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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #761657 it is the complementary color #89E9A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #761657. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #761657 shade: #7B1652, #8C2865, #9D3A78, #AE4C8B and #BF5E9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #761657. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #761657 shade: #761657, #650444, #540031, #43001E and #32000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #761657 shade: #741556, #74153C, #741522 and #741515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #761657 shade: #741556, #74156F, #601574, #461574 and #2D1574

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #761657 shade matches the following richer shades: #741556 and #7F0A5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #761657 shade: #741556, #692052, #5E2C4E, #53374A and #484246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #761657 shade: #601574, #741570, #741556, #74153D and #741524

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #761657 shade: #2F0922, #510F3C, #741556, #971C6F and #BA2289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #761657 shade: #761657, #744615 and #15746C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #761657 shade: #761657, #567415 and #155674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #761657 shade: #761657, #744615, #157433 and #154374

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #761657 shade: #761657, #746315, #157433 and #152774

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 26 / 54

HEX #761657

RGB 118 22 87

HSL 319.38, 0.69%, 0.27%

LAB 27.06, 46.28, -14.48

 

Complementary color

CMYK 41 / 0 / 28 / 9

HEX #89E9A8

RGB 137 233 168

HSL 139.38, 0.69%, 0.73%

LAB 85.21, -42.21, 22.91

 

CMYK 0 / 82 / 33 / 52

HEX #7B1652

RGB 123 22 82

HSL 324.36, 0.7%, 0.28%

LAB 27.83, 46.95, -9.9

 

CMYK 0 / 71 / 28 / 45

HEX #8C2865

RGB 140 40 101

HSL 323.4, 0.56%, 0.35%

LAB 34.05, 47.84, -12.51

 

CMYK 0 / 63 / 24 / 38

HEX #9D3A78

RGB 157 58 120

HSL 322.42, 0.46%, 0.42%

LAB 40.49, 47.86, -14.38

 

CMYK 0 / 56 / 20 / 32

HEX #AE4C8B

RGB 174 76 139

HSL 321.43, 0.39%, 0.49%

LAB 47.02, 47.45, -15.78

 

CMYK 0 / 51 / 17 / 25

HEX #BF5E9E

RGB 191 94 158

HSL 320.41, 0.43%, 0.56%

LAB 53.55, 46.83, -16.88

 

CMYK 0 / 81 / 26 / 54

HEX #761657

RGB 118 22 87

HSL 319.38, 0.69%, 0.27%

LAB 27.06, 46.28, -14.48

 

CMYK 0 / 96 / 33 / 60

HEX #650444

RGB 101 4 68

HSL 320.41, 0.92%, 0.21%

LAB 21.1, 44.08, -11.12

 

CMYK 0 / 100 / 42 / 67

HEX #540031

RGB 84 0 49

HSL 325, 1%, 0.16%

LAB 16.04, 38.83, -5.77

 

CMYK 0 / 100 / 55 / 74

HEX #43001E

RGB 67 0 30

HSL 333.13, 1%, 0.13%

LAB 11.18, 32.49, 0.67

 

CMYK 0 / 100 / 78 / 80

HEX #32000B

RGB 50 0 11

HSL 346.8, 1%, 0.1%

LAB 6.34, 25.55, 5.51

 

CMYK 0 / 82 / 26 / 55

HEX #741556

RGB 116 21 86

HSL 318.95, 0.69%, 0.27%

LAB 26.51, 45.93, -14.7

 

CMYK 0 / 82 / 48 / 55

HEX #74153C

RGB 116 21 60

HSL 335.37, 0.69%, 0.27%

LAB 25.49, 42.87, 1.27

 

CMYK 0 / 82 / 71 / 55

HEX #741522

RGB 116 21 34

HSL 351.79, 0.69%, 0.27%

LAB 24.84, 40.86, 18.12

 

CMYK 0 / 82 / 82 / 55

HEX #741515

RGB 116 21 21

HSL 0, 0.69%, 0.27%

LAB 24.65, 40.25, 26.34

 

CMYK 0 / 82 / 26 / 55

HEX #741556

RGB 116 21 86

HSL 318.95, 0.69%, 0.27%

LAB 26.51, 45.93, -14.7

 

CMYK 0 / 82 / 4 / 55

HEX #74156F

RGB 116 21 111

HSL 303.16, 0.69%, 0.27%

LAB 27.84, 49.73, -28.93

 

CMYK 17 / 82 / 0 / 55

HEX #601574

RGB 96 21 116

HSL 287.37, 0.69%, 0.27%

LAB 24.59, 46.38, -37.53

 

CMYK 40 / 82 / 0 / 55

HEX #461574

RGB 70 21 116

HSL 270.95, 0.69%, 0.27%

LAB 20.44, 41.43, -44.46

 

CMYK 61 / 82 / 0 / 55

HEX #2D1574

RGB 45 21 116

HSL 255.16, 0.69%, 0.27%

LAB 17.25, 37.6, -49.81

 

CMYK 0 / 82 / 26 / 55

HEX #741556

RGB 116 21 86

HSL 318.95, 0.69%, 0.27%

LAB 26.51, 45.93, -14.7

 

CMYK 0 / 92 / 29 / 50

HEX #7F0A5A

RGB 127 10 90

HSL 318.97, 0.85%, 0.27%

LAB 28.03, 51.7, -14.82

 

CMYK 0 / 82 / 26 / 55

HEX #741556

RGB 116 21 86

HSL 318.95, 0.69%, 0.27%

LAB 26.51, 45.93, -14.7

 

CMYK 0 / 70 / 22 / 59

HEX #692052

RGB 105 32 82

HSL 318.9, 0.53%, 0.27%

LAB 25.7, 38.14, -13.46

 

CMYK 0 / 53 / 17 / 63

HEX #5E2C4E

RGB 94 44 78

HSL 319.2, 0.36%, 0.27%

LAB 25.95, 27.66, -10.58

 

CMYK 0 / 34 / 11 / 67

HEX #53374A

RGB 83 55 74

HSL 319.29, 0.2%, 0.27%

LAB 26.92, 15.94, -6.62

 

CMYK 0 / 8 / 3 / 72

HEX #484246

RGB 72 66 70

HSL 320, 0.04%, 0.27%

LAB 28.69, 3.4, -1.5

 

CMYK 17 / 82 / 0 / 55

HEX #601574

RGB 96 21 116

HSL 287.37, 0.69%, 0.27%

LAB 24.59, 46.38, -37.53

 

CMYK 0 / 82 / 3 / 55

HEX #741570

RGB 116 21 112

HSL 302.53, 0.69%, 0.27%

LAB 27.9, 49.9, -29.47

 

CMYK 0 / 82 / 26 / 55

HEX #741556

RGB 116 21 86

HSL 318.95, 0.69%, 0.27%

LAB 26.51, 45.93, -14.7

 

CMYK 0 / 82 / 47 / 55

HEX #74153D

RGB 116 21 61

HSL 334.74, 0.69%, 0.27%

LAB 25.52, 42.97, 0.63

 

CMYK 0 / 82 / 69 / 55

HEX #741524

RGB 116 21 36

HSL 350.53, 0.69%, 0.27%

LAB 24.88, 40.97, 16.82

 

CMYK 0 / 81 / 28 / 82

HEX #2F0922

RGB 47 9 34

HSL 320.53, 0.68%, 0.11%

LAB 8.26, 22.45, -7.23

 

CMYK 0 / 81 / 26 / 68

HEX #510F3C

RGB 81 15 60

HSL 319.09, 0.69%, 0.19%

LAB 17.54, 34.69, -11.38

 

CMYK 0 / 82 / 26 / 55

HEX #741556

RGB 116 21 86

HSL 318.95, 0.69%, 0.27%

LAB 26.51, 45.93, -14.7

 

CMYK 0 / 81 / 26 / 41

HEX #971C6F

RGB 151 28 111

HSL 319.51, 0.69%, 0.35%

LAB 35.12, 56.01, -17.06

 

CMYK 0 / 82 / 26 / 27

HEX #BA2289

RGB 186 34 137

HSL 319.34, 0.69%, 0.43%

LAB 43.34, 66, -20.01

 

CMYK 0 / 81 / 26 / 54

HEX #761657

RGB 118 22 87

HSL 319.38, 0.69%, 0.27%

LAB 27.06, 46.28, -14.48

 

CMYK 0 / 40 / 82 / 55

HEX #744615

RGB 116 70 21

HSL 30.95, 0.69%, 0.27%

LAB 34.29, 15.51, 35.95

 

CMYK 82 / 0 / 7 / 55

HEX #15746C

RGB 21 116 108

HSL 174.95, 0.69%, 0.27%

LAB 43.85, -27.88, -3.12

 

CMYK 0 / 81 / 26 / 54

HEX #761657

RGB 118 22 87

HSL 319.38, 0.69%, 0.27%

LAB 27.06, 46.28, -14.48

 

CMYK 26 / 0 / 82 / 55

HEX #567415

RGB 86 116 21

HSL 78.95, 0.69%, 0.27%

LAB 44.97, -25.07, 44.9

 

CMYK 82 / 26 / 0 / 55

HEX #155674

RGB 21 86 116

HSL 198.95, 0.69%, 0.27%

LAB 34.14, -8.66, -22.75

 

CMYK 0 / 81 / 26 / 54

HEX #761657

RGB 118 22 87

HSL 319.38, 0.69%, 0.27%

LAB 27.06, 46.28, -14.48

 

CMYK 0 / 40 / 82 / 55

HEX #744615

RGB 116 70 21

HSL 30.95, 0.69%, 0.27%

LAB 34.29, 15.51, 35.95

 

CMYK 82 / 0 / 56 / 55

HEX #157433

RGB 21 116 51

HSL 138.95, 0.69%, 0.27%

LAB 42.6, -41.48, 28.27

 

CMYK 82 / 42 / 0 / 55

HEX #154374

RGB 21 67 116

HSL 210.95, 0.69%, 0.27%

LAB 27.94, 3.64, -32.53

 

CMYK 0 / 81 / 26 / 54

HEX #761657

RGB 118 22 87

HSL 319.38, 0.69%, 0.27%

LAB 27.06, 46.28, -14.48

 

CMYK 0 / 15 / 82 / 55

HEX #746315

RGB 116 99 21

HSL 49.26, 0.69%, 0.27%

LAB 42.29, -1.84, 43.38

 

CMYK 82 / 0 / 56 / 55

HEX #157433

RGB 21 116 51

HSL 138.95, 0.69%, 0.27%

LAB 42.6, -41.48, 28.27

 

CMYK 82 / 66 / 0 / 55

HEX #152774

RGB 21 39 116

HSL 228.63, 0.69%, 0.27%

LAB 19.52, 23.48, -46.15

 

Description

Color code: HEX #761657 | qconv.com Color code: HEX #761657 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 22 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 22 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 26 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 26% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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