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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #761C6B it is the complementary color #89E394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #761C6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #761C6B shade: #7B1C66, #8C2E79, #9D408C, #AE529F and #BF64B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #761C6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #761C6B shade: #761C6B, #650A58, #540045, #430032 and #32001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #761C6B shade: #781C6D, #781C54, #781C3B, #781C22 and #781C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #761C6B shade: #781C6D, #6A1C78, #521C78, #391C78 and #201C78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #761C6B shade matches the following richer shades: #781C6D, #841076 and #90047F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #761C6B shade: #781C6D, #6C2864, #60345B, #544051 and #484C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #761C6B shade: #521C78, #6A1C78, #781C6D, #781C55 and #781C3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #761C6B shade: #350C30, #56144E, #781C6D, #99248B and #BB2CA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #761C6B shade: #761C6B, #78391C and #1C785E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #761C6B shade: #761C6B, #6D781C and #1C6D78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #761C6B shade: #761C6B, #78391C, #1C7827 and #1C5B78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #761C6B shade: #761C6B, #78551C, #1C7827 and #1C3F78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 9 / 54

HEX #761C6B

RGB 118 28 107

HSL 307.33, 0.62%, 0.29%

LAB 28.76, 47.31, -24.88

 

Complementary color

CMYK 40 / 0 / 35 / 11

HEX #89E394

RGB 137 227 148

HSL 127.33, 0.62%, 0.71%

LAB 83.12, -43.03, 30.35

 

CMYK 0 / 77 / 17 / 52

HEX #7B1C66

RGB 123 28 102

HSL 313.26, 0.63%, 0.3%

LAB 29.41, 47.78, -20.56

 

CMYK 0 / 67 / 14 / 45

HEX #8C2E79

RGB 140 46 121

HSL 312.13, 0.51%, 0.36%

LAB 35.81, 48.33, -22.44

 

CMYK 0 / 59 / 11 / 38

HEX #9D408C

RGB 157 64 140

HSL 310.97, 0.42%, 0.43%

LAB 42.35, 48.2, -23.77

 

CMYK 0 / 53 / 9 / 32

HEX #AE529F

RGB 174 82 159

HSL 309.78, 0.36%, 0.5%

LAB 48.93, 47.72, -24.77

 

CMYK 0 / 48 / 7 / 25

HEX #BF64B2

RGB 191 100 178

HSL 308.57, 0.42%, 0.57%

LAB 55.49, 47.08, -25.55

 

CMYK 0 / 76 / 9 / 54

HEX #761C6B

RGB 118 28 107

HSL 307.33, 0.62%, 0.29%

LAB 28.76, 47.31, -24.88

 

CMYK 0 / 90 / 13 / 60

HEX #650A58

RGB 101 10 88

HSL 308.57, 0.82%, 0.22%

LAB 22.61, 45.48, -22.33

 

CMYK 0 / 100 / 18 / 67

HEX #540045

RGB 84 0 69

HSL 310.71, 1%, 0.16%

LAB 17.06, 41.43, -18.38

 

CMYK 0 / 100 / 25 / 74

HEX #430032

RGB 67 0 50

HSL 315.22, 1%, 0.13%

LAB 12.11, 34.89, -12.86

 

CMYK 0 / 100 / 38 / 80

HEX #32001F

RGB 50 0 31

HSL 322.8, 1%, 0.1%

LAB 7.02, 27.92, -6.76

 

CMYK 0 / 77 / 9 / 53

HEX #781C6D

RGB 120 28 109

HSL 307.17, 0.62%, 0.29%

LAB 29.23, 48.13, -25.4

 

CMYK 0 / 77 / 30 / 53

HEX #781C54

RGB 120 28 84

HSL 323.48, 0.62%, 0.29%

LAB 28.02, 44.42, -11

 

CMYK 0 / 77 / 51 / 53

HEX #781C3B

RGB 120 28 59

HSL 339.78, 0.62%, 0.29%

LAB 27.13, 41.58, 4.41

 

CMYK 0 / 77 / 72 / 53

HEX #781C22

RGB 120 28 34

HSL 356.09, 0.62%, 0.29%

LAB 26.56, 39.7, 20.42

 

CMYK 0 / 77 / 77 / 53

HEX #781C1C

RGB 120 28 28

HSL 0, 0.62%, 0.29%

LAB 26.47, 39.4, 24.19

 

CMYK 0 / 77 / 9 / 53

HEX #781C6D

RGB 120 28 109

HSL 307.17, 0.62%, 0.29%

LAB 29.23, 48.13, -25.4

 

CMYK 12 / 77 / 0 / 53

HEX #6A1C78

RGB 106 28 120

HSL 290.87, 0.62%, 0.29%

LAB 27.44, 46.82, -35.42

 

CMYK 32 / 77 / 0 / 53

HEX #521C78

RGB 82 28 120

HSL 275.22, 0.62%, 0.29%

LAB 23.61, 41.67, -41.79

 

CMYK 53 / 77 / 0 / 53

HEX #391C78

RGB 57 28 120

HSL 258.91, 0.62%, 0.29%

LAB 20.27, 36.98, -47.38

 

CMYK 73 / 77 / 0 / 53

HEX #201C78

RGB 32 28 120

HSL 242.61, 0.62%, 0.29%

LAB 17.89, 33.47, -51.37

 

CMYK 0 / 77 / 9 / 53

HEX #781C6D

RGB 120 28 109

HSL 307.17, 0.62%, 0.29%

LAB 29.23, 48.13, -25.4

 

CMYK 0 / 88 / 11 / 48

HEX #841076

RGB 132 16 118

HSL 307.24, 0.78%, 0.29%

LAB 30.84, 55.52, -28.45

 

CMYK 0 / 97 / 12 / 44

HEX #90047F

RGB 144 4 127

HSL 307.29, 0.95%, 0.29%

LAB 33.02, 61.13, -30.52

 

CMYK 0 / 77 / 9 / 53

HEX #781C6D

RGB 120 28 109

HSL 307.17, 0.62%, 0.29%

LAB 29.23, 48.13, -25.4

 

CMYK 0 / 63 / 7 / 58

HEX #6C2864

RGB 108 40 100

HSL 307.06, 0.46%, 0.29%

LAB 28.45, 38.35, -20.97

 

CMYK 0 / 46 / 5 / 62

HEX #60345B

RGB 96 52 91

HSL 306.82, 0.3%, 0.29%

LAB 28.64, 26.17, -14.98

 

CMYK 0 / 24 / 4 / 67

HEX #544051

RGB 84 64 81

HSL 309, 0.14%, 0.29%

LAB 29.78, 12.02, -6.9

 

CMYK 5 / 0 / 5 / 70

HEX #484C48

RGB 72 76 72

HSL 120, 0.03%, 0.29%

LAB 31.84, -2.51, 1.81

 

CMYK 32 / 77 / 0 / 53

HEX #521C78

RGB 82 28 120

HSL 275.22, 0.62%, 0.29%

LAB 23.61, 41.67, -41.79

 

CMYK 12 / 77 / 0 / 53

HEX #6A1C78

RGB 106 28 120

HSL 290.87, 0.62%, 0.29%

LAB 27.44, 46.82, -35.42

 

CMYK 0 / 77 / 9 / 53

HEX #781C6D

RGB 120 28 109

HSL 307.17, 0.62%, 0.29%

LAB 29.23, 48.13, -25.4

 

CMYK 0 / 77 / 29 / 53

HEX #781C55

RGB 120 28 85

HSL 322.83, 0.62%, 0.29%

LAB 28.06, 44.55, -11.59

 

CMYK 0 / 77 / 50 / 53

HEX #781C3C

RGB 120 28 60

HSL 339.13, 0.62%, 0.29%

LAB 27.16, 41.68, 3.78

 

CMYK 0 / 77 / 9 / 79

HEX #350C30

RGB 53 12 48

HSL 307.32, 0.63%, 0.13%

LAB 10.8, 25.52, -13.67

 

CMYK 0 / 77 / 9 / 66

HEX #56144E

RGB 86 20 78

HSL 307.27, 0.62%, 0.21%

LAB 20.16, 37.1, -19.66

 

CMYK 0 / 77 / 9 / 53

HEX #781C6D

RGB 120 28 109

HSL 307.17, 0.62%, 0.29%

LAB 29.23, 48.13, -25.4

 

CMYK 0 / 76 / 9 / 40

HEX #99248B

RGB 153 36 139

HSL 307.18, 0.62%, 0.37%

LAB 37.66, 58.1, -30.55

 

CMYK 0 / 76 / 10 / 27

HEX #BB2CA9

RGB 187 44 169

HSL 307.55, 0.62%, 0.45%

LAB 45.95, 67.86, -35.19

 

CMYK 0 / 76 / 9 / 54

HEX #761C6B

RGB 118 28 107

HSL 307.33, 0.62%, 0.29%

LAB 28.76, 47.31, -24.88

 

CMYK 0 / 53 / 77 / 53

HEX #78391C

RGB 120 57 28

HSL 18.91, 0.62%, 0.29%

LAB 31.81, 25.28, 30.08

 

CMYK 77 / 0 / 22 / 53

HEX #1C785E

RGB 28 120 94

HSL 163.04, 0.62%, 0.29%

LAB 44.92, -32.9, 6.81

 

CMYK 0 / 76 / 9 / 54

HEX #761C6B

RGB 118 28 107

HSL 307.33, 0.62%, 0.29%

LAB 28.76, 47.31, -24.88

 

CMYK 9 / 0 / 77 / 53

HEX #6D781C

RGB 109 120 28

HSL 67.17, 0.62%, 0.29%

LAB 47.97, -16.57, 45.87

 

CMYK 77 / 9 / 0 / 53

HEX #1C6D78

RGB 28 109 120

HSL 187.17, 0.62%, 0.29%

LAB 42.06, -19.56, -13.01

 

CMYK 0 / 76 / 9 / 54

HEX #761C6B

RGB 118 28 107

HSL 307.33, 0.62%, 0.29%

LAB 28.76, 47.31, -24.88

 

CMYK 0 / 53 / 77 / 53

HEX #78391C

RGB 120 57 28

HSL 18.91, 0.62%, 0.29%

LAB 31.81, 25.28, 30.08

 

CMYK 77 / 0 / 68 / 53

HEX #1C7827

RGB 28 120 39

HSL 127.17, 0.62%, 0.29%

LAB 43.98, -43.5, 35.9

 

CMYK 77 / 24 / 0 / 53

HEX #1C5B78

RGB 28 91 120

HSL 198.91, 0.62%, 0.29%

LAB 36.15, -9.27, -22.09

 

CMYK 0 / 76 / 9 / 54

HEX #761C6B

RGB 118 28 107

HSL 307.33, 0.62%, 0.29%

LAB 28.76, 47.31, -24.88

 

CMYK 0 / 29 / 77 / 53

HEX #78551C

RGB 120 85 28

HSL 37.17, 0.62%, 0.29%

LAB 38.85, 8.72, 37.36

 

CMYK 77 / 0 / 68 / 53

HEX #1C7827

RGB 28 120 39

HSL 127.17, 0.62%, 0.29%

LAB 43.98, -43.5, 35.9

 

CMYK 77 / 48 / 0 / 53

HEX #1C3F78

RGB 28 63 120

HSL 217.17, 0.62%, 0.29%

LAB 27.18, 8.98, -36.26

 

Description

Color code: HEX #761C6B | qconv.com Color code: HEX #761C6B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 28 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 28 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 9 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 9% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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