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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #761CF9 it is the complementary color #89E306. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #761CF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #761CF9 shade: #7B1CF4, #8C2EFF, #9D40FF, #AE52FF and #BF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #761CF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #761CF9 shade: #761CF9, #650AE6, #5400D3, #4300C0 and #3200AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #761CF9 shade: #751AF9, #B11AF9, #ED1AF9, #F91AC9 and #F91A8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #761CF9 shade: #751AF9, #391AF9 and #1A1AF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #761CF9 shade matches the following richer shades: #751AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #761CF9 shade: #751AF9, #792DE6, #7C40D3, #8053C0 and #8366AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #761CF9 shade: #1A38F9, #381AF9, #731AF9, #AF1AF9 and #EA1AF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #761CF9 shade: #4F05BC, #6006E4, #751AF9, #8D42FA and #A66BFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #761CF9 shade: #761CF9, #F91A73 and #1AF91A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #761CF9 shade: #761CF9, #F9731A and #1AF973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #761CF9 shade: #761CF9, #F91A73, #A0F91A and #1AF9A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #761CF9 shade: #761CF9, #F91A31, #A0F91A and #1AF9E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 89 / 0 / 2

HEX #761CF9

RGB 118 28 249

HSL 264.43, 0.95%, 0.54%

LAB 40.45, 77, -90.74

 

Complementary color

CMYK 40 / 0 / 97 / 11

HEX #89E306

RGB 137 227 6

HSL 84.43, 0.95%, 0.46%

LAB 81.98, -54.59, 79.27

 

CMYK 50 / 89 / 0 / 4

HEX #7B1CF4

RGB 123 28 244

HSL 266.39, 0.91%, 0.53%

LAB 40.53, 76.32, -87.77

 

CMYK 45 / 82 / 0 / 0

HEX #8C2EFF

RGB 140 46 255

HSL 266.99, 1%, 0.59%

LAB 45.29, 75.66, -86.03

 

CMYK 38 / 75 / 0 / 0

HEX #9D40FF

RGB 157 64 255

HSL 269.21, 1%, 0.63%

LAB 49.56, 71.6, -78.95

 

CMYK 32 / 68 / 0 / 0

HEX #AE52FF

RGB 174 82 255

HSL 271.91, 1%, 0.66%

LAB 54.29, 67.03, -71.16

 

CMYK 25 / 61 / 0 / 0

HEX #BF64FF

RGB 191 100 255

HSL 275.23, 1%, 0.7%

LAB 59.35, 62.27, -62.9

 

CMYK 53 / 89 / 0 / 2

HEX #761CF9

RGB 118 28 249

HSL 264.43, 0.95%, 0.54%

LAB 40.45, 77, -90.74

 

CMYK 56 / 96 / 0 / 10

HEX #650AE6

RGB 101 10 230

HSL 264.82, 0.92%, 0.47%

LAB 35.39, 74.67, -88.41

 

CMYK 60 / 100 / 0 / 17

HEX #5400D3

RGB 84 0 211

HSL 263.89, 1%, 0.41%

LAB 30.85, 70.73, -85.07

 

CMYK 65 / 100 / 0 / 25

HEX #4300C0

RGB 67 0 192

HSL 260.94, 1%, 0.38%

LAB 26.73, 65.45, -80.84

 

CMYK 71 / 100 / 0 / 32

HEX #3200AD

RGB 50 0 173

HSL 257.34, 1%, 0.34%

LAB 22.64, 60.15, -76.36

 

CMYK 53 / 90 / 0 / 2

HEX #751AF9

RGB 117 26 249

HSL 264.48, 0.95%, 0.54%

LAB 40.18, 77.36, -91.19

 

CMYK 29 / 90 / 0 / 2

HEX #B11AF9

RGB 177 26 249

HSL 280.63, 0.95%, 0.54%

LAB 48.17, 83.84, -77.77

 

CMYK 5 / 90 / 0 / 2

HEX #ED1AF9

RGB 237 26 249

HSL 296.77, 0.95%, 0.54%

LAB 57.64, 92.56, -61.98

 

CMYK 0 / 90 / 19 / 2

HEX #F91AC9

RGB 249 26 201

HSL 312.91, 0.95%, 0.54%

LAB 57.17, 88.19, -35.48

 

CMYK 0 / 90 / 43 / 2

HEX #F91A8D

RGB 249 26 141

HSL 329.06, 0.95%, 0.54%

LAB 54.87, 82.04, -3.88

 

CMYK 53 / 90 / 0 / 2

HEX #751AF9

RGB 117 26 249

HSL 264.48, 0.95%, 0.54%

LAB 40.18, 77.36, -91.19

 

CMYK 77 / 90 / 0 / 2

HEX #391AF9

RGB 57 26 249

HSL 248.34, 0.95%, 0.54%

LAB 34.9, 73.76, -100.11

 

CMYK 90 / 90 / 0 / 2

HEX #1A1AF9

RGB 26 26 249

HSL 240, 0.95%, 0.54%

LAB 33.56, 72.95, -102.38

 

CMYK 53 / 90 / 0 / 2

HEX #751AF9

RGB 117 26 249

HSL 264.48, 0.95%, 0.54%

LAB 40.18, 77.36, -91.19

 

CMYK 53 / 90 / 0 / 2

HEX #751AF9

RGB 117 26 249

HSL 264.48, 0.95%, 0.54%

LAB 40.18, 77.36, -91.19

 

CMYK 47 / 80 / 0 / 10

HEX #792DE6

RGB 121 45 230

HSL 264.65, 0.79%, 0.54%

LAB 40.66, 67.82, -79.64

 

CMYK 41 / 70 / 0 / 17

HEX #7C40D3

RGB 124 64 211

HSL 264.49, 0.63%, 0.54%

LAB 42.24, 55.52, -66.17

 

CMYK 33 / 57 / 0 / 25

HEX #8053C0

RGB 128 83 192

HSL 264.77, 0.46%, 0.54%

LAB 45.06, 41.53, -50.61

 

CMYK 24 / 41 / 0 / 32

HEX #8366AD

RGB 131 102 173

HSL 264.51, 0.3%, 0.54%

LAB 48.69, 26.53, -33.75

 

CMYK 90 / 78 / 0 / 2

HEX #1A38F9

RGB 26 56 249

HSL 231.93, 0.95%, 0.54%

LAB 37.64, 60.83, -95.58

 

CMYK 78 / 90 / 0 / 2

HEX #381AF9

RGB 56 26 249

HSL 248.07, 0.95%, 0.54%

LAB 34.84, 73.72, -100.21

 

CMYK 54 / 90 / 0 / 2

HEX #731AF9

RGB 115 26 249

HSL 263.95, 0.95%, 0.54%

LAB 39.95, 77.2, -91.57

 

CMYK 30 / 90 / 0 / 2

HEX #AF1AF9

RGB 175 26 249

HSL 280.09, 0.95%, 0.54%

LAB 47.87, 83.58, -78.26

 

CMYK 6 / 90 / 0 / 2

HEX #EA1AF9

RGB 234 26 249

HSL 295.96, 0.95%, 0.54%

LAB 57.14, 92.08, -62.8

 

CMYK 58 / 97 / 0 / 26

HEX #4F05BC

RGB 79 5 188

HSL 264.26, 0.95%, 0.38%

LAB 27.85, 64.28, -76.58

 

CMYK 58 / 97 / 0 / 11

HEX #6006E4

RGB 96 6 228

HSL 264.32, 0.95%, 0.46%

LAB 34.43, 74.41, -88.88

 

CMYK 53 / 90 / 0 / 2

HEX #751AF9

RGB 117 26 249

HSL 264.48, 0.95%, 0.54%

LAB 40.18, 77.36, -91.19

 

CMYK 44 / 74 / 0 / 2

HEX #8D42FA

RGB 141 66 250

HSL 264.46, 0.95%, 0.62%

LAB 47.57, 67.12, -79.49

 

CMYK 34 / 57 / 0 / 2

HEX #A66BFB

RGB 166 107 251

HSL 264.58, 0.95%, 0.7%

LAB 57.64, 52.19, -63.59

 

CMYK 53 / 89 / 0 / 2

HEX #761CF9

RGB 118 28 249

HSL 264.43, 0.95%, 0.54%

LAB 40.45, 77, -90.74

 

CMYK 0 / 90 / 54 / 2

HEX #F91A73

RGB 249 26 115

HSL 336.05, 0.95%, 0.54%

LAB 54.15, 80.06, 10.68

 

CMYK 90 / 0 / 90 / 2

HEX #1AF91A

RGB 26 249 26

HSL 120, 0.95%, 0.54%

LAB 86.03, -83.15, 79.25

 

CMYK 53 / 89 / 0 / 2

HEX #761CF9

RGB 118 28 249

HSL 264.43, 0.95%, 0.54%

LAB 40.45, 77, -90.74

 

CMYK 0 / 54 / 90 / 2

HEX #F9731A

RGB 249 115 26

HSL 23.95, 0.95%, 0.54%

LAB 63.73, 47.12, 66.56

 

CMYK 90 / 0 / 54 / 2

HEX #1AF973

RGB 26 249 115

HSL 143.95, 0.95%, 0.54%

LAB 86.61, -75.89, 50.32

 

CMYK 53 / 89 / 0 / 2

HEX #761CF9

RGB 118 28 249

HSL 264.43, 0.95%, 0.54%

LAB 40.45, 77, -90.74

 

CMYK 0 / 90 / 54 / 2

HEX #F91A73

RGB 249 26 115

HSL 336.05, 0.95%, 0.54%

LAB 54.15, 80.06, 10.68

 

CMYK 36 / 0 / 90 / 2

HEX #A0F91A

RGB 160 249 26

HSL 83.95, 0.95%, 0.54%

LAB 89.53, -55.17, 83.59

 

CMYK 90 / 0 / 36 / 2

HEX #1AF9A0

RGB 26 249 160

HSL 156.05, 0.95%, 0.54%

LAB 87.25, -68.32, 29.34

 

CMYK 53 / 89 / 0 / 2

HEX #761CF9

RGB 118 28 249

HSL 264.43, 0.95%, 0.54%

LAB 40.45, 77, -90.74

 

CMYK 0 / 90 / 80 / 2

HEX #F91A31

RGB 249 26 49

HSL 353.81, 0.95%, 0.54%

LAB 53.06, 77, 48.07

 

CMYK 36 / 0 / 90 / 2

HEX #A0F91A

RGB 160 249 26

HSL 83.95, 0.95%, 0.54%

LAB 89.53, -55.17, 83.59

 

CMYK 90 / 0 / 9 / 2

HEX #1AF9E3

RGB 26 249 227

HSL 174.08, 0.95%, 0.54%

LAB 88.69, -52.63, -3.16

 

Description

Color code: HEX #761CF9 | qconv.com Color code: HEX #761CF9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 28 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 28 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 89 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 89% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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