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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75DF3F it is the complementary color #8A20C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75DF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75DF3F shade: #7ADF3A, #8BF14D, #9CFF60, #ADFF73 and #BEFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75DF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75DF3F shade: #75DF3F, #64CD2C, #53BB19, #42A906 and #319700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75DF3F shade: #75DE3F, #A0DE3F, #CBDE3F, #DEC73F and #DE9C3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75DF3F shade: #75DE3F, #4ADE3F, #3FDE5F, #3FDE8A and #3FDEB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75DF3F shade matches the following richer shades: #75DE3F and #6FF12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75DF3F shade: #75DE3F, #7BCC51, #81BA63, #87A876 and #8D9688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75DF3F shade: #CCDE3F, #A1DE3F, #77DE3F, #4CDE3F and #3FDE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75DF3F shade: #4EAE1D, #5ED123, #75DE3F, #8EE462 and #A8EA86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75DF3F shade: #75DF3F, #3FDEC7 and #DE3FB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75DF3F shade: #75DF3F, #3F77DE and #DE3F77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75DF3F shade: #75DF3F, #3FDEC7, #A73FDE and #DE3F57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75DF3F shade: #75DF3F, #3FC7DE, #A73FDE and #DE573F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 72 / 13

HEX #75DF3F

RGB 117 223 63

HSL 99.75, 0.71%, 0.56%

LAB 80.13, -57.28, 65.13

 

Complementary color

CMYK 28 / 83 / 0 / 25

HEX #8A20C0

RGB 138 32 192

HSL 279.75, 0.71%, 0.44%

LAB 38.27, 65.98, -61.51

 

CMYK 45 / 0 / 74 / 13

HEX #7ADF3A

RGB 122 223 58

HSL 96.73, 0.72%, 0.55%

LAB 80.3, -56.11, 67.07

 

CMYK 42 / 0 / 68 / 5

HEX #8BF14D

RGB 139 241 77

HSL 97.32, 0.85%, 0.62%

LAB 86.47, -56.54, 66.83

 

CMYK 39 / 0 / 62 / 0

HEX #9CFF60

RGB 156 255 96

HSL 97.36, 1%, 0.69%

LAB 91.43, -55.22, 64.95

 

CMYK 32 / 0 / 55 / 0

HEX #ADFF73

RGB 173 255 115

HSL 95.14, 1%, 0.73%

LAB 92.42, -47.93, 58.21

 

CMYK 25 / 0 / 47 / 0

HEX #BEFF86

RGB 190 255 134

HSL 92.23, 1%, 0.76%

LAB 93.53, -40.13, 51.1

 

CMYK 48 / 0 / 72 / 13

HEX #75DF3F

RGB 117 223 63

HSL 99.75, 0.71%, 0.56%

LAB 80.13, -57.28, 65.13

 

CMYK 51 / 0 / 79 / 20

HEX #64CD2C

RGB 100 205 44

HSL 99.13, 0.65%, 0.49%

LAB 73.9, -56.65, 65.02

 

CMYK 56 / 0 / 87 / 27

HEX #53BB19

RGB 83 187 25

HSL 98.52, 0.76%, 0.42%

LAB 67.61, -55.69, 63.99

 

CMYK 61 / 0 / 96 / 34

HEX #42A906

RGB 66 169 6

HSL 97.91, 0.93%, 0.34%

LAB 61.26, -54.28, 61.55

 

CMYK 68 / 0 / 100 / 41

HEX #319700

RGB 49 151 0

HSL 100.53, 1%, 0.3%

LAB 54.85, -52.26, 57.1

 

CMYK 47 / 0 / 72 / 13

HEX #75DE3F

RGB 117 222 63

HSL 99.62, 0.71%, 0.56%

LAB 79.83, -56.9, 64.83

 

CMYK 28 / 0 / 72 / 13

HEX #A0DE3F

RGB 160 222 63

HSL 83.4, 0.71%, 0.56%

LAB 81.88, -42.52, 67.55

 

CMYK 9 / 0 / 72 / 13

HEX #CBDE3F

RGB 203 222 63

HSL 67.17, 0.71%, 0.56%

LAB 84.64, -25.77, 71.18

 

CMYK 0 / 10 / 72 / 13

HEX #DEC73F

RGB 222 199 63

HSL 51.32, 0.71%, 0.56%

LAB 80.03, -6.45, 67.23

 

CMYK 0 / 30 / 72 / 13

HEX #DE9C3F

RGB 222 156 63

HSL 35.09, 0.71%, 0.56%

LAB 69.23, 16.2, 56.42

 

CMYK 47 / 0 / 72 / 13

HEX #75DE3F

RGB 117 222 63

HSL 99.62, 0.71%, 0.56%

LAB 79.83, -56.9, 64.83

 

CMYK 67 / 0 / 72 / 13

HEX #4ADE3F

RGB 74 222 63

HSL 115.85, 0.71%, 0.56%

LAB 78.5, -67.47, 63.04

 

CMYK 72 / 0 / 57 / 13

HEX #3FDE5F

RGB 63 222 95

HSL 132.08, 0.71%, 0.56%

LAB 78.53, -66.15, 49.91

 

CMYK 72 / 0 / 38 / 13

HEX #3FDE8A

RGB 63 222 138

HSL 148.3, 0.71%, 0.56%

LAB 79.12, -59.43, 29.71

 

CMYK 72 / 0 / 18 / 13

HEX #3FDEB5

RGB 63 222 181

HSL 164.53, 0.71%, 0.56%

LAB 79.97, -50.21, 8.42

 

CMYK 47 / 0 / 72 / 13

HEX #75DE3F

RGB 117 222 63

HSL 99.62, 0.71%, 0.56%

LAB 79.83, -56.9, 64.83

 

CMYK 54 / 0 / 81 / 5

HEX #6FF12D

RGB 111 241 45

HSL 99.8, 0.88%, 0.56%

LAB 85.24, -66.48, 75.35

 

CMYK 47 / 0 / 72 / 13

HEX #75DE3F

RGB 117 222 63

HSL 99.62, 0.71%, 0.56%

LAB 79.83, -56.9, 64.83

 

CMYK 40 / 0 / 60 / 20

HEX #7BCC51

RGB 123 204 81

HSL 99.51, 0.55%, 0.56%

LAB 74.82, -46.38, 52.38

 

CMYK 31 / 0 / 47 / 27

HEX #81BA63

RGB 129 186 99

HSL 99.31, 0.39%, 0.56%

LAB 69.96, -34.42, 38.16

 

CMYK 20 / 0 / 30 / 34

HEX #87A876

RGB 135 168 118

HSL 99.6, 0.22%, 0.56%

LAB 65.33, -20.8, 22.24

 

CMYK 6 / 0 / 9 / 41

HEX #8D9688

RGB 141 150 136

HSL 98.57, 0.06%, 0.56%

LAB 61, -5.95, 6.27

 

CMYK 8 / 0 / 72 / 13

HEX #CCDE3F

RGB 204 222 63

HSL 66.79, 0.71%, 0.56%

LAB 84.71, -25.36, 71.28

 

CMYK 27 / 0 / 72 / 13

HEX #A1DE3F

RGB 161 222 63

HSL 83.02, 0.71%, 0.56%

LAB 81.94, -42.16, 67.62

 

CMYK 46 / 0 / 72 / 13

HEX #77DE3F

RGB 119 222 63

HSL 98.87, 0.71%, 0.56%

LAB 79.91, -56.31, 64.93

 

CMYK 66 / 0 / 72 / 13

HEX #4CDE3F

RGB 76 222 63

HSL 115.09, 0.71%, 0.56%

LAB 78.54, -67.08, 63.1

 

CMYK 72 / 0 / 59 / 13

HEX #3FDE5C

RGB 63 222 92

HSL 130.94, 0.71%, 0.56%

LAB 78.5, -66.52, 51.22

 

CMYK 55 / 0 / 83 / 32

HEX #4EAE1D

RGB 78 174 29

HSL 99.72, 0.71%, 0.4%

LAB 63.33, -52.16, 59.17

 

CMYK 55 / 0 / 83 / 18

HEX #5ED123

RGB 94 209 35

HSL 99.66, 0.71%, 0.48%

LAB 74.89, -60.18, 68.27

 

CMYK 47 / 0 / 72 / 13

HEX #75DE3F

RGB 117 222 63

HSL 99.62, 0.71%, 0.56%

LAB 79.83, -56.9, 64.83

 

CMYK 38 / 0 / 57 / 11

HEX #8EE462

RGB 142 228 98

HSL 99.69, 0.71%, 0.64%

LAB 82.98, -48.52, 54.41

 

CMYK 28 / 0 / 43 / 8

HEX #A8EA86

RGB 168 234 134

HSL 99.6, 0.7%, 0.72%

LAB 86.45, -38.31, 41.99

 

CMYK 48 / 0 / 72 / 13

HEX #75DF3F

RGB 117 223 63

HSL 99.75, 0.71%, 0.56%

LAB 80.13, -57.28, 65.13

 

CMYK 72 / 0 / 10 / 13

HEX #3FDEC7

RGB 63 222 199

HSL 171.32, 0.71%, 0.56%

LAB 80.42, -45.7, -0.5

 

CMYK 0 / 72 / 18 / 13

HEX #DE3FB7

RGB 222 63 183

HSL 314.72, 0.71%, 0.56%

LAB 54.56, 71.97, -29.51

 

CMYK 48 / 0 / 72 / 13

HEX #75DF3F

RGB 117 223 63

HSL 99.75, 0.71%, 0.56%

LAB 80.13, -57.28, 65.13

 

CMYK 72 / 46 / 0 / 13

HEX #3F77DE

RGB 63 119 222

HSL 218.87, 0.71%, 0.56%

LAB 51.3, 16.14, -57.99

 

CMYK 0 / 72 / 46 / 13

HEX #DE3F77

RGB 222 63 119

HSL 338.87, 0.71%, 0.56%

LAB 52.3, 64.75, 4.96

 

CMYK 48 / 0 / 72 / 13

HEX #75DF3F

RGB 117 223 63

HSL 99.75, 0.71%, 0.56%

LAB 80.13, -57.28, 65.13

 

CMYK 72 / 0 / 10 / 13

HEX #3FDEC7

RGB 63 222 199

HSL 171.32, 0.71%, 0.56%

LAB 80.42, -45.7, -0.5

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 0 / 72 / 61 / 13

HEX #DE3F57

RGB 222 63 87

HSL 350.94, 0.71%, 0.56%

LAB 51.58, 62.33, 23.2

 

CMYK 48 / 0 / 72 / 13

HEX #75DF3F

RGB 117 223 63

HSL 99.75, 0.71%, 0.56%

LAB 80.13, -57.28, 65.13

 

CMYK 72 / 10 / 0 / 13

HEX #3FC7DE

RGB 63 199 222

HSL 188.68, 0.71%, 0.56%

LAB 74.3, -28.62, -21.98

 

CMYK 25 / 72 / 0 / 13

HEX #A73FDE

RGB 167 63 222

HSL 279.25, 0.71%, 0.56%

LAB 48.32, 66.57, -62.35

 

CMYK 0 / 61 / 72 / 13

HEX #DE573F

RGB 222 87 63

HSL 9.06, 0.71%, 0.56%

LAB 54.77, 51.39, 40.87

 

Description

Color code: HEX #75DF3F | qconv.com Color code: HEX #75DF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 223 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 223 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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