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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75BC18 it is the complementary color #8A43E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75BC18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75BC18 shade: #7ABC13, #8BCE26, #9CE039, #ADF24C and #BEFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75BC18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75BC18 shade: #75BC18, #64AA05, #539800, #428600 and #317400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75BC18 shade: #76BE19, #A3BE19, #BEAC19, #BE8019 and #BE5319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75BC18 shade: #76BE19, #4ABE19, #1DBE19, #19BE41 and #19BE6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75BC18 shade matches the following richer shades: #76BE19 and #78CF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75BC18 shade: #76BE19, #74AC2A, #729B3B, #6F8A4D and #6D785E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75BC18 shade: #BEAA19, #A5BE19, #79BE19, #4DBE19 and #21BE19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75BC18 shade: #49750F, #5F9914, #76BE19, #8DE21E and #9FE642

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75BC18 shade: #75BC18, #19BE7E and #BE19BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75BC18 shade: #75BC18, #1979BE and #BE1979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75BC18 shade: #75BC18, #19BE7E, #5D19BE and #BE1958

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75BC18 shade: #75BC18, #19BEB0, #5D19BE and #BE1926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 87 / 26

HEX #75BC18

RGB 117 188 24

HSL 85.98, 0.77%, 0.42%

LAB 69.34, -45.42, 66.23

 

Complementary color

CMYK 40 / 71 / 0 / 9

HEX #8A43E7

RGB 138 67 231

HSL 265.98, 0.77%, 0.58%

LAB 45.89, 61.56, -71.57

 

CMYK 35 / 0 / 90 / 26

HEX #7ABC13

RGB 122 188 19

HSL 83.43, 0.82%, 0.41%

LAB 69.58, -43.76, 67.47

 

CMYK 33 / 0 / 82 / 19

HEX #8BCE26

RGB 139 206 38

HSL 83.93, 0.69%, 0.48%

LAB 75.93, -44.58, 69.18

 

CMYK 30 / 0 / 75 / 12

HEX #9CE039

RGB 156 224 57

HSL 84.43, 0.73%, 0.55%

LAB 82.2, -45.18, 69.8

 

CMYK 29 / 0 / 69 / 5

HEX #ADF24C

RGB 173 242 76

HSL 84.94, 0.86%, 0.62%

LAB 88.4, -45.61, 69.72

 

CMYK 25 / 0 / 63 / 0

HEX #BEFF5F

RGB 190 255 95

HSL 84.38, 1%, 0.69%

LAB 93.14, -43.77, 67.72

 

CMYK 38 / 0 / 87 / 26

HEX #75BC18

RGB 117 188 24

HSL 85.98, 0.77%, 0.42%

LAB 69.34, -45.42, 66.23

 

CMYK 41 / 0 / 97 / 33

HEX #64AA05

RGB 100 170 5

HSL 85.45, 0.94%, 0.34%

LAB 62.9, -44.41, 63.56

 

CMYK 45 / 0 / 100 / 40

HEX #539800

RGB 83 152 0

HSL 87.24, 1%, 0.3%

LAB 56.38, -43.03, 58.82

 

CMYK 51 / 0 / 100 / 47

HEX #428600

RGB 66 134 0

HSL 90.45, 1%, 0.26%

LAB 49.75, -41.43, 53.31

 

CMYK 58 / 0 / 100 / 55

HEX #317400

RGB 49 116 0

HSL 94.66, 1%, 0.23%

LAB 42.98, -39.65, 47.71

 

CMYK 38 / 0 / 87 / 25

HEX #76BE19

RGB 118 190 25

HSL 86.18, 0.77%, 0.42%

LAB 70, -45.86, 66.61

 

CMYK 14 / 0 / 87 / 25

HEX #A3BE19

RGB 163 190 25

HSL 69.82, 0.77%, 0.42%

LAB 72.68, -28.39, 69.95

 

CMYK 0 / 9 / 87 / 25

HEX #BEAC19

RGB 190 172 25

HSL 53.45, 0.77%, 0.42%

LAB 69.84, -7.69, 68.51

 

CMYK 0 / 33 / 87 / 25

HEX #BE8019

RGB 190 128 25

HSL 37.45, 0.77%, 0.42%

LAB 58.47, 16.13, 59.29

 

CMYK 0 / 56 / 87 / 25

HEX #BE5319

RGB 190 83 25

HSL 21.09, 0.77%, 0.42%

LAB 48.52, 40.14, 51.17

 

CMYK 38 / 0 / 87 / 25

HEX #76BE19

RGB 118 190 25

HSL 86.18, 0.77%, 0.42%

LAB 70, -45.86, 66.61

 

CMYK 61 / 0 / 87 / 25

HEX #4ABE19

RGB 74 190 25

HSL 102.18, 0.77%, 0.42%

LAB 68.28, -59.04, 64.46

 

CMYK 85 / 0 / 87 / 25

HEX #1DBE19

RGB 29 190 25

HSL 118.55, 0.77%, 0.42%

LAB 67.4, -66.62, 63.34

 

CMYK 87 / 0 / 66 / 25

HEX #19BE41

RGB 25 190 65

HSL 134.55, 0.77%, 0.42%

LAB 67.59, -64.05, 50.46

 

CMYK 87 / 0 / 43 / 25

HEX #19BE6D

RGB 25 190 109

HSL 150.55, 0.77%, 0.42%

LAB 68.12, -57.59, 30.05

 

CMYK 38 / 0 / 87 / 25

HEX #76BE19

RGB 118 190 25

HSL 86.18, 0.77%, 0.42%

LAB 70, -45.86, 66.61

 

CMYK 42 / 0 / 97 / 19

HEX #78CF07

RGB 120 207 7

HSL 86.1, 0.93%, 0.42%

LAB 75.22, -52.4, 73.51

 

CMYK 38 / 0 / 87 / 25

HEX #76BE19

RGB 118 190 25

HSL 86.18, 0.77%, 0.42%

LAB 70, -45.86, 66.61

 

CMYK 33 / 0 / 76 / 33

HEX #74AC2A

RGB 116 172 42

HSL 85.85, 0.61%, 0.42%

LAB 64.47, -38.14, 56.92

 

CMYK 26 / 0 / 62 / 39

HEX #729B3B

RGB 114 155 59

HSL 85.63, 0.45%, 0.42%

LAB 59.28, -29.86, 44.7

 

CMYK 20 / 0 / 44 / 46

HEX #6F8A4D

RGB 111 138 77

HSL 86.56, 0.28%, 0.42%

LAB 54.12, -20.64, 29.51

 

CMYK 9 / 0 / 22 / 53

HEX #6D785E

RGB 109 120 94

HSL 85.38, 0.12%, 0.42%

LAB 48.87, -9.17, 12.93

 

CMYK 0 / 11 / 87 / 25

HEX #BEAA19

RGB 190 170 25

HSL 52.73, 0.77%, 0.42%

LAB 69.3, -6.64, 68.08

 

CMYK 13 / 0 / 87 / 25

HEX #A5BE19

RGB 165 190 25

HSL 69.09, 0.77%, 0.42%

LAB 72.82, -27.56, 70.12

 

CMYK 36 / 0 / 87 / 25

HEX #79BE19

RGB 121 190 25

HSL 85.09, 0.77%, 0.42%

LAB 70.15, -44.8, 66.8

 

CMYK 59 / 0 / 87 / 25

HEX #4DBE19

RGB 77 190 25

HSL 101.09, 0.77%, 0.42%

LAB 68.37, -58.3, 64.57

 

CMYK 83 / 0 / 87 / 25

HEX #21BE19

RGB 33 190 25

HSL 117.09, 0.77%, 0.42%

LAB 67.44, -66.21, 63.4

 

CMYK 38 / 0 / 87 / 54

HEX #49750F

RGB 73 117 15

HSL 85.88, 0.77%, 0.26%

LAB 44.48, -31.16, 45.93

 

CMYK 38 / 0 / 87 / 40

HEX #5F9914

RGB 95 153 20

HSL 86.17, 0.77%, 0.34%

LAB 57.33, -38.66, 56.36

 

CMYK 38 / 0 / 87 / 25

HEX #76BE19

RGB 118 190 25

HSL 86.18, 0.77%, 0.42%

LAB 70, -45.86, 66.61

 

CMYK 38 / 0 / 87 / 11

HEX #8DE21E

RGB 141 226 30

HSL 86.02, 0.77%, 0.5%

LAB 81.92, -52.39, 76.21

 

CMYK 31 / 0 / 71 / 10

HEX #9FE642

RGB 159 230 66

HSL 85.98, 0.77%, 0.58%

LAB 84.15, -46.14, 68.74

 

CMYK 38 / 0 / 87 / 26

HEX #75BC18

RGB 117 188 24

HSL 85.98, 0.77%, 0.42%

LAB 69.34, -45.42, 66.23

 

CMYK 87 / 0 / 34 / 25

HEX #19BE7E

RGB 25 190 126

HSL 156.73, 0.77%, 0.42%

LAB 68.42, -54.19, 21.49

 

CMYK 0 / 87 / 2 / 25

HEX #BE19BB

RGB 190 25 187

HSL 301.09, 0.77%, 0.42%

LAB 45.95, 75.49, -45.77

 

CMYK 38 / 0 / 87 / 26

HEX #75BC18

RGB 117 188 24

HSL 85.98, 0.77%, 0.42%

LAB 69.34, -45.42, 66.23

 

CMYK 87 / 36 / 0 / 25

HEX #1979BE

RGB 25 121 190

HSL 205.09, 0.77%, 0.42%

LAB 49.01, -1.09, -43.49

 

CMYK 0 / 87 / 36 / 25

HEX #BE1979

RGB 190 25 121

HSL 325.09, 0.77%, 0.42%

LAB 42.8, 67.07, -10.94

 

CMYK 38 / 0 / 87 / 26

HEX #75BC18

RGB 117 188 24

HSL 85.98, 0.77%, 0.42%

LAB 69.34, -45.42, 66.23

 

CMYK 87 / 0 / 34 / 25

HEX #19BE7E

RGB 25 190 126

HSL 156.73, 0.77%, 0.42%

LAB 68.42, -54.19, 21.49

 

CMYK 51 / 87 / 0 / 25

HEX #5D19BE

RGB 93 25 190

HSL 264.73, 0.77%, 0.42%

LAB 31.21, 61.55, -72.15

 

CMYK 0 / 87 / 54 / 25

HEX #BE1958

RGB 190 25 88

HSL 337.09, 0.77%, 0.42%

LAB 41.76, 64.15, 8.21

 

CMYK 38 / 0 / 87 / 26

HEX #75BC18

RGB 117 188 24

HSL 85.98, 0.77%, 0.42%

LAB 69.34, -45.42, 66.23

 

CMYK 87 / 0 / 7 / 25

HEX #19BEB0

RGB 25 190 176

HSL 174.91, 0.77%, 0.42%

LAB 69.59, -41.66, -4.03

 

CMYK 51 / 87 / 0 / 25

HEX #5D19BE

RGB 93 25 190

HSL 264.73, 0.77%, 0.42%

LAB 31.21, 61.55, -72.15

 

CMYK 0 / 87 / 80 / 25

HEX #BE1926

RGB 190 25 38

HSL 355.27, 0.77%, 0.42%

LAB 40.87, 61.56, 37.97

 

Description

Color code: HEX #75BC18 | qconv.com Color code: HEX #75BC18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 188 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 188 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 87 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 87% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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