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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75F68C it is the complementary color #8A0973. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75F68C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75F68C shade: #7AF687, #8BFF9A, #9CFFAD, #ADFFC0 and #BEFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75F68C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75F68C shade: #75F68C, #64E479, #53D266, #42C053 and #31AE40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75F68C shade: #74F68B, #80F674, #A3F674, #C6F674 and #E9F674

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75F68C shade: #74F68B, #74F6AE, #74F6D1, #74F6F4 and #74D5F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75F68C shade matches the following richer shades: #74F68B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75F68C shade: #74F68B, #80EA93, #8CDE9B, #98D2A2 and #A4C6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75F68C shade: #A4F674, #81F674, #74F68A, #74F6AC and #74F6CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75F68C shade: #26F14B, #4DF46B, #74F68B, #9BF9AB and #C2FBCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75F68C shade: #75F68C, #74C6F6 and #F67492

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75F68C shade: #75F68C, #8A74F6 and #F68A74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75F68C shade: #75F68C, #74C6F6, #F674E0 and #F6A474

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75F68C shade: #75F68C, #749FF6, #F674E0 and #F6CB74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 43 / 4

HEX #75F68C

RGB 117 246 140

HSL 130.7, 0.88%, 0.71%

LAB 87.77, -57.51, 40.29

 

Complementary color

CMYK 0 / 93 / 17 / 46

HEX #8A0973

RGB 138 9 115

HSL 310.7, 0.88%, 0.29%

LAB 31.43, 57.54, -25.53

 

CMYK 50 / 0 / 45 / 4

HEX #7AF687

RGB 122 246 135

HSL 126.29, 0.87%, 0.72%

LAB 87.87, -57, 42.89

 

CMYK 45 / 0 / 40 / 0

HEX #8BFF9A

RGB 139 255 154

HSL 127.76, 1%, 0.77%

LAB 91.39, -53.32, 38.27

 

CMYK 39 / 0 / 32 / 0

HEX #9CFFAD

RGB 156 255 173

HSL 130.3, 1%, 0.81%

LAB 92.4, -45.56, 30.28

 

CMYK 32 / 0 / 25 / 0

HEX #ADFFC0

RGB 173 255 192

HSL 133.9, 1%, 0.84%

LAB 93.54, -37.35, 22.36

 

CMYK 25 / 0 / 17 / 0

HEX #BEFFD3

RGB 190 255 211

HSL 139.38, 1%, 0.87%

LAB 94.81, -28.8, 14.56

 

CMYK 52 / 0 / 43 / 4

HEX #75F68C

RGB 117 246 140

HSL 130.7, 0.88%, 0.71%

LAB 87.77, -57.51, 40.29

 

CMYK 56 / 0 / 47 / 11

HEX #64E479

RGB 100 228 121

HSL 129.84, 0.7%, 0.64%

LAB 81.61, -57.46, 41.61

 

CMYK 60 / 0 / 51 / 18

HEX #53D266

RGB 83 210 102

HSL 128.98, 0.59%, 0.57%

LAB 75.38, -57.24, 42.97

 

CMYK 66 / 0 / 57 / 25

HEX #42C053

RGB 66 192 83

HSL 128.1, 0.5%, 0.51%

LAB 69.1, -56.78, 44.33

 

CMYK 72 / 0 / 63 / 32

HEX #31AE40

RGB 49 174 64

HSL 127.2, 0.56%, 0.44%

LAB 62.76, -55.95, 45.62

 

CMYK 53 / 0 / 43 / 4

HEX #74F68B

RGB 116 246 139

HSL 130.62, 0.88%, 0.71%

LAB 87.72, -57.9, 40.71

 

CMYK 48 / 0 / 53 / 4

HEX #80F674

RGB 128 246 116

HSL 114.46, 0.88%, 0.71%

LAB 87.85, -57.92, 51.87

 

CMYK 34 / 0 / 53 / 4

HEX #A3F674

RGB 163 246 116

HSL 98.31, 0.88%, 0.71%

LAB 89.37, -47.33, 54.05

 

CMYK 20 / 0 / 53 / 4

HEX #C6F674

RGB 198 246 116

HSL 82.15, 0.88%, 0.71%

LAB 91.31, -35.09, 56.83

 

CMYK 5 / 0 / 53 / 4

HEX #E9F674

RGB 233 246 116

HSL 66, 0.88%, 0.71%

LAB 93.67, -21.78, 60.17

 

CMYK 53 / 0 / 43 / 4

HEX #74F68B

RGB 116 246 139

HSL 130.62, 0.88%, 0.71%

LAB 87.72, -57.9, 40.71

 

CMYK 53 / 0 / 29 / 4

HEX #74F6AE

RGB 116 246 174

HSL 146.77, 0.88%, 0.71%

LAB 88.3, -51.93, 23.94

 

CMYK 53 / 0 / 15 / 4

HEX #74F6D1

RGB 116 246 209

HSL 162.92, 0.88%, 0.71%

LAB 89.03, -44.65, 6.9

 

CMYK 53 / 0 / 1 / 4

HEX #74F6F4

RGB 116 246 244

HSL 179.08, 0.88%, 0.71%

LAB 89.93, -36.22, -10.01

 

CMYK 53 / 13 / 0 / 4

HEX #74D5F6

RGB 116 213 246

HSL 195.23, 0.88%, 0.71%

LAB 80.71, -19.72, -24.94

 

CMYK 53 / 0 / 43 / 4

HEX #74F68B

RGB 116 246 139

HSL 130.62, 0.88%, 0.71%

LAB 87.72, -57.9, 40.71

 

CMYK 53 / 0 / 43 / 4

HEX #74F68B

RGB 116 246 139

HSL 130.62, 0.88%, 0.71%

LAB 87.72, -57.9, 40.71

 

CMYK 45 / 0 / 37 / 8

HEX #80EA93

RGB 128 234 147

HSL 130.75, 0.72%, 0.71%

LAB 84.76, -48.73, 32.97

 

CMYK 37 / 0 / 30 / 13

HEX #8CDE9B

RGB 140 222 155

HSL 130.98, 0.55%, 0.71%

LAB 81.94, -38.75, 25.18

 

CMYK 28 / 0 / 23 / 18

HEX #98D2A2

RGB 152 210 162

HSL 130.34, 0.39%, 0.71%

LAB 79.26, -28.2, 17.92

 

CMYK 17 / 0 / 14 / 22

HEX #A4C6AA

RGB 164 198 170

HSL 130.59, 0.23%, 0.71%

LAB 76.79, -16.84, 10.29

 

CMYK 33 / 0 / 53 / 4

HEX #A4F674

RGB 164 246 116

HSL 97.85, 0.88%, 0.71%

LAB 89.42, -47, 54.13

 

CMYK 48 / 0 / 53 / 4

HEX #81F674

RGB 129 246 116

HSL 114, 0.88%, 0.71%

LAB 87.89, -57.64, 51.93

 

CMYK 53 / 0 / 44 / 4

HEX #74F68A

RGB 116 246 138

HSL 130.15, 0.88%, 0.71%

LAB 87.71, -58.05, 41.18

 

CMYK 53 / 0 / 30 / 4

HEX #74F6AC

RGB 116 246 172

HSL 145.85, 0.88%, 0.71%

LAB 88.26, -52.31, 24.91

 

CMYK 53 / 0 / 16 / 4

HEX #74F6CF

RGB 116 246 207

HSL 162, 0.88%, 0.71%

LAB 88.98, -45.1, 7.88

 

CMYK 84 / 0 / 69 / 5

HEX #26F14B

RGB 38 241 75

HSL 130.94, 0.88%, 0.55%

LAB 83.88, -77.23, 64.07

 

CMYK 68 / 0 / 56 / 4

HEX #4DF46B

RGB 77 244 107

HSL 130.78, 0.88%, 0.63%

LAB 85.68, -69.7, 53

 

CMYK 53 / 0 / 43 / 4

HEX #74F68B

RGB 116 246 139

HSL 130.62, 0.88%, 0.71%

LAB 87.72, -57.9, 40.71

 

CMYK 38 / 0 / 31 / 2

HEX #9BF9AB

RGB 155 249 171

HSL 130.21, 0.89%, 0.79%

LAB 90.62, -43.58, 28.89

 

CMYK 23 / 0 / 19 / 2

HEX #C2FBCC

RGB 194 251 204

HSL 130.53, 0.88%, 0.87%

LAB 93.81, -26.9, 16.76

 

CMYK 52 / 0 / 43 / 4

HEX #75F68C

RGB 117 246 140

HSL 130.7, 0.88%, 0.71%

LAB 87.77, -57.51, 40.29

 

CMYK 53 / 20 / 0 / 4

HEX #74C6F6

RGB 116 198 246

HSL 202.15, 0.88%, 0.71%

LAB 76.53, -11.96, -31.35

 

CMYK 0 / 53 / 41 / 4

HEX #F67492

RGB 246 116 146

HSL 346.15, 0.88%, 0.71%

LAB 65.09, 52.59, 7.98

 

CMYK 52 / 0 / 43 / 4

HEX #75F68C

RGB 117 246 140

HSL 130.7, 0.88%, 0.71%

LAB 87.77, -57.51, 40.29

 

CMYK 44 / 53 / 0 / 4

HEX #8A74F6

RGB 138 116 246

HSL 250.15, 0.88%, 0.71%

LAB 56.63, 39.63, -62.59

 

CMYK 0 / 44 / 53 / 4

HEX #F68A74

RGB 246 138 116

HSL 10.15, 0.88%, 0.71%

LAB 68.77, 38.89, 29.86

 

CMYK 52 / 0 / 43 / 4

HEX #75F68C

RGB 117 246 140

HSL 130.7, 0.88%, 0.71%

LAB 87.77, -57.51, 40.29

 

CMYK 53 / 20 / 0 / 4

HEX #74C6F6

RGB 116 198 246

HSL 202.15, 0.88%, 0.71%

LAB 76.53, -11.96, -31.35

 

CMYK 0 / 53 / 9 / 4

HEX #F674E0

RGB 246 116 224

HSL 310.15, 0.88%, 0.71%

LAB 67.62, 62.93, -32.22

 

CMYK 0 / 33 / 53 / 4

HEX #F6A474

RGB 246 164 116

HSL 22.15, 0.88%, 0.71%

LAB 74.45, 25.36, 37.17

 

CMYK 52 / 0 / 43 / 4

HEX #75F68C

RGB 117 246 140

HSL 130.7, 0.88%, 0.71%

LAB 87.77, -57.51, 40.29

 

CMYK 53 / 35 / 0 / 4

HEX #749FF6

RGB 116 159 246

HSL 220.15, 0.88%, 0.71%

LAB 65.88, 9.64, -47.96

 

CMYK 0 / 53 / 9 / 4

HEX #F674E0

RGB 246 116 224

HSL 310.15, 0.88%, 0.71%

LAB 67.62, 62.93, -32.22

 

CMYK 0 / 17 / 53 / 4

HEX #F6CB74

RGB 246 203 116

HSL 40.15, 0.88%, 0.71%

LAB 83.74, 4.92, 48.69

 

Description

Color code: HEX #75F68C | qconv.com Color code: HEX #75F68C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 246 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 246 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 43 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 43% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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