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Color name
HEX #75F991

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75F991 it is the complementary color #8A066E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75F991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75F991 shade: #7AF98C, #8BFF9F, #9CFFB2, #ADFFC5 and #BEFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75F991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75F991 shade: #75F991, #64E77E, #53D56B, #42C358 and #31B145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75F991 shade: #76F992, #7DF976, #A1F976, #C4F976 and #E8F976

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75F991 shade: #76F992, #76F9B5, #76F9D9, #76F7F9 and #76D3F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75F991 shade matches the following richer shades: #76F992

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75F991 shade: #76F992, #81EE98, #8DE29F, #99D7A6 and #A4CBAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75F991 shade: #A2F976, #7FF976, #76F990, #76F9B3 and #76F9D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75F991 shade: #27F653, #4EF872, #76F992, #9EFBB1 and #C5FDD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75F991 shade: #75F991, #76C5F9 and #F97690

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75F991 shade: #75F991, #9076F9 and #F99076

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75F991 shade: #75F991, #76C5F9, #F976DF and #F9AA76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75F991 shade: #75F991, #769DF9, #F976DF and #F9D276

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 42 / 2

HEX #75F991

RGB 117 249 145

HSL 132.73, 0.92%, 0.72%

LAB 88.72, -57.91, 39.07

 

Complementary color

CMYK 0 / 96 / 20 / 46

HEX #8A066E

RGB 138 6 110

HSL 312.73, 0.92%, 0.28%

LAB 31.02, 57.31, -22.99

 

CMYK 51 / 0 / 44 / 2

HEX #7AF98C

RGB 122 249 140

HSL 128.5, 0.91%, 0.73%

LAB 88.82, -57.45, 41.67

 

CMYK 45 / 0 / 38 / 0

HEX #8BFF9F

RGB 139 255 159

HSL 130.34, 1%, 0.77%

LAB 91.47, -52.54, 35.9

 

CMYK 39 / 0 / 30 / 0

HEX #9CFFB2

RGB 156 255 178

HSL 133.33, 1%, 0.81%

LAB 92.49, -44.73, 27.88

 

CMYK 32 / 0 / 23 / 0

HEX #ADFFC5

RGB 173 255 197

HSL 137.56, 1%, 0.84%

LAB 93.64, -36.47, 19.95

 

CMYK 25 / 0 / 15 / 0

HEX #BEFFD8

RGB 190 255 216

HSL 144, 1%, 0.87%

LAB 94.92, -27.88, 12.14

 

CMYK 53 / 0 / 42 / 2

HEX #75F991

RGB 117 249 145

HSL 132.73, 0.92%, 0.72%

LAB 88.72, -57.91, 39.07

 

CMYK 57 / 0 / 45 / 9

HEX #64E77E

RGB 100 231 126

HSL 131.91, 0.73%, 0.65%

LAB 82.58, -57.86, 40.39

 

CMYK 61 / 0 / 50 / 16

HEX #53D56B

RGB 83 213 107

HSL 131.08, 0.61%, 0.58%

LAB 76.37, -57.65, 41.77

 

CMYK 66 / 0 / 55 / 24

HEX #42C358

RGB 66 195 88

HSL 130.23, 0.52%, 0.51%

LAB 70.1, -57.2, 43.16

 

CMYK 72 / 0 / 61 / 31

HEX #31B145

RGB 49 177 69

HSL 129.38, 0.57%, 0.44%

LAB 63.78, -56.4, 44.52

 

CMYK 53 / 0 / 41 / 2

HEX #76F992

RGB 118 249 146

HSL 132.82, 0.92%, 0.72%

LAB 88.77, -57.52, 38.65

 

CMYK 50 / 0 / 53 / 2

HEX #7DF976

RGB 125 249 118

HSL 116.79, 0.92%, 0.72%

LAB 88.65, -59.63, 51.88

 

CMYK 35 / 0 / 53 / 2

HEX #A1F976

RGB 161 249 118

HSL 100.31, 0.92%, 0.72%

LAB 90.15, -49.03, 54.05

 

CMYK 21 / 0 / 53 / 2

HEX #C4F976

RGB 196 249 118

HSL 84.27, 0.92%, 0.72%

LAB 92.04, -36.99, 56.75

 

CMYK 7 / 0 / 53 / 2

HEX #E8F976

RGB 232 249 118

HSL 67.79, 0.92%, 0.72%

LAB 94.4, -23.44, 60.11

 

CMYK 53 / 0 / 41 / 2

HEX #76F992

RGB 118 249 146

HSL 132.82, 0.92%, 0.72%

LAB 88.77, -57.52, 38.65

 

CMYK 53 / 0 / 27 / 2

HEX #76F9B5

RGB 118 249 181

HSL 148.85, 0.92%, 0.72%

LAB 89.36, -51.37, 21.84

 

CMYK 53 / 0 / 13 / 2

HEX #76F9D9

RGB 118 249 217

HSL 165.34, 0.92%, 0.72%

LAB 90.14, -43.73, 4.36

 

CMYK 53 / 1 / 0 / 2

HEX #76F7F9

RGB 118 247 249

HSL 180.92, 0.92%, 0.72%

LAB 90.42, -35.02, -11.88

 

CMYK 53 / 15 / 0 / 2

HEX #76D3F9

RGB 118 211 249

HSL 197.4, 0.92%, 0.72%

LAB 80.34, -17.45, -27.11

 

CMYK 53 / 0 / 41 / 2

HEX #76F992

RGB 118 249 146

HSL 132.82, 0.92%, 0.72%

LAB 88.77, -57.52, 38.65

 

CMYK 53 / 0 / 41 / 2

HEX #76F992

RGB 118 249 146

HSL 132.82, 0.92%, 0.72%

LAB 88.77, -57.52, 38.65

 

CMYK 46 / 0 / 36 / 7

HEX #81EE98

RGB 129 238 152

HSL 132.66, 0.76%, 0.72%

LAB 86.05, -49.31, 32.16

 

CMYK 38 / 0 / 30 / 11

HEX #8DE29F

RGB 141 226 159

HSL 132.71, 0.59%, 0.72%

LAB 83.21, -39.56, 24.85

 

CMYK 29 / 0 / 23 / 16

HEX #99D7A6

RGB 153 215 166

HSL 132.58, 0.44%, 0.72%

LAB 80.81, -29.55, 17.98

 

CMYK 19 / 0 / 15 / 20

HEX #A4CBAC

RGB 164 203 172

HSL 132.31, 0.27%, 0.72%

LAB 78.22, -18.99, 11.24

 

CMYK 35 / 0 / 53 / 2

HEX #A2F976

RGB 162 249 118

HSL 99.85, 0.92%, 0.72%

LAB 90.2, -48.71, 54.12

 

CMYK 49 / 0 / 53 / 2

HEX #7FF976

RGB 127 249 118

HSL 115.88, 0.92%, 0.72%

LAB 88.72, -59.1, 51.99

 

CMYK 53 / 0 / 42 / 2

HEX #76F990

RGB 118 249 144

HSL 131.91, 0.92%, 0.72%

LAB 88.74, -57.83, 39.59

 

CMYK 53 / 0 / 28 / 2

HEX #76F9B3

RGB 118 249 179

HSL 147.94, 0.92%, 0.72%

LAB 89.33, -51.76, 22.81

 

CMYK 53 / 0 / 14 / 2

HEX #76F9D6

RGB 118 249 214

HSL 163.97, 0.92%, 0.72%

LAB 90.07, -44.41, 5.82

 

CMYK 84 / 0 / 66 / 4

HEX #27F653

RGB 39 246 83

HSL 132.75, 0.92%, 0.56%

LAB 85.49, -77.86, 62.74

 

CMYK 69 / 0 / 54 / 3

HEX #4EF872

RGB 78 248 114

HSL 132.71, 0.92%, 0.64%

LAB 86.98, -69.99, 51.39

 

CMYK 53 / 0 / 41 / 2

HEX #76F992

RGB 118 249 146

HSL 132.82, 0.92%, 0.72%

LAB 88.77, -57.52, 38.65

 

CMYK 37 / 0 / 29 / 2

HEX #9EFBB1

RGB 158 251 177

HSL 132.26, 0.92%, 0.8%

LAB 91.43, -42.58, 26.97

 

CMYK 22 / 0 / 17 / 1

HEX #C5FDD1

RGB 197 253 209

HSL 132.86, 0.93%, 0.88%

LAB 94.62, -26.01, 15.37

 

CMYK 53 / 0 / 42 / 2

HEX #75F991

RGB 117 249 145

HSL 132.73, 0.92%, 0.72%

LAB 88.72, -57.91, 39.07

 

CMYK 53 / 21 / 0 / 2

HEX #76C5F9

RGB 118 197 249

HSL 203.82, 0.92%, 0.72%

LAB 76.45, -10.14, -33.08

 

CMYK 0 / 53 / 42 / 2

HEX #F97690

RGB 249 118 144

HSL 348.09, 0.92%, 0.72%

LAB 65.83, 52.45, 10.24

 

CMYK 53 / 0 / 42 / 2

HEX #75F991

RGB 117 249 145

HSL 132.73, 0.92%, 0.72%

LAB 88.72, -57.91, 39.07

 

CMYK 42 / 53 / 0 / 2

HEX #9076F9

RGB 144 118 249

HSL 251.91, 0.92%, 0.72%

LAB 57.78, 40.65, -62.38

 

CMYK 0 / 42 / 53 / 2

HEX #F99076

RGB 249 144 118

HSL 11.91, 0.92%, 0.72%

LAB 70.45, 37.12, 31.04

 

CMYK 53 / 0 / 42 / 2

HEX #75F991

RGB 117 249 145

HSL 132.73, 0.92%, 0.72%

LAB 88.72, -57.91, 39.07

 

CMYK 53 / 21 / 0 / 2

HEX #76C5F9

RGB 118 197 249

HSL 203.82, 0.92%, 0.72%

LAB 76.45, -10.14, -33.08

 

CMYK 0 / 53 / 10 / 2

HEX #F976DF

RGB 249 118 223

HSL 311.91, 0.92%, 0.72%

LAB 68.33, 62.69, -30.54

 

CMYK 0 / 32 / 53 / 2

HEX #F9AA76

RGB 249 170 118

HSL 23.82, 0.92%, 0.72%

LAB 76.19, 23.56, 38.41

 

CMYK 53 / 0 / 42 / 2

HEX #75F991

RGB 117 249 145

HSL 132.73, 0.92%, 0.72%

LAB 88.72, -57.91, 39.07

 

CMYK 53 / 37 / 0 / 2

HEX #769DF9

RGB 118 157 249

HSL 222.14, 0.92%, 0.72%

LAB 65.6, 12.14, -50.03

 

CMYK 0 / 53 / 10 / 2

HEX #F976DF

RGB 249 118 223

HSL 311.91, 0.92%, 0.72%

LAB 68.33, 62.69, -30.54

 

CMYK 0 / 16 / 53 / 2

HEX #F9D276

RGB 249 210 118

HSL 42.14, 0.92%, 0.72%

LAB 85.78, 2.69, 50.25

 

Description

Color code: HEX #75F991 | qconv.com Color code: HEX #75F991 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 249 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 249 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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