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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75FAF34C it is the complementary color #8A050C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75FAF34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75FAF34C shade: #7AFAEE4C, #8BFFFF4C, #9CFFFF4C, #ADFFFF4C and #BEFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75FAF34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75FAF34C shade: #75FAF34C, #64E8E04C, #53D6CD4C, #42C4BA4C and #31B2A74C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75FAF34C shade: #75FAF3, #75FACF, #75FAAB, #75FA88 and #87FA75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75FAF34C shade: #75FAF3, #75DDFA, #75B9FA, #7596FA and #7575FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75FAF34C shade matches the following richer shades: #75FAF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75FAF34C shade: #75FAF3, #81EEE9, #8CE3DE, #98D7D4 and #A3CCCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75FAF34C shade: #75FAAA, #75FACE, #75FAF1, #75DFFA and #75BCFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75FAF34C shade: #26F7EC, #4DF9F0, #75FAF3, #9DFBF6 and #C5FDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75FAF34C shade: #75FAF3, #8775FA and #FABC75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75FAF34C shade: #75FAF3, #F175FA and #FAF175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75FAF34C shade: #75FAF3, #8775FA, #FA757E and #E8FA75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75FAF34C shade: #75FAF3, #AF75FA, #FA757E and #C0FA75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 1 / 1

HEX #75FAF34C

RGBA 117 250 243 0.3

HSLA 176.84, 0.93%, 0.72%, 0.3

LABA 91.06, -38.12, -7.8, 0.3

 

Complementary color

CMYK 0 / 29 / 27 / 14

HEX #8A050C4C

RGBA 138 5 12 0.3

HSLA 356.84, 0.93%, 0.28%, 0.3

LABA 28.22, 50.1, 36.38, 0.3

 

CMYK 15 / 0 / 1 / 1

HEX #7AFAEE4C

RGBA 122 250 238 0.3

HSLA 174.38, 0.93%, 0.73%, 0.3

LABA 91.09, -38.37, -5.15, 0.3

 

CMYK 14 / 0 / 0 / 0

HEX #8BFFFF4C

RGBA 139 255 255 0.3

HSLA 180, 1%, 0.77%, 0.3

LABA 93.55, -32.91, -10.25, 0.3

 

CMYK 12 / 0 / 0 / 0

HEX #9CFFFF4C

RGBA 156 255 255 0.3

HSLA 180, 1%, 0.81%, 0.3

LABA 94.23, -28.99, -9.17, 0.3

 

CMYK 10 / 0 / 0 / 0

HEX #ADFFFF4C

RGBA 173 255 255 0.3

HSLA 180, 1%, 0.84%, 0.3

LABA 95, -24.69, -7.94, 0.3

 

CMYK 8 / 0 / 0 / 0

HEX #BEFFFF4C

RGBA 190 255 255 0.3

HSLA 180, 1%, 0.87%, 0.3

LABA 95.87, -20.05, -6.56, 0.3

 

CMYK 16 / 0 / 1 / 1

HEX #75FAF34C

RGBA 117 250 243 0.3

HSLA 176.84, 0.93%, 0.72%, 0.3

LABA 91.06, -38.12, -7.8, 0.3

 

CMYK 17 / 0 / 1 / 3

HEX #64E8E04C

RGBA 100 232 224 0.3

HSLA 176.36, 0.74%, 0.65%, 0.3

LABA 84.9, -37.93, -7.05, 0.3

 

CMYK 18 / 0 / 1 / 5

HEX #53D6CD4C

RGBA 83 214 205 0.3

HSLA 175.88, 0.62%, 0.58%, 0.3

LABA 78.66, -37.64, -6.23, 0.3

 

CMYK 20 / 0 / 2 / 7

HEX #42C4BA4C

RGBA 66 196 186 0.3

HSLA 175.38, 0.52%, 0.51%, 0.3

LABA 72.35, -37.21, -5.35, 0.3

 

CMYK 22 / 0 / 2 / 9

HEX #31B2A74C

RGBA 49 178 167 0.3

HSLA 174.88, 0.57%, 0.45%, 0.3

LABA 65.97, -36.58, -4.37, 0.3

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 53 / 0 / 17 / 2

HEX #75FACF

RGB 117 250 207

HSL 160.6, 0.93%, 0.72%

LAB 90.16, -46.62, 9.57

 

CMYK 53 / 0 / 32 / 2

HEX #75FAAB

RGB 117 250 171

HSL 144.36, 0.93%, 0.72%

LAB 89.44, -53.9, 27.03

 

CMYK 53 / 0 / 46 / 2

HEX #75FA88

RGB 117 250 136

HSL 128.57, 0.93%, 0.72%

LAB 88.89, -59.65, 43.66

 

CMYK 46 / 0 / 53 / 2

HEX #87FA75

RGB 135 250 117

HSL 111.88, 0.93%, 0.72%

LAB 89.3, -57.42, 53.22

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 53 / 12 / 0 / 2

HEX #75DDFA

RGB 117 221 250

HSL 193.08, 0.93%, 0.72%

LAB 83.12, -22.43, -23.39

 

CMYK 53 / 26 / 0 / 2

HEX #75B9FA

RGB 117 185 250

HSL 209.32, 0.93%, 0.72%

LAB 73.14, -3.58, -38.74

 

CMYK 53 / 40 / 0 / 2

HEX #7596FA

RGB 117 150 250

HSL 225.11, 0.93%, 0.72%

LAB 63.75, 16.32, -53.5

 

CMYK 53 / 53 / 0 / 2

HEX #7575FA

RGB 117 117 250

HSL 240, 0.93%, 0.72%

LAB 55.49, 35.86, -66.73

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 46 / 0 / 2 / 7

HEX #81EEE9

RGB 129 238 233

HSL 177.25, 0.76%, 0.72%

LAB 87.82, -32.54, -7.34

 

CMYK 38 / 0 / 2 / 11

HEX #8CE3DE

RGB 140 227 222

HSL 176.55, 0.61%, 0.72%

LAB 84.89, -27.32, -5.84

 

CMYK 29 / 0 / 1 / 16

HEX #98D7D4

RGB 152 215 212

HSL 177.14, 0.44%, 0.72%

LAB 81.85, -20.51, -4.95

 

CMYK 20 / 0 / 1 / 20

HEX #A3CCCA

RGB 163 204 202

HSL 177.07, 0.29%, 0.72%

LAB 79.18, -13.86, -3.47

 

CMYK 53 / 0 / 32 / 2

HEX #75FAAA

RGB 117 250 170

HSL 143.91, 0.93%, 0.72%

LAB 89.42, -54.08, 27.51

 

CMYK 53 / 0 / 18 / 2

HEX #75FACE

RGB 117 250 206

HSL 160.15, 0.93%, 0.72%

LAB 90.14, -46.84, 10.06

 

CMYK 53 / 0 / 4 / 2

HEX #75FAF1

RGB 117 250 241

HSL 175.94, 0.93%, 0.72%

LAB 91.01, -38.62, -6.84

 

CMYK 53 / 11 / 0 / 2

HEX #75DFFA

RGB 117 223 250

HSL 192.18, 0.93%, 0.72%

LAB 83.68, -23.43, -22.54

 

CMYK 53 / 25 / 0 / 2

HEX #75BCFA

RGB 117 188 250

HSL 207.97, 0.93%, 0.72%

LAB 73.97, -5.22, -37.46

 

CMYK 85 / 0 / 4 / 3

HEX #26F7EC

RGB 38 247 236

HSL 176.84, 0.93%, 0.56%

LAB 88.44, -48.72, -8.21

 

CMYK 69 / 0 / 4 / 2

HEX #4DF9F0

RGB 77 249 240

HSL 176.86, 0.93%, 0.64%

LAB 89.68, -44.86, -8.4

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 37 / 0 / 2 / 2

HEX #9DFBF6

RGB 157 251 246

HSL 176.81, 0.92%, 0.8%

LAB 92.93, -28.94, -6.42

 

CMYK 22 / 0 / 1 / 1

HEX #C5FDFA

RGB 197 253 250

HSL 176.79, 0.93%, 0.88%

LAB 95.59, -18.12, -4.35

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 46 / 53 / 0 / 2

HEX #8775FA

RGB 135 117 250

HSL 248.12, 0.93%, 0.72%

LAB 56.86, 39.53, -64.45

 

CMYK 0 / 25 / 53 / 2

HEX #FABC75

RGB 250 188 117

HSL 32.03, 0.93%, 0.72%

LAB 80.5, 14.43, 44.33

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 4 / 53 / 0 / 2

HEX #F175FA

RGB 241 117 250

HSL 295.94, 0.93%, 0.72%

LAB 68.26, 65.47, -45.62

 

CMYK 0 / 4 / 53 / 2

HEX #FAF175

RGB 250 241 117

HSL 55.94, 0.93%, 0.72%

LAB 93.68, -12.58, 60.06

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 46 / 53 / 0 / 2

HEX #8775FA

RGB 135 117 250

HSL 248.12, 0.93%, 0.72%

LAB 56.86, 39.53, -64.45

 

CMYK 0 / 53 / 50 / 2

HEX #FA757E

RGB 250 117 126

HSL 355.94, 0.93%, 0.72%

LAB 65.4, 51.56, 19.87

 

CMYK 7 / 0 / 53 / 2

HEX #E8FA75

RGB 232 250 117

HSL 68.12, 0.93%, 0.72%

LAB 94.66, -23.99, 60.85

 

CMYK 53 / 0 / 3 / 2

HEX #75FAF3

RGB 117 250 243

HSL 176.84, 0.93%, 0.72%

LAB 91.06, -38.12, -7.8

 

CMYK 30 / 53 / 0 / 2

HEX #AF75FA

RGB 175 117 250

HSL 266.17, 0.93%, 0.72%

LAB 60.55, 48.74, -58.33

 

CMYK 0 / 53 / 50 / 2

HEX #FA757E

RGB 250 117 126

HSL 355.94, 0.93%, 0.72%

LAB 65.4, 51.56, 19.87

 

CMYK 23 / 0 / 53 / 2

HEX #C0FA75

RGB 192 250 117

HSL 86.17, 0.93%, 0.72%

LAB 92.07, -38.97, 57.18

 

Description

Color code: HEX #75FAF34C | qconv.com Color code: HEX #75FAF34C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 250 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 250 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 1 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 1% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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