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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #761187 it is the complementary color #89EE78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #761187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #761187 shade: #7B1182, #8C2395, #9D35A8, #AE47BB and #BF59CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #761187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #761187 shade: #761187, #650074, #540061, #43004E and #32003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #761187 shade: #771188, #881179, #881159, #881139 and #881119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #761187 shade: #771188, #571188, #371188, #161188 and #111188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #761187 shade matches the following richer shades: #771188 and #800495

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #761187 shade: #771188, #6E1D7C, #652A6F, #5D3663 and #544257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #761187 shade: #371188, #561188, #761188, #88117A and #88115A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #761187 shade: #37083F, #570C63, #771188, #9715AD and #B71AD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #761187 shade: #761187, #881711 and #118847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #761187 shade: #761187, #887611 and #118876

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #761187 shade: #761187, #881711, #238811 and #118288

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #761187 shade: #761187, #883B11, #238811 and #115E88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 87 / 0 / 47

HEX #761187

RGB 118 17 135

HSL 291.36, 0.78%, 0.3%

LAB 29.42, 55.38, -41.57

 

Complementary color

CMYK 42 / 0 / 50 / 7

HEX #89EE78

RGB 137 238 120

HSL 111.36, 0.78%, 0.7%

LAB 85.92, -51.69, 47.75

 

CMYK 5 / 87 / 0 / 49

HEX #7B1182

RGB 123 17 130

HSL 296.28, 0.77%, 0.29%

LAB 29.97, 55.43, -37.51

 

CMYK 6 / 77 / 0 / 42

HEX #8C2395

RGB 140 35 149

HSL 295.26, 0.62%, 0.36%

LAB 35.88, 57.2, -39.63

 

CMYK 7 / 68 / 0 / 34

HEX #9D35A8

RGB 157 53 168

HSL 294.26, 0.52%, 0.43%

LAB 42.06, 57.86, -41.06

 

CMYK 7 / 62 / 0 / 27

HEX #AE47BB

RGB 174 71 187

HSL 293.28, 0.46%, 0.51%

LAB 48.38, 57.87, -42.06

 

CMYK 7 / 57 / 0 / 19

HEX #BF59CE

RGB 191 89 206

HSL 292.31, 0.54%, 0.58%

LAB 54.74, 57.52, -42.79

 

CMYK 13 / 87 / 0 / 47

HEX #761187

RGB 118 17 135

HSL 291.36, 0.78%, 0.3%

LAB 29.42, 55.38, -41.57

 

CMYK 13 / 100 / 0 / 55

HEX #650074

RGB 101 0 116

HSL 292.24, 1%, 0.23%

LAB 23.76, 52.37, -38.82

 

CMYK 13 / 100 / 0 / 62

HEX #540061

RGB 84 0 97

HSL 291.96, 1%, 0.19%

LAB 19, 46.12, -34.28

 

CMYK 14 / 100 / 0 / 69

HEX #43004E

RGB 67 0 78

HSL 291.54, 1%, 0.15%

LAB 14.08, 39.65, -29.57

 

CMYK 15 / 100 / 0 / 77

HEX #32003B

RGB 50 0 59

HSL 290.85, 1%, 0.12%

LAB 8.94, 32.91, -24.67

 

CMYK 13 / 88 / 0 / 47

HEX #771188

RGB 119 17 136

HSL 291.43, 0.78%, 0.3%

LAB 29.66, 55.75, -41.79

 

CMYK 0 / 88 / 11 / 47

HEX #881179

RGB 136 17 121

HSL 307.56, 0.78%, 0.3%

LAB 31.84, 56.61, -28.71

 

CMYK 0 / 88 / 35 / 47

HEX #881159

RGB 136 17 89

HSL 323.7, 0.78%, 0.3%

LAB 30.29, 52.38, -10.53

 

CMYK 0 / 88 / 58 / 47

HEX #881139

RGB 136 17 57

HSL 339.83, 0.78%, 0.3%

LAB 29.24, 49.36, 9.2

 

CMYK 0 / 88 / 82 / 47

HEX #881119

RGB 136 17 25

HSL 355.97, 0.78%, 0.3%

LAB 28.66, 47.65, 29.41

 

CMYK 13 / 88 / 0 / 47

HEX #771188

RGB 119 17 136

HSL 291.43, 0.78%, 0.3%

LAB 29.66, 55.75, -41.79

 

CMYK 36 / 88 / 0 / 47

HEX #571188

RGB 87 17 136

HSL 275.29, 0.78%, 0.3%

LAB 24.34, 50.38, -50.68

 

CMYK 60 / 88 / 0 / 47

HEX #371188

RGB 55 17 136

HSL 259.16, 0.78%, 0.3%

LAB 20.01, 46.29, -57.96

 

CMYK 84 / 88 / 0 / 47

HEX #161188

RGB 22 17 136

HSL 242.52, 0.78%, 0.3%

LAB 17.22, 43.84, -62.66

 

CMYK 88 / 88 / 0 / 47

HEX #111188

RGB 17 17 136

HSL 240, 0.78%, 0.3%

LAB 16.98, 43.64, -63.07

 

CMYK 13 / 88 / 0 / 47

HEX #771188

RGB 119 17 136

HSL 291.43, 0.78%, 0.3%

LAB 29.66, 55.75, -41.79

 

CMYK 14 / 97 / 0 / 42

HEX #800495

RGB 128 4 149

HSL 291.31, 0.95%, 0.3%

LAB 31.45, 61.82, -46.86

 

CMYK 13 / 88 / 0 / 47

HEX #771188

RGB 119 17 136

HSL 291.43, 0.78%, 0.3%

LAB 29.66, 55.75, -41.79

 

CMYK 11 / 77 / 0 / 51

HEX #6E1D7C

RGB 110 29 124

HSL 291.16, 0.62%, 0.3%

LAB 28.51, 48.12, -36.2

 

CMYK 9 / 62 / 0 / 56

HEX #652A6F

RGB 101 42 111

HSL 291.3, 0.45%, 0.3%

LAB 28.3, 37.48, -28.35

 

CMYK 6 / 45 / 0 / 61

HEX #5D3663

RGB 93 54 99

HSL 292, 0.29%, 0.3%

LAB 29.07, 25.62, -19.52

 

CMYK 3 / 24 / 0 / 66

HEX #544257

RGB 84 66 87

HSL 291.43, 0.14%, 0.3%

LAB 30.57, 12.05, -9.58

 

CMYK 60 / 88 / 0 / 47

HEX #371188

RGB 55 17 136

HSL 259.16, 0.78%, 0.3%

LAB 20.01, 46.29, -57.96

 

CMYK 37 / 88 / 0 / 47

HEX #561188

RGB 86 17 136

HSL 274.79, 0.78%, 0.3%

LAB 24.18, 50.23, -50.94

 

CMYK 13 / 88 / 0 / 47

HEX #761188

RGB 118 17 136

HSL 290.92, 0.78%, 0.3%

LAB 29.49, 55.57, -42.08

 

CMYK 0 / 88 / 10 / 47

HEX #88117A

RGB 136 17 122

HSL 307.06, 0.78%, 0.3%

LAB 31.9, 56.76, -29.26

 

CMYK 0 / 88 / 34 / 47

HEX #88115A

RGB 136 17 90

HSL 323.19, 0.78%, 0.3%

LAB 30.34, 52.49, -11.12

 

CMYK 13 / 87 / 0 / 75

HEX #37083F

RGB 55 8 63

HSL 291.27, 0.77%, 0.14%

LAB 11.59, 30.97, -23.23

 

CMYK 12 / 88 / 0 / 61

HEX #570C63

RGB 87 12 99

HSL 291.72, 0.78%, 0.22%

LAB 20.79, 43.93, -32.69

 

CMYK 13 / 88 / 0 / 47

HEX #771188

RGB 119 17 136

HSL 291.43, 0.78%, 0.3%

LAB 29.66, 55.75, -41.79

 

CMYK 13 / 88 / 0 / 32

HEX #9715AD

RGB 151 21 173

HSL 291.32, 0.78%, 0.38%

LAB 38.08, 67.11, -50.48

 

CMYK 13 / 88 / 0 / 18

HEX #B71AD2

RGB 183 26 210

HSL 291.2, 0.78%, 0.46%

LAB 46.26, 77.78, -58.69

 

CMYK 13 / 87 / 0 / 47

HEX #761187

RGB 118 17 135

HSL 291.36, 0.78%, 0.3%

LAB 29.42, 55.38, -41.57

 

CMYK 0 / 83 / 88 / 47

HEX #881711

RGB 136 23 17

HSL 3.03, 0.78%, 0.3%

LAB 29.13, 45.86, 34.44

 

CMYK 88 / 0 / 48 / 47

HEX #118847

RGB 17 136 71

HSL 147.23, 0.78%, 0.3%

LAB 49.72, -45.87, 26.39

 

CMYK 13 / 87 / 0 / 47

HEX #761187

RGB 118 17 135

HSL 291.36, 0.78%, 0.3%

LAB 29.42, 55.38, -41.57

 

CMYK 0 / 13 / 88 / 47

HEX #887611

RGB 136 118 17

HSL 50.92, 0.78%, 0.3%

LAB 49.78, -3.29, 51.9

 

CMYK 88 / 0 / 13 / 47

HEX #118876

RGB 17 136 118

HSL 170.92, 0.78%, 0.3%

LAB 50.73, -34.68, 1.05

 

CMYK 13 / 87 / 0 / 47

HEX #761187

RGB 118 17 135

HSL 291.36, 0.78%, 0.3%

LAB 29.42, 55.38, -41.57

 

CMYK 0 / 83 / 88 / 47

HEX #881711

RGB 136 23 17

HSL 3.03, 0.78%, 0.3%

LAB 29.13, 45.86, 34.44

 

CMYK 74 / 0 / 88 / 47

HEX #238811

RGB 35 136 17

HSL 110.92, 0.78%, 0.3%

LAB 49.5, -49.5, 49.35

 

CMYK 88 / 4 / 0 / 47

HEX #118288

RGB 17 130 136

HSL 183.03, 0.78%, 0.3%

LAB 49.33, -26.25, -11.56

 

CMYK 13 / 87 / 0 / 47

HEX #761187

RGB 118 17 135

HSL 291.36, 0.78%, 0.3%

LAB 29.42, 55.38, -41.57

 

CMYK 0 / 57 / 88 / 47

HEX #883B11

RGB 136 59 17

HSL 21.18, 0.78%, 0.3%

LAB 34.81, 30.56, 39.34

 

CMYK 74 / 0 / 88 / 47

HEX #238811

RGB 35 136 17

HSL 110.92, 0.78%, 0.3%

LAB 49.5, -49.5, 49.35

 

CMYK 88 / 31 / 0 / 47

HEX #115E88

RGB 17 94 136

HSL 201.18, 0.78%, 0.3%

LAB 37.67, -6.18, -29.52

 

Description

Color code: HEX #761187 | qconv.com Color code: HEX #761187 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 17 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 17 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 87 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 87% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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