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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75D85B it is the complementary color #8A27A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75D85B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75D85B shade: #7AD856, #8BEA69, #9CFC7C, #ADFF8F and #BEFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75D85B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75D85B shade: #75D85B, #64C648, #53B435, #42A222 and #31900F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75D85B shade: #74D85A, #96D85A, #B8D85A, #D8D65A and #D8B45A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75D85B shade: #74D85A, #5AD862, #5AD884, #5AD8A6 and #5AD8C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75D85B shade matches the following richer shades: #74D85A, #6AE949 and #61F939

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75D85B shade: #74D85A, #7EC86A, #87B77B, #91A78B and #9B969C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75D85B shade: #B9D85A, #97D85A, #75D85A, #5AD860 and #5AD882

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75D85B shade: #47B52A, #58D038, #74D85A, #90E07B and #ACE89D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75D85B shade: #75D85B, #5AD8D6 and #D85AA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75D85B shade: #75D85B, #5A75D8 and #D85A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75D85B shade: #75D85B, #5AD8D6, #BD5AD8 and #D85A5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75D85B shade: #75D85B, #5AB4D8, #BD5AD8 and #D87E5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 58 / 15

HEX #75D85B

RGB 117 216 91

HSL 107.52, 0.62%, 0.6%

LAB 78.26, -52.11, 51.79

 

Complementary color

CMYK 16 / 76 / 0 / 36

HEX #8A27A4

RGB 138 39 164

HSL 287.52, 0.62%, 0.4%

LAB 36.99, 58.22, -46.95

 

CMYK 44 / 0 / 60 / 15

HEX #7AD856

RGB 122 216 86

HSL 103.38, 0.63%, 0.59%

LAB 78.42, -51.12, 54.24

 

CMYK 41 / 0 / 55 / 8

HEX #8BEA69

RGB 139 234 105

HSL 104.19, 0.75%, 0.66%

LAB 84.67, -51.2, 53.2

 

CMYK 38 / 0 / 51 / 1

HEX #9CFC7C

RGB 156 252 124

HSL 105, 0.96%, 0.74%

LAB 90.85, -51.19, 52.08

 

CMYK 32 / 0 / 44 / 0

HEX #ADFF8F

RGB 173 255 143

HSL 103.93, 1%, 0.78%

LAB 92.75, -44.75, 45.66

 

CMYK 25 / 0 / 36 / 0

HEX #BEFFA2

RGB 190 255 162

HSL 101.94, 1%, 0.82%

LAB 93.92, -36.64, 38.09

 

CMYK 46 / 0 / 58 / 15

HEX #75D85B

RGB 117 216 91

HSL 107.52, 0.62%, 0.6%

LAB 78.26, -52.11, 51.79

 

CMYK 49 / 0 / 64 / 22

HEX #64C648

RGB 100 198 72

HSL 106.67, 0.53%, 0.53%

LAB 71.94, -51.91, 52.79

 

CMYK 54 / 0 / 71 / 29

HEX #53B435

RGB 83 180 53

HSL 105.83, 0.55%, 0.46%

LAB 65.54, -51.48, 53.5

 

CMYK 59 / 0 / 79 / 36

HEX #42A222

RGB 66 162 34

HSL 105, 0.65%, 0.38%

LAB 59.08, -50.71, 53.63

 

CMYK 66 / 0 / 90 / 44

HEX #31900F

RGB 49 144 15

HSL 104.19, 0.81%, 0.31%

LAB 52.55, -49.41, 52.61

 

CMYK 46 / 0 / 58 / 15

HEX #74D85A

RGB 116 216 90

HSL 107.62, 0.62%, 0.6%

LAB 78.21, -52.51, 52.17

 

CMYK 31 / 0 / 58 / 15

HEX #96D85A

RGB 150 216 90

HSL 91.43, 0.62%, 0.6%

LAB 79.8, -41.47, 54.42

 

CMYK 15 / 0 / 58 / 15

HEX #B8D85A

RGB 184 216 90

HSL 75.24, 0.62%, 0.6%

LAB 81.86, -28.77, 57.3

 

CMYK 0 / 1 / 58 / 15

HEX #D8D65A

RGB 216 214 90

HSL 59.05, 0.62%, 0.6%

LAB 83.67, -14.95, 59.96

 

CMYK 0 / 17 / 58 / 15

HEX #D8B45A

RGB 216 180 90

HSL 42.86, 0.62%, 0.6%

LAB 74.81, 2.51, 49.98

 

CMYK 46 / 0 / 58 / 15

HEX #74D85A

RGB 116 216 90

HSL 107.62, 0.62%, 0.6%

LAB 78.21, -52.51, 52.17

 

CMYK 58 / 0 / 55 / 15

HEX #5AD862

RGB 90 216 98

HSL 123.81, 0.62%, 0.6%

LAB 77.38, -58.41, 47.33

 

CMYK 58 / 0 / 39 / 15

HEX #5AD884

RGB 90 216 132

HSL 140, 0.62%, 0.6%

LAB 77.85, -53.31, 31.21

 

CMYK 58 / 0 / 23 / 15

HEX #5AD8A6

RGB 90 216 166

HSL 156.19, 0.62%, 0.6%

LAB 78.48, -46.65, 14.34

 

CMYK 58 / 0 / 7 / 15

HEX #5AD8C8

RGB 90 216 200

HSL 172.38, 0.62%, 0.6%

LAB 79.3, -38.62, -2.59

 

CMYK 46 / 0 / 58 / 15

HEX #74D85A

RGB 116 216 90

HSL 107.62, 0.62%, 0.6%

LAB 78.21, -52.51, 52.17

 

CMYK 55 / 0 / 69 / 9

HEX #6AE949

RGB 106 233 73

HSL 107.63, 0.78%, 0.6%

LAB 82.82, -63.23, 64.13

 

CMYK 61 / 0 / 77 / 2

HEX #61F939

RGB 97 249 57

HSL 107.5, 0.94%, 0.6%

LAB 87.28, -71.93, 73.85

 

CMYK 46 / 0 / 58 / 15

HEX #74D85A

RGB 116 216 90

HSL 107.62, 0.62%, 0.6%

LAB 78.21, -52.51, 52.17

 

CMYK 37 / 0 / 47 / 22

HEX #7EC86A

RGB 126 200 106

HSL 107.23, 0.46%, 0.6%

LAB 74.05, -40.83, 39.73

 

CMYK 26 / 0 / 33 / 28

HEX #87B77B

RGB 135 183 123

HSL 108, 0.29%, 0.6%

LAB 69.79, -27.46, 25.54

 

CMYK 13 / 0 / 17 / 35

HEX #91A78B

RGB 145 167 139

HSL 107.14, 0.14%, 0.6%

LAB 66.15, -13.08, 11.95

 

CMYK 1 / 4 / 0 / 39

HEX #9B969C

RGB 155 150 156

HSL 290, 0.03%, 0.6%

LAB 62.66, 2.98, -2.5

 

CMYK 14 / 0 / 58 / 15

HEX #B9D85A

RGB 185 216 90

HSL 74.76, 0.62%, 0.6%

LAB 81.93, -28.38, 57.39

 

CMYK 30 / 0 / 58 / 15

HEX #97D85A

RGB 151 216 90

HSL 90.95, 0.62%, 0.6%

LAB 79.86, -41.11, 54.5

 

CMYK 46 / 0 / 58 / 15

HEX #75D85A

RGB 117 216 90

HSL 107.14, 0.62%, 0.6%

LAB 78.25, -52.22, 52.23

 

CMYK 58 / 0 / 56 / 15

HEX #5AD860

RGB 90 216 96

HSL 122.86, 0.62%, 0.6%

LAB 77.36, -58.66, 48.23

 

CMYK 58 / 0 / 40 / 15

HEX #5AD882

RGB 90 216 130

HSL 139.05, 0.62%, 0.6%

LAB 77.81, -53.66, 32.19

 

CMYK 61 / 0 / 77 / 29

HEX #47B52A

RGB 71 181 42

HSL 107.48, 0.62%, 0.44%

LAB 65.4, -55.76, 57.17

 

CMYK 58 / 0 / 73 / 18

HEX #58D038

RGB 88 208 56

HSL 107.37, 0.62%, 0.52%

LAB 74.49, -60.17, 61.57

 

CMYK 46 / 0 / 58 / 15

HEX #74D85A

RGB 116 216 90

HSL 107.62, 0.62%, 0.6%

LAB 78.21, -52.51, 52.17

 

CMYK 36 / 0 / 45 / 12

HEX #90E07B

RGB 144 224 123

HSL 107.52, 0.62%, 0.68%

LAB 82.2, -43.25, 41.75

 

CMYK 26 / 0 / 32 / 9

HEX #ACE89D

RGB 172 232 157

HSL 108, 0.62%, 0.76%

LAB 86.46, -32.83, 30.54

 

CMYK 46 / 0 / 58 / 15

HEX #75D85B

RGB 117 216 91

HSL 107.52, 0.62%, 0.6%

LAB 78.26, -52.11, 51.79

 

CMYK 58 / 0 / 1 / 15

HEX #5AD8D6

RGB 90 216 214

HSL 179.05, 0.62%, 0.6%

LAB 79.69, -34.96, -9.49

 

CMYK 0 / 58 / 22 / 15

HEX #D85AA8

RGB 216 90 168

HSL 322.86, 0.62%, 0.6%

LAB 56.82, 57.8, -17.41

 

CMYK 46 / 0 / 58 / 15

HEX #75D85B

RGB 117 216 91

HSL 107.52, 0.62%, 0.6%

LAB 78.26, -52.11, 51.79

 

CMYK 58 / 46 / 0 / 15

HEX #5A75D8

RGB 90 117 216

HSL 227.14, 0.62%, 0.6%

LAB 51.67, 19.76, -53.93

 

CMYK 0 / 58 / 46 / 15

HEX #D85A75

RGB 216 90 117

HSL 347.14, 0.62%, 0.6%

LAB 55.27, 51.8, 10.24

 

CMYK 46 / 0 / 58 / 15

HEX #75D85B

RGB 117 216 91

HSL 107.52, 0.62%, 0.6%

LAB 78.26, -52.11, 51.79

 

CMYK 58 / 0 / 1 / 15

HEX #5AD8D6

RGB 90 216 214

HSL 179.05, 0.62%, 0.6%

LAB 79.69, -34.96, -9.49

 

CMYK 13 / 58 / 0 / 15

HEX #BD5AD8

RGB 189 90 216

HSL 287.14, 0.62%, 0.6%

LAB 55.16, 58.46, -47.81

 

CMYK 0 / 58 / 57 / 15

HEX #D85A5C

RGB 216 90 92

HSL 359.05, 0.62%, 0.6%

LAB 54.75, 49.67, 24.21

 

CMYK 46 / 0 / 58 / 15

HEX #75D85B

RGB 117 216 91

HSL 107.52, 0.62%, 0.6%

LAB 78.26, -52.11, 51.79

 

CMYK 58 / 17 / 0 / 15

HEX #5AB4D8

RGB 90 180 216

HSL 197.14, 0.62%, 0.6%

LAB 69.31, -16.53, -26.27

 

CMYK 13 / 58 / 0 / 15

HEX #BD5AD8

RGB 189 90 216

HSL 287.14, 0.62%, 0.6%

LAB 55.16, 58.46, -47.81

 

CMYK 0 / 42 / 58 / 15

HEX #D87E5A

RGB 216 126 90

HSL 17.14, 0.62%, 0.6%

LAB 61.88, 31.45, 34.47

 

Description

Color code: HEX #75D85B | qconv.com Color code: HEX #75D85B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 216 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 216 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 58 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 58% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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