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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76025E it is the complementary color #89FDA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76025E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76025E shade: #7B0259, #8C146C, #9D267F, #AE3892 and #BF4AA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76025E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76025E shade: #76025E, #65004B, #540038, #430025 and #320012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76025E shade: #790260, #790240, #790220 and #790202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76025E shade: #790260, #710279, #510279, #310279 and #110279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76025E shade matches the following richer shades: #790260

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76025E shade: #790260, #6F0C5A, #651654, #5B204F and #512949

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76025E shade: #510279, #710279, #790261, #790241 and #790221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76025E shade: #27011F, #500140, #790260, #A10280 and #CA03A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76025E shade: #76025E, #793102 and #027961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76025E shade: #76025E, #617902 and #026179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76025E shade: #76025E, #793102, #02791A and #024979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76025E shade: #76025E, #795502, #02791A and #022579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 20 / 54

HEX #76025E

RGB 118 2 94

HSL 312.41, 0.97%, 0.24%

LAB 25.87, 51.67, -20.94

 

Complementary color

CMYK 46 / 0 / 36 / 1

HEX #89FDA1

RGB 137 253 161

HSL 132.41, 0.97%, 0.76%

LAB 90.84, -51.93, 34.07

 

CMYK 0 / 98 / 28 / 52

HEX #7B0259

RGB 123 2 89

HSL 316.86, 0.97%, 0.25%

LAB 26.67, 52.09, -16.33

 

CMYK 0 / 86 / 23 / 45

HEX #8C146C

RGB 140 20 108

HSL 316, 0.75%, 0.31%

LAB 32.16, 55.01, -19.89

 

CMYK 0 / 76 / 19 / 38

HEX #9D267F

RGB 157 38 127

HSL 315.13, 0.61%, 0.38%

LAB 38, 56.64, -22.55

 

CMYK 0 / 68 / 16 / 32

HEX #AE3892

RGB 174 56 146

HSL 314.24, 0.51%, 0.45%

LAB 44.09, 57.26, -24.49

 

CMYK 0 / 61 / 14 / 25

HEX #BF4AA5

RGB 191 74 165

HSL 313.33, 0.48%, 0.52%

LAB 50.32, 57.28, -25.95

 

CMYK 0 / 98 / 20 / 54

HEX #76025E

RGB 118 2 94

HSL 312.41, 0.97%, 0.24%

LAB 25.87, 51.67, -20.94

 

CMYK 0 / 100 / 26 / 60

HEX #65004B

RGB 101 0 75

HSL 315.45, 1%, 0.2%

LAB 21.11, 45.93, -15.9

 

CMYK 0 / 100 / 33 / 67

HEX #540038

RGB 84 0 56

HSL 320, 1%, 0.16%

LAB 16.36, 39.65, -10.31

 

CMYK 0 / 100 / 45 / 74

HEX #430025

RGB 67 0 37

HSL 326.87, 1%, 0.13%

LAB 11.46, 33.22, -4.22

 

CMYK 0 / 100 / 64 / 80

HEX #320012

RGB 50 0 18

HSL 338.4, 1%, 0.1%

LAB 6.52, 26.21, 2.14

 

CMYK 0 / 98 / 21 / 53

HEX #790260

RGB 121 2 96

HSL 312.61, 0.97%, 0.24%

LAB 26.6, 52.56, -21.07

 

CMYK 0 / 98 / 47 / 53

HEX #790240

RGB 121 2 64

HSL 328.74, 0.97%, 0.24%

LAB 25.19, 48.91, -1.77

 

CMYK 0 / 98 / 74 / 53

HEX #790220

RGB 121 2 32

HSL 344.87, 0.97%, 0.24%

LAB 24.36, 46.67, 19.13

 

CMYK 0 / 98 / 98 / 53

HEX #790202

RGB 121 2 2

HSL 0, 0.97%, 0.24%

LAB 24.04, 45.78, 35.24

 

CMYK 0 / 98 / 21 / 53

HEX #790260

RGB 121 2 96

HSL 312.61, 0.97%, 0.24%

LAB 26.6, 52.56, -21.07

 

CMYK 7 / 98 / 0 / 53

HEX #710279

RGB 113 2 121

HSL 295.97, 0.97%, 0.24%

LAB 26.55, 54.85, -37.41

 

CMYK 33 / 98 / 0 / 53

HEX #510279

RGB 81 2 121

HSL 279.83, 0.97%, 0.24%

LAB 20.72, 49.94, -47.13

 

CMYK 60 / 98 / 0 / 53

HEX #310279

RGB 49 2 121

HSL 263.7, 0.97%, 0.24%

LAB 15.89, 46.6, -55.28

 

CMYK 86 / 98 / 0 / 53

HEX #110279

RGB 17 2 121

HSL 247.56, 0.97%, 0.24%

LAB 12.88, 45.04, -60.36

 

CMYK 0 / 98 / 21 / 53

HEX #790260

RGB 121 2 96

HSL 312.61, 0.97%, 0.24%

LAB 26.6, 52.56, -21.07

 

CMYK 0 / 98 / 21 / 53

HEX #790260

RGB 121 2 96

HSL 312.61, 0.97%, 0.24%

LAB 26.6, 52.56, -21.07

 

CMYK 0 / 89 / 19 / 56

HEX #6F0C5A

RGB 111 12 90

HSL 312.73, 0.8%, 0.24%

LAB 24.89, 47.62, -19.94

 

CMYK 0 / 78 / 17 / 60

HEX #651654

RGB 101 22 84

HSL 312.91, 0.64%, 0.24%

LAB 23.61, 41.37, -18.1

 

CMYK 0 / 65 / 13 / 64

HEX #5B204F

RGB 91 32 79

HSL 312.2, 0.48%, 0.24%

LAB 23.07, 33.31, -15.72

 

CMYK 0 / 49 / 10 / 68

HEX #512949

RGB 81 41 73

HSL 312, 0.33%, 0.24%

LAB 23.05, 23.75, -11.84

 

CMYK 33 / 98 / 0 / 53

HEX #510279

RGB 81 2 121

HSL 279.83, 0.97%, 0.24%

LAB 20.72, 49.94, -47.13

 

CMYK 7 / 98 / 0 / 53

HEX #710279

RGB 113 2 121

HSL 295.97, 0.97%, 0.24%

LAB 26.55, 54.85, -37.41

 

CMYK 0 / 98 / 20 / 53

HEX #790261

RGB 121 2 97

HSL 312.1, 0.97%, 0.24%

LAB 26.65, 52.7, -21.65

 

CMYK 0 / 98 / 46 / 53

HEX #790241

RGB 121 2 65

HSL 328.24, 0.97%, 0.24%

LAB 25.23, 49, -2.4

 

CMYK 0 / 98 / 73 / 53

HEX #790221

RGB 121 2 33

HSL 344.37, 0.97%, 0.24%

LAB 24.38, 46.71, 18.47

 

CMYK 0 / 97 / 21 / 85

HEX #27011F

RGB 39 1 31

HSL 312.63, 0.95%, 0.08%

LAB 4.99, 22.47, -10.05

 

CMYK 0 / 99 / 20 / 69

HEX #500140

RGB 80 1 64

HSL 312.15, 0.98%, 0.16%

LAB 15.99, 39.5, -16.62

 

CMYK 0 / 98 / 21 / 53

HEX #790260

RGB 121 2 96

HSL 312.61, 0.97%, 0.24%

LAB 26.6, 52.56, -21.07

 

CMYK 0 / 99 / 20 / 37

HEX #A10280

RGB 161 2 128

HSL 312.45, 0.98%, 0.32%

LAB 36.33, 64.82, -25.72

 

CMYK 0 / 99 / 20 / 21

HEX #CA03A1

RGB 202 3 161

HSL 312.36, 0.97%, 0.4%

LAB 45.9, 76.71, -30.31

 

CMYK 0 / 98 / 20 / 54

HEX #76025E

RGB 118 2 94

HSL 312.41, 0.97%, 0.24%

LAB 25.87, 51.67, -20.94

 

CMYK 0 / 60 / 98 / 53

HEX #793102

RGB 121 49 2

HSL 23.7, 0.97%, 0.24%

LAB 30.07, 29.26, 40.51

 

CMYK 98 / 0 / 20 / 53

HEX #027961

RGB 2 121 97

HSL 167.9, 0.97%, 0.24%

LAB 45.01, -34.92, 5.12

 

CMYK 0 / 98 / 20 / 54

HEX #76025E

RGB 118 2 94

HSL 312.41, 0.97%, 0.24%

LAB 25.87, 51.67, -20.94

 

CMYK 20 / 0 / 98 / 53

HEX #617902

RGB 97 121 2

HSL 72.1, 0.97%, 0.24%

LAB 47.26, -23.41, 51.72

 

CMYK 98 / 20 / 0 / 53

HEX #026179

RGB 2 97 121

HSL 192.1, 0.97%, 0.24%

LAB 37.74, -14.81, -20.27

 

CMYK 0 / 98 / 20 / 54

HEX #76025E

RGB 118 2 94

HSL 312.41, 0.97%, 0.24%

LAB 25.87, 51.67, -20.94

 

CMYK 0 / 60 / 98 / 53

HEX #793102

RGB 121 49 2

HSL 23.7, 0.97%, 0.24%

LAB 30.07, 29.26, 40.51

 

CMYK 98 / 0 / 79 / 53

HEX #02791A

RGB 2 121 26

HSL 132.1, 0.97%, 0.24%

LAB 43.89, -48.08, 41.14

 

CMYK 98 / 40 / 0 / 53

HEX #024979

RGB 2 73 121

HSL 204.2, 0.97%, 0.24%

LAB 29.81, 0.06, -32.72

 

CMYK 0 / 98 / 20 / 54

HEX #76025E

RGB 118 2 94

HSL 312.41, 0.97%, 0.24%

LAB 25.87, 51.67, -20.94

 

CMYK 0 / 30 / 98 / 53

HEX #795502

RGB 121 85 2

HSL 41.85, 0.97%, 0.24%

LAB 38.84, 8.34, 46.51

 

CMYK 98 / 0 / 79 / 53

HEX #02791A

RGB 2 121 26

HSL 132.1, 0.97%, 0.24%

LAB 43.89, -48.08, 41.14

 

CMYK 98 / 69 / 0 / 53

HEX #022579

RGB 2 37 121

HSL 222.35, 0.97%, 0.24%

LAB 18.87, 25.59, -50.44

 

Description

Color code: HEX #76025E | qconv.com Color code: HEX #76025E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 2 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 2 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 20 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 20% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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