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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #763888 it is the complementary color #89C777. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #763888. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #763888 shade: #7B3883, #8C4A96, #9D5CA9, #AE6EBC and #BF80CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #763888. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #763888 shade: #763888, #652675, #541462, #43024F and #32003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #763888 shade: #77388A, #8A3886, #8A3870, #8A385A and #8A3844

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #763888 shade: #77388A, #61388A, #4B388A and #38388A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #763888 shade matches the following richer shades: #77388A, #802999, #8919A9 and #9109B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #763888 shade: #77388A, #6F487A, #66586A, #5D675B and #55774B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #763888 shade: #4B388A, #61388A, #77388A, #8A3887 and #8A3871

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #763888 shade: #44204F, #5E2C6C, #77388A, #9144A7 and #A559BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #763888 shade: #763888, #8A383B and #388A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #763888 shade: #763888, #8A7738 and #388A77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #763888 shade: #763888, #8A383B, #4B8A38 and #388A87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #763888 shade: #763888, #8A4E38, #4B8A38 and #38748A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 59 / 0 / 47

HEX #763888

RGB 118 56 136

HSL 286.5, 0.42%, 0.38%

LAB 34.92, 40.3, -33.4

 

Complementary color

CMYK 31 / 0 / 40 / 22

HEX #89C777

RGB 137 199 119

HSL 106.5, 0.42%, 0.62%

LAB 74.51, -34.94, 33.86

 

CMYK 6 / 57 / 0 / 49

HEX #7B3883

RGB 123 56 131

HSL 293.6, 0.4%, 0.37%

LAB 35.36, 40.66, -29.57

 

CMYK 7 / 51 / 0 / 41

HEX #8C4A96

RGB 140 74 150

HSL 292.11, 0.34%, 0.44%

LAB 42.27, 40, -30.13

 

CMYK 7 / 46 / 0 / 34

HEX #9D5CA9

RGB 157 92 169

HSL 290.65, 0.31%, 0.51%

LAB 49.11, 39.24, -30.54

 

CMYK 7 / 41 / 0 / 26

HEX #AE6EBC

RGB 174 110 188

HSL 289.23, 0.37%, 0.58%

LAB 55.87, 38.45, -30.88

 

CMYK 8 / 38 / 0 / 19

HEX #BF80CF

RGB 191 128 207

HSL 287.85, 0.45%, 0.66%

LAB 62.52, 37.68, -31.17

 

CMYK 13 / 59 / 0 / 47

HEX #763888

RGB 118 56 136

HSL 286.5, 0.42%, 0.38%

LAB 34.92, 40.3, -33.4

 

CMYK 14 / 68 / 0 / 54

HEX #652675

RGB 101 38 117

HSL 287.85, 0.51%, 0.3%

LAB 27.95, 40.74, -32.74

 

CMYK 14 / 80 / 0 / 62

HEX #541462

RGB 84 20 98

HSL 289.23, 0.66%, 0.23%

LAB 21.08, 40.47, -31.59

 

CMYK 15 / 97 / 0 / 69

HEX #43024F

RGB 67 2 79

HSL 290.65, 0.95%, 0.16%

LAB 14.41, 39.12, -29.73

 

CMYK 17 / 100 / 0 / 76

HEX #32003C

RGB 50 0 60

HSL 290, 1%, 0.12%

LAB 9.03, 33.11, -25.25

 

CMYK 14 / 59 / 0 / 46

HEX #77388A

RGB 119 56 138

HSL 286.1, 0.42%, 0.38%

LAB 35.17, 41.01, -34.21

 

CMYK 0 / 59 / 3 / 46

HEX #8A3886

RGB 138 56 134

HSL 302.93, 0.42%, 0.38%

LAB 37.76, 45.5, -27.49

 

CMYK 0 / 59 / 19 / 46

HEX #8A3870

RGB 138 56 112

HSL 319.02, 0.42%, 0.38%

LAB 36.75, 41.76, -15.39

 

CMYK 0 / 59 / 35 / 46

HEX #8A385A

RGB 138 56 90

HSL 335.12, 0.42%, 0.38%

LAB 35.93, 38.6, -2.71

 

CMYK 0 / 59 / 51 / 46

HEX #8A3844

RGB 138 56 68

HSL 351.22, 0.42%, 0.38%

LAB 35.3, 36.09, 10.46

 

CMYK 14 / 59 / 0 / 46

HEX #77388A

RGB 119 56 138

HSL 286.1, 0.42%, 0.38%

LAB 35.17, 41.01, -34.21

 

CMYK 30 / 59 / 0 / 46

HEX #61388A

RGB 97 56 138

HSL 270, 0.42%, 0.38%

LAB 32.27, 35.1, -39.02

 

CMYK 46 / 59 / 0 / 46

HEX #4B388A

RGB 75 56 138

HSL 253.9, 0.42%, 0.38%

LAB 29.81, 29.62, -43.1

 

CMYK 59 / 59 / 0 / 46

HEX #38388A

RGB 56 56 138

HSL 240, 0.42%, 0.38%

LAB 28.13, 25.52, -45.91

 

CMYK 14 / 59 / 0 / 46

HEX #77388A

RGB 119 56 138

HSL 286.1, 0.42%, 0.38%

LAB 35.17, 41.01, -34.21

 

CMYK 16 / 73 / 0 / 40

HEX #802999

RGB 128 41 153

HSL 286.61, 0.58%, 0.38%

LAB 34.95, 53.22, -43.66

 

CMYK 19 / 85 / 0 / 34

HEX #8919A9

RGB 137 25 169

HSL 286.67, 0.74%, 0.38%

LAB 35.75, 63.15, -51.97

 

CMYK 22 / 95 / 0 / 27

HEX #9109B9

RGB 145 9 185

HSL 286.36, 0.91%, 0.38%

LAB 37.33, 70.13, -58.87

 

CMYK 14 / 59 / 0 / 46

HEX #77388A

RGB 119 56 138

HSL 286.1, 0.42%, 0.38%

LAB 35.17, 41.01, -34.21

 

CMYK 9 / 41 / 0 / 52

HEX #6F487A

RGB 111 72 122

HSL 286.8, 0.26%, 0.38%

LAB 36.78, 25.99, -21.88

 

CMYK 4 / 17 / 0 / 58

HEX #66586A

RGB 102 88 106

HSL 286.67, 0.09%, 0.38%

LAB 39.32, 9.37, -8.19

 

CMYK 10 / 0 / 12 / 60

HEX #5D675B

RGB 93 103 91

HSL 110, 0.06%, 0.38%

LAB 42.43, -6.36, 5.47

 

CMYK 29 / 0 / 37 / 53

HEX #55774B

RGB 85 119 75

HSL 106.36, 0.23%, 0.38%

LAB 46.49, -21.24, 20.42

 

CMYK 46 / 59 / 0 / 46

HEX #4B388A

RGB 75 56 138

HSL 253.9, 0.42%, 0.38%

LAB 29.81, 29.62, -43.1

 

CMYK 30 / 59 / 0 / 46

HEX #61388A

RGB 97 56 138

HSL 270, 0.42%, 0.38%

LAB 32.27, 35.1, -39.02

 

CMYK 14 / 59 / 0 / 46

HEX #77388A

RGB 119 56 138

HSL 286.1, 0.42%, 0.38%

LAB 35.17, 41.01, -34.21

 

CMYK 0 / 59 / 2 / 46

HEX #8A3887

RGB 138 56 135

HSL 302.2, 0.42%, 0.38%

LAB 37.81, 45.68, -28.02

 

CMYK 0 / 59 / 18 / 46

HEX #8A3871

RGB 138 56 113

HSL 318.29, 0.42%, 0.38%

LAB 36.79, 41.92, -15.95

 

CMYK 14 / 59 / 0 / 69

HEX #44204F

RGB 68 32 79

HSL 285.96, 0.42%, 0.22%

LAB 19.34, 26.02, -21.84

 

CMYK 13 / 59 / 0 / 58

HEX #5E2C6C

RGB 94 44 108

HSL 286.88, 0.42%, 0.3%

LAB 27.47, 33.76, -27.81

 

CMYK 14 / 59 / 0 / 46

HEX #77388A

RGB 119 56 138

HSL 286.1, 0.42%, 0.38%

LAB 35.17, 41.01, -34.21

 

CMYK 13 / 59 / 0 / 35

HEX #9144A7

RGB 145 68 167

HSL 286.67, 0.42%, 0.46%

LAB 42.68, 47.99, -39.6

 

CMYK 12 / 52 / 0 / 27

HEX #A559BB

RGB 165 89 187

HSL 286.53, 0.42%, 0.54%

LAB 50.37, 46.84, -38.99

 

CMYK 13 / 59 / 0 / 47

HEX #763888

RGB 118 56 136

HSL 286.5, 0.42%, 0.38%

LAB 34.92, 40.3, -33.4

 

CMYK 0 / 59 / 57 / 46

HEX #8A383B

RGB 138 56 59

HSL 357.8, 0.42%, 0.38%

LAB 35.1, 35.27, 15.92

 

CMYK 59 / 0 / 38 / 46

HEX #388A56

RGB 56 138 86

HSL 141.95, 0.42%, 0.38%

LAB 51.48, -37.3, 20.59

 

CMYK 13 / 59 / 0 / 47

HEX #763888

RGB 118 56 136

HSL 286.5, 0.42%, 0.38%

LAB 34.92, 40.3, -33.4

 

CMYK 0 / 14 / 59 / 46

HEX #8A7738

RGB 138 119 56

HSL 46.1, 0.42%, 0.38%

LAB 50.55, -0.83, 36.78

 

CMYK 59 / 0 / 14 / 46

HEX #388A77

RGB 56 138 119

HSL 166.1, 0.42%, 0.38%

LAB 52.23, -29.73, 2.75

 

CMYK 13 / 59 / 0 / 47

HEX #763888

RGB 118 56 136

HSL 286.5, 0.42%, 0.38%

LAB 34.92, 40.3, -33.4

 

CMYK 0 / 59 / 57 / 46

HEX #8A383B

RGB 138 56 59

HSL 357.8, 0.42%, 0.38%

LAB 35.1, 35.27, 15.92

 

CMYK 46 / 0 / 59 / 46

HEX #4B8A38

RGB 75 138 56

HSL 106.1, 0.42%, 0.38%

LAB 51.79, -36.55, 37.05

 

CMYK 59 / 0 / 2 / 46

HEX #388A87

RGB 56 138 135

HSL 177.8, 0.42%, 0.38%

LAB 52.69, -25.34, -5.86

 

CMYK 13 / 59 / 0 / 47

HEX #763888

RGB 118 56 136

HSL 286.5, 0.42%, 0.38%

LAB 34.92, 40.3, -33.4

 

CMYK 0 / 43 / 59 / 46

HEX #8A4E38

RGB 138 78 56

HSL 16.1, 0.42%, 0.38%

LAB 39.81, 22.99, 23.86

 

CMYK 46 / 0 / 59 / 46

HEX #4B8A38

RGB 75 138 56

HSL 106.1, 0.42%, 0.38%

LAB 51.79, -36.55, 37.05

 

CMYK 59 / 16 / 0 / 46

HEX #38748A

RGB 56 116 138

HSL 196.1, 0.42%, 0.38%

LAB 45.86, -12.62, -17.92

 

Description

Color code: HEX #763888 | qconv.com Color code: HEX #763888 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 56 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 56 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 59 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 59% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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