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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75DC6C it is the complementary color #8A2393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75DC6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75DC6C shade: #7ADC67, #8BEE7A, #9CFF8D, #ADFFA0 and #BEFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75DC6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75DC6C shade: #75DC6C, #64CA59, #53B846, #42A633 and #319420

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75DC6C shade: #73DC6A, #92DC6A, #B1DC6A, #D0DC6A and #DCCA6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75DC6C shade: #73DC6A, #6ADC80, #6ADC9F, #6ADCBD and #6ADCDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75DC6C shade matches the following richer shades: #73DC6A, #67EB5B and #5AFA4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75DC6C shade: #73DC6A, #80CD79, #8CBE88, #99B097 and #A5A1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75DC6C shade: #B0DC6A, #92DC6A, #74DC6A, #6ADC7F and #6ADC9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75DC6C shade: #3AC62E, #54D449, #73DC6A, #93E48C and #B2ECAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75DC6C shade: #75DC6C, #6ACFDC and #DC6AA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75DC6C shade: #75DC6C, #6A74DC and #DC6A74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75DC6C shade: #75DC6C, #6ACFDC, #D36ADC and #DC786A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75DC6C shade: #75DC6C, #6AADDC, #D36ADC and #DC9A6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 51 / 14

HEX #75DC6C

RGB 117 220 108

HSL 115.18, 0.62%, 0.64%

LAB 79.64, -51.71, 45.57

 

Complementary color

CMYK 6 / 76 / 0 / 42

HEX #8A2393

RGB 138 35 147

HSL 295.18, 0.62%, 0.36%

LAB 35.42, 56.41, -39.16

 

CMYK 45 / 0 / 53 / 14

HEX #7ADC67

RGB 122 220 103

HSL 110.26, 0.63%, 0.63%

LAB 79.79, -50.88, 48.15

 

CMYK 42 / 0 / 49 / 7

HEX #8BEE7A

RGB 139 238 122

HSL 111.21, 0.77%, 0.71%

LAB 86.03, -50.85, 46.95

 

CMYK 39 / 0 / 45 / 0

HEX #9CFF8D

RGB 156 255 141

HSL 112.11, 1%, 0.78%

LAB 91.91, -50.32, 45.4

 

CMYK 32 / 0 / 37 / 0

HEX #ADFFA0

RGB 173 255 160

HSL 111.79, 1%, 0.81%

LAB 92.99, -42.44, 37.69

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB3

RGB 190 255 179

HSL 111.32, 1%, 0.85%

LAB 94.19, -34.16, 29.98

 

CMYK 47 / 0 / 51 / 14

HEX #75DC6C

RGB 117 220 108

HSL 115.18, 0.62%, 0.64%

LAB 79.64, -51.71, 45.57

 

CMYK 50 / 0 / 56 / 21

HEX #64CA59

RGB 100 202 89

HSL 114.16, 0.52%, 0.57%

LAB 73.33, -51.65, 46.79

 

CMYK 55 / 0 / 62 / 28

HEX #53B846

RGB 83 184 70

HSL 113.16, 0.45%, 0.5%

LAB 66.95, -51.41, 47.92

 

CMYK 60 / 0 / 69 / 35

HEX #42A633

RGB 66 166 51

HSL 112.17, 0.53%, 0.43%

LAB 60.49, -50.88, 48.82

 

CMYK 67 / 0 / 78 / 42

HEX #319420

RGB 49 148 32

HSL 111.21, 0.64%, 0.35%

LAB 53.96, -49.91, 49.18

 

CMYK 48 / 0 / 52 / 14

HEX #73DC6A

RGB 115 220 106

HSL 115.26, 0.62%, 0.64%

LAB 79.54, -52.53, 46.38

 

CMYK 34 / 0 / 52 / 14

HEX #92DC6A

RGB 146 220 106

HSL 98.95, 0.62%, 0.64%

LAB 80.93, -42.94, 48.38

 

CMYK 20 / 0 / 52 / 14

HEX #B1DC6A

RGB 177 220 106

HSL 82.63, 0.62%, 0.64%

LAB 82.69, -31.88, 50.9

 

CMYK 5 / 0 / 52 / 14

HEX #D0DC6A

RGB 208 220 106

HSL 66.32, 0.62%, 0.64%

LAB 84.81, -19.88, 53.93

 

CMYK 0 / 8 / 52 / 14

HEX #DCCA6A

RGB 220 202 106

HSL 50.53, 0.62%, 0.64%

LAB 81.01, -6.01, 49.69

 

CMYK 48 / 0 / 52 / 14

HEX #73DC6A

RGB 115 220 106

HSL 115.26, 0.62%, 0.64%

LAB 79.54, -52.53, 46.38

 

CMYK 52 / 0 / 42 / 14

HEX #6ADC80

RGB 106 220 128

HSL 131.58, 0.62%, 0.64%

LAB 79.51, -51.8, 35.5

 

CMYK 52 / 0 / 28 / 14

HEX #6ADC9F

RGB 106 220 159

HSL 147.89, 0.62%, 0.64%

LAB 80.04, -46.29, 20.27

 

CMYK 52 / 0 / 14 / 14

HEX #6ADCBD

RGB 106 220 189

HSL 163.68, 0.62%, 0.64%

LAB 80.7, -39.86, 5.36

 

CMYK 52 / 0 / 0 / 14

HEX #6ADCDC

RGB 106 220 220

HSL 180, 0.62%, 0.64%

LAB 81.52, -32.23, -9.92

 

CMYK 48 / 0 / 52 / 14

HEX #73DC6A

RGB 115 220 106

HSL 115.26, 0.62%, 0.64%

LAB 79.54, -52.53, 46.38

 

CMYK 56 / 0 / 61 / 8

HEX #67EB5B

RGB 103 235 91

HSL 115, 0.78%, 0.64%

LAB 83.47, -63.05, 57.61

 

CMYK 64 / 0 / 69 / 2

HEX #5AFA4D

RGB 90 250 77

HSL 115.49, 0.95%, 0.64%

LAB 87.52, -72.34, 67.43

 

CMYK 48 / 0 / 52 / 14

HEX #73DC6A

RGB 115 220 106

HSL 115.26, 0.62%, 0.64%

LAB 79.54, -52.53, 46.38

 

CMYK 38 / 0 / 41 / 20

HEX #80CD79

RGB 128 205 121

HSL 115, 0.46%, 0.64%

LAB 75.84, -40.3, 34.48

 

CMYK 26 / 0 / 28 / 25

HEX #8CBE88

RGB 140 190 136

HSL 115.56, 0.29%, 0.64%

LAB 72.35, -27.02, 22.12

 

CMYK 13 / 0 / 14 / 31

HEX #99B097

RGB 153 176 151

HSL 115.2, 0.14%, 0.64%

LAB 69.51, -12.78, 10.16

 

CMYK 1 / 3 / 0 / 35

HEX #A5A1A6

RGB 165 161 166

HSL 288, 0.03%, 0.64%

LAB 66.7, 2.39, -2.09

 

CMYK 20 / 0 / 52 / 14

HEX #B0DC6A

RGB 176 220 106

HSL 83.16, 0.62%, 0.64%

LAB 82.62, -32.26, 50.81

 

CMYK 34 / 0 / 52 / 14

HEX #92DC6A

RGB 146 220 106

HSL 98.95, 0.62%, 0.64%

LAB 80.93, -42.94, 48.38

 

CMYK 47 / 0 / 52 / 14

HEX #74DC6A

RGB 116 220 106

HSL 114.74, 0.62%, 0.64%

LAB 79.58, -52.25, 46.43

 

CMYK 52 / 0 / 42 / 14

HEX #6ADC7F

RGB 106 220 127

HSL 131.05, 0.62%, 0.64%

LAB 79.49, -51.96, 35.99

 

CMYK 52 / 0 / 28 / 14

HEX #6ADC9E

RGB 106 220 158

HSL 147.37, 0.62%, 0.64%

LAB 80.02, -46.49, 20.77

 

CMYK 71 / 0 / 77 / 22

HEX #3AC62E

RGB 58 198 46

HSL 115.26, 0.62%, 0.48%

LAB 70.51, -63.91, 60.74

 

CMYK 60 / 0 / 66 / 17

HEX #54D449

RGB 84 212 73

HSL 115.25, 0.62%, 0.56%

LAB 75.73, -61.12, 56.38

 

CMYK 48 / 0 / 52 / 14

HEX #73DC6A

RGB 115 220 106

HSL 115.26, 0.62%, 0.64%

LAB 79.54, -52.53, 46.38

 

CMYK 36 / 0 / 39 / 11

HEX #93E48C

RGB 147 228 140

HSL 115.23, 0.62%, 0.72%

LAB 83.75, -41.67, 35.32

 

CMYK 25 / 0 / 27 / 7

HEX #B2ECAD

RGB 178 236 173

HSL 115.24, 0.62%, 0.8%

LAB 88.2, -30.21, 24.76

 

CMYK 47 / 0 / 51 / 14

HEX #75DC6C

RGB 117 220 108

HSL 115.18, 0.62%, 0.64%

LAB 79.64, -51.71, 45.57

 

CMYK 52 / 6 / 0 / 14

HEX #6ACFDC

RGB 106 207 220

HSL 186.84, 0.62%, 0.64%

LAB 77.79, -25.94, -15.5

 

CMYK 0 / 52 / 27 / 14

HEX #DC6AA1

RGB 220 106 161

HSL 331.05, 0.62%, 0.64%

LAB 59.98, 50.62, -8.54

 

CMYK 47 / 0 / 51 / 14

HEX #75DC6C

RGB 117 220 108

HSL 115.18, 0.62%, 0.64%

LAB 79.64, -51.71, 45.57

 

CMYK 52 / 47 / 0 / 14

HEX #6A74DC

RGB 106 116 220

HSL 234.74, 0.62%, 0.64%

LAB 52.64, 24.94, -54.58

 

CMYK 0 / 52 / 47 / 14

HEX #DC6A74

RGB 220 106 116

HSL 354.74, 0.62%, 0.64%

LAB 58.77, 45.46, 15.8

 

CMYK 47 / 0 / 51 / 14

HEX #75DC6C

RGB 117 220 108

HSL 115.18, 0.62%, 0.64%

LAB 79.64, -51.71, 45.57

 

CMYK 52 / 6 / 0 / 14

HEX #6ACFDC

RGB 106 207 220

HSL 186.84, 0.62%, 0.64%

LAB 77.79, -25.94, -15.5

 

CMYK 4 / 52 / 0 / 14

HEX #D36ADC

RGB 211 106 220

HSL 295.26, 0.62%, 0.64%

LAB 61.07, 57.33, -40.56

 

CMYK 0 / 45 / 52 / 14

HEX #DC786A

RGB 220 120 106

HSL 7.37, 0.62%, 0.64%

LAB 61.39, 37.46, 25.06

 

CMYK 47 / 0 / 51 / 14

HEX #75DC6C

RGB 117 220 108

HSL 115.18, 0.62%, 0.64%

LAB 79.64, -51.71, 45.57

 

CMYK 52 / 21 / 0 / 14

HEX #6AADDC

RGB 106 173 220

HSL 204.74, 0.62%, 0.64%

LAB 68.11, -8.28, -30.26

 

CMYK 4 / 52 / 0 / 14

HEX #D36ADC

RGB 211 106 220

HSL 295.26, 0.62%, 0.64%

LAB 61.07, 57.33, -40.56

 

CMYK 0 / 30 / 52 / 14

HEX #DC9A6A

RGB 220 154 106

HSL 25.26, 0.62%, 0.64%

LAB 69.02, 19.38, 34.95

 

Description

Color code: HEX #75DC6C | qconv.com Color code: HEX #75DC6C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 220 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 220 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 51 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 51% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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