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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7635C2 it is the complementary color #89CA3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7635C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7635C2 shade: #7B35BD, #8C47D0, #9D59E3, #AE6BF6 and #BF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7635C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7635C2 shade: #7635C2, #6523AF, #54119C, #430089 and #320076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7635C2 shade: #7535C0, #9B35C0, #C035C0, #C0359A and #C03575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7635C2 shade: #7535C0, #4F35C0 and #3535C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7635C2 shade matches the following richer shades: #7535C0, #7321D4 and #720DE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7635C2 shade: #7535C0, #7748AC, #785C99, #7A7085 and #7B8471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7635C2 shade: #3540C0, #4E35C0, #7335C0, #9935C0 and #BE35C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7635C2 shade: #4E237F, #612CA0, #7535C0, #8A4FCF and #A070D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7635C2 shade: #7635C2, #C03565 and #35C03C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7635C2 shade: #7635C2, #C07335 and #35C073

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7635C2 shade: #7635C2, #C03565, #81C035 and #35C08F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7635C2 shade: #7635C2, #C0353C, #81C035 and #35C0B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 73 / 0 / 24

HEX #7635C2

RGB 118 53 194

HSL 267.66, 0.57%, 0.48%

LAB 38.36, 55.35, -62.65

 

Complementary color

CMYK 32 / 0 / 70 / 21

HEX #89CA3D

RGB 137 202 61

HSL 87.66, 0.57%, 0.52%

LAB 74.76, -42.36, 60.7

 

CMYK 35 / 72 / 0 / 26

HEX #7B35BD

RGB 123 53 189

HSL 270.88, 0.56%, 0.47%

LAB 38.61, 55.06, -59.3

 

CMYK 33 / 66 / 0 / 18

HEX #8C47D0

RGB 140 71 208

HSL 270.22, 0.59%, 0.55%

LAB 45.13, 54.51, -59.66

 

CMYK 31 / 61 / 0 / 11

HEX #9D59E3

RGB 157 89 227

HSL 269.57, 0.71%, 0.62%

LAB 51.68, 53.72, -59.83

 

CMYK 29 / 57 / 0 / 4

HEX #AE6BF6

RGB 174 107 246

HSL 268.92, 0.89%, 0.69%

LAB 58.2, 52.84, -59.89

 

CMYK 25 / 51 / 0 / 0

HEX #BF7DFF

RGB 191 125 255

HSL 270.46, 1%, 0.75%

LAB 64.13, 49.63, -55.27

 

CMYK 39 / 73 / 0 / 24

HEX #7635C2

RGB 118 53 194

HSL 267.66, 0.57%, 0.48%

LAB 38.36, 55.35, -62.65

 

CMYK 42 / 80 / 0 / 31

HEX #6523AF

RGB 101 35 175

HSL 268.29, 0.67%, 0.41%

LAB 31.95, 55.51, -61.98

 

CMYK 46 / 89 / 0 / 39

HEX #54119C

RGB 84 17 156

HSL 268.92, 0.8%, 0.34%

LAB 25.82, 54.65, -60.64

 

CMYK 51 / 100 / 0 / 46

HEX #430089

RGB 67 0 137

HSL 269.34, 1%, 0.27%

LAB 20.04, 52.52, -58.48

 

CMYK 58 / 100 / 0 / 54

HEX #320076

RGB 50 0 118

HSL 265.42, 1%, 0.23%

LAB 15.41, 46.61, -54.12

 

CMYK 39 / 72 / 0 / 25

HEX #7535C0

RGB 117 53 192

HSL 267.63, 0.57%, 0.48%

LAB 38.08, 54.68, -61.95

 

CMYK 19 / 72 / 0 / 25

HEX #9B35C0

RGB 155 53 192

HSL 284.03, 0.57%, 0.48%

LAB 43.24, 62.01, -53.34

 

CMYK 0 / 72 / 0 / 25

HEX #C035C0

RGB 192 53 192

HSL 300, 0.57%, 0.48%

LAB 48.96, 69.75, -43.88

 

CMYK 0 / 72 / 20 / 25

HEX #C0359A

RGB 192 53 154

HSL 316.4, 0.57%, 0.48%

LAB 47.09, 64.08, -24.42

 

CMYK 0 / 72 / 39 / 25

HEX #C03575

RGB 192 53 117

HSL 332.37, 0.57%, 0.48%

LAB 45.68, 59.61, -4.12

 

CMYK 39 / 72 / 0 / 25

HEX #7535C0

RGB 117 53 192

HSL 267.63, 0.57%, 0.48%

LAB 38.08, 54.68, -61.95

 

CMYK 59 / 72 / 0 / 25

HEX #4F35C0

RGB 79 53 192

HSL 251.22, 0.57%, 0.48%

LAB 34.01, 48.56, -68.77

 

CMYK 72 / 72 / 0 / 25

HEX #3535C0

RGB 53 53 192

HSL 240, 0.57%, 0.48%

LAB 32.05, 45.48, -72.06

 

CMYK 39 / 72 / 0 / 25

HEX #7535C0

RGB 117 53 192

HSL 267.63, 0.57%, 0.48%

LAB 38.08, 54.68, -61.95

 

CMYK 46 / 84 / 0 / 17

HEX #7321D4

RGB 115 33 212

HSL 267.49, 0.73%, 0.48%

LAB 36.9, 66.85, -75.52

 

CMYK 51 / 94 / 0 / 9

HEX #720DE8

RGB 114 13 232

HSL 267.67, 0.89%, 0.48%

LAB 37.28, 75.69, -86.38

 

CMYK 39 / 72 / 0 / 25

HEX #7535C0

RGB 117 53 192

HSL 267.63, 0.57%, 0.48%

LAB 38.08, 54.68, -61.95

 

CMYK 31 / 58 / 0 / 33

HEX #7748AC

RGB 119 72 172

HSL 268.2, 0.41%, 0.48%

LAB 40.47, 40.36, -46.29

 

CMYK 22 / 40 / 0 / 40

HEX #785C99

RGB 120 92 153

HSL 267.54, 0.25%, 0.48%

LAB 44.16, 24.19, -29.14

 

CMYK 8 / 16 / 0 / 48

HEX #7A7085

RGB 122 112 133

HSL 268.57, 0.09%, 0.48%

LAB 48.78, 8.18, -10.12

 

CMYK 7 / 0 / 14 / 48

HEX #7B8471

RGB 123 132 113

HSL 88.42, 0.08%, 0.48%

LAB 53.93, -7.02, 9.14

 

CMYK 72 / 67 / 0 / 25

HEX #3540C0

RGB 53 64 192

HSL 235.25, 0.57%, 0.48%

LAB 34.46, 38.91, -68.11

 

CMYK 59 / 72 / 0 / 25

HEX #4E35C0

RGB 78 53 192

HSL 250.79, 0.57%, 0.48%

LAB 33.92, 48.42, -68.91

 

CMYK 40 / 72 / 0 / 25

HEX #7335C0

RGB 115 53 192

HSL 266.76, 0.57%, 0.48%

LAB 37.84, 54.32, -62.36

 

CMYK 20 / 72 / 0 / 25

HEX #9935C0

RGB 153 53 192

HSL 283.17, 0.57%, 0.48%

LAB 42.95, 61.6, -53.83

 

CMYK 1 / 72 / 0 / 25

HEX #BE35C0

RGB 190 53 192

HSL 299.14, 0.57%, 0.48%

LAB 48.63, 69.32, -44.41

 

CMYK 39 / 72 / 0 / 50

HEX #4E237F

RGB 78 35 127

HSL 268.04, 0.57%, 0.32%

LAB 24.81, 39.26, -44.31

 

CMYK 39 / 73 / 0 / 37

HEX #612CA0

RGB 97 44 160

HSL 267.41, 0.57%, 0.4%

LAB 31.53, 47.16, -53.66

 

CMYK 39 / 72 / 0 / 25

HEX #7535C0

RGB 117 53 192

HSL 267.63, 0.57%, 0.48%

LAB 38.08, 54.68, -61.95

 

CMYK 33 / 62 / 0 / 19

HEX #8A4FCF

RGB 138 79 207

HSL 267.66, 0.57%, 0.56%

LAB 46.31, 49.8, -57.2

 

CMYK 26 / 48 / 0 / 15

HEX #A070D8

RGB 160 112 216

HSL 267.69, 0.57%, 0.64%

LAB 56.11, 39.5, -46.53

 

CMYK 39 / 73 / 0 / 24

HEX #7635C2

RGB 118 53 194

HSL 267.66, 0.57%, 0.48%

LAB 38.36, 55.35, -62.65

 

CMYK 0 / 72 / 47 / 25

HEX #C03565

RGB 192 53 101

HSL 339.28, 0.57%, 0.48%

LAB 45.21, 58.06, 5.04

 

CMYK 72 / 0 / 69 / 25

HEX #35C03C

RGB 53 192 60

HSL 123.02, 0.57%, 0.48%

LAB 68.59, -61.72, 53.71

 

CMYK 39 / 73 / 0 / 24

HEX #7635C2

RGB 118 53 194

HSL 267.66, 0.57%, 0.48%

LAB 38.36, 55.35, -62.65

 

CMYK 0 / 40 / 72 / 25

HEX #C07335

RGB 192 115 53

HSL 26.76, 0.57%, 0.48%

LAB 55.81, 25.17, 45.87

 

CMYK 72 / 0 / 40 / 25

HEX #35C073

RGB 53 192 115

HSL 146.76, 0.57%, 0.48%

LAB 69.25, -54.03, 28.49

 

CMYK 39 / 73 / 0 / 24

HEX #7635C2

RGB 118 53 194

HSL 267.66, 0.57%, 0.48%

LAB 38.36, 55.35, -62.65

 

CMYK 0 / 72 / 47 / 25

HEX #C03565

RGB 192 53 101

HSL 339.28, 0.57%, 0.48%

LAB 45.21, 58.06, 5.04

 

CMYK 33 / 0 / 72 / 25

HEX #81C035

RGB 129 192 53

HSL 87.19, 0.57%, 0.48%

LAB 71.3, -41.45, 60.01

 

CMYK 72 / 0 / 26 / 25

HEX #35C08F

RGB 53 192 143

HSL 158.85, 0.57%, 0.48%

LAB 69.78, -48.21, 14.29

 

CMYK 39 / 73 / 0 / 24

HEX #7635C2

RGB 118 53 194

HSL 267.66, 0.57%, 0.48%

LAB 38.36, 55.35, -62.65

 

CMYK 0 / 72 / 69 / 25

HEX #C0353C

RGB 192 53 60

HSL 356.98, 0.57%, 0.48%

LAB 44.35, 55.16, 29.07

 

CMYK 33 / 0 / 72 / 25

HEX #81C035

RGB 129 192 53

HSL 87.19, 0.57%, 0.48%

LAB 71.3, -41.45, 60.01

 

CMYK 72 / 0 / 4 / 25

HEX #35C0B9

RGB 53 192 185

HSL 176.98, 0.57%, 0.48%

LAB 70.84, -37.43, -7.07

 

Description

Color code: HEX #7635C2 | qconv.com Color code: HEX #7635C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 53 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 53 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 73 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 73% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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