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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75E8AC it is the complementary color #8A1753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75E8AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75E8AC shade: #7AE8A7, #8BFABA, #9CFFCD, #ADFFE0 and #BEFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75E8AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75E8AC shade: #75E8AC, #64D699, #53C486, #42B273 and #31A060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75E8AC shade: #73E7AB, #73E78C, #7BE773, #9AE773 and #B9E773

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75E8AC shade: #73E7AB, #73E7CA, #73E5E7, #73C6E7 and #73A7E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75E8AC shade matches the following richer shades: #73E7AB and #66F5AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75E8AC shade: #73E7AB, #81DAAB, #8ECDAC, #9BC0AD and #A8B3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75E8AC shade: #7BE773, #73E78B, #73E7AA, #73E7C8 and #73E7E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75E8AC shade: #2DDB80, #50E196, #73E7AB, #97EDC0 and #BAF3D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75E8AC shade: #75E8AC, #739AE7 and #E77B73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75E8AC shade: #75E8AC, #AA73E7 and #E7AA73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75E8AC shade: #75E8AC, #739AE7, #E773B1 and #E7C173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75E8AC shade: #75E8AC, #7377E7, #E773B1 and #E7E373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 26 / 9

HEX #75E8AC

RGB 117 232 172

HSL 148.7, 0.71%, 0.68%

LAB 84.21, -46.22, 19.33

 

Complementary color

CMYK 0 / 83 / 40 / 46

HEX #8A1753

RGB 138 23 83

HSL 328.7, 0.71%, 0.32%

LAB 30.97, 50.77, -5.53

 

CMYK 47 / 0 / 28 / 9

HEX #7AE8A7

RGB 122 232 167

HSL 144.55, 0.71%, 0.69%

LAB 84.3, -45.95, 22.07

 

CMYK 44 / 0 / 26 / 2

HEX #8BFABA

RGB 139 250 186

HSL 145.41, 0.92%, 0.76%

LAB 90.51, -45.75, 20.98

 

CMYK 39 / 0 / 20 / 0

HEX #9CFFCD

RGB 156 255 205

HSL 149.7, 1%, 0.81%

LAB 93.01, -39.8, 14.86

 

CMYK 32 / 0 / 12 / 0

HEX #ADFFE0

RGB 173 255 224

HSL 157.32, 1%, 0.84%

LAB 94.22, -31.33, 6.91

 

CMYK 25 / 0 / 5 / 0

HEX #BEFFF3

RGB 190 255 243

HSL 168.92, 1%, 0.87%

LAB 95.55, -22.58, -0.83

 

CMYK 50 / 0 / 26 / 9

HEX #75E8AC

RGB 117 232 172

HSL 148.7, 0.71%, 0.68%

LAB 84.21, -46.22, 19.33

 

CMYK 53 / 0 / 29 / 16

HEX #64D699

RGB 100 214 153

HSL 147.89, 0.58%, 0.62%

LAB 77.94, -46.33, 20.48

 

CMYK 58 / 0 / 32 / 23

HEX #53C486

RGB 83 196 134

HSL 147.08, 0.49%, 0.55%

LAB 71.58, -46.37, 21.73

 

CMYK 63 / 0 / 35 / 30

HEX #42B273

RGB 66 178 115

HSL 146.25, 0.46%, 0.48%

LAB 65.15, -46.26, 23.08

 

CMYK 69 / 0 / 40 / 37

HEX #31A060

RGB 49 160 96

HSL 145.41, 0.53%, 0.41%

LAB 58.64, -45.94, 24.56

 

CMYK 50 / 0 / 26 / 9

HEX #73E7AB

RGB 115 231 171

HSL 148.97, 0.71%, 0.68%

LAB 83.83, -46.47, 19.31

 

CMYK 50 / 0 / 39 / 9

HEX #73E78C

RGB 115 231 140

HSL 132.93, 0.71%, 0.68%

LAB 83.28, -52.05, 34.45

 

CMYK 47 / 0 / 50 / 9

HEX #7BE773

RGB 123 231 115

HSL 115.86, 0.71%, 0.68%

LAB 83.23, -53.53, 46.69

 

CMYK 33 / 0 / 50 / 9

HEX #9AE773

RGB 154 231 115

HSL 99.83, 0.71%, 0.68%

LAB 84.62, -44.01, 48.7

 

CMYK 20 / 0 / 50 / 9

HEX #B9E773

RGB 185 231 115

HSL 83.79, 0.71%, 0.68%

LAB 86.36, -33.1, 51.21

 

CMYK 50 / 0 / 26 / 9

HEX #73E7AB

RGB 115 231 171

HSL 148.97, 0.71%, 0.68%

LAB 83.83, -46.47, 19.31

 

CMYK 50 / 0 / 13 / 9

HEX #73E7CA

RGB 115 231 202

HSL 165, 0.71%, 0.68%

LAB 84.52, -39.82, 4.05

 

CMYK 50 / 1 / 0 / 9

HEX #73E5E7

RGB 115 229 231

HSL 181.03, 0.71%, 0.68%

LAB 84.72, -31.81, -10.96

 

CMYK 50 / 14 / 0 / 9

HEX #73C6E7

RGB 115 198 231

HSL 197.07, 0.71%, 0.68%

LAB 75.95, -16.43, -24.18

 

CMYK 50 / 28 / 0 / 9

HEX #73A7E7

RGB 115 167 231

HSL 213.1, 0.71%, 0.68%

LAB 67.32, 0.33, -37.49

 

CMYK 50 / 0 / 26 / 9

HEX #73E7AB

RGB 115 231 171

HSL 148.97, 0.71%, 0.68%

LAB 83.83, -46.47, 19.31

 

CMYK 58 / 0 / 31 / 4

HEX #66F5AA

RGB 102 245 170

HSL 148.53, 0.88%, 0.68%

LAB 87.5, -55.31, 24.82

 

CMYK 50 / 0 / 26 / 9

HEX #73E7AB

RGB 115 231 171

HSL 148.97, 0.71%, 0.68%

LAB 83.83, -46.47, 19.31

 

CMYK 41 / 0 / 22 / 15

HEX #81DAAB

RGB 129 218 171

HSL 148.31, 0.55%, 0.68%

LAB 80.6, -37.13, 14.88

 

CMYK 31 / 0 / 16 / 20

HEX #8ECDAC

RGB 142 205 172

HSL 148.57, 0.39%, 0.68%

LAB 77.51, -27.04, 10.07

 

CMYK 19 / 0 / 10 / 25

HEX #9BC0AD

RGB 155 192 173

HSL 149.19, 0.23%, 0.68%

LAB 74.63, -16.22, 5.49

 

CMYK 6 / 0 / 3 / 30

HEX #A8B3AD

RGB 168 179 173

HSL 147.27, 0.07%, 0.68%

LAB 71.95, -4.98, 1.73

 

CMYK 47 / 0 / 50 / 9

HEX #7BE773

RGB 123 231 115

HSL 115.86, 0.71%, 0.68%

LAB 83.23, -53.53, 46.69

 

CMYK 50 / 0 / 40 / 9

HEX #73E78B

RGB 115 231 139

HSL 132.41, 0.71%, 0.68%

LAB 83.26, -52.21, 34.93

 

CMYK 50 / 0 / 26 / 9

HEX #73E7AA

RGB 115 231 170

HSL 148.45, 0.71%, 0.68%

LAB 83.81, -46.67, 19.8

 

CMYK 50 / 0 / 13 / 9

HEX #73E7C8

RGB 115 231 200

HSL 163.97, 0.71%, 0.68%

LAB 84.47, -40.28, 5.03

 

CMYK 50 / 0 / 0 / 9

HEX #73E7E7

RGB 115 231 231

HSL 180, 0.71%, 0.68%

LAB 85.28, -32.76, -10.11

 

CMYK 79 / 0 / 42 / 14

HEX #2DDB80

RGB 45 219 128

HSL 148.62, 0.71%, 0.52%

LAB 77.74, -62.47, 32.93

 

CMYK 64 / 0 / 33 / 12

HEX #50E196

RGB 80 225 150

HSL 148.97, 0.71%, 0.6%

LAB 80.6, -55.51, 25.6

 

CMYK 50 / 0 / 26 / 9

HEX #73E7AB

RGB 115 231 171

HSL 148.97, 0.71%, 0.68%

LAB 83.83, -46.47, 19.31

 

CMYK 36 / 0 / 19 / 7

HEX #97EDC0

RGB 151 237 192

HSL 148.6, 0.7%, 0.76%

LAB 87.46, -35.55, 13.69

 

CMYK 23 / 0 / 12 / 5

HEX #BAF3D5

RGB 186 243 213

HSL 148.42, 0.7%, 0.84%

LAB 91.39, -23.93, 8.62

 

CMYK 50 / 0 / 26 / 9

HEX #75E8AC

RGB 117 232 172

HSL 148.7, 0.71%, 0.68%

LAB 84.21, -46.22, 19.33

 

CMYK 50 / 33 / 0 / 9

HEX #739AE7

RGB 115 154 231

HSL 219.83, 0.71%, 0.68%

LAB 63.77, 7.74, -43.03

 

CMYK 0 / 47 / 50 / 9

HEX #E77B73

RGB 231 123 115

HSL 4.14, 0.71%, 0.68%

LAB 63.67, 40.84, 23.29

 

CMYK 50 / 0 / 26 / 9

HEX #75E8AC

RGB 117 232 172

HSL 148.7, 0.71%, 0.68%

LAB 84.21, -46.22, 19.33

 

CMYK 26 / 50 / 0 / 9

HEX #AA73E7

RGB 170 115 231

HSL 268.45, 0.71%, 0.68%

LAB 58.58, 44.05, -50.96

 

CMYK 0 / 26 / 50 / 9

HEX #E7AA73

RGB 231 170 115

HSL 28.45, 0.71%, 0.68%

LAB 74.17, 16.08, 37.01

 

CMYK 50 / 0 / 26 / 9

HEX #75E8AC

RGB 117 232 172

HSL 148.7, 0.71%, 0.68%

LAB 84.21, -46.22, 19.33

 

CMYK 50 / 33 / 0 / 9

HEX #739AE7

RGB 115 154 231

HSL 219.83, 0.71%, 0.68%

LAB 63.77, 7.74, -43.03

 

CMYK 0 / 50 / 23 / 9

HEX #E773B1

RGB 231 115 177

HSL 327.93, 0.71%, 0.68%

LAB 63.69, 51.95, -11.99

 

CMYK 0 / 16 / 50 / 9

HEX #E7C173

RGB 231 193 115

HSL 40.34, 0.71%, 0.68%

LAB 79.82, 3.93, 44.07

 

CMYK 50 / 0 / 26 / 9

HEX #75E8AC

RGB 117 232 172

HSL 148.7, 0.71%, 0.68%

LAB 84.21, -46.22, 19.33

 

CMYK 50 / 48 / 0 / 9

HEX #7377E7

RGB 115 119 231

HSL 237.93, 0.71%, 0.68%

LAB 54.67, 28.46, -57.49

 

CMYK 0 / 50 / 23 / 9

HEX #E773B1

RGB 231 115 177

HSL 327.93, 0.71%, 0.68%

LAB 63.69, 51.95, -11.99

 

CMYK 0 / 2 / 50 / 9

HEX #E7E373

RGB 231 227 115

HSL 57.93, 0.71%, 0.68%

LAB 88.53, -13.4, 54.58

 

Description

Color code: HEX #75E8AC | qconv.com Color code: HEX #75E8AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 232 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 232 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 26% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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