 45

HSL 37.81, 0.45%, 0.32%

LAB 40.45, 5.31, 30.34

 

CMYK 0 / 6 / 62 / 54

HEX #766F2D

RGB 118 111 45

HSL 54.25, 0.45%, 0.32%

LAB 46.19, -6.36, 36.88

 

CMYK 0 / 38 / 62 / 77

HEX #3A2416

RGB 58 36 22

HSL 23.33, 0.45%, 0.16%

LAB 16.6, 8.6, 13.57

 

CMYK 0 / 39 / 61 / 65

HEX #583622

RGB 88 54 34

HSL 22.22, 0.44%, 0.24%

LAB 26.24, 12.86, 18.78

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 0 / 39 / 62 / 42

HEX #945A38

RGB 148 90 56

HSL 22.17, 0.45%, 0.4%

LAB 44.08, 20.42, 29.44

 

CMYK 0 / 39 / 62 / 30

HEX #B26C44

RGB 178 108 68

HSL 21.82, 0.45%, 0.48%

LAB 52.52, 24.02, 33.88

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 35 / 0 / 62 / 54

HEX #4D762D

RGB 77 118 45

HSL 93.7, 0.45%, 0.32%

LAB 45.25, -27.88, 34.97

 

CMYK 62 / 60 / 0 / 54

HEX #2D2F76

RGB 45 47 118

HSL 238.36, 0.45%, 0.32%

LAB 23.33, 22.3, -41.15

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 62 / 0 / 39 / 54

HEX #2D7648

RGB 45 118 72

HSL 142.19, 0.45%, 0.32%

LAB 44.21, -33.92, 18.77

 

CMYK 39 / 62 / 0 / 54

HEX #482D76

RGB 72 45 118

HSL 262.19, 0.45%, 0.32%

LAB 25.45, 29.72, -37.6

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 35 / 0 / 62 / 54

HEX #4D762D

RGB 77 118 45

HSL 93.7, 0.45%, 0.32%

LAB 45.25, -27.88, 34.97

 

CMYK 62 / 23 / 0 / 54

HEX #2D5B76

RGB 45 91 118

HSL 202.19, 0.45%, 0.32%

LAB 36.65, -6.95, -20.04

 

CMYK 27 / 62 / 0 / 54

HEX #562D76

RGB 86 45 118

HSL 273.7, 0.45%, 0.32%

LAB 27.19, 33.36, -34.7

 

CMYK 0 / 39 / 62 / 54

HEX #76482D

RGB 118 72 45

HSL 22.19, 0.45%, 0.32%

LAB 35.35, 16.74, 24.25

 

CMYK 53 / 0 / 62 / 54

HEX #37762D

RGB 55 118 45

HSL 111.78, 0.45%, 0.32%

LAB 44.17, -35.53, 33.45

 

CMYK 62 / 23 / 0 / 54

HEX #2D5B76

RGB 45 91 118

HSL 202.19, 0.45%, 0.32%

LAB 36.65, -6.95, -20.04

 

CMYK 8 / 62 / 0 / 54

HEX #6D2D76

RGB 109 45 118

HSL 292.6, 0.45%, 0.32%

LAB 30.49, 39.65, -29.26

 

Description

Color code: HEX #76482D | qconv.com Color code: HEX #76482D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 72 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 72 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 62 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 62% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - G-style4 - 지스타일(G-st...
Link: http://www.gstyle4.com

18% - 名古屋名物宮きしめん 宮商事株式会社
Link: http://www.miyakishimen.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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