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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75ABF0 it is the complementary color #8A540F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75ABF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75ABF0 shade: #7AABEB, #8BBDFE, #9CCFFF, #ADE1FF and #BEF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75ABF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75ABF0 shade: #75ABF0, #6499DD, #5387CA, #4275B7 and #3163A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75ABF0 shade: #75ABF0, #758AF0, #8275F0, #A375F0 and #C475F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75ABF0 shade: #75ABF0, #758AF0 and #7575F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75ABF0 shade matches the following richer shades: #75ABF0 and #69AAFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75ABF0 shade: #75ABF0, #82ADE3, #8EAED7, #9AB0CB and #A7B1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75ABF0 shade: #75EEF0, #75CDF0, #75ACF0, #758CF0 and #8075F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75ABF0 shade: #2B7EE7, #5094EC, #75ABF0, #9AC2F4 and #C0D8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75ABF0 shade: #75ABF0, #D175F0 and #DDF075

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75ABF0 shade: #75ABF0, #F075AC and #ACF075

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75ABF0 shade: #75ABF0, #D175F0, #F0B975 and #94F075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75ABF0 shade: #75ABF0, #F075EA, #F0B975 and #75F07B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

Complementary color

CMYK 0 / 39 / 89 / 46

HEX #8A540F

RGB 138 84 15

HSL 33.66, 0.8%, 0.3%

LAB 40.86, 17.31, 45.26

 

CMYK 48 / 27 / 0 / 8

HEX #7AABEB

RGB 122 171 235

HSL 213.98, 0.74%, 0.7%

LAB 68.94, 0.87, -37.12

 

CMYK 45 / 26 / 0 / 0

HEX #8BBDFE

RGB 139 189 254

HSL 213.91, 0.98%, 0.77%

LAB 75.48, 0.35, -37.19

 

CMYK 39 / 19 / 0 / 0

HEX #9CCFFF

RGB 156 207 255

HSL 209.09, 1%, 0.81%

LAB 81.24, -4.85, -28.75

 

CMYK 32 / 12 / 0 / 0

HEX #ADE1FF

RGB 173 225 255

HSL 201.95, 1%, 0.84%

LAB 86.97, -9.74, -19.95

 

CMYK 25 / 5 / 0 / 0

HEX #BEF3FF

RGB 190 243 255

HSL 191.08, 1%, 0.87%

LAB 92.69, -14.12, -11.27

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 55 / 31 / 0 / 13

HEX #6499DD

RGB 100 153 221

HSL 213.72, 0.64%, 0.63%

LAB 62.26, 1.94, -39.92

 

CMYK 59 / 33 / 0 / 21

HEX #5387CA

RGB 83 135 202

HSL 213.78, 0.53%, 0.56%

LAB 55.51, 2.84, -39.93

 

CMYK 64 / 36 / 0 / 28

HEX #4275B7

RGB 66 117 183

HSL 213.85, 0.47%, 0.49%

LAB 48.64, 3.97, -39.96

 

CMYK 70 / 40 / 0 / 36

HEX #3163A4

RGB 49 99 164

HSL 213.91, 0.54%, 0.42%

LAB 41.62, 5.42, -40.01

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 51 / 43 / 0 / 6

HEX #758AF0

RGB 117 138 240

HSL 229.76, 0.8%, 0.7%

LAB 60.11, 20.31, -53.78

 

CMYK 46 / 51 / 0 / 6

HEX #8275F0

RGB 130 117 240

HSL 246.34, 0.8%, 0.7%

LAB 55.85, 35.58, -60.55

 

CMYK 32 / 51 / 0 / 6

HEX #A375F0

RGB 163 117 240

HSL 262.44, 0.8%, 0.7%

LAB 58.79, 43.35, -55.68

 

CMYK 18 / 51 / 0 / 6

HEX #C475F0

RGB 196 117 240

HSL 278.54, 0.8%, 0.7%

LAB 62.3, 51.8, -49.89

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 51 / 43 / 0 / 6

HEX #758AF0

RGB 117 138 240

HSL 229.76, 0.8%, 0.7%

LAB 60.11, 20.31, -53.78

 

CMYK 51 / 51 / 0 / 6

HEX #7575F0

RGB 117 117 240

HSL 240, 0.8%, 0.7%

LAB 54.86, 32.81, -62.19

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 58 / 33 / 0 / 1

HEX #69AAFC

RGB 105 170 252

HSL 213.47, 0.96%, 0.7%

LAB 68.59, 2.98, -46.98

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 43 / 24 / 0 / 11

HEX #82ADE3

RGB 130 173 227

HSL 213.4, 0.63%, 0.7%

LAB 69.6, -0.56, -31.7

 

CMYK 34 / 19 / 0 / 16

HEX #8EAED7

RGB 142 174 215

HSL 213.7, 0.48%, 0.7%

LAB 70.13, -1.1, -24.25

 

CMYK 24 / 13 / 0 / 20

HEX #9AB0CB

RGB 154 176 203

HSL 213.06, 0.32%, 0.7%

LAB 71.03, -1.59, -16.22

 

CMYK 12 / 7 / 0 / 25

HEX #A7B1BE

RGB 167 177 190

HSL 213.91, 0.15%, 0.7%

LAB 71.81, -0.85, -7.82

 

CMYK 51 / 1 / 0 / 6

HEX #75EEF0

RGB 117 238 240

HSL 180.98, 0.8%, 0.7%

LAB 87.59, -33.33, -11.39

 

CMYK 51 / 15 / 0 / 6

HEX #75CDF0

RGB 117 205 240

HSL 197.07, 0.8%, 0.7%

LAB 78.31, -17.1, -25.41

 

CMYK 51 / 28 / 0 / 6

HEX #75ACF0

RGB 117 172 240

HSL 213.17, 0.8%, 0.7%

LAB 69.17, 0.65, -39.51

 

CMYK 51 / 42 / 0 / 6

HEX #758CF0

RGB 117 140 240

HSL 228.78, 0.8%, 0.7%

LAB 60.63, 19.13, -52.96

 

CMYK 47 / 51 / 0 / 6

HEX #8075F0

RGB 128 117 240

HSL 245.37, 0.8%, 0.7%

LAB 55.69, 35.14, -60.81

 

CMYK 81 / 45 / 0 / 9

HEX #2B7EE7

RGB 43 126 231

HSL 213.51, 0.8%, 0.54%

LAB 53.17, 12.88, -60.06

 

CMYK 66 / 37 / 0 / 7

HEX #5094EC

RGB 80 148 236

HSL 213.85, 0.8%, 0.62%

LAB 60.73, 6.02, -50.71

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 37 / 20 / 0 / 4

HEX #9AC2F4

RGB 154 194 244

HSL 213.33, 0.8%, 0.78%

LAB 77.27, -1.26, -28.97

 

CMYK 23 / 13 / 0 / 3

HEX #C0D8F8

RGB 192 216 248

HSL 214.29, 0.8%, 0.86%

LAB 85.55, -1.23, -18.29

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 13 / 51 / 0 / 6

HEX #D175F0

RGB 209 117 240

HSL 284.88, 0.8%, 0.7%

LAB 63.81, 55.22, -47.39

 

CMYK 8 / 0 / 51 / 6

HEX #DDF075

RGB 221 240 117

HSL 69.27, 0.8%, 0.7%

LAB 91.22, -23.49, 56.65

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 0 / 51 / 28 / 6

HEX #F075AC

RGB 240 117 172

HSL 333.17, 0.8%, 0.7%

LAB 65.14, 53.18, -6.85

 

CMYK 28 / 0 / 51 / 6

HEX #ACF075

RGB 172 240 117

HSL 93.17, 0.8%, 0.7%

LAB 88.15, -41.6, 52.25

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 13 / 51 / 0 / 6

HEX #D175F0

RGB 209 117 240

HSL 284.88, 0.8%, 0.7%

LAB 63.81, 55.22, -47.39

 

CMYK 0 / 23 / 51 / 6

HEX #F0B975

RGB 240 185 117

HSL 33.17, 0.8%, 0.7%

LAB 78.76, 11.96, 41.94

 

CMYK 38 / 0 / 51 / 6

HEX #94F075

RGB 148 240 117

HSL 104.88, 0.8%, 0.7%

LAB 86.95, -49.52, 50.52

 

CMYK 51 / 29 / 0 / 6

HEX #75ABF0

RGB 117 171 240

HSL 213.66, 0.8%, 0.7%

LAB 68.9, 1.21, -39.94

 

CMYK 0 / 51 / 3 / 6

HEX #F075EA

RGB 240 117 234

HSL 302.93, 0.8%, 0.7%

LAB 67.42, 62.45, -38.14

 

CMYK 0 / 23 / 51 / 6

HEX #F0B975

RGB 240 185 117

HSL 33.17, 0.8%, 0.7%

LAB 78.76, 11.96, 41.94

 

CMYK 51 / 0 / 49 / 6

HEX #75F07B

RGB 117 240 123

HSL 122.93, 0.8%, 0.7%

LAB 85.77, -57.62, 45.97

 

Description

Color code: HEX #75ABF0 | qconv.com Color code: HEX #75ABF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 171 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 171 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 29 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 29% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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