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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75BBE5 it is the complementary color #8A441A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75BBE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75BBE5 shade: #7ABBE0, #8BCDF3, #9CDFFF, #ADF1FF and #BEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75BBE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75BBE5 shade: #75BBE5, #64A9D2, #5397BF, #4285AC and #317399

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75BBE5 shade: #76BBE5, #769DE5, #767FE5, #8A76E5 and #A876E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75BBE5 shade: #76BBE5, #769DE5, #767FE5 and #7676E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75BBE5 shade matches the following richer shades: #76BBE5 and #69BFF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75BBE5 shade: #76BBE5, #83B8D8, #90B5CA, #9EB1BD and #ABAEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75BBE5 shade: #76E5D2, #76DAE5, #76BCE5, #769FE5 and #7681E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75BBE5 shade: #3199D8, #53AADE, #76BBE5, #99CCEB and #BBDEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75BBE5 shade: #75BBE5, #B576E5 and #E5E176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75BBE5 shade: #75BBE5, #E576BC and #BCE576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75BBE5 shade: #75BBE5, #B576E5, #E59F76 and #A6E576

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75BBE5 shade: #75BBE5, #D676E5, #E59F76 and #85E576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 18 / 0 / 10

HEX #75BBE5

RGB 117 187 229

HSL 202.5, 0.68%, 0.68%

LAB 72.88, -10.76, -27.79

 

Complementary color

CMYK 0 / 51 / 81 / 46

HEX #8A441A

RGB 138 68 26

HSL 22.5, 0.68%, 0.32%

LAB 37.14, 26.81, 37.46

 

CMYK 46 / 17 / 0 / 12

HEX #7ABBE0

RGB 122 187 224

HSL 201.76, 0.62%, 0.68%

LAB 72.93, -10.98, -24.97

 

CMYK 43 / 16 / 0 / 5

HEX #8BCDF3

RGB 139 205 243

HSL 201.92, 0.81%, 0.75%

LAB 79.4, -11.22, -25.26

 

CMYK 39 / 13 / 0 / 0

HEX #9CDFFF

RGB 156 223 255

HSL 199.39, 1%, 0.81%

LAB 85.54, -13.2, -22.21

 

CMYK 32 / 5 / 0 / 0

HEX #ADF1FF

RGB 173 241 255

HSL 190.24, 1%, 0.84%

LAB 91.24, -17.84, -13.53

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 49 / 18 / 0 / 10

HEX #75BBE5

RGB 117 187 229

HSL 202.5, 0.68%, 0.68%

LAB 72.88, -10.76, -27.79

 

CMYK 52 / 20 / 0 / 18

HEX #64A9D2

RGB 100 169 210

HSL 202.36, 0.55%, 0.61%

LAB 66.32, -10.37, -27.53

 

CMYK 57 / 21 / 0 / 25

HEX #5397BF

RGB 83 151 191

HSL 202.22, 0.46%, 0.54%

LAB 59.65, -9.87, -27.27

 

CMYK 62 / 23 / 0 / 33

HEX #4285AC

RGB 66 133 172

HSL 202.08, 0.45%, 0.47%

LAB 52.85, -9.22, -27.01

 

CMYK 68 / 25 / 0 / 40

HEX #317399

RGB 49 115 153

HSL 201.92, 0.51%, 0.4%

LAB 45.93, -8.34, -26.73

 

CMYK 48 / 18 / 0 / 10

HEX #76BBE5

RGB 118 187 229

HSL 202.7, 0.68%, 0.68%

LAB 72.92, -10.53, -27.71

 

CMYK 48 / 31 / 0 / 10

HEX #769DE5

RGB 118 157 229

HSL 218.92, 0.68%, 0.68%

LAB 64.66, 6.11, -40.52

 

CMYK 48 / 45 / 0 / 10

HEX #767FE5

RGB 118 127 229

HSL 235.14, 0.68%, 0.68%

LAB 56.77, 23.73, -52.99

 

CMYK 40 / 48 / 0 / 10

HEX #8A76E5

RGB 138 118 229

HSL 250.81, 0.68%, 0.68%

LAB 56.11, 33.75, -53.96

 

CMYK 27 / 48 / 0 / 10

HEX #A876E5

RGB 168 118 229

HSL 267.03, 0.68%, 0.68%

LAB 58.92, 41.4, -49.32

 

CMYK 48 / 18 / 0 / 10

HEX #76BBE5

RGB 118 187 229

HSL 202.7, 0.68%, 0.68%

LAB 72.92, -10.53, -27.71

 

CMYK 48 / 31 / 0 / 10

HEX #769DE5

RGB 118 157 229

HSL 218.92, 0.68%, 0.68%

LAB 64.66, 6.11, -40.52

 

CMYK 48 / 45 / 0 / 10

HEX #767FE5

RGB 118 127 229

HSL 235.14, 0.68%, 0.68%

LAB 56.77, 23.73, -52.99

 

CMYK 48 / 48 / 0 / 10

HEX #7676E5

RGB 118 118 229

HSL 240, 0.68%, 0.68%

LAB 54.52, 29.1, -56.59

 

CMYK 48 / 18 / 0 / 10

HEX #76BBE5

RGB 118 187 229

HSL 202.7, 0.68%, 0.68%

LAB 72.92, -10.53, -27.71

 

CMYK 57 / 21 / 0 / 5

HEX #69BFF2

RGB 105 191 242

HSL 202.34, 0.84%, 0.68%

LAB 73.98, -11.65, -33.17

 

CMYK 48 / 18 / 0 / 10

HEX #76BBE5

RGB 118 187 229

HSL 202.7, 0.68%, 0.68%

LAB 72.92, -10.53, -27.71

 

CMYK 39 / 15 / 0 / 15

HEX #83B8D8

RGB 131 184 216

HSL 202.59, 0.52%, 0.68%

LAB 72.27, -9.27, -21.58

 

CMYK 29 / 10 / 0 / 21

HEX #90B5CA

RGB 144 181 202

HSL 201.72, 0.35%, 0.68%

LAB 71.72, -7.55, -14.7

 

CMYK 16 / 6 / 0 / 26

HEX #9EB1BD

RGB 158 177 189

HSL 203.23, 0.19%, 0.68%

LAB 71.14, -4.02, -8.34

 

CMYK 3 / 1 / 0 / 31

HEX #ABAEB0

RGB 171 174 176

HSL 204, 0.03%, 0.68%

LAB 70.92, -0.67, -1.4

 

CMYK 48 / 0 / 8 / 10

HEX #76E5D2

RGB 118 229 210

HSL 169.73, 0.68%, 0.68%

LAB 84.25, -36.37, -0.55

 

CMYK 48 / 5 / 0 / 10

HEX #76DAE5

RGB 118 218 229

HSL 185.95, 0.68%, 0.68%

LAB 81.65, -26.39, -14.47

 

CMYK 48 / 18 / 0 / 10

HEX #76BCE5

RGB 118 188 229

HSL 202.16, 0.68%, 0.68%

LAB 73.2, -11.07, -27.29

 

CMYK 48 / 31 / 0 / 10

HEX #769FE5

RGB 118 159 229

HSL 217.84, 0.68%, 0.68%

LAB 65.2, 4.96, -39.68

 

CMYK 48 / 44 / 0 / 10

HEX #7681E5

RGB 118 129 229

HSL 234.05, 0.68%, 0.68%

LAB 57.28, 22.54, -52.18

 

CMYK 77 / 29 / 0 / 15

HEX #3199D8

RGB 49 153 216

HSL 202.63, 0.68%, 0.52%

LAB 60.24, -8.05, -40.44

 

CMYK 63 / 23 / 0 / 13

HEX #53AADE

RGB 83 170 222

HSL 202.45, 0.68%, 0.6%

LAB 66.41, -10.59, -34.05

 

CMYK 48 / 18 / 0 / 10

HEX #76BBE5

RGB 118 187 229

HSL 202.7, 0.68%, 0.68%

LAB 72.92, -10.53, -27.71

 

CMYK 35 / 13 / 0 / 8

HEX #99CCEB

RGB 153 204 235

HSL 202.68, 0.67%, 0.76%

LAB 79.59, -9.13, -20.62

 

CMYK 23 / 8 / 0 / 5

HEX #BBDEF2

RGB 187 222 242

HSL 201.82, 0.68%, 0.84%

LAB 86.61, -7.17, -13.56

 

CMYK 49 / 18 / 0 / 10

HEX #75BBE5

RGB 117 187 229

HSL 202.5, 0.68%, 0.68%

LAB 72.88, -10.76, -27.79

 

CMYK 21 / 48 / 0 / 10

HEX #B576E5

RGB 181 118 229

HSL 274.05, 0.68%, 0.68%

LAB 60.28, 44.88, -47.07

 

CMYK 0 / 2 / 48 / 10

HEX #E5E176

RGB 229 225 118

HSL 57.84, 0.68%, 0.68%

LAB 87.88, -12.95, 52.37

 

CMYK 49 / 18 / 0 / 10

HEX #75BBE5

RGB 117 187 229

HSL 202.5, 0.68%, 0.68%

LAB 72.88, -10.76, -27.79

 

CMYK 0 / 48 / 18 / 10

HEX #E576BC

RGB 229 118 188

HSL 322.16, 0.68%, 0.68%

LAB 64.36, 51.43, -17.25

 

CMYK 18 / 0 / 48 / 10

HEX #BCE576

RGB 188 229 118

HSL 82.16, 0.68%, 0.68%

LAB 86.03, -30.75, 49.44

 

CMYK 49 / 18 / 0 / 10

HEX #75BBE5

RGB 117 187 229

HSL 202.5, 0.68%, 0.68%

LAB 72.88, -10.76, -27.79

 

CMYK 21 / 48 / 0 / 10

HEX #B576E5

RGB 181 118 229

HSL 274.05, 0.68%, 0.68%

LAB 60.28, 44.88, -47.07

 

CMYK 0 / 31 / 48 / 10

HEX #E59F76

RGB 229 159 118

HSL 22.16, 0.68%, 0.68%

LAB 71.39, 21.42, 31.8

 

CMYK 28 / 0 / 48 / 10

HEX #A6E576

RGB 166 229 118

HSL 94.05, 0.68%, 0.68%

LAB 84.72, -38.69, 47.54

 

CMYK 49 / 18 / 0 / 10

HEX #75BBE5

RGB 117 187 229

HSL 202.5, 0.68%, 0.68%

LAB 72.88, -10.76, -27.79

 

CMYK 7 / 48 / 0 / 10

HEX #D676E5

RGB 214 118 229

HSL 291.89, 0.68%, 0.68%

LAB 64.09, 53.94, -40.82

 

CMYK 0 / 31 / 48 / 10

HEX #E59F76

RGB 229 159 118

HSL 22.16, 0.68%, 0.68%

LAB 71.39, 21.42, 31.8

 

CMYK 42 / 0 / 48 / 10

HEX #85E576

RGB 133 229 118

HSL 111.89, 0.68%, 0.68%

LAB 83.09, -49.44, 45.18

 

Description

Color code: HEX #75BBE5 | qconv.com Color code: HEX #75BBE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 187 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 187 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 18 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 18% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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