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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #760F79 it is the complementary color #89F086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #760F79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #760F79 shade: #7B0F74, #8C2187, #9D339A, #AE45AD and #BF57C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #760F79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #760F79 shade: #760F79, #650066, #540053, #430040 and #32002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #760F79 shade: #780F7B, #7B0F61, #7B0F44, #7B0F27 and #7B0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #760F79 shade: #780F7B, #5B0F7B, #3E0F7B, #210F7B and #0F0F7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #760F79 shade matches the following richer shades: #780F7B and #820486

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #760F79 shade: #780F7B, #6D1A6F, #622564, #583159 and #4D3C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #760F79 shade: #3E0F7B, #5A0F7B, #770F7B, #7B0F61 and #7B0F45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #760F79 shade: #300631, #540B56, #780F7B, #9B149F and #BF18C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #760F79 shade: #760F79, #7B210F and #0F7B4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #760F79 shade: #760F79, #7B770F and #0F7B77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #760F79 shade: #760F79, #7B210F, #137B0F and #0F697B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #760F79 shade: #760F79, #7B410F, #137B0F and #0F487B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 88 / 0 / 53

HEX #760F79

RGB 118 15 121

HSL 298.3, 0.78%, 0.27%

LAB 28.31, 53.36, -34.54

 

Complementary color

CMYK 43 / 0 / 44 / 6

HEX #89F086

RGB 137 240 134

HSL 118.3, 0.78%, 0.73%

LAB 86.68, -50.66, 41.98

 

CMYK 0 / 88 / 6 / 52

HEX #7B0F74

RGB 123 15 116

HSL 303.89, 0.78%, 0.27%

LAB 28.94, 53.54, -30.3

 

CMYK 0 / 76 / 4 / 45

HEX #8C2187

RGB 140 33 135

HSL 302.8, 0.62%, 0.34%

LAB 34.83, 55.44, -32.7

 

CMYK 0 / 68 / 2 / 38

HEX #9D339A

RGB 157 51 154

HSL 301.7, 0.51%, 0.41%

LAB 41.01, 56.17, -34.35

 

CMYK 0 / 60 / 1 / 32

HEX #AE45AD

RGB 174 69 173

HSL 300.57, 0.43%, 0.48%

LAB 47.33, 56.22, -35.52

 

CMYK 1 / 55 / 0 / 25

HEX #BF57C0

RGB 191 87 192

HSL 299.43, 0.45%, 0.55%

LAB 53.71, 55.9, -36.39

 

CMYK 2 / 88 / 0 / 53

HEX #760F79

RGB 118 15 121

HSL 298.3, 0.78%, 0.27%

LAB 28.31, 53.36, -34.54

 

CMYK 1 / 100 / 0 / 60

HEX #650066

RGB 101 0 102

HSL 299.41, 1%, 0.2%

LAB 22.74, 49.96, -31.38

 

CMYK 0 / 100 / 1 / 67

HEX #540053

RGB 84 0 83

HSL 300.71, 1%, 0.16%

LAB 17.96, 43.64, -26.56

 

CMYK 0 / 100 / 4 / 74

HEX #430040

RGB 67 0 64

HSL 302.69, 1%, 0.13%

LAB 13.01, 37.1, -21.52

 

CMYK 0 / 100 / 10 / 80

HEX #32002D

RGB 50 0 45

HSL 306, 1%, 0.1%

LAB 7.84, 30.26, -16.17

 

CMYK 2 / 88 / 0 / 52

HEX #780F7B

RGB 120 15 123

HSL 298.33, 0.78%, 0.27%

LAB 28.81, 54.09, -34.98

 

CMYK 0 / 88 / 21 / 52

HEX #7B0F61

RGB 123 15 97

HSL 314.44, 0.78%, 0.27%

LAB 27.89, 50.72, -19.69

 

CMYK 0 / 88 / 45 / 52

HEX #7B0F44

RGB 123 15 68

HSL 330.56, 0.78%, 0.27%

LAB 26.65, 47.25, -2.29

 

CMYK 0 / 88 / 68 / 52

HEX #7B0F27

RGB 123 15 39

HSL 346.67, 0.78%, 0.27%

LAB 25.86, 44.95, 16.35

 

CMYK 0 / 88 / 88 / 52

HEX #7B0F0F

RGB 123 15 15

HSL 0, 0.78%, 0.27%

LAB 25.52, 43.96, 31.23

 

CMYK 2 / 88 / 0 / 52

HEX #780F7B

RGB 120 15 123

HSL 298.33, 0.78%, 0.27%

LAB 28.81, 54.09, -34.98

 

CMYK 26 / 88 / 0 / 52

HEX #5B0F7B

RGB 91 15 123

HSL 282.22, 0.78%, 0.27%

LAB 23.66, 48.73, -43.55

 

CMYK 50 / 88 / 0 / 52

HEX #3E0F7B

RGB 62 15 123

HSL 266.11, 0.78%, 0.27%

LAB 19.21, 44.33, -51.01

 

CMYK 73 / 88 / 0 / 52

HEX #210F7B

RGB 33 15 123

HSL 250, 0.78%, 0.27%

LAB 15.98, 41.33, -56.46

 

CMYK 88 / 88 / 0 / 52

HEX #0F0F7B

RGB 15 15 123

HSL 240, 0.78%, 0.27%

LAB 14.81, 40.3, -58.43

 

CMYK 2 / 88 / 0 / 52

HEX #780F7B

RGB 120 15 123

HSL 298.33, 0.78%, 0.27%

LAB 28.81, 54.09, -34.98

 

CMYK 3 / 97 / 0 / 47

HEX #820486

RGB 130 4 134

HSL 298.15, 0.94%, 0.27%

LAB 30.77, 59.62, -38.66

 

CMYK 2 / 88 / 0 / 52

HEX #780F7B

RGB 120 15 123

HSL 298.33, 0.78%, 0.27%

LAB 28.81, 54.09, -34.98

 

CMYK 2 / 77 / 0 / 56

HEX #6D1A6F

RGB 109 26 111

HSL 298.59, 0.62%, 0.27%

LAB 27.12, 46.53, -30.14

 

CMYK 2 / 63 / 0 / 61

HEX #622564

RGB 98 37 100

HSL 298.1, 0.46%, 0.27%

LAB 26.27, 36.9, -24.5

 

CMYK 1 / 45 / 0 / 65

HEX #583159

RGB 88 49 89

HSL 298.5, 0.29%, 0.27%

LAB 26.71, 24.73, -16.74

 

CMYK 1 / 23 / 0 / 69

HEX #4D3C4E

RGB 77 60 78

HSL 296.67, 0.13%, 0.27%

LAB 27.74, 11.14, -8.09

 

CMYK 50 / 88 / 0 / 52

HEX #3E0F7B

RGB 62 15 123

HSL 266.11, 0.78%, 0.27%

LAB 19.21, 44.33, -51.01

 

CMYK 27 / 88 / 0 / 52

HEX #5A0F7B

RGB 90 15 123

HSL 281.67, 0.78%, 0.27%

LAB 23.49, 48.56, -43.83

 

CMYK 3 / 88 / 0 / 52

HEX #770F7B

RGB 119 15 123

HSL 297.78, 0.78%, 0.27%

LAB 28.63, 53.89, -35.29

 

CMYK 0 / 88 / 21 / 52

HEX #7B0F61

RGB 123 15 97

HSL 314.44, 0.78%, 0.27%

LAB 27.89, 50.72, -19.69

 

CMYK 0 / 88 / 44 / 52

HEX #7B0F45

RGB 123 15 69

HSL 330, 0.78%, 0.27%

LAB 26.68, 47.35, -2.92

 

CMYK 2 / 88 / 0 / 81

HEX #300631

RGB 48 6 49

HSL 298.6, 0.78%, 0.11%

LAB 8.83, 27.2, -17.59

 

CMYK 2 / 87 / 0 / 66

HEX #540B56

RGB 84 11 86

HSL 298.4, 0.77%, 0.19%

LAB 19.21, 41.11, -26.6

 

CMYK 2 / 88 / 0 / 52

HEX #780F7B

RGB 120 15 123

HSL 298.33, 0.78%, 0.27%

LAB 28.81, 54.09, -34.98

 

CMYK 3 / 87 / 0 / 38

HEX #9B149F

RGB 155 20 159

HSL 298.27, 0.78%, 0.35%

LAB 37.79, 65.66, -42.5

 

CMYK 3 / 88 / 0 / 23

HEX #BF18C4

RGB 191 24 196

HSL 298.26, 0.78%, 0.43%

LAB 46.6, 77.2, -49.97

 

CMYK 2 / 88 / 0 / 53

HEX #760F79

RGB 118 15 121

HSL 298.3, 0.78%, 0.27%

LAB 28.31, 53.36, -34.54

 

CMYK 0 / 73 / 88 / 52

HEX #7B210F

RGB 123 33 15

HSL 10, 0.78%, 0.27%

LAB 27.66, 37.98, 33.15

 

CMYK 88 / 0 / 38 / 52

HEX #0F7B4C

RGB 15 123 76

HSL 153.89, 0.78%, 0.27%

LAB 45.34, -40.08, 17.88

 

CMYK 2 / 88 / 0 / 53

HEX #760F79

RGB 118 15 121

HSL 298.3, 0.78%, 0.27%

LAB 28.31, 53.36, -34.54

 

CMYK 0 / 3 / 88 / 52

HEX #7B770F

RGB 123 119 15

HSL 57.78, 0.78%, 0.27%

LAB 48.81, -10.04, 51.1

 

CMYK 88 / 0 / 3 / 52

HEX #0F7B77

RGB 15 123 119

HSL 177.78, 0.78%, 0.27%

LAB 46.44, -28.41, -5.85

 

CMYK 2 / 88 / 0 / 53

HEX #760F79

RGB 118 15 121

HSL 298.3, 0.78%, 0.27%

LAB 28.31, 53.36, -34.54

 

CMYK 0 / 73 / 88 / 52

HEX #7B210F

RGB 123 33 15

HSL 10, 0.78%, 0.27%

LAB 27.66, 37.98, 33.15

 

CMYK 85 / 0 / 88 / 52

HEX #137B0F

RGB 19 123 15

HSL 117.78, 0.78%, 0.27%

LAB 44.72, -47.84, 45.45

 

CMYK 88 / 15 / 0 / 52

HEX #0F697B

RGB 15 105 123

HSL 190, 0.78%, 0.27%

LAB 40.63, -17.69, -17.03

 

CMYK 2 / 88 / 0 / 53

HEX #760F79

RGB 118 15 121

HSL 298.3, 0.78%, 0.27%

LAB 28.31, 53.36, -34.54

 

CMYK 0 / 47 / 88 / 52

HEX #7B410F

RGB 123 65 15

HSL 27.78, 0.78%, 0.27%

LAB 34.04, 21.5, 38.69

 

CMYK 85 / 0 / 88 / 52

HEX #137B0F

RGB 19 123 15

HSL 117.78, 0.78%, 0.27%

LAB 44.72, -47.84, 45.45

 

CMYK 88 / 41 / 0 / 52

HEX #0F487B

RGB 15 72 123

HSL 208.33, 0.78%, 0.27%

LAB 29.83, 2.54, -33.93

 

Description

Color code: HEX #760F79 | qconv.com Color code: HEX #760F79 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 15 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 15 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 88 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 88% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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