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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7622A0 it is the complementary color #89DD5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7622A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7622A0 shade: #7B229B, #8C34AE, #9D46C1, #AE58D4 and #BF6AE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7622A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7622A0 shade: #7622A0, #65108D, #54007A, #430067 and #320054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7622A0 shade: #7622A0, #9822A0, #A02286, #A02264 and #A02242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7622A0 shade: #7622A0, #5422A0, #3222A0 and #2222A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7622A0 shade matches the following richer shades: #7622A0, #7B12B0 and #8003BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7622A0 shade: #7622A0, #713290, #6B4181, #665171 and #616161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7622A0 shade: #3322A0, #5422A0, #7622A0, #9722A0 and #A02287

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7622A0 shade: #44135C, #5D1B7E, #7622A0, #8F29C2 and #A33ED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7622A0 shade: #7622A0, #A02233 and #22A044

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7622A0 shade: #7622A0, #A07622 and #22A076

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7622A0 shade: #7622A0, #A02233, #4CA022 and #22A08F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7622A0 shade: #7622A0, #A03722, #4CA022 and #228BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

Complementary color

CMYK 38 / 0 / 57 / 13

HEX #89DD5F

RGB 137 221 95

HSL 100, 0.65%, 0.62%

LAB 80.66, -47.52, 53.01

 

CMYK 21 / 78 / 0 / 39

HEX #7B229B

RGB 123 34 155

HSL 284.13, 0.64%, 0.37%

LAB 33.4, 55.21, -47.43

 

CMYK 20 / 70 / 0 / 32

HEX #8C34AE

RGB 140 52 174

HSL 283.28, 0.54%, 0.44%

LAB 39.73, 55.61, -48.51

 

CMYK 19 / 64 / 0 / 24

HEX #9D46C1

RGB 157 70 193

HSL 282.44, 0.5%, 0.52%

LAB 46.18, 55.41, -49.2

 

CMYK 18 / 58 / 0 / 17

HEX #AE58D4

RGB 174 88 212

HSL 281.61, 0.59%, 0.59%

LAB 52.65, 54.89, -49.65

 

CMYK 17 / 54 / 0 / 9

HEX #BF6AE7

RGB 191 106 231

HSL 280.8, 0.72%, 0.66%

LAB 59.12, 54.21, -49.96

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 28 / 89 / 0 / 45

HEX #65108D

RGB 101 16 141

HSL 280.8, 0.8%, 0.31%

LAB 26.91, 53.9, -49.51

 

CMYK 31 / 100 / 0 / 52

HEX #54007A

RGB 84 0 122

HSL 281.31, 1%, 0.24%

LAB 21.17, 51.04, -47.02

 

CMYK 35 / 100 / 0 / 60

HEX #430067

RGB 67 0 103

HSL 279.03, 1%, 0.2%

LAB 16.37, 44.82, -42.68

 

CMYK 40 / 100 / 0 / 67

HEX #320054

RGB 50 0 84

HSL 275.71, 1%, 0.16%

LAB 11.4, 38.41, -38.19

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 5 / 79 / 0 / 37

HEX #9822A0

RGB 152 34 160

HSL 296.19, 0.65%, 0.38%

LAB 38.48, 61.92, -42.04

 

CMYK 0 / 79 / 16 / 37

HEX #A02286

RGB 160 34 134

HSL 312.38, 0.65%, 0.38%

LAB 38.44, 59.58, -26.15

 

CMYK 0 / 79 / 38 / 37

HEX #A02264

RGB 160 34 100

HSL 328.57, 0.65%, 0.38%

LAB 37, 55.29, -7.06

 

CMYK 0 / 79 / 59 / 37

HEX #A02242

RGB 160 34 66

HSL 344.76, 0.65%, 0.38%

LAB 36.01, 52.22, 13.36

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 48 / 79 / 0 / 37

HEX #5422A0

RGB 84 34 160

HSL 263.81, 0.65%, 0.38%

LAB 28.29, 49.55, -59.02

 

CMYK 69 / 79 / 0 / 37

HEX #3222A0

RGB 50 34 160

HSL 247.62, 0.65%, 0.38%

LAB 24.83, 45.24, -64.85

 

CMYK 79 / 79 / 0 / 37

HEX #2222A0

RGB 34 34 160

HSL 240, 0.65%, 0.38%

LAB 23.74, 43.88, -66.67

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 30 / 90 / 0 / 31

HEX #7B12B0

RGB 123 18 176

HSL 279.87, 0.81%, 0.38%

LAB 33.52, 63.91, -59.89

 

CMYK 33 / 98 / 0 / 25

HEX #8003BF

RGB 128 3 191

HSL 279.89, 0.97%, 0.38%

LAB 34.83, 69.81, -66.6

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 22 / 65 / 0 / 44

HEX #713290

RGB 113 50 144

HSL 280.21, 0.48%, 0.38%

LAB 33.57, 43.83, -40.5

 

CMYK 17 / 50 / 0 / 49

HEX #6B4181

RGB 107 65 129

HSL 279.38, 0.33%, 0.38%

LAB 34.99, 30.48, -29.06

 

CMYK 10 / 28 / 0 / 56

HEX #665171

RGB 102 81 113

HSL 279.38, 0.16%, 0.38%

LAB 37.67, 15.28, -15.03

 

CMYK 0 / 0 / 0 / 62

HEX #616161

RGB 97 97 97

HSL 0, 0%, 0.38%

LAB 41.14, 0, -0.01

 

CMYK 68 / 79 / 0 / 37

HEX #3322A0

RGB 51 34 160

HSL 248.1, 0.65%, 0.38%

LAB 24.91, 45.34, -64.71

 

CMYK 48 / 79 / 0 / 37

HEX #5422A0

RGB 84 34 160

HSL 263.81, 0.65%, 0.38%

LAB 28.29, 49.55, -59.02

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 6 / 79 / 0 / 37

HEX #9722A0

RGB 151 34 160

HSL 295.71, 0.65%, 0.38%

LAB 38.31, 61.71, -42.32

 

CMYK 0 / 79 / 16 / 37

HEX #A02287

RGB 160 34 135

HSL 311.9, 0.65%, 0.38%

LAB 38.49, 59.72, -26.69

 

CMYK 26 / 79 / 0 / 64

HEX #44135C

RGB 68 19 92

HSL 280.27, 0.66%, 0.22%

LAB 17.77, 35.97, -33.09

 

CMYK 26 / 79 / 0 / 51

HEX #5D1B7E

RGB 93 27 126

HSL 280, 0.65%, 0.3%

LAB 25.62, 45.72, -42.26

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 26 / 79 / 0 / 24

HEX #8F29C2

RGB 143 41 194

HSL 280, 0.65%, 0.46%

LAB 40.12, 64.46, -59.65

 

CMYK 24 / 71 / 0 / 16

HEX #A33ED6

RGB 163 62 214

HSL 279.87, 0.65%, 0.54%

LAB 47.09, 64.54, -59.8

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 0 / 79 / 68 / 37

HEX #A02233

RGB 160 34 51

HSL 351.9, 0.65%, 0.38%

LAB 35.71, 51.27, 22.58

 

CMYK 79 / 0 / 58 / 37

HEX #22A044

RGB 34 160 68

HSL 136.19, 0.65%, 0.38%

LAB 57.94, -52.94, 38.11

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 0 / 26 / 79 / 37

HEX #A07622

RGB 160 118 34

HSL 40, 0.65%, 0.38%

LAB 52.45, 8.5, 49.6

 

CMYK 79 / 0 / 26 / 37

HEX #22A076

RGB 34 160 118

HSL 160, 0.65%, 0.38%

LAB 58.78, -43.4, 12.57

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 0 / 79 / 68 / 37

HEX #A02233

RGB 160 34 51

HSL 351.9, 0.65%, 0.38%

LAB 35.71, 51.27, 22.58

 

CMYK 53 / 0 / 79 / 37

HEX #4CA022

RGB 76 160 34

HSL 100, 0.65%, 0.38%

LAB 58.78, -47.19, 53.47

 

CMYK 79 / 0 / 11 / 37

HEX #22A08F

RGB 34 160 143

HSL 171.9, 0.65%, 0.38%

LAB 59.4, -36.88, -0.61

 

CMYK 26 / 79 / 0 / 37

HEX #7622A0

RGB 118 34 160

HSL 280, 0.65%, 0.38%

LAB 32.99, 55.3, -51.16

 

CMYK 0 / 66 / 79 / 37

HEX #A03722

RGB 160 55 34

HSL 10, 0.65%, 0.38%

LAB 38.41, 42.41, 35.83

 

CMYK 53 / 0 / 79 / 37

HEX #4CA022

RGB 76 160 34

HSL 100, 0.65%, 0.38%

LAB 58.78, -47.19, 53.47

 

CMYK 79 / 13 / 0 / 37

HEX #228BA0

RGB 34 139 160

HSL 190, 0.65%, 0.38%

LAB 53.32, -21.37, -19.44

 

Description

Color code: HEX #7622A0 | qconv.com Color code: HEX #7622A0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 34 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 34 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 79 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 79% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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