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Color name
HEX #75F339

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75F339 it is the complementary color #8A0CC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75F339. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75F339 shade: #7AF334, #8BFF47, #9CFF5A, #ADFF6D and #BEFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75F339. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75F339 shade: #75F339, #64E126, #53CF13, #42BD00 and #31AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75F339 shade: #75F339, #A8F339, #DAF339, #F3DB39 and #F3A939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75F339 shade: #75F339, #43F339, #39F362, #39F394 and #39F3C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75F339 shade matches the following richer shades: #75F339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75F339 shade: #75F339, #7BE34A, #81D25B, #87C16C and #8DB07D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75F339 shade: #DBF339, #A9F339, #77F339, #46F339 and #39F35F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75F339 shade: #4BCE0C, #5AF112, #75F339, #91F660 and #ACF887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75F339 shade: #75F339, #39F3DB and #F339C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75F339 shade: #75F339, #3977F3 and #F33977

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75F339 shade: #75F339, #39F3DB, #B539F3 and #F33952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75F339 shade: #75F339, #39D4F3, #B539F3 and #F35839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

Complementary color

CMYK 30 / 94 / 0 / 22

HEX #8A0CC6

RGB 138 12 198

HSL 280.65, 0.89%, 0.41%

LAB 37.38, 71.26, -66.48

 

CMYK 50 / 0 / 79 / 5

HEX #7AF334

RGB 122 243 52

HSL 98.01, 0.89%, 0.58%

LAB 86.25, -63.87, 74.58

 

CMYK 45 / 0 / 72 / 0

HEX #8BFF47

RGB 139 255 71

HSL 97.83, 1%, 0.64%

LAB 90.53, -62.29, 73.09

 

CMYK 39 / 0 / 65 / 0

HEX #9CFF5A

RGB 156 255 90

HSL 96, 1%, 0.68%

LAB 91.38, -55.71, 67.29

 

CMYK 32 / 0 / 57 / 0

HEX #ADFF6D

RGB 173 255 109

HSL 93.7, 1%, 0.71%

LAB 92.36, -48.51, 60.77

 

CMYK 25 / 0 / 50 / 0

HEX #BEFF80

RGB 190 255 128

HSL 90.71, 1%, 0.75%

LAB 93.46, -40.79, 53.8

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 56 / 0 / 83 / 12

HEX #64E126

RGB 100 225 38

HSL 100.11, 0.76%, 0.52%

LAB 80.01, -64.09, 72.21

 

CMYK 60 / 0 / 91 / 19

HEX #53CF13

RGB 83 207 19

HSL 99.57, 0.83%, 0.44%

LAB 73.88, -62.83, 70.42

 

CMYK 65 / 0 / 100 / 26

HEX #42BD00

RGB 66 189 0

HSL 99.05, 1%, 0.37%

LAB 67.69, -61.15, 67.47

 

CMYK 71 / 0 / 100 / 33

HEX #31AB00

RGB 49 171 0

HSL 102.81, 1%, 0.34%

LAB 61.46, -58.8, 62.35

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 31 / 0 / 77 / 5

HEX #A8F339

RGB 168 243 57

HSL 84.19, 0.89%, 0.59%

LAB 88.31, -48.88, 75.81

 

CMYK 10 / 0 / 77 / 5

HEX #DAF339

RGB 218 243 57

HSL 68.06, 0.89%, 0.59%

LAB 91.37, -29.87, 79.75

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 0 / 30 / 77 / 5

HEX #F3A939

RGB 243 169 57

HSL 36.13, 0.89%, 0.59%

LAB 74.65, 17.91, 65.03

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 72 / 0 / 77 / 5

HEX #43F339

RGB 67 243 57

HSL 116.77, 0.89%, 0.59%

LAB 84.79, -75.69, 71.21

 

CMYK 77 / 0 / 60 / 5

HEX #39F362

RGB 57 243 98

HSL 133.23, 0.89%, 0.59%

LAB 84.92, -73.43, 55.99

 

CMYK 77 / 0 / 39 / 5

HEX #39F394

RGB 57 243 148

HSL 149.35, 0.89%, 0.59%

LAB 85.56, -65.94, 33.17

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C6

RGB 57 243 198

HSL 165.48, 0.89%, 0.59%

LAB 86.53, -55.34, 8.86

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 46 / 0 / 67 / 11

HEX #7BE34A

RGB 123 227 74

HSL 100.78, 0.73%, 0.59%

LAB 81.64, -56.21, 62.71

 

CMYK 39 / 0 / 57 / 18

HEX #81D25B

RGB 129 210 91

HSL 100.84, 0.57%, 0.59%

LAB 76.99, -45.93, 50.46

 

CMYK 30 / 0 / 44 / 24

HEX #87C16C

RGB 135 193 108

HSL 100.94, 0.41%, 0.59%

LAB 72.48, -34.37, 36.85

 

CMYK 20 / 0 / 29 / 31

HEX #8DB07D

RGB 141 176 125

HSL 101.18, 0.24%, 0.59%

LAB 68.16, -21.54, 22.34

 

CMYK 10 / 0 / 77 / 5

HEX #DBF339

RGB 219 243 57

HSL 67.74, 0.89%, 0.59%

LAB 91.44, -29.47, 79.84

 

CMYK 30 / 0 / 77 / 5

HEX #A9F339

RGB 169 243 57

HSL 83.87, 0.89%, 0.59%

LAB 88.37, -48.53, 75.88

 

CMYK 51 / 0 / 77 / 5

HEX #77F339

RGB 119 243 57

HSL 100, 0.89%, 0.59%

LAB 86.17, -64.44, 73.02

 

CMYK 71 / 0 / 77 / 5

HEX #46F339

RGB 70 243 57

HSL 115.81, 0.89%, 0.59%

LAB 84.84, -75.21, 71.29

 

CMYK 77 / 0 / 61 / 5

HEX #39F35F

RGB 57 243 95

HSL 132.26, 0.89%, 0.59%

LAB 84.89, -73.78, 57.24

 

CMYK 64 / 0 / 94 / 19

HEX #4BCE0C

RGB 75 206 12

HSL 100.52, 0.89%, 0.43%

LAB 73.33, -64.51, 70.8

 

CMYK 63 / 0 / 93 / 5

HEX #5AF112

RGB 90 241 18

HSL 100.63, 0.89%, 0.51%

LAB 84.55, -72.38, 79.49

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 41 / 0 / 61 / 4

HEX #91F660

RGB 145 246 96

HSL 100.4, 0.89%, 0.67%

LAB 88.34, -55.08, 61.39

 

CMYK 31 / 0 / 46 / 3

HEX #ACF887

RGB 172 248 135

HSL 100.35, 0.89%, 0.75%

LAB 90.62, -43.04, 46.81

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 77 / 0 / 10 / 5

HEX #39F3DB

RGB 57 243 219

HSL 172.26, 0.89%, 0.59%

LAB 87.04, -50.08, -1.37

 

CMYK 0 / 77 / 20 / 5

HEX #F339C2

RGB 243 57 194

HSL 315.81, 0.89%, 0.59%

LAB 57.92, 80.01, -30.37

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 77 / 51 / 0 / 5

HEX #3977F3

RGB 57 119 243

HSL 220, 0.89%, 0.59%

LAB 52.44, 23.06, -67.93

 

CMYK 0 / 77 / 51 / 5

HEX #F33977

RGB 243 57 119

HSL 340, 0.89%, 0.59%

LAB 55.39, 72.37, 9.87

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 77 / 0 / 10 / 5

HEX #39F3DB

RGB 57 243 219

HSL 172.26, 0.89%, 0.59%

LAB 87.04, -50.08, -1.37

 

CMYK 26 / 77 / 0 / 5

HEX #B539F3

RGB 181 57 243

HSL 280, 0.89%, 0.59%

LAB 50.94, 75.53, -69.86

 

CMYK 0 / 77 / 66 / 5

HEX #F33952

RGB 243 57 82

HSL 351.94, 0.89%, 0.59%

LAB 54.65, 70.02, 30.86

 

CMYK 52 / 0 / 77 / 5

HEX #75F339

RGB 117 243 57

HSL 100.65, 0.89%, 0.59%

LAB 86.1, -64.98, 72.93

 

CMYK 77 / 13 / 0 / 5

HEX #39D4F3

RGB 57 212 243

HSL 190, 0.89%, 0.59%

LAB 78.71, -29.19, -26.55

 

CMYK 26 / 77 / 0 / 5

HEX #B539F3

RGB 181 57 243

HSL 280, 0.89%, 0.59%

LAB 50.94, 75.53, -69.86

 

CMYK 0 / 64 / 77 / 5

HEX #F35839

RGB 243 88 57

HSL 10, 0.89%, 0.59%

LAB 58.35, 57.91, 48.91

 

Description

Color code: HEX #75F339 | qconv.com Color code: HEX #75F339 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 243 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 243 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 77% 5% C M Y K

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