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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75E5BF it is the complementary color #8A1A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75E5BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75E5BF shade: #7AE5BA, #8BF7CD, #9CFFE0, #ADFFF3 and #BEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75E5BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75E5BF shade: #75E5BF, #64D3AC, #53C199, #42AF86 and #319D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75E5BF shade: #76E5BF, #76E5A1, #76E583, #86E576 and #A4E576

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75E5BF shade: #76E5BF, #76E5DD, #76CFE5, #76B1E5 and #7693E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75E5BF shade matches the following richer shades: #76E5BF and #69F2C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75E5BF shade: #76E5BF, #83D8BB, #90CAB7, #9EBDB3 and #ABB0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75E5BF shade: #76E583, #76E5A0, #76E5BE, #76E5DC and #76D1E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75E5BF shade: #31D89F, #53DEAF, #76E5BF, #99EBCF and #BBF2DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75E5BF shade: #75E5BF, #7687E5 and #E59276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75E5BF shade: #75E5BF, #BE76E5 and #E5BE76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75E5BF shade: #75E5BF, #7687E5, #E5769D and #E5D476

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75E5BF shade: #75E5BF, #8776E5, #E5769D and #D4E576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 17 / 10

HEX #75E5BF

RGB 117 229 191

HSL 159.64, 0.68%, 0.68%

LAB 83.75, -40.94, 8.74

 

Complementary color

CMYK 0 / 81 / 54 / 46

HEX #8A1A40

RGB 138 26 64

HSL 339.64, 0.68%, 0.32%

LAB 30.67, 48.1, 6.59

 

CMYK 47 / 0 / 19 / 10

HEX #7AE5BA

RGB 122 229 186

HSL 155.89, 0.67%, 0.69%

LAB 83.82, -40.83, 11.5

 

CMYK 44 / 0 / 17 / 3

HEX #8BF7CD

RGB 139 247 205

HSL 156.67, 0.87%, 0.76%

LAB 90.05, -40.65, 10.56

 

CMYK 39 / 0 / 12 / 0

HEX #9CFFE0

RGB 156 255 224

HSL 161.21, 1%, 0.81%

LAB 93.44, -35.94, 5.68

 

CMYK 32 / 0 / 5 / 0

HEX #ADFFF3

RGB 173 255 243

HSL 171.22, 1%, 0.84%

LAB 94.69, -27.35, -2.21

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 49 / 0 / 17 / 10

HEX #75E5BF

RGB 117 229 191

HSL 159.64, 0.68%, 0.68%

LAB 83.75, -40.94, 8.74

 

CMYK 53 / 0 / 18 / 17

HEX #64D3AC

RGB 100 211 172

HSL 158.92, 0.56%, 0.61%

LAB 77.45, -41.03, 9.72

 

CMYK 57 / 0 / 21 / 24

HEX #53C199

RGB 83 193 153

HSL 158.18, 0.47%, 0.54%

LAB 71.06, -41.05, 10.79

 

CMYK 62 / 0 / 23 / 31

HEX #42AF86

RGB 66 175 134

HSL 157.43, 0.45%, 0.47%

LAB 64.6, -40.96, 11.96

 

CMYK 69 / 0 / 27 / 38

HEX #319D73

RGB 49 157 115

HSL 156.67, 0.52%, 0.4%

LAB 58.04, -40.68, 13.26

 

CMYK 48 / 0 / 17 / 10

HEX #76E5BF

RGB 118 229 191

HSL 159.46, 0.68%, 0.68%

LAB 83.78, -40.71, 8.8

 

CMYK 48 / 0 / 30 / 10

HEX #76E5A1

RGB 118 229 161

HSL 143.24, 0.68%, 0.68%

LAB 83.16, -46.8, 23.59

 

CMYK 48 / 0 / 43 / 10

HEX #76E583

RGB 118 229 131

HSL 127.03, 0.68%, 0.68%

LAB 82.66, -51.87, 38.16

 

CMYK 41 / 0 / 48 / 10

HEX #86E576

RGB 134 229 118

HSL 111.35, 0.68%, 0.68%

LAB 83.13, -49.14, 45.24

 

CMYK 28 / 0 / 48 / 10

HEX #A4E576

RGB 164 229 118

HSL 95.14, 0.68%, 0.68%

LAB 84.61, -39.39, 47.38

 

CMYK 48 / 0 / 17 / 10

HEX #76E5BF

RGB 118 229 191

HSL 159.46, 0.68%, 0.68%

LAB 83.78, -40.71, 8.8

 

CMYK 48 / 0 / 3 / 10

HEX #76E5DD

RGB 118 229 221

HSL 175.68, 0.68%, 0.68%

LAB 84.54, -33.7, -5.93

 

CMYK 48 / 10 / 0 / 10

HEX #76CFE5

RGB 118 207 229

HSL 191.89, 0.68%, 0.68%

LAB 78.54, -20.92, -19.16

 

CMYK 48 / 23 / 0 / 10

HEX #76B1E5

RGB 118 177 229

HSL 208.11, 0.68%, 0.68%

LAB 70.14, -5.12, -32

 

CMYK 48 / 36 / 0 / 10

HEX #7693E5

RGB 118 147 229

HSL 224.32, 0.68%, 0.68%

LAB 61.98, 11.9, -44.74

 

CMYK 48 / 0 / 17 / 10

HEX #76E5BF

RGB 118 229 191

HSL 159.46, 0.68%, 0.68%

LAB 83.78, -40.71, 8.8

 

CMYK 57 / 0 / 19 / 5

HEX #69F2C3

RGB 105 242 195

HSL 159.42, 0.84%, 0.68%

LAB 87.22, -48.31, 11.54

 

CMYK 48 / 0 / 17 / 10

HEX #76E5BF

RGB 118 229 191

HSL 159.46, 0.68%, 0.68%

LAB 83.78, -40.71, 8.8

 

CMYK 39 / 0 / 13 / 15

HEX #83D8BB

RGB 131 216 187

HSL 159.53, 0.52%, 0.68%

LAB 80.47, -32.34, 6.23

 

CMYK 29 / 0 / 9 / 21

HEX #90CAB7

RGB 144 202 183

HSL 160.34, 0.35%, 0.68%

LAB 77.03, -22.7, 3.49

 

CMYK 16 / 0 / 5 / 26

HEX #9EBDB3

RGB 158 189 179

HSL 160.65, 0.19%, 0.68%

LAB 74.14, -12.48, 1.55

 

CMYK 3 / 0 / 1 / 31

HEX #ABB0AE

RGB 171 176 174

HSL 156, 0.03%, 0.68%

LAB 71.39, -2.13, 0.4

 

CMYK 48 / 0 / 43 / 10

HEX #76E583

RGB 118 229 131

HSL 127.03, 0.68%, 0.68%

LAB 82.66, -51.87, 38.16

 

CMYK 48 / 0 / 30 / 10

HEX #76E5A0

RGB 118 229 160

HSL 142.7, 0.68%, 0.68%

LAB 83.14, -46.99, 24.08

 

CMYK 48 / 0 / 17 / 10

HEX #76E5BE

RGB 118 229 190

HSL 158.92, 0.68%, 0.68%

LAB 83.76, -40.93, 9.29

 

CMYK 48 / 0 / 4 / 10

HEX #76E5DC

RGB 118 229 220

HSL 175.14, 0.68%, 0.68%

LAB 84.51, -33.95, -5.44

 

CMYK 48 / 9 / 0 / 10

HEX #76D1E5

RGB 118 209 229

HSL 190.81, 0.68%, 0.68%

LAB 79.1, -21.93, -18.3

 

CMYK 77 / 0 / 26 / 15

HEX #31D89F

RGB 49 216 159

HSL 159.52, 0.68%, 0.52%

LAB 77.44, -54.64, 16.45

 

CMYK 63 / 0 / 21 / 13

HEX #53DEAF

RGB 83 222 175

HSL 159.71, 0.68%, 0.6%

LAB 80.28, -48.52, 12.09

 

CMYK 48 / 0 / 17 / 10

HEX #76E5BF

RGB 118 229 191

HSL 159.46, 0.68%, 0.68%

LAB 83.78, -40.71, 8.8

 

CMYK 35 / 0 / 12 / 8

HEX #99EBCF

RGB 153 235 207

HSL 159.51, 0.67%, 0.76%

LAB 87.34, -31.02, 5.7

 

CMYK 23 / 0 / 8 / 5

HEX #BBF2DF

RGB 187 242 223

HSL 159.27, 0.68%, 0.84%

LAB 91.41, -21.2, 3.47

 

CMYK 49 / 0 / 17 / 10

HEX #75E5BF

RGB 117 229 191

HSL 159.64, 0.68%, 0.68%

LAB 83.75, -40.94, 8.74

 

CMYK 48 / 41 / 0 / 10

HEX #7687E5

RGB 118 135 229

HSL 230.81, 0.68%, 0.68%

LAB 58.82, 18.97, -49.73

 

CMYK 0 / 36 / 48 / 10

HEX #E59276

RGB 229 146 118

HSL 15.14, 0.68%, 0.68%

LAB 68.4, 28.36, 27.89

 

CMYK 49 / 0 / 17 / 10

HEX #75E5BF

RGB 117 229 191

HSL 159.64, 0.68%, 0.68%

LAB 83.75, -40.94, 8.74

 

CMYK 17 / 48 / 0 / 10

HEX #BE76E5

RGB 190 118 229

HSL 278.92, 0.68%, 0.68%

LAB 61.27, 47.33, -45.44

 

CMYK 0 / 17 / 48 / 10

HEX #E5BE76

RGB 229 190 118

HSL 38.92, 0.68%, 0.68%

LAB 78.92, 4.96, 41.4

 

CMYK 49 / 0 / 17 / 10

HEX #75E5BF

RGB 117 229 191

HSL 159.64, 0.68%, 0.68%

LAB 83.75, -40.94, 8.74

 

CMYK 48 / 41 / 0 / 10

HEX #7687E5

RGB 118 135 229

HSL 230.81, 0.68%, 0.68%

LAB 58.82, 18.97, -49.73

 

CMYK 0 / 48 / 31 / 10

HEX #E5769D

RGB 229 118 157

HSL 338.92, 0.68%, 0.68%

LAB 63.38, 47.17, -1.07

 

CMYK 0 / 7 / 48 / 10

HEX #E5D476

RGB 229 212 118

HSL 50.81, 0.68%, 0.68%

LAB 84.51, -6.41, 48.3

 

CMYK 49 / 0 / 17 / 10

HEX #75E5BF

RGB 117 229 191

HSL 159.64, 0.68%, 0.68%

LAB 83.75, -40.94, 8.74

 

CMYK 41 / 48 / 0 / 10

HEX #8776E5

RGB 135 118 229

HSL 249.19, 0.68%, 0.68%

LAB 55.85, 33.03, -54.38

 

CMYK 0 / 48 / 31 / 10

HEX #E5769D

RGB 229 118 157

HSL 338.92, 0.68%, 0.68%

LAB 63.38, 47.17, -1.07

 

CMYK 7 / 0 / 48 / 10

HEX #D4E576

RGB 212 229 118

HSL 69.19, 0.68%, 0.68%

LAB 87.65, -21.6, 51.78

 

Description

Color code: HEX #75E5BF | qconv.com Color code: HEX #75E5BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 229 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 229 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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