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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75CA36 it is the complementary color #8A35C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75CA36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75CA36 shade: #7ACA31, #8BDC44, #9CEE57, #ADFF6A and #BEFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75CA36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75CA36 shade: #75CA36, #64B823, #53A610, #429400 and #318200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75CA36 shade: #75C936, #9CC936, #C4C936, #C9A736 and #C97F36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75CA36 shade: #75C936, #4DC936, #36C946, #36C96E and #36C996

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75CA36 shade matches the following richer shades: #75C936, #71DE21 and #6EF30C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75CA36 shade: #75C936, #78B54A, #7BA05F, #7E8C73 and #817788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75CA36 shade: #C5C936, #9DC936, #76C936, #4EC936 and #36C944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75CA36 shade: #4F8824, #62A92D, #75C936, #8BD256 and #A1DB77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75CA36 shade: #75CA36, #36C9A7 and #C936B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75CA36 shade: #75CA36, #3676C9 and #C93676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75CA36 shade: #75CA36, #36C9A7, #8936C9 and #C93658

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75CA36 shade: #75CA36, #36C0C9, #8936C9 and #C93F36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 73 / 21

HEX #75CA36

RGB 117 202 54

HSL 94.46, 0.58%, 0.5%

LAB 73.73, -49.7, 61.88

 

Complementary color

CMYK 31 / 74 / 0 / 21

HEX #8A35C9

RGB 138 53 201

HSL 274.46, 0.58%, 0.5%

LAB 41.48, 60.61, -61.55

 

CMYK 40 / 0 / 76 / 21

HEX #7ACA31

RGB 122 202 49

HSL 91.37, 0.61%, 0.49%

LAB 73.93, -48.35, 63.83

 

CMYK 37 / 0 / 69 / 14

HEX #8BDC44

RGB 139 220 68

HSL 91.97, 0.68%, 0.56%

LAB 80.23, -48.78, 63.73

 

CMYK 34 / 0 / 63 / 7

HEX #9CEE57

RGB 156 238 87

HSL 92.58, 0.82%, 0.64%

LAB 86.46, -49.05, 63.17

 

CMYK 32 / 0 / 58 / 0

HEX #ADFF6A

RGB 173 255 106

HSL 93.02, 1%, 0.71%

LAB 92.33, -48.78, 62.02

 

CMYK 25 / 0 / 51 / 0

HEX #BEFF7D

RGB 190 255 125

HSL 90, 1%, 0.75%

LAB 93.43, -41.1, 55.14

 

CMYK 42 / 0 / 73 / 21

HEX #75CA36

RGB 117 202 54

HSL 94.46, 0.58%, 0.5%

LAB 73.73, -49.7, 61.88

 

CMYK 46 / 0 / 81 / 28

HEX #64B823

RGB 100 184 35

HSL 93.83, 0.68%, 0.43%

LAB 67.36, -49.1, 61.53

 

CMYK 50 / 0 / 90 / 35

HEX #53A610

RGB 83 166 16

HSL 93.2, 0.82%, 0.36%

LAB 60.91, -48.18, 60.02

 

CMYK 55 / 0 / 100 / 42

HEX #429400

RGB 66 148 0

HSL 93.24, 1%, 0.29%

LAB 54.38, -46.85, 56.95

 

CMYK 62 / 0 / 100 / 49

HEX #318200

RGB 49 130 0

HSL 97.38, 1%, 0.25%

LAB 47.78, -44.91, 51.49

 

CMYK 42 / 0 / 73 / 21

HEX #75C936

RGB 117 201 54

HSL 94.29, 0.58%, 0.5%

LAB 73.43, -49.3, 61.57

 

CMYK 22 / 0 / 73 / 21

HEX #9CC936

RGB 156 201 54

HSL 78.37, 0.58%, 0.5%

LAB 75.52, -35.2, 64.33

 

CMYK 2 / 0 / 73 / 21

HEX #C4C936

RGB 196 201 54

HSL 62.04, 0.58%, 0.5%

LAB 78.33, -18.88, 68.01

 

CMYK 0 / 17 / 73 / 21

HEX #C9A736

RGB 201 167 54

HSL 46.12, 0.58%, 0.5%

LAB 69.7, 0.79, 59.87

 

CMYK 0 / 37 / 73 / 21

HEX #C97F36

RGB 201 127 54

HSL 29.8, 0.58%, 0.5%

LAB 59.76, 22.5, 49.89

 

CMYK 42 / 0 / 73 / 21

HEX #75C936

RGB 117 201 54

HSL 94.29, 0.58%, 0.5%

LAB 73.43, -49.3, 61.57

 

CMYK 62 / 0 / 73 / 21

HEX #4DC936

RGB 77 201 54

HSL 110.61, 0.58%, 0.5%

LAB 71.97, -60.49, 59.64

 

CMYK 73 / 0 / 65 / 21

HEX #36C946

RGB 54 201 70

HSL 126.53, 0.58%, 0.5%

LAB 71.55, -63.51, 52.84

 

CMYK 73 / 0 / 45 / 21

HEX #36C96E

RGB 54 201 110

HSL 142.86, 0.58%, 0.5%

LAB 72.02, -58.07, 34.65

 

CMYK 73 / 0 / 25 / 21

HEX #36C996

RGB 54 201 150

HSL 159.18, 0.58%, 0.5%

LAB 72.73, -50.12, 14.66

 

CMYK 42 / 0 / 73 / 21

HEX #75C936

RGB 117 201 54

HSL 94.29, 0.58%, 0.5%

LAB 73.43, -49.3, 61.57

 

CMYK 49 / 0 / 85 / 13

HEX #71DE21

RGB 113 222 33

HSL 94.6, 0.74%, 0.5%

LAB 79.54, -59.64, 73.09

 

CMYK 55 / 0 / 95 / 5

HEX #6EF30C

RGB 110 243 12

HSL 94.55, 0.91%, 0.5%

LAB 85.73, -68.38, 81.31

 

CMYK 42 / 0 / 73 / 21

HEX #75C936

RGB 117 201 54

HSL 94.29, 0.58%, 0.5%

LAB 73.43, -49.3, 61.57

 

CMYK 34 / 0 / 59 / 29

HEX #78B54A

RGB 120 181 74

HSL 94.21, 0.42%, 0.5%

LAB 67.68, -38.17, 47.38

 

CMYK 23 / 0 / 41 / 37

HEX #7BA05F

RGB 123 160 95

HSL 94.15, 0.25%, 0.5%

LAB 61.81, -24.69, 29.84

 

CMYK 10 / 0 / 18 / 45

HEX #7E8C73

RGB 126 140 115

HSL 93.6, 0.1%, 0.5%

LAB 56.52, -9.93, 11.67

 

CMYK 5 / 13 / 0 / 47

HEX #817788

RGB 129 119 136

HSL 275.29, 0.07%, 0.5%

LAB 51.43, 7.23, -7.87

 

CMYK 2 / 0 / 73 / 21

HEX #C5C936

RGB 197 201 54

HSL 61.63, 0.58%, 0.5%

LAB 78.41, -18.46, 68.11

 

CMYK 22 / 0 / 73 / 21

HEX #9DC936

RGB 157 201 54

HSL 77.96, 0.58%, 0.5%

LAB 75.58, -34.81, 64.41

 

CMYK 41 / 0 / 73 / 21

HEX #76C936

RGB 118 201 54

HSL 93.88, 0.58%, 0.5%

LAB 73.47, -48.97, 61.63

 

CMYK 61 / 0 / 73 / 21

HEX #4EC936

RGB 78 201 54

HSL 110.2, 0.58%, 0.5%

LAB 72, -60.26, 59.67

 

CMYK 73 / 0 / 66 / 21

HEX #36C944

RGB 54 201 68

HSL 125.71, 0.58%, 0.5%

LAB 71.54, -63.72, 53.65

 

CMYK 42 / 0 / 74 / 47

HEX #4F8824

RGB 79 136 36

HSL 94.2, 0.58%, 0.34%

LAB 51.15, -36.21, 45.31

 

CMYK 42 / 0 / 73 / 34

HEX #62A92D

RGB 98 169 45

HSL 94.35, 0.58%, 0.42%

LAB 62.64, -43.09, 53.76

 

CMYK 42 / 0 / 73 / 21

HEX #75C936

RGB 117 201 54

HSL 94.29, 0.58%, 0.5%

LAB 73.43, -49.3, 61.57

 

CMYK 34 / 0 / 59 / 18

HEX #8BD256

RGB 139 210 86

HSL 94.35, 0.58%, 0.58%

LAB 77.43, -43.07, 53.34

 

CMYK 26 / 0 / 46 / 14

HEX #A1DB77

RGB 161 219 119

HSL 94.8, 0.58%, 0.66%

LAB 81.61, -35.81, 43.15

 

CMYK 42 / 0 / 73 / 21

HEX #75CA36

RGB 117 202 54

HSL 94.46, 0.58%, 0.5%

LAB 73.73, -49.7, 61.88

 

CMYK 73 / 0 / 17 / 21

HEX #36C9A7

RGB 54 201 167

HSL 166.12, 0.58%, 0.5%

LAB 73.12, -46.06, 6.06

 

CMYK 0 / 73 / 12 / 21

HEX #C936B1

RGB 201 54 177

HSL 309.8, 0.58%, 0.5%

LAB 49.77, 69.12, -33.74

 

CMYK 42 / 0 / 73 / 21

HEX #75CA36

RGB 117 202 54

HSL 94.46, 0.58%, 0.5%

LAB 73.73, -49.7, 61.88

 

CMYK 73 / 41 / 0 / 21

HEX #3676C9

RGB 54 118 201

HSL 213.88, 0.58%, 0.5%

LAB 49.45, 7.9, -49.05

 

CMYK 0 / 73 / 41 / 21

HEX #C93676

RGB 201 54 118

HSL 333.88, 0.58%, 0.5%

LAB 47.45, 61.87, -1.95

 

CMYK 42 / 0 / 73 / 21

HEX #75CA36

RGB 117 202 54

HSL 94.46, 0.58%, 0.5%

LAB 73.73, -49.7, 61.88

 

CMYK 73 / 0 / 17 / 21

HEX #36C9A7

RGB 54 201 167

HSL 166.12, 0.58%, 0.5%

LAB 73.12, -46.06, 6.06

 

CMYK 32 / 73 / 0 / 21

HEX #8936C9

RGB 137 54 201

HSL 273.88, 0.58%, 0.5%

LAB 41.49, 60.02, -61.54

 

CMYK 0 / 73 / 56 / 21

HEX #C93658

RGB 201 54 88

HSL 346.12, 0.58%, 0.5%

LAB 46.66, 59.28, 15.33

 

CMYK 42 / 0 / 73 / 21

HEX #75CA36

RGB 117 202 54

HSL 94.46, 0.58%, 0.5%

LAB 73.73, -49.7, 61.88

 

CMYK 73 / 4 / 0 / 21

HEX #36C0C9

RGB 54 192 201

HSL 183.67, 0.58%, 0.5%

LAB 71.35, -32.66, -15.05

 

CMYK 32 / 73 / 0 / 21

HEX #8936C9

RGB 137 54 201

HSL 273.88, 0.58%, 0.5%

LAB 41.49, 60.02, -61.54

 

CMYK 0 / 69 / 73 / 21

HEX #C93F36

RGB 201 63 54

HSL 3.67, 0.58%, 0.5%

LAB 47.29, 53.98, 36.43

 

Description

Color code: HEX #75CA36 | qconv.com Color code: HEX #75CA36 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 202 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 202 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 73 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 73% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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