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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75C306 it is the complementary color #8A3CF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75C306. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75C306 shade: #7AC301, #8BD514, #9CE727, #ADF93A and #BEFF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75C306. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75C306 shade: #75C306, #64B100, #539F00, #428D00 and #317B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75C306 shade: #74C106, #A6C106, #C1A906, #C17706 and #C14406

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75C306 shade: #74C106, #41C106, #0FC106, #06C12F and #06C162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75C306 shade matches the following richer shades: #74C106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75C306 shade: #74C106, #71B116, #6EA126, #6B9136 and #698146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75C306 shade: #C1A806, #A8C106, #76C106, #44C106 and #12C106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75C306 shade: #447103, #5C9905, #74C106, #8CE907 and #9FF821

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75C306 shade: #75C306, #06C176 and #C106C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75C306 shade: #75C306, #0676C1 and #C10676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75C306 shade: #75C306, #06C176, #5106C1 and #C10651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75C306 shade: #75C306, #06C1AE, #5106C1 and #C10619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 97 / 24

HEX #75C306

RGB 117 195 6

HSL 84.76, 0.94%, 0.39%

LAB 71.44, -48.67, 70.55

 

Complementary color

CMYK 45 / 76 / 0 / 2

HEX #8A3CF9

RGB 138 60 249

HSL 264.76, 0.94%, 0.61%

LAB 46.28, 68.93, -81.06

 

CMYK 37 / 0 / 99 / 24

HEX #7AC301

RGB 122 195 1

HSL 82.58, 0.99%, 0.38%

LAB 71.67, -47, 71.38

 

CMYK 35 / 0 / 91 / 16

HEX #8BD514

RGB 139 213 20

HSL 83.01, 0.83%, 0.46%

LAB 77.95, -48.06, 74.56

 

CMYK 32 / 0 / 83 / 9

HEX #9CE727

RGB 156 231 39

HSL 83.44, 0.8%, 0.53%

LAB 84.16, -48.91, 76.54

 

CMYK 31 / 0 / 77 / 2

HEX #ADF93A

RGB 173 249 58

HSL 83.87, 0.94%, 0.6%

LAB 90.29, -49.56, 77.46

 

CMYK 25 / 0 / 70 / 0

HEX #BEFF4D

RGB 190 255 77

HSL 81.91, 1%, 0.65%

LAB 93.02, -44.98, 74.33

 

CMYK 40 / 0 / 97 / 24

HEX #75C306

RGB 117 195 6

HSL 84.76, 0.94%, 0.39%

LAB 71.44, -48.67, 70.55

 

CMYK 44 / 0 / 100 / 31

HEX #64B100

RGB 100 177 0

HSL 86.1, 1%, 0.35%

LAB 65.08, -47.34, 65.93

 

CMYK 48 / 0 / 100 / 38

HEX #539F00

RGB 83 159 0

HSL 88.68, 1%, 0.31%

LAB 58.64, -45.83, 60.57

 

CMYK 53 / 0 / 100 / 45

HEX #428D00

RGB 66 141 0

HSL 91.91, 1%, 0.28%

LAB 52.07, -44.18, 55.13

 

CMYK 60 / 0 / 100 / 52

HEX #317B00

RGB 49 123 0

HSL 96.1, 1%, 0.24%

LAB 45.39, -42.32, 49.6

 

CMYK 40 / 0 / 97 / 24

HEX #74C106

RGB 116 193 6

HSL 84.71, 0.94%, 0.39%

LAB 70.78, -48.2, 70.01

 

CMYK 14 / 0 / 97 / 24

HEX #A6C106

RGB 166 193 6

HSL 68.66, 0.94%, 0.39%

LAB 73.71, -28.9, 73.56

 

CMYK 0 / 12 / 97 / 24

HEX #C1A906

RGB 193 169 6

HSL 52.3, 0.94%, 0.39%

LAB 69.27, -5.09, 71.21

 

CMYK 0 / 38 / 97 / 24

HEX #C17706

RGB 193 119 6

HSL 36.26, 0.94%, 0.39%

LAB 56.63, 22.08, 62.23

 

CMYK 0 / 65 / 97 / 24

HEX #C14406

RGB 193 68 6

HSL 19.89, 0.94%, 0.39%

LAB 46.29, 47.94, 55.6

 

CMYK 40 / 0 / 97 / 24

HEX #74C106

RGB 116 193 6

HSL 84.71, 0.94%, 0.39%

LAB 70.78, -48.2, 70.01

 

CMYK 66 / 0 / 97 / 24

HEX #41C106

RGB 65 193 6

HSL 101.07, 0.94%, 0.39%

LAB 68.95, -62.55, 67.78

 

CMYK 92 / 0 / 97 / 24

HEX #0FC106

RGB 15 193 6

HSL 117.11, 0.94%, 0.39%

LAB 68.21, -69.08, 66.86

 

CMYK 97 / 0 / 76 / 24

HEX #06C12F

RGB 6 193 47

HSL 133.16, 0.94%, 0.39%

LAB 68.3, -67.68, 58.03

 

CMYK 97 / 0 / 49 / 24

HEX #06C162

RGB 6 193 98

HSL 149.52, 0.94%, 0.39%

LAB 68.8, -61.56, 36.49

 

CMYK 40 / 0 / 97 / 24

HEX #74C106

RGB 116 193 6

HSL 84.71, 0.94%, 0.39%

LAB 70.78, -48.2, 70.01

 

CMYK 40 / 0 / 97 / 24

HEX #74C106

RGB 116 193 6

HSL 84.71, 0.94%, 0.39%

LAB 70.78, -48.2, 70.01

 

CMYK 36 / 0 / 88 / 31

HEX #71B116

RGB 113 177 22

HSL 84.77, 0.78%, 0.39%

LAB 65.76, -42.3, 63.52

 

CMYK 32 / 0 / 76 / 37

HEX #6EA126

RGB 110 161 38

HSL 84.88, 0.62%, 0.39%

LAB 60.73, -35.72, 54.57

 

CMYK 26 / 0 / 63 / 43

HEX #6B9136

RGB 107 145 54

HSL 85.05, 0.46%, 0.39%

LAB 55.73, -28.27, 42.92

 

CMYK 19 / 0 / 46 / 49

HEX #698146

RGB 105 129 70

HSL 84.41, 0.3%, 0.39%

LAB 50.86, -19.3, 29.09

 

CMYK 0 / 13 / 97 / 24

HEX #C1A806

RGB 193 168 6

HSL 51.98, 0.94%, 0.39%

LAB 69.01, -4.56, 71.01

 

CMYK 13 / 0 / 97 / 24

HEX #A8C106

RGB 168 193 6

HSL 68.02, 0.94%, 0.39%

LAB 73.85, -28.07, 73.73

 

CMYK 39 / 0 / 97 / 24

HEX #76C106

RGB 118 193 6

HSL 84.06, 0.94%, 0.39%

LAB 70.87, -47.51, 70.13

 

CMYK 65 / 0 / 97 / 24

HEX #44C106

RGB 68 193 6

HSL 100.11, 0.94%, 0.39%

LAB 69.03, -61.91, 67.87

 

CMYK 91 / 0 / 97 / 24

HEX #12C106

RGB 18 193 6

HSL 116.15, 0.94%, 0.39%

LAB 68.23, -68.9, 66.89

 

CMYK 40 / 0 / 97 / 56

HEX #447103

RGB 68 113 3

HSL 84.55, 0.95%, 0.23%

LAB 42.83, -31.71, 47.24

 

CMYK 40 / 0 / 97 / 40

HEX #5C9905

RGB 92 153 5

HSL 84.73, 0.94%, 0.31%

LAB 57.14, -40.16, 58.81

 

CMYK 40 / 0 / 97 / 24

HEX #74C106

RGB 116 193 6

HSL 84.71, 0.94%, 0.39%

LAB 70.78, -48.2, 70.01

 

CMYK 40 / 0 / 97 / 9

HEX #8CE907

RGB 140 233 7

HSL 84.69, 0.94%, 0.47%

LAB 83.9, -55.92, 80.75

 

CMYK 36 / 0 / 87 / 3

HEX #9FF821

RGB 159 248 33

HSL 84.84, 0.94%, 0.55%

LAB 89.21, -54.94, 82.16

 

CMYK 40 / 0 / 97 / 24

HEX #75C306

RGB 117 195 6

HSL 84.76, 0.94%, 0.39%

LAB 71.44, -48.67, 70.55

 

CMYK 97 / 0 / 39 / 24

HEX #06C176

RGB 6 193 118

HSL 155.94, 0.94%, 0.39%

LAB 69.1, -57.91, 26.62

 

CMYK 0 / 97 / 0 / 24

HEX #C106C1

RGB 193 6 193

HSL 300, 0.94%, 0.39%

LAB 46.07, 79.15, -49.06

 

CMYK 40 / 0 / 97 / 24

HEX #75C306

RGB 117 195 6

HSL 84.76, 0.94%, 0.39%

LAB 71.44, -48.67, 70.55

 

CMYK 97 / 39 / 0 / 24

HEX #0676C1

RGB 6 118 193

HSL 204.06, 0.94%, 0.39%

LAB 48.07, 0.96, -46.72

 

CMYK 0 / 97 / 39 / 24

HEX #C10676

RGB 193 6 118

HSL 324.06, 0.94%, 0.39%

LAB 42.42, 69.93, -9.58

 

CMYK 40 / 0 / 97 / 24

HEX #75C306

RGB 117 195 6

HSL 84.76, 0.94%, 0.39%

LAB 71.44, -48.67, 70.55

 

CMYK 97 / 0 / 39 / 24

HEX #06C176

RGB 6 193 118

HSL 155.94, 0.94%, 0.39%

LAB 69.1, -57.91, 26.62

 

CMYK 58 / 97 / 0 / 24

HEX #5106C1

RGB 81 6 193

HSL 264.06, 0.94%, 0.39%

LAB 28.72, 65.41, -78.08

 

CMYK 0 / 97 / 58 / 24

HEX #C10651

RGB 193 6 81

HSL 335.94, 0.94%, 0.39%

LAB 41.31, 66.97, 12.11

 

CMYK 40 / 0 / 97 / 24

HEX #75C306

RGB 117 195 6

HSL 84.76, 0.94%, 0.39%

LAB 71.44, -48.67, 70.55

 

CMYK 97 / 0 / 10 / 24

HEX #06C1AE

RGB 6 193 174

HSL 173.9, 0.94%, 0.39%

LAB 70.34, -44.35, -1.85

 

CMYK 58 / 97 / 0 / 24

HEX #5106C1

RGB 81 6 193

HSL 264.06, 0.94%, 0.39%

LAB 28.72, 65.41, -78.08

 

CMYK 0 / 97 / 87 / 24

HEX #C10619

RGB 193 6 25

HSL 353.9, 0.94%, 0.39%

LAB 40.47, 64.66, 44.82

 

Description

Color code: HEX #75C306 | qconv.com Color code: HEX #75C306 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 195 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 195 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 97 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 97% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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