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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75F3F0 it is the complementary color #8A0C0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75F3F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75F3F0 shade: #7AF3EB, #8BFFFE, #9CFFFF, #ADFFFF and #BEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75F3F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75F3F0 shade: #75F3F0, #64E1DD, #53CFCA, #42BDB7 and #31ABA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75F3F0 shade: #77F3F0, #77F3CF, #77F3AD, #77F38C and #84F377

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75F3F0 shade: #77F3F0, #77D5F3, #77B3F3, #7792F3 and #7777F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75F3F0 shade matches the following richer shades: #77F3F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75F3F0 shade: #77F3F0, #83E7E5, #8FDBD9, #9BCFCE and #A7C3C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75F3F0 shade: #77F3AD, #77F3CE, #77F3EF, #77D6F3 and #77B5F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75F3F0 shade: #2BEDE8, #51F0EC, #77F3F0, #9DF6F4 and #C3FAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75F3F0 shade: #75F3F0, #8C77F3 and #F3BD77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75F3F0 shade: #75F3F0, #EF77F3 and #F3EF77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75F3F0 shade: #75F3F0, #8C77F3, #F3777B and #DEF377

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75F3F0 shade: #75F3F0, #B177F3, #F3777B and #B9F377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 1 / 5

HEX #75F3F0

RGB 117 243 240

HSL 178.57, 0.84%, 0.71%

LAB 89, -35.66, -9.29

 

Complementary color

CMYK 0 / 91 / 89 / 46

HEX #8A0C0F

RGB 138 12 15

HSL 358.57, 0.84%, 0.29%

LAB 28.64, 48.99, 35.25

 

CMYK 50 / 0 / 3 / 5

HEX #7AF3EB

RGB 122 243 235

HSL 176.03, 0.83%, 0.72%

LAB 89.03, -35.9, -6.62

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFE

RGB 139 255 254

HSL 179.48, 1%, 0.77%

LAB 93.52, -33.16, -9.78

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 32 / 0 / 0 / 0

HEX #ADFFFF

RGB 173 255 255

HSL 180, 1%, 0.84%

LAB 95, -24.69, -7.94

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 52 / 0 / 1 / 5

HEX #75F3F0

RGB 117 243 240

HSL 178.57, 0.84%, 0.71%

LAB 89, -35.66, -9.29

 

CMYK 56 / 0 / 2 / 12

HEX #64E1DD

RGB 100 225 221

HSL 178.08, 0.68%, 0.64%

LAB 82.8, -35.48, -8.58

 

CMYK 60 / 0 / 2 / 19

HEX #53CFCA

RGB 83 207 202

HSL 177.58, 0.56%, 0.57%

LAB 76.51, -35.2, -7.8

 

CMYK 65 / 0 / 3 / 26

HEX #42BDB7

RGB 66 189 183

HSL 177.07, 0.48%, 0.5%

LAB 70.16, -34.79, -6.96

 

CMYK 71 / 0 / 4 / 33

HEX #31ABA4

RGB 49 171 164

HSL 176.56, 0.55%, 0.43%

LAB 63.72, -34.18, -6.03

 

CMYK 51 / 0 / 1 / 5

HEX #77F3F0

RGB 119 243 240

HSL 178.55, 0.84%, 0.71%

LAB 89.07, -35.26, -9.19

 

CMYK 51 / 0 / 15 / 5

HEX #77F3CF

RGB 119 243 207

HSL 162.58, 0.84%, 0.71%

LAB 88.22, -43.14, 6.79

 

CMYK 51 / 0 / 29 / 5

HEX #77F3AD

RGB 119 243 173

HSL 146.13, 0.84%, 0.71%

LAB 87.5, -50.19, 23.38

 

CMYK 51 / 0 / 42 / 5

HEX #77F38C

RGB 119 243 140

HSL 130.16, 0.84%, 0.71%

LAB 86.96, -55.84, 39.26

 

CMYK 46 / 0 / 51 / 5

HEX #84F377

RGB 132 243 119

HSL 113.71, 0.84%, 0.71%

LAB 87.16, -55.27, 49.69

 

CMYK 51 / 0 / 1 / 5

HEX #77F3F0

RGB 119 243 240

HSL 178.55, 0.84%, 0.71%

LAB 89.07, -35.26, -9.19

 

CMYK 51 / 12 / 0 / 5

HEX #77D5F3

RGB 119 213 243

HSL 194.52, 0.84%, 0.71%

LAB 80.73, -19.93, -23.31

 

CMYK 51 / 26 / 0 / 5

HEX #77B3F3

RGB 119 179 243

HSL 210.97, 0.84%, 0.71%

LAB 71.31, -1.92, -37.81

 

CMYK 51 / 40 / 0 / 5

HEX #7792F3

RGB 119 146 243

HSL 226.94, 0.84%, 0.71%

LAB 62.47, 16.94, -51.69

 

CMYK 51 / 51 / 0 / 5

HEX #7777F3

RGB 119 119 243

HSL 240, 0.84%, 0.71%

LAB 55.67, 32.94, -62.54

 

CMYK 51 / 0 / 1 / 5

HEX #77F3F0

RGB 119 243 240

HSL 178.55, 0.84%, 0.71%

LAB 89.07, -35.26, -9.19

 

CMYK 51 / 0 / 1 / 5

HEX #77F3F0

RGB 119 243 240

HSL 178.55, 0.84%, 0.71%

LAB 89.07, -35.26, -9.19

 

CMYK 43 / 0 / 1 / 9

HEX #83E7E5

RGB 131 231 229

HSL 178.8, 0.68%, 0.71%

LAB 85.82, -29.75, -8.19

 

CMYK 35 / 0 / 1 / 14

HEX #8FDBD9

RGB 143 219 217

HSL 178.42, 0.51%, 0.71%

LAB 82.65, -23.81, -6.48

 

CMYK 25 / 0 / 0 / 19

HEX #9BCFCE

RGB 155 207 206

HSL 178.85, 0.35%, 0.71%

LAB 79.64, -16.95, -4.99

 

CMYK 14 / 0 / 0 / 24

HEX #A7C3C3

RGB 167 195 195

HSL 180, 0.19%, 0.71%

LAB 76.79, -9.4, -3.18

 

CMYK 51 / 0 / 29 / 5

HEX #77F3AD

RGB 119 243 173

HSL 146.13, 0.84%, 0.71%

LAB 87.5, -50.19, 23.38

 

CMYK 51 / 0 / 15 / 5

HEX #77F3CE

RGB 119 243 206

HSL 162.1, 0.84%, 0.71%

LAB 88.2, -43.37, 7.28

 

CMYK 51 / 0 / 2 / 5

HEX #77F3EF

RGB 119 243 239

HSL 178.06, 0.84%, 0.71%

LAB 89.04, -35.51, -8.71

 

CMYK 51 / 12 / 0 / 5

HEX #77D6F3

RGB 119 214 243

HSL 194.03, 0.84%, 0.71%

LAB 81.01, -20.43, -22.89

 

CMYK 51 / 26 / 0 / 5

HEX #77B5F3

RGB 119 181 243

HSL 210, 0.84%, 0.71%

LAB 71.85, -3.02, -36.96

 

CMYK 82 / 0 / 2 / 7

HEX #2BEDE8

RGB 43 237 232

HSL 178.45, 0.84%, 0.55%

LAB 85.46, -45.19, -10.55

 

CMYK 66 / 0 / 2 / 6

HEX #51F0EC

RGB 81 240 236

HSL 178.49, 0.84%, 0.63%

LAB 87.06, -41.42, -10.2

 

CMYK 51 / 0 / 1 / 5

HEX #77F3F0

RGB 119 243 240

HSL 178.55, 0.84%, 0.71%

LAB 89.07, -35.26, -9.19

 

CMYK 36 / 0 / 1 / 4

HEX #9DF6F4

RGB 157 246 244

HSL 178.65, 0.83%, 0.79%

LAB 91.51, -27.02, -7.49

 

CMYK 22 / 0 / 1 / 2

HEX #C3FAF8

RGB 195 250 248

HSL 177.82, 0.85%, 0.87%

LAB 94.63, -17.65, -4.74

 

CMYK 52 / 0 / 1 / 5

HEX #75F3F0

RGB 117 243 240

HSL 178.57, 0.84%, 0.71%

LAB 89, -35.66, -9.29

 

CMYK 42 / 51 / 0 / 5

HEX #8C77F3

RGB 140 119 243

HSL 250.16, 0.84%, 0.71%

LAB 57.31, 37.52, -59.83

 

CMYK 0 / 22 / 51 / 5

HEX #F3BD77

RGB 243 189 119

HSL 33.87, 0.84%, 0.71%

LAB 80.06, 11.25, 42.61

 

CMYK 52 / 0 / 1 / 5

HEX #75F3F0

RGB 117 243 240

HSL 178.57, 0.84%, 0.71%

LAB 89, -35.66, -9.29

 

CMYK 2 / 51 / 0 / 5

HEX #EF77F3

RGB 239 119 243

HSL 298.06, 0.84%, 0.71%

LAB 68.03, 62.79, -42.16

 

CMYK 0 / 2 / 51 / 5

HEX #F3EF77

RGB 243 239 119

HSL 58.06, 0.84%, 0.71%

LAB 92.63, -14.21, 57.8

 

CMYK 52 / 0 / 1 / 5

HEX #75F3F0

RGB 117 243 240

HSL 178.57, 0.84%, 0.71%

LAB 89, -35.66, -9.29

 

CMYK 42 / 51 / 0 / 5

HEX #8C77F3

RGB 140 119 243

HSL 250.16, 0.84%, 0.71%

LAB 57.31, 37.52, -59.83

 

CMYK 0 / 51 / 49 / 5

HEX #F3777B

RGB 243 119 123

HSL 358.06, 0.84%, 0.71%

LAB 64.71, 47.89, 20.46

 

CMYK 9 / 0 / 51 / 5

HEX #DEF377

RGB 222 243 119

HSL 70.16, 0.84%, 0.71%

LAB 92.12, -24.36, 56.8

 

CMYK 52 / 0 / 1 / 5

HEX #75F3F0

RGB 117 243 240

HSL 178.57, 0.84%, 0.71%

LAB 89, -35.66, -9.29

 

CMYK 27 / 51 / 0 / 5

HEX #B177F3

RGB 177 119 243

HSL 268.06, 0.84%, 0.71%

LAB 60.79, 46.5, -54.06

 

CMYK 0 / 51 / 49 / 5

HEX #F3777B

RGB 243 119 123

HSL 358.06, 0.84%, 0.71%

LAB 64.71, 47.89, 20.46

 

CMYK 24 / 0 / 51 / 5

HEX #B9F377

RGB 185 243 119

HSL 88.06, 0.84%, 0.71%

LAB 89.74, -38.15, 53.41

 

Description

Color code: HEX #75F3F0 | qconv.com Color code: HEX #75F3F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 243 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 243 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 1 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 1% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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