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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75D44E it is the complementary color #8A2BB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75D44E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75D44E shade: #7AD449, #8BE65C, #9CF86F, #ADFF82 and #BEFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75D44E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75D44E shade: #75D44E, #64C23B, #53B028, #429E15 and #318C02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75D44E shade: #75D44E, #99D44E, #BED44E, #D4C74E and #D4A34E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75D44E shade: #75D44E, #51D44E, #4ED470, #4ED494 and #4ED4B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75D44E shade matches the following richer shades: #75D44E, #6EE63D and #67F82B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75D44E shade: #75D44E, #7DC260, #84B172, #8C9F84 and #938D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75D44E shade: #BED44E, #9AD44E, #77D44E, #53D44E and #4ED46E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75D44E shade: #4EA829, #5DC931, #75D44E, #8FDC70 and #A9E491

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75D44E shade: #75D44E, #4ED4C7 and #D44EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75D44E shade: #75D44E, #4E77D4 and #D44E77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75D44E shade: #75D44E, #4ED4C7, #AC4ED4 and #D44E5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75D44E shade: #75D44E, #4EB9D4, #AC4ED4 and #D4694E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

Complementary color

CMYK 22 / 76 / 0 / 31

HEX #8A2BB1

RGB 138 43 177

HSL 282.54, 0.61%, 0.43%

LAB 38.38, 59.37, -52.47

 

CMYK 42 / 0 / 66 / 17

HEX #7AD449

RGB 122 212 73

HSL 98.85, 0.62%, 0.56%

LAB 77.1, -50.7, 58.26

 

CMYK 40 / 0 / 60 / 10

HEX #8BE65C

RGB 139 230 92

HSL 99.57, 0.73%, 0.63%

LAB 83.37, -50.89, 57.44

 

CMYK 37 / 0 / 55 / 3

HEX #9CF86F

RGB 156 248 111

HSL 100.29, 0.91%, 0.7%

LAB 89.56, -50.96, 56.44

 

CMYK 32 / 0 / 49 / 0

HEX #ADFF82

RGB 173 255 130

HSL 99.36, 1%, 0.75%

LAB 92.58, -46.32, 51.6

 

CMYK 25 / 0 / 42 / 0

HEX #BEFF95

RGB 190 255 149

HSL 96.79, 1%, 0.79%

LAB 93.73, -38.35, 44.2

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 48 / 0 / 70 / 24

HEX #64C23B

RGB 100 194 59

HSL 101.78, 0.53%, 0.5%

LAB 70.6, -51.49, 56.63

 

CMYK 53 / 0 / 77 / 31

HEX #53B028

RGB 83 176 40

HSL 101.03, 0.63%, 0.42%

LAB 64.2, -50.9, 56.8

 

CMYK 58 / 0 / 87 / 38

HEX #429E15

RGB 66 158 21

HSL 100.29, 0.77%, 0.35%

LAB 57.72, -49.92, 55.99

 

CMYK 65 / 0 / 99 / 45

HEX #318C02

RGB 49 140 2

HSL 99.57, 0.97%, 0.28%

LAB 51.17, -48.42, 53.81

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 28 / 0 / 63 / 17

HEX #99D44E

RGB 153 212 78

HSL 86.42, 0.61%, 0.57%

LAB 78.7, -39.67, 58.39

 

CMYK 10 / 0 / 63 / 17

HEX #BED44E

RGB 190 212 78

HSL 69.85, 0.61%, 0.57%

LAB 81.06, -25.37, 61.63

 

CMYK 0 / 6 / 63 / 17

HEX #D4C74E

RGB 212 199 78

HSL 54.18, 0.61%, 0.57%

LAB 79.27, -9.85, 60.23

 

CMYK 0 / 23 / 63 / 17

HEX #D4A34E

RGB 212 163 78

HSL 38.06, 0.61%, 0.57%

LAB 69.99, 9.03, 50.09

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 62 / 0 / 63 / 17

HEX #51D44E

RGB 81 212 78

HSL 118.66, 0.61%, 0.57%

LAB 75.69, -61.3, 54.23

 

CMYK 63 / 0 / 47 / 17

HEX #4ED470

RGB 78 212 112

HSL 135.22, 0.61%, 0.57%

LAB 75.99, -57.57, 38.82

 

CMYK 63 / 0 / 30 / 17

HEX #4ED494

RGB 78 212 148

HSL 151.34, 0.61%, 0.57%

LAB 76.58, -51.13, 21.15

 

CMYK 63 / 0 / 13 / 17

HEX #4ED4B8

RGB 78 212 184

HSL 167.46, 0.61%, 0.57%

LAB 77.38, -42.97, 3.13

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 52 / 0 / 73 / 10

HEX #6EE63D

RGB 110 230 61

HSL 102.6, 0.77%, 0.57%

LAB 81.97, -61.98, 67.57

 

CMYK 58 / 0 / 83 / 3

HEX #67F82B

RGB 103 248 43

HSL 102.44, 0.94%, 0.57%

LAB 87.09, -70.93, 77.41

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 36 / 0 / 51 / 24

HEX #7DC260

RGB 125 194 96

HSL 102.24, 0.45%, 0.57%

LAB 72.09, -39.78, 42.22

 

CMYK 25 / 0 / 36 / 31

HEX #84B172

RGB 132 177 114

HSL 102.86, 0.29%, 0.57%

LAB 67.7, -26.99, 27.52

 

CMYK 12 / 0 / 17 / 38

HEX #8C9F84

RGB 140 159 132

HSL 102.22, 0.12%, 0.57%

LAB 63.37, -11.92, 11.87

 

CMYK 1 / 5 / 0 / 42

HEX #938D95

RGB 147 141 149

HSL 285, 0.04%, 0.57%

LAB 59.36, 3.77, -3.46

 

CMYK 10 / 0 / 63 / 17

HEX #BED44E

RGB 190 212 78

HSL 69.85, 0.61%, 0.57%

LAB 81.06, -25.37, 61.63

 

CMYK 27 / 0 / 63 / 17

HEX #9AD44E

RGB 154 212 78

HSL 85.97, 0.61%, 0.57%

LAB 78.76, -39.3, 58.47

 

CMYK 44 / 0 / 63 / 17

HEX #77D44E

RGB 119 212 78

HSL 101.64, 0.61%, 0.57%

LAB 77.02, -51.2, 56.07

 

CMYK 61 / 0 / 63 / 17

HEX #53D44E

RGB 83 212 78

HSL 117.76, 0.61%, 0.57%

LAB 75.75, -60.85, 54.31

 

CMYK 63 / 0 / 48 / 17

HEX #4ED46E

RGB 78 212 110

HSL 134.33, 0.61%, 0.57%

LAB 75.97, -57.88, 39.77

 

CMYK 54 / 0 / 76 / 34

HEX #4EA829

RGB 78 168 41

HSL 102.52, 0.61%, 0.41%

LAB 61.47, -49.22, 53.74

 

CMYK 54 / 0 / 76 / 21

HEX #5DC931

RGB 93 201 49

HSL 102.63, 0.61%, 0.49%

LAB 72.44, -56.83, 61.97

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 35 / 0 / 49 / 14

HEX #8FDC70

RGB 143 220 112

HSL 102.78, 0.61%, 0.65%

LAB 80.85, -43.24, 45.4

 

CMYK 26 / 0 / 36 / 11

HEX #A9E491

RGB 169 228 145

HSL 102.65, 0.61%, 0.73%

LAB 84.98, -33.75, 34.63

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 63 / 0 / 6 / 17

HEX #4ED4C7

RGB 78 212 199

HSL 174.18, 0.61%, 0.57%

LAB 77.77, -39.14, -4.34

 

CMYK 0 / 63 / 19 / 17

HEX #D44EAC

RGB 212 78 172

HSL 317.91, 0.61%, 0.57%

LAB 54.47, 62.37, -23.37

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 63 / 44 / 0 / 17

HEX #4E77D4

RGB 78 119 212

HSL 221.64, 0.61%, 0.57%

LAB 51.34, 14.95, -52.23

 

CMYK 0 / 63 / 44 / 17

HEX #D44E77

RGB 212 78 119

HSL 341.64, 0.61%, 0.57%

LAB 52.71, 56.01, 5.31

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 63 / 0 / 6 / 17

HEX #4ED4C7

RGB 78 212 199

HSL 174.18, 0.61%, 0.57%

LAB 77.77, -39.14, -4.34

 

CMYK 19 / 63 / 0 / 17

HEX #AC4ED4

RGB 172 78 212

HSL 282.09, 0.61%, 0.57%

LAB 50.66, 59.15, -52.86

 

CMYK 0 / 63 / 57 / 17

HEX #D44E5C

RGB 212 78 92

HSL 353.73, 0.61%, 0.57%

LAB 52.08, 53.67, 20.57

 

CMYK 45 / 0 / 63 / 17

HEX #75D44E

RGB 117 212 78

HSL 102.54, 0.61%, 0.57%

LAB 76.93, -51.81, 55.95

 

CMYK 63 / 13 / 0 / 17

HEX #4EB9D4

RGB 78 185 212

HSL 192.09, 0.61%, 0.57%

LAB 70.23, -22.48, -22.71

 

CMYK 19 / 63 / 0 / 17

HEX #AC4ED4

RGB 172 78 212

HSL 282.09, 0.61%, 0.57%

LAB 50.66, 59.15, -52.86

 

CMYK 0 / 50 / 63 / 17

HEX #D4694E

RGB 212 105 78

HSL 12.09, 0.61%, 0.57%

LAB 56.73, 39.96, 34.58

 

Description

Color code: HEX #75D44E | qconv.com Color code: HEX #75D44E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 212 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 212 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 63 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 63% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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