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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #760BC0 it is the complementary color #89F43F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #760BC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #760BC0 shade: #7B0BBB, #8C1DCE, #9D2FE1, #AE41F4 and #BF53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #760BC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #760BC0 shade: #760BC0, #6500AD, #54009A, #430087 and #320074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #760BC0 shade: #770BC1, #A80BC1, #C10BA9, #C10B78 and #C10B47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #760BC0 shade: #770BC1, #460BC1, #150BC1 and #0B0BC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #760BC0 shade matches the following richer shades: #770BC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #760BC0 shade: #770BC1, #741CB0, #712CA0, #6E3D8F and #6B4D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #760BC0 shade: #140BC1, #450BC1, #750BC1, #A60BC1 and #C10BAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #760BC0 shade: #470773, #5F099A, #770BC1, #8F0DE8 and #A12CF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #760BC0 shade: #760BC0, #C10B33 and #0BC12D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #760BC0 shade: #760BC0, #C1750B and #0BC175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #760BC0 shade: #760BC0, #C10B33, #57C10B and #0BC199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #760BC0 shade: #760BC0, #C11A0B, #57C10B and #0BB2C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 94 / 0 / 25

HEX #760BC0

RGB 118 11 192

HSL 275.47, 0.89%, 0.4%

LAB 33.77, 67.78, -69

 

Complementary color

CMYK 44 / 0 / 74 / 4

HEX #89F43F

RGB 137 244 63

HSL 95.47, 0.89%, 0.6%

LAB 87.18, -59.24, 72.38

 

CMYK 34 / 94 / 0 / 27

HEX #7B0BBB

RGB 123 11 187

HSL 278.18, 0.89%, 0.39%

LAB 34.06, 67.34, -65.54

 

CMYK 32 / 86 / 0 / 19

HEX #8C1DCE

RGB 140 29 206

HSL 277.63, 0.75%, 0.46%

LAB 39.43, 69.9, -67.78

 

CMYK 30 / 79 / 0 / 12

HEX #9D2FE1

RGB 157 47 225

HSL 277.08, 0.75%, 0.53%

LAB 45.13, 71.2, -69.29

 

CMYK 29 / 73 / 0 / 4

HEX #AE41F4

RGB 174 65 244

HSL 276.54, 0.89%, 0.61%

LAB 51.05, 71.67, -70.3

 

CMYK 25 / 67 / 0 / 0

HEX #BF53FF

RGB 191 83 255

HSL 277.67, 1%, 0.66%

LAB 56.57, 69.94, -67.38

 

CMYK 39 / 94 / 0 / 25

HEX #760BC0

RGB 118 11 192

HSL 275.47, 0.89%, 0.4%

LAB 33.77, 67.78, -69

 

CMYK 42 / 100 / 0 / 32

HEX #6500AD

RGB 101 0 173

HSL 275.03, 1%, 0.34%

LAB 28.86, 63.65, -65.86

 

CMYK 45 / 100 / 0 / 40

HEX #54009A

RGB 84 0 154

HSL 272.73, 1%, 0.3%

LAB 24.38, 57.9, -61.79

 

CMYK 50 / 100 / 0 / 47

HEX #430087

RGB 67 0 135

HSL 269.78, 1%, 0.26%

LAB 19.81, 52.06, -57.6

 

CMYK 57 / 100 / 0 / 55

HEX #320074

RGB 50 0 116

HSL 265.86, 1%, 0.23%

LAB 15.16, 46.12, -53.24

 

CMYK 38 / 94 / 0 / 24

HEX #770BC1

RGB 119 11 193

HSL 275.6, 0.89%, 0.4%

LAB 34.01, 68.1, -69.19

 

CMYK 13 / 94 / 0 / 24

HEX #A80BC1

RGB 168 11 193

HSL 291.76, 0.89%, 0.4%

LAB 41.87, 74.7, -56.04

 

CMYK 0 / 94 / 12 / 24

HEX #C10BA9

RGB 193 11 169

HSL 307.91, 0.89%, 0.4%

LAB 44.86, 75.34, -36.84

 

CMYK 0 / 94 / 38 / 24

HEX #C10B78

RGB 193 11 120

HSL 324.07, 0.89%, 0.4%

LAB 42.66, 69.64, -10.47

 

CMYK 0 / 94 / 63 / 24

HEX #C10B47

RGB 193 11 71

HSL 340.22, 0.89%, 0.4%

LAB 41.27, 65.86, 18.39

 

CMYK 38 / 94 / 0 / 24

HEX #770BC1

RGB 119 11 193

HSL 275.6, 0.89%, 0.4%

LAB 34.01, 68.1, -69.19

 

CMYK 64 / 94 / 0 / 24

HEX #460BC1

RGB 70 11 193

HSL 259.45, 0.89%, 0.4%

LAB 27.82, 63.82, -79.61

 

CMYK 89 / 94 / 0 / 24

HEX #150BC1

RGB 21 11 193

HSL 243.3, 0.89%, 0.4%

LAB 24.48, 62, -85.27

 

CMYK 94 / 94 / 0 / 24

HEX #0B0BC1

RGB 11 11 193

HSL 240, 0.89%, 0.4%

LAB 24.2, 61.86, -85.75

 

CMYK 38 / 94 / 0 / 24

HEX #770BC1

RGB 119 11 193

HSL 275.6, 0.89%, 0.4%

LAB 34.01, 68.1, -69.19

 

CMYK 38 / 94 / 0 / 24

HEX #770BC1

RGB 119 11 193

HSL 275.6, 0.89%, 0.4%

LAB 34.01, 68.1, -69.19

 

CMYK 34 / 84 / 0 / 31

HEX #741CB0

RGB 116 28 176

HSL 275.68, 0.73%, 0.4%

LAB 33.3, 60.39, -60.28

 

CMYK 29 / 73 / 0 / 37

HEX #712CA0

RGB 113 44 160

HSL 275.69, 0.57%, 0.4%

LAB 33.67, 50.32, -50.09

 

CMYK 23 / 57 / 0 / 44

HEX #6E3D8F

RGB 110 61 143

HSL 275.85, 0.4%, 0.4%

LAB 35.27, 36.99, -37.19

 

CMYK 16 / 39 / 0 / 50

HEX #6B4D7F

RGB 107 77 127

HSL 276, 0.25%, 0.4%

LAB 37.78, 22.78, -23.45

 

CMYK 90 / 94 / 0 / 24

HEX #140BC1

RGB 20 11 193

HSL 242.97, 0.89%, 0.4%

LAB 24.44, 61.98, -85.33

 

CMYK 64 / 94 / 0 / 24

HEX #450BC1

RGB 69 11 193

HSL 259.12, 0.89%, 0.4%

LAB 27.72, 63.76, -79.78

 

CMYK 39 / 94 / 0 / 24

HEX #750BC1

RGB 117 11 193

HSL 274.95, 0.89%, 0.4%

LAB 33.71, 67.88, -69.68

 

CMYK 14 / 94 / 0 / 24

HEX #A60BC1

RGB 166 11 193

HSL 291.1, 0.89%, 0.4%

LAB 41.53, 74.4, -56.61

 

CMYK 0 / 94 / 11 / 24

HEX #C10BAC

RGB 193 11 172

HSL 306.92, 0.89%, 0.4%

LAB 45.02, 75.74, -38.37

 

CMYK 38 / 94 / 0 / 55

HEX #470773

RGB 71 7 115

HSL 275.56, 0.89%, 0.24%

LAB 18.93, 45.96, -46.29

 

CMYK 38 / 94 / 0 / 40

HEX #5F099A

RGB 95 9 154

HSL 275.59, 0.89%, 0.32%

LAB 26.62, 57.32, -58.04

 

CMYK 38 / 94 / 0 / 24

HEX #770BC1

RGB 119 11 193

HSL 275.6, 0.89%, 0.4%

LAB 34.01, 68.1, -69.19

 

CMYK 38 / 94 / 0 / 9

HEX #8F0DE8

RGB 143 13 232

HSL 275.62, 0.89%, 0.48%

LAB 41.14, 78.43, -79.88

 

CMYK 34 / 82 / 0 / 5

HEX #A12CF3

RGB 161 44 243

HSL 275.28, 0.89%, 0.56%

LAB 46.78, 76.44, -76.77

 

CMYK 39 / 94 / 0 / 25

HEX #760BC0

RGB 118 11 192

HSL 275.47, 0.89%, 0.4%

LAB 33.77, 67.78, -69

 

CMYK 0 / 94 / 74 / 24

HEX #C10B33

RGB 193 11 51

HSL 346.81, 0.89%, 0.4%

LAB 40.92, 64.91, 30.48

 

CMYK 94 / 0 / 77 / 24

HEX #0BC12D

RGB 11 193 45

HSL 131.21, 0.89%, 0.4%

LAB 68.31, -67.62, 58.71

 

CMYK 39 / 94 / 0 / 25

HEX #760BC0

RGB 118 11 192

HSL 275.47, 0.89%, 0.4%

LAB 33.77, 67.78, -69

 

CMYK 0 / 39 / 94 / 24

HEX #C1750B

RGB 193 117 11

HSL 34.95, 0.89%, 0.4%

LAB 56.17, 23.24, 61.04

 

CMYK 94 / 0 / 39 / 24

HEX #0BC175

RGB 11 193 117

HSL 154.95, 0.89%, 0.4%

LAB 69.11, -57.92, 27.16

 

CMYK 39 / 94 / 0 / 25

HEX #760BC0

RGB 118 11 192

HSL 275.47, 0.89%, 0.4%

LAB 33.77, 67.78, -69

 

CMYK 0 / 94 / 74 / 24

HEX #C10B33

RGB 193 11 51

HSL 346.81, 0.89%, 0.4%

LAB 40.92, 64.91, 30.48

 

CMYK 55 / 0 / 94 / 24

HEX #57C10B

RGB 87 193 11

HSL 94.95, 0.89%, 0.4%

LAB 69.6, -57.13, 68.02

 

CMYK 94 / 0 / 21 / 24

HEX #0BC199

RGB 11 193 153

HSL 166.81, 0.89%, 0.4%

LAB 69.83, -49.79, 8.87

 

CMYK 39 / 94 / 0 / 25

HEX #760BC0

RGB 118 11 192

HSL 275.47, 0.89%, 0.4%

LAB 33.77, 67.78, -69

 

CMYK 0 / 87 / 94 / 24

HEX #C11A0B

RGB 193 26 11

HSL 4.95, 0.89%, 0.4%

LAB 41.38, 61.64, 51.3

 

CMYK 55 / 0 / 94 / 24

HEX #57C10B

RGB 87 193 11

HSL 94.95, 0.89%, 0.4%

LAB 69.6, -57.13, 68.02

 

CMYK 94 / 8 / 0 / 24

HEX #0BB2C1

RGB 11 178 193

HSL 184.95, 0.89%, 0.4%

LAB 66.34, -31.65, -18.28

 

Description

Color code: HEX #760BC0 | qconv.com Color code: HEX #760BC0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 11 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 11 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 94 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 94% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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