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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75F18E it is the complementary color #8A0E71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75F18E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75F18E shade: #7AF189, #8BFF9C, #9CFFAF, #ADFFC2 and #BEFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75F18E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75F18E shade: #75F18E, #64DF7B, #53CD68, #42BB55 and #31A942

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75F18E shade: #74F18D, #7CF174, #9EF174, #C0F174 and #E2F174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75F18E shade: #74F18D, #74F1AF, #74F1D1, #74F0F1 and #74CEF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75F18E shade matches the following richer shades: #74F18D and #67FE86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75F18E shade: #74F18D, #80E594, #8DD89C, #99CCA3 and #A5C0AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75F18E shade: #9EF174, #7CF174, #74F18D, #74F1AE and #74F1D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75F18E shade: #29EA50, #4EEE6E, #74F18D, #99F5AC and #BFF9CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75F18E shade: #75F18E, #74BFF1 and #F1748D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75F18E shade: #75F18E, #8D74F1 and #F18D74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75F18E shade: #75F18E, #74BFF1, #F174D8 and #F1A674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75F18E shade: #75F18E, #7499F1, #F174D8 and #F1CC74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 41 / 5

HEX #75F18E

RGB 117 241 142

HSL 132.1, 0.82%, 0.7%

LAB 86.33, -55.24, 37.44

 

Complementary color

CMYK 0 / 90 / 18 / 46

HEX #8A0E71

RGB 138 14 113

HSL 312.1, 0.82%, 0.3%

LAB 31.6, 56.47, -23.99

 

CMYK 49 / 0 / 43 / 5

HEX #7AF189

RGB 122 241 137

HSL 127.56, 0.81%, 0.71%

LAB 86.43, -54.74, 40.08

 

CMYK 45 / 0 / 39 / 0

HEX #8BFF9C

RGB 139 255 156

HSL 128.79, 1%, 0.77%

LAB 91.42, -53.01, 37.32

 

CMYK 39 / 0 / 31 / 0

HEX #9CFFAF

RGB 156 255 175

HSL 131.52, 1%, 0.81%

LAB 92.43, -45.23, 29.33

 

CMYK 32 / 0 / 24 / 0

HEX #ADFFC2

RGB 173 255 194

HSL 135.37, 1%, 0.84%

LAB 93.58, -37, 21.39

 

CMYK 25 / 0 / 16 / 0

HEX #BEFFD5

RGB 190 255 213

HSL 141.23, 1%, 0.87%

LAB 94.85, -28.43, 13.59

 

CMYK 51 / 0 / 41 / 5

HEX #75F18E

RGB 117 241 142

HSL 132.1, 0.82%, 0.7%

LAB 86.33, -55.24, 37.44

 

CMYK 55 / 0 / 45 / 13

HEX #64DF7B

RGB 100 223 123

HSL 131.22, 0.66%, 0.63%

LAB 80.13, -55.23, 38.76

 

CMYK 60 / 0 / 49 / 20

HEX #53CD68

RGB 83 205 104

HSL 130.33, 0.55%, 0.56%

LAB 73.87, -55.08, 40.13

 

CMYK 65 / 0 / 55 / 27

HEX #42BB55

RGB 66 187 85

HSL 129.42, 0.48%, 0.5%

LAB 67.54, -54.71, 41.52

 

CMYK 71 / 0 / 61 / 34

HEX #31A942

RGB 49 169 66

HSL 128.5, 0.55%, 0.43%

LAB 61.15, -53.98, 42.89

 

CMYK 52 / 0 / 41 / 5

HEX #74F18D

RGB 116 241 141

HSL 132, 0.82%, 0.7%

LAB 86.28, -55.64, 37.87

 

CMYK 49 / 0 / 52 / 5

HEX #7CF174

RGB 124 241 116

HSL 116.16, 0.82%, 0.7%

LAB 86.23, -57.07, 49.88

 

CMYK 34 / 0 / 52 / 5

HEX #9EF174

RGB 158 241 116

HSL 99.84, 0.82%, 0.7%

LAB 87.7, -46.86, 51.99

 

CMYK 20 / 0 / 52 / 5

HEX #C0F174

RGB 192 241 116

HSL 83.52, 0.82%, 0.7%

LAB 89.57, -35.01, 54.68

 

CMYK 6 / 0 / 52 / 5

HEX #E2F174

RGB 226 241 116

HSL 67.2, 0.82%, 0.7%

LAB 91.84, -22.12, 57.91

 

CMYK 52 / 0 / 41 / 5

HEX #74F18D

RGB 116 241 141

HSL 132, 0.82%, 0.7%

LAB 86.28, -55.64, 37.87

 

CMYK 52 / 0 / 27 / 5

HEX #74F1AF

RGB 116 241 175

HSL 148.32, 0.82%, 0.7%

LAB 86.86, -49.67, 21.44

 

CMYK 52 / 0 / 13 / 5

HEX #74F1D1

RGB 116 241 209

HSL 164.64, 0.82%, 0.7%

LAB 87.6, -42.46, 4.83

 

CMYK 52 / 0 / 0 / 5

HEX #74F0F1

RGB 116 240 241

HSL 180.48, 0.82%, 0.7%

LAB 88.15, -34.21, -11.09

 

CMYK 52 / 15 / 0 / 5

HEX #74CEF1

RGB 116 206 241

HSL 196.8, 0.82%, 0.7%

LAB 78.58, -17.55, -25.53

 

CMYK 52 / 0 / 41 / 5

HEX #74F18D

RGB 116 241 141

HSL 132, 0.82%, 0.7%

LAB 86.28, -55.64, 37.87

 

CMYK 59 / 0 / 47 / 0

HEX #67FE86

RGB 103 254 134

HSL 132.32, 0.99%, 0.7%

LAB 89.62, -64.59, 45.45

 

CMYK 52 / 0 / 41 / 5

HEX #74F18D

RGB 116 241 141

HSL 132, 0.82%, 0.7%

LAB 86.28, -55.64, 37.87

 

CMYK 44 / 0 / 35 / 10

HEX #80E594

RGB 128 229 148

HSL 131.88, 0.66%, 0.7%

LAB 83.32, -46.46, 30.55

 

CMYK 35 / 0 / 28 / 15

HEX #8DD89C

RGB 141 216 156

HSL 132, 0.49%, 0.7%

LAB 80.28, -35.54, 22.4

 

CMYK 25 / 0 / 20 / 20

HEX #99CCA3

RGB 153 204 163

HSL 131.76, 0.33%, 0.7%

LAB 77.64, -24.78, 15.14

 

CMYK 14 / 0 / 11 / 25

HEX #A5C0AB

RGB 165 192 171

HSL 133.33, 0.18%, 0.7%

LAB 75.23, -13.23, 7.52

 

CMYK 34 / 0 / 52 / 5

HEX #9EF174

RGB 158 241 116

HSL 99.84, 0.82%, 0.7%

LAB 87.7, -46.86, 51.99

 

CMYK 49 / 0 / 52 / 5

HEX #7CF174

RGB 124 241 116

HSL 116.16, 0.82%, 0.7%

LAB 86.23, -57.07, 49.88

 

CMYK 52 / 0 / 41 / 5

HEX #74F18D

RGB 116 241 141

HSL 132, 0.82%, 0.7%

LAB 86.28, -55.64, 37.87

 

CMYK 52 / 0 / 28 / 5

HEX #74F1AE

RGB 116 241 174

HSL 147.84, 0.82%, 0.7%

LAB 86.84, -49.87, 21.93

 

CMYK 52 / 0 / 14 / 5

HEX #74F1D0

RGB 116 241 208

HSL 164.16, 0.82%, 0.7%

LAB 87.57, -42.69, 5.32

 

CMYK 82 / 0 / 66 / 8

HEX #29EA50

RGB 41 234 80

HSL 132.12, 0.82%, 0.54%

LAB 81.78, -74.42, 59.9

 

CMYK 67 / 0 / 54 / 7

HEX #4EEE6E

RGB 78 238 110

HSL 132, 0.82%, 0.62%

LAB 83.91, -67.12, 49.53

 

CMYK 52 / 0 / 41 / 5

HEX #74F18D

RGB 116 241 141

HSL 132, 0.82%, 0.7%

LAB 86.28, -55.64, 37.87

 

CMYK 38 / 0 / 30 / 4

HEX #99F5AC

RGB 153 245 172

HSL 132.39, 0.82%, 0.78%

LAB 89.42, -42.24, 26.73

 

CMYK 23 / 0 / 18 / 2

HEX #BFF9CB

RGB 191 249 203

HSL 132.41, 0.83%, 0.86%

LAB 93.08, -27.07, 16.22

 

CMYK 51 / 0 / 41 / 5

HEX #75F18E

RGB 117 241 142

HSL 132.1, 0.82%, 0.7%

LAB 86.33, -55.24, 37.44

 

CMYK 52 / 21 / 0 / 5

HEX #74BFF1

RGB 116 191 241

HSL 204, 0.82%, 0.7%

LAB 74.4, -9.68, -31.95

 

CMYK 0 / 52 / 41 / 5

HEX #F1748D

RGB 241 116 141

HSL 348, 0.82%, 0.7%

LAB 64.25, 50.39, 9.55

 

CMYK 51 / 0 / 41 / 5

HEX #75F18E

RGB 117 241 142

HSL 132.1, 0.82%, 0.7%

LAB 86.33, -55.24, 37.44

 

CMYK 41 / 52 / 0 / 5

HEX #8D74F1

RGB 141 116 241

HSL 252, 0.82%, 0.7%

LAB 56.59, 38.92, -59.87

 

CMYK 0 / 41 / 52 / 5

HEX #F18D74

RGB 241 141 116

HSL 12, 0.82%, 0.7%

LAB 68.76, 35.45, 29.72

 

CMYK 51 / 0 / 41 / 5

HEX #75F18E

RGB 117 241 142

HSL 132.1, 0.82%, 0.7%

LAB 86.33, -55.24, 37.44

 

CMYK 52 / 21 / 0 / 5

HEX #74BFF1

RGB 116 191 241

HSL 204, 0.82%, 0.7%

LAB 74.4, -9.68, -31.95

 

CMYK 0 / 52 / 10 / 5

HEX #F174D8

RGB 241 116 216

HSL 312, 0.82%, 0.7%

LAB 66.63, 60.26, -29.36

 

CMYK 0 / 31 / 52 / 5

HEX #F1A674

RGB 241 166 116

HSL 24, 0.82%, 0.7%

LAB 74.34, 22.32, 36.92

 

CMYK 51 / 0 / 41 / 5

HEX #75F18E

RGB 117 241 142

HSL 132.1, 0.82%, 0.7%

LAB 86.33, -55.24, 37.44

 

CMYK 52 / 37 / 0 / 5

HEX #7499F1

RGB 116 153 241

HSL 222.24, 0.82%, 0.7%

LAB 64.04, 11.58, -48.12

 

CMYK 0 / 52 / 10 / 5

HEX #F174D8

RGB 241 116 216

HSL 312, 0.82%, 0.7%

LAB 66.63, 60.26, -29.36

 

CMYK 0 / 15 / 52 / 5

HEX #F1CC74

RGB 241 204 116

HSL 42.24, 0.82%, 0.7%

LAB 83.52, 2.37, 48.31

 

Description

Color code: HEX #75F18E | qconv.com Color code: HEX #75F18E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 241 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 241 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 41 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 41% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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