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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #764290 it is the complementary color #89BD6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #764290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #764290 shade: #7B428B, #8C549E, #9D66B1, #AE78C4 and #BF8AD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #764290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #764290 shade: #764290, #65307D, #541E6A, #430C57 and #320044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #764290 shade: #75428F, #8A428F, #8F427F, #8F426A and #8F4256

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #764290 shade: #75428F, #61428F, #4C428F and #42428F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #764290 shade matches the following richer shades: #75428F, #7B31A0, #8120B1 and #860FC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #764290 shade: #75428F, #70537E, #6A646D, #65755C and #5F864C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #764290 shade: #4C428F, #61428F, #75428F, #8A428F and #8F4280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #764290 shade: #472857, #5E3573, #75428F, #8D4FAB and #9F69BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #764290 shade: #764290, #8F424C and #428F56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #764290 shade: #764290, #8F7542 and #428F75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #764290 shade: #764290, #8F424C, #5C8F42 and #428F85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #764290 shade: #764290, #8F4F42, #5C8F42 and #42828F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 54 / 0 / 44

HEX #764290

RGB 118 66 144

HSL 280, 0.37%, 0.41%

LAB 37.41, 36.66, -34.35

 

Complementary color

CMYK 28 / 0 / 41 / 26

HEX #89BD6F

RGB 137 189 111

HSL 100, 0.37%, 0.59%

LAB 71.46, -31.4, 34.05

 

CMYK 12 / 53 / 0 / 45

HEX #7B428B

RGB 123 66 139

HSL 286.85, 0.36%, 0.4%

LAB 37.79, 37, -30.65

 

CMYK 11 / 47 / 0 / 38

HEX #8C549E

RGB 140 84 158

HSL 285.41, 0.31%, 0.47%

LAB 44.78, 36.19, -30.98

 

CMYK 11 / 42 / 0 / 31

HEX #9D66B1

RGB 157 102 177

HSL 284, 0.32%, 0.55%

LAB 51.66, 35.37, -31.23

 

CMYK 11 / 39 / 0 / 23

HEX #AE78C4

RGB 174 120 196

HSL 282.63, 0.39%, 0.62%

LAB 58.43, 34.59, -31.46

 

CMYK 11 / 36 / 0 / 16

HEX #BF8AD7

RGB 191 138 215

HSL 281.3, 0.49%, 0.69%

LAB 65.09, 33.84, -31.67

 

CMYK 18 / 54 / 0 / 44

HEX #764290

RGB 118 66 144

HSL 280, 0.37%, 0.41%

LAB 37.41, 36.66, -34.35

 

CMYK 19 / 62 / 0 / 51

HEX #65307D

RGB 101 48 125

HSL 281.3, 0.45%, 0.34%

LAB 30.31, 37.43, -34.03

 

CMYK 21 / 72 / 0 / 58

HEX #541E6A

RGB 84 30 106

HSL 282.63, 0.56%, 0.27%

LAB 23.18, 37.88, -33.45

 

CMYK 23 / 86 / 0 / 66

HEX #430C57

RGB 67 12 87

HSL 284, 0.76%, 0.19%

LAB 16.23, 37.39, -32.23

 

CMYK 26 / 100 / 0 / 73

HEX #320044

RGB 50 0 68

HSL 284.12, 1%, 0.13%

LAB 9.76, 34.8, -29.76

 

CMYK 18 / 54 / 0 / 44

HEX #75428F

RGB 117 66 143

HSL 279.74, 0.37%, 0.41%

LAB 37.23, 36.14, -34.03

 

CMYK 3 / 54 / 0 / 44

HEX #8A428F

RGB 138 66 143

HSL 296.1, 0.37%, 0.41%

LAB 40.05, 42.23, -29.39

 

CMYK 0 / 54 / 11 / 44

HEX #8F427F

RGB 143 66 127

HSL 312.47, 0.37%, 0.41%

LAB 40.03, 40.8, -19.59

 

CMYK 0 / 54 / 26 / 44

HEX #8F426A

RGB 143 66 106

HSL 328.83, 0.37%, 0.41%

LAB 39.2, 37.43, -7.84

 

CMYK 0 / 54 / 40 / 44

HEX #8F4256

RGB 143 66 86

HSL 344.42, 0.37%, 0.41%

LAB 38.56, 34.74, 3.77

 

CMYK 18 / 54 / 0 / 44

HEX #75428F

RGB 117 66 143

HSL 279.74, 0.37%, 0.41%

LAB 37.23, 36.14, -34.03

 

CMYK 32 / 54 / 0 / 44

HEX #61428F

RGB 97 66 143

HSL 264.16, 0.37%, 0.41%

LAB 34.84, 30.53, -37.97

 

CMYK 47 / 54 / 0 / 44

HEX #4C428F

RGB 76 66 143

HSL 247.79, 0.37%, 0.41%

LAB 32.74, 25.08, -41.46

 

CMYK 54 / 54 / 0 / 44

HEX #42428F

RGB 66 66 143

HSL 240, 0.37%, 0.41%

LAB 31.89, 22.75, -42.86

 

CMYK 18 / 54 / 0 / 44

HEX #75428F

RGB 117 66 143

HSL 279.74, 0.37%, 0.41%

LAB 37.23, 36.14, -34.03

 

CMYK 23 / 69 / 0 / 37

HEX #7B31A0

RGB 123 49 160

HSL 280, 0.53%, 0.41%

LAB 35.88, 50.21, -46.45

 

CMYK 27 / 82 / 0 / 31

HEX #8120B1

RGB 129 32 177

HSL 280.14, 0.69%, 0.41%

LAB 35.74, 61.45, -56.82

 

CMYK 31 / 92 / 0 / 24

HEX #860FC2

RGB 134 15 194

HSL 279.89, 0.86%, 0.41%

LAB 36.57, 69.53, -65.5

 

CMYK 18 / 54 / 0 / 44

HEX #75428F

RGB 117 66 143

HSL 279.74, 0.37%, 0.41%

LAB 37.23, 36.14, -34.03

 

CMYK 11 / 34 / 0 / 51

HEX #70537E

RGB 112 83 126

HSL 280.47, 0.21%, 0.41%

LAB 39.81, 20.58, -19.65

 

CMYK 3 / 8 / 0 / 57

HEX #6A646D

RGB 106 100 109

HSL 280, 0.04%, 0.41%

LAB 43.19, 4.22, -4.22

 

CMYK 14 / 0 / 21 / 54

HEX #65755C

RGB 101 117 92

HSL 98.4, 0.12%, 0.41%

LAB 47.32, -11.01, 11.85

 

CMYK 29 / 0 / 43 / 47

HEX #5F864C

RGB 95 134 76

HSL 100.34, 0.28%, 0.41%

LAB 51.84, -24.96, 26.94

 

CMYK 47 / 54 / 0 / 44

HEX #4C428F

RGB 76 66 143

HSL 247.79, 0.37%, 0.41%

LAB 32.74, 25.08, -41.46

 

CMYK 32 / 54 / 0 / 44

HEX #61428F

RGB 97 66 143

HSL 264.16, 0.37%, 0.41%

LAB 34.84, 30.53, -37.97

 

CMYK 18 / 54 / 0 / 44

HEX #75428F

RGB 117 66 143

HSL 279.74, 0.37%, 0.41%

LAB 37.23, 36.14, -34.03

 

CMYK 3 / 54 / 0 / 44

HEX #8A428F

RGB 138 66 143

HSL 296.1, 0.37%, 0.41%

LAB 40.05, 42.23, -29.39

 

CMYK 0 / 54 / 10 / 44

HEX #8F4280

RGB 143 66 128

HSL 311.69, 0.37%, 0.41%

LAB 40.07, 40.97, -20.14

 

CMYK 18 / 54 / 0 / 66

HEX #472857

RGB 71 40 87

HSL 279.57, 0.37%, 0.25%

LAB 22.11, 24.06, -22.8

 

CMYK 18 / 54 / 0 / 55

HEX #5E3573

RGB 94 53 115

HSL 279.68, 0.37%, 0.33%

LAB 29.82, 30.25, -28.56

 

CMYK 18 / 54 / 0 / 44

HEX #75428F

RGB 117 66 143

HSL 279.74, 0.37%, 0.41%

LAB 37.23, 36.14, -34.03

 

CMYK 18 / 54 / 0 / 33

HEX #8D4FAB

RGB 141 79 171

HSL 280.43, 0.37%, 0.49%

LAB 44.51, 42.08, -39.09

 

CMYK 15 / 44 / 0 / 27

HEX #9F69BA

RGB 159 105 186

HSL 280, 0.37%, 0.57%

LAB 52.97, 36.25, -34.38

 

CMYK 18 / 54 / 0 / 44

HEX #764290

RGB 118 66 144

HSL 280, 0.37%, 0.41%

LAB 37.41, 36.66, -34.35

 

CMYK 0 / 54 / 47 / 44

HEX #8F424C

RGB 143 66 76

HSL 352.21, 0.37%, 0.41%

LAB 38.3, 33.6, 9.69

 

CMYK 54 / 0 / 40 / 44

HEX #428F56

RGB 66 143 86

HSL 135.58, 0.37%, 0.41%

LAB 53.47, -36.95, 23.28

 

CMYK 18 / 54 / 0 / 44

HEX #764290

RGB 118 66 144

HSL 280, 0.37%, 0.41%

LAB 37.41, 36.66, -34.35

 

CMYK 0 / 18 / 54 / 44

HEX #8F7542

RGB 143 117 66

HSL 39.74, 0.37%, 0.41%

LAB 50.64, 3.44, 31.72

 

CMYK 54 / 0 / 18 / 44

HEX #428F75

RGB 66 143 117

HSL 159.74, 0.37%, 0.41%

LAB 54.12, -30.37, 6.66

 

CMYK 18 / 54 / 0 / 44

HEX #764290

RGB 118 66 144

HSL 280, 0.37%, 0.41%

LAB 37.41, 36.66, -34.35

 

CMYK 0 / 54 / 47 / 44

HEX #8F424C

RGB 143 66 76

HSL 352.21, 0.37%, 0.41%

LAB 38.3, 33.6, 9.69

 

CMYK 36 / 0 / 54 / 44

HEX #5C8F42

RGB 92 143 66

HSL 99.74, 0.37%, 0.41%

LAB 54.36, -31.76, 35.3

 

CMYK 54 / 0 / 7 / 44

HEX #428F85

RGB 66 143 133

HSL 172.21, 0.37%, 0.41%

LAB 54.55, -26.29, -1.92

 

CMYK 18 / 54 / 0 / 44

HEX #764290

RGB 118 66 144

HSL 280, 0.37%, 0.41%

LAB 37.41, 36.66, -34.35

 

CMYK 0 / 45 / 54 / 44

HEX #8F4F42

RGB 143 79 66

HSL 10.13, 0.37%, 0.41%

LAB 40.94, 25.43, 19.44

 

CMYK 36 / 0 / 54 / 44

HEX #5C8F42

RGB 92 143 66

HSL 99.74, 0.37%, 0.41%

LAB 54.36, -31.76, 35.3

 

CMYK 54 / 9 / 0 / 44

HEX #42828F

RGB 66 130 143

HSL 190.13, 0.37%, 0.41%

LAB 50.81, -16.66, -13.3

 

Description

Color code: HEX #764290 | qconv.com Color code: HEX #764290 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 66 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 66 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 54 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 54% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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