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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75D9DA it is the complementary color #8A2625. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75D9DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75D9DA shade: #7AD9D5, #8BEBE8, #9CFDFB, #ADFFFF and #BEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75D9DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75D9DA shade: #75D9DA, #64C7C7, #53B5B4, #42A3A1 and #31918E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75D9DA shade: #76DADB, #76BEDB, #76A3DB, #7688DB and #7F76DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75D9DA shade: #76DADB, #76BEDB, #76A3DB, #7688DB and #7676DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75D9DA shade matches the following richer shades: #76DADB, #68E7E9 and #5AF5F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75D9DA shade: #76DADB, #84CCCD, #92BEBF, #A0B0B1 and #AEA3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75D9DA shade: #76DBA5, #76DBC0, #76DBDB, #76C0DB and #76A5DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75D9DA shade: #35C7C9, #55D1D2, #76DADB, #97E2E3 and #B7EBEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75D9DA shade: #75D9DA, #8A76DB and #DBB276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75D9DA shade: #75D9DA, #DB76DB and #DBDB76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75D9DA shade: #75D9DA, #8A76DB, #DB7676 and #C6DB76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75D9DA shade: #75D9DA, #A876DB, #DB7676 and #A8DB76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 0 / 15

HEX #75D9DA

RGB 117 217 218

HSL 180.59, 0.58%, 0.66%

LAB 81, -28.97, -9.59

 

Complementary color

CMYK 0 / 72 / 73 / 46

HEX #8A2625

RGB 138 38 37

HSL 0.59, 0.58%, 0.34%

LAB 31.63, 42.05, 25.43

 

CMYK 44 / 0 / 2 / 15

HEX #7AD9D5

RGB 122 217 213

HSL 177.47, 0.56%, 0.66%

LAB 81.05, -29.07, -6.82

 

CMYK 41 / 0 / 1 / 8

HEX #8BEBE8

RGB 139 235 232

HSL 178.13, 0.71%, 0.73%

LAB 87.35, -29.04, -7.46

 

CMYK 38 / 0 / 1 / 1

HEX #9CFDFB

RGB 156 253 251

HSL 178.76, 0.96%, 0.8%

LAB 93.57, -28.98, -8.07

 

CMYK 32 / 0 / 0 / 0

HEX #ADFFFF

RGB 173 255 255

HSL 180, 1%, 0.84%

LAB 95, -24.69, -7.94

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 46 / 0 / 0 / 15

HEX #75D9DA

RGB 117 217 218

HSL 180.59, 0.58%, 0.66%

LAB 81, -28.97, -9.59

 

CMYK 50 / 0 / 0 / 22

HEX #64C7C7

RGB 100 199 199

HSL 180, 0.47%, 0.59%

LAB 74.62, -28.89, -8.93

 

CMYK 54 / 0 / 1 / 29

HEX #53B5B4

RGB 83 181 180

HSL 179.39, 0.4%, 0.52%

LAB 68.15, -28.74, -8.23

 

CMYK 60 / 0 / 1 / 36

HEX #42A3A1

RGB 66 163 161

HSL 178.76, 0.42%, 0.45%

LAB 61.59, -28.49, -7.46

 

CMYK 66 / 0 / 2 / 43

HEX #31918E

RGB 49 145 142

HSL 178.13, 0.49%, 0.38%

LAB 54.92, -28.06, -6.61

 

CMYK 46 / 0 / 0 / 14

HEX #76DADB

RGB 118 218 219

HSL 180.59, 0.58%, 0.66%

LAB 81.35, -28.97, -9.59

 

CMYK 46 / 13 / 0 / 14

HEX #76BEDB

RGB 118 190 219

HSL 197.23, 0.58%, 0.66%

LAB 73.41, -14.89, -21.54

 

CMYK 46 / 26 / 0 / 14

HEX #76A3DB

RGB 118 163 219

HSL 213.27, 0.58%, 0.66%

LAB 65.87, -0.23, -33.12

 

CMYK 46 / 38 / 0 / 14

HEX #7688DB

RGB 118 136 219

HSL 229.31, 0.58%, 0.66%

LAB 58.58, 15.39, -44.54

 

CMYK 42 / 46 / 0 / 14

HEX #7F76DB

RGB 127 118 219

HSL 245.35, 0.58%, 0.66%

LAB 54.64, 28.27, -50.74

 

CMYK 46 / 0 / 0 / 14

HEX #76DADB

RGB 118 218 219

HSL 180.59, 0.58%, 0.66%

LAB 81.35, -28.97, -9.59

 

CMYK 46 / 13 / 0 / 14

HEX #76BEDB

RGB 118 190 219

HSL 197.23, 0.58%, 0.66%

LAB 73.41, -14.89, -21.54

 

CMYK 46 / 26 / 0 / 14

HEX #76A3DB

RGB 118 163 219

HSL 213.27, 0.58%, 0.66%

LAB 65.87, -0.23, -33.12

 

CMYK 46 / 38 / 0 / 14

HEX #7688DB

RGB 118 136 219

HSL 229.31, 0.58%, 0.66%

LAB 58.58, 15.39, -44.54

 

CMYK 46 / 46 / 0 / 14

HEX #7676DB

RGB 118 118 219

HSL 240, 0.58%, 0.66%

LAB 53.95, 26.12, -51.89

 

CMYK 46 / 0 / 0 / 14

HEX #76DADB

RGB 118 218 219

HSL 180.59, 0.58%, 0.66%

LAB 81.35, -28.97, -9.59

 

CMYK 55 / 1 / 0 / 9

HEX #68E7E9

RGB 104 231 233

HSL 180.93, 0.75%, 0.66%

LAB 84.99, -34.38, -11.65

 

CMYK 64 / 1 / 0 / 3

HEX #5AF5F7

RGB 90 245 247

HSL 180.76, 0.91%, 0.66%

LAB 89.01, -39.41, -13.02

 

CMYK 46 / 0 / 0 / 14

HEX #76DADB

RGB 118 218 219

HSL 180.59, 0.58%, 0.66%

LAB 81.35, -28.97, -9.59

 

CMYK 36 / 0 / 0 / 20

HEX #84CCCD

RGB 132 204 205

HSL 180.82, 0.42%, 0.66%

LAB 77.58, -22.13, -7.64

 

CMYK 24 / 1 / 0 / 25

HEX #92BEBF

RGB 146 190 191

HSL 181.33, 0.26%, 0.66%

LAB 74, -14.25, -5.28

 

CMYK 10 / 1 / 0 / 31

HEX #A0B0B1

RGB 160 176 177

HSL 183.53, 0.1%, 0.66%

LAB 70.66, -5.34, -2.42

 

CMYK 0 / 6 / 7 / 32

HEX #AEA3A2

RGB 174 163 162

HSL 5, 0.07%, 0.66%

LAB 67.87, 3.8, 1.94

 

CMYK 46 / 0 / 25 / 14

HEX #76DBA5

RGB 118 219 165

HSL 147.92, 0.58%, 0.66%

LAB 80.31, -41.7, 17.57

 

CMYK 46 / 0 / 12 / 14

HEX #76DBC0

RGB 118 219 192

HSL 163.96, 0.58%, 0.66%

LAB 80.92, -35.95, 4.14

 

CMYK 46 / 0 / 0 / 14

HEX #76DBDB

RGB 118 219 219

HSL 180, 0.58%, 0.66%

LAB 81.64, -29.45, -9.17

 

CMYK 46 / 12 / 0 / 14

HEX #76C0DB

RGB 118 192 219

HSL 196.04, 0.58%, 0.66%

LAB 73.98, -15.94, -20.68

 

CMYK 46 / 25 / 0 / 14

HEX #76A5DB

RGB 118 165 219

HSL 212.08, 0.58%, 0.66%

LAB 66.43, -1.35, -32.26

 

CMYK 74 / 1 / 0 / 21

HEX #35C7C9

RGB 53 199 201

HSL 180.81, 0.58%, 0.5%

LAB 73.43, -36.07, -11.93

 

CMYK 60 / 0 / 0 / 18

HEX #55D1D2

RGB 85 209 210

HSL 180.48, 0.58%, 0.58%

LAB 77.39, -33.63, -10.8

 

CMYK 46 / 0 / 0 / 14

HEX #76DADB

RGB 118 218 219

HSL 180.59, 0.58%, 0.66%

LAB 81.35, -28.97, -9.59

 

CMYK 33 / 0 / 0 / 11

HEX #97E2E3

RGB 151 226 227

HSL 180.79, 0.58%, 0.74%

LAB 85.26, -22.8, -7.87

 

CMYK 22 / 0 / 0 / 7

HEX #B7EBEC

RGB 183 235 236

HSL 181.13, 0.58%, 0.82%

LAB 89.65, -16.26, -5.93

 

CMYK 46 / 0 / 0 / 15

HEX #75D9DA

RGB 117 217 218

HSL 180.59, 0.58%, 0.66%

LAB 81, -28.97, -9.59

 

CMYK 37 / 46 / 0 / 14

HEX #8A76DB

RGB 138 118 219

HSL 251.88, 0.58%, 0.66%

LAB 55.56, 31.03, -49.22

 

CMYK 0 / 19 / 46 / 14

HEX #DBB276

RGB 219 178 118

HSL 35.64, 0.58%, 0.66%

LAB 74.96, 7.23, 36.19

 

CMYK 46 / 0 / 0 / 15

HEX #75D9DA

RGB 117 217 218

HSL 180.59, 0.58%, 0.66%

LAB 81, -28.97, -9.59

 

CMYK 0 / 46 / 0 / 14

HEX #DB76DB

RGB 219 118 219

HSL 300, 0.58%, 0.66%

LAB 64.27, 53.51, -34.92

 

CMYK 0 / 0 / 46 / 14

HEX #DBDB76

RGB 219 219 118

HSL 60, 0.58%, 0.66%

LAB 85.52, -13.94, 49.34

 

CMYK 46 / 0 / 0 / 15

HEX #75D9DA

RGB 117 217 218

HSL 180.59, 0.58%, 0.66%

LAB 81, -28.97, -9.59

 

CMYK 37 / 46 / 0 / 14

HEX #8A76DB

RGB 138 118 219

HSL 251.88, 0.58%, 0.66%

LAB 55.56, 31.03, -49.22

 

CMYK 0 / 46 / 46 / 14

HEX #DB7676

RGB 219 118 118

HSL 0, 0.58%, 0.66%

LAB 61.07, 39.24, 17.79

 

CMYK 10 / 0 / 46 / 14

HEX #C6DB76

RGB 198 219 118

HSL 72.48, 0.58%, 0.66%

LAB 83.95, -22.18, 47.07

 

CMYK 46 / 0 / 0 / 15

HEX #75D9DA

RGB 117 217 218

HSL 180.59, 0.58%, 0.66%

LAB 81, -28.97, -9.59

 

CMYK 23 / 46 / 0 / 14

HEX #A876DB

RGB 168 118 219

HSL 269.7, 0.58%, 0.66%

LAB 58.41, 39.05, -44.52

 

CMYK 0 / 46 / 46 / 14

HEX #DB7676

RGB 219 118 118

HSL 0, 0.58%, 0.66%

LAB 61.07, 39.24, 17.79

 

CMYK 23 / 0 / 46 / 14

HEX #A8DB76

RGB 168 219 118

HSL 90.3, 0.58%, 0.66%

LAB 82, -33.43, 44.22

 

Description

Color code: HEX #75D9DA | qconv.com Color code: HEX #75D9DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 217 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 217 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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