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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75A842 it is the complementary color #8A57BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75A842. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75A842 shade: #7AA83D, #8BBA50, #9CCC63, #ADDE76 and #BEF089

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75A842. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75A842 shade: #75A842, #64962F, #53841C, #427209 and #316000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75A842 shade: #75A942, #91A942, #A9A542, #A98942 and #A96D42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75A842 shade: #75A942, #59A942, #42A946, #42A962 and #42A97D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75A842 shade matches the following richer shades: #75A942, #75BC2F, #75CF1C and #75E209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75A842 shade: #75A942, #759655, #758368, #75707B and #755D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75A842 shade: #A9A542, #91A942, #75A942, #5AA942 and #42A945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75A842 shade: #4C6D2B, #618B36, #75A942, #8ABD56 and #9FC974

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75A842 shade: #75A842, #42A98A and #A9429F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75A842 shade: #75A842, #4275A9 and #A94275

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75A842 shade: #75A842, #42A98A, #7542A9 and #A94261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75A842 shade: #75A842, #42A9A9, #7542A9 and #A94242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 61 / 34

HEX #75A842

RGB 117 168 66

HSL 90, 0.44%, 0.46%

LAB 63.49, -34.15, 46.25

 

Complementary color

CMYK 27 / 54 / 0 / 26

HEX #8A57BD

RGB 138 87 189

HSL 270, 0.44%, 0.54%

LAB 46.83, 41.08, -45.96

 

CMYK 27 / 0 / 64 / 34

HEX #7AA83D

RGB 122 168 61

HSL 85.79, 0.47%, 0.45%

LAB 63.74, -32.7, 48.84

 

CMYK 25 / 0 / 57 / 27

HEX #8BBA50

RGB 139 186 80

HSL 86.6, 0.43%, 0.52%

LAB 70.31, -32.89, 47.92

 

CMYK 24 / 0 / 51 / 20

HEX #9CCC63

RGB 156 204 99

HSL 87.43, 0.51%, 0.59%

LAB 76.77, -32.98, 46.84

 

CMYK 22 / 0 / 47 / 13

HEX #ADDE76

RGB 173 222 118

HSL 88.27, 0.61%, 0.67%

LAB 83.14, -33.01, 45.7

 

CMYK 21 / 0 / 43 / 6

HEX #BEF089

RGB 190 240 137

HSL 89.13, 0.77%, 0.74%

LAB 89.43, -33, 44.56

 

CMYK 30 / 0 / 61 / 34

HEX #75A842

RGB 117 168 66

HSL 90, 0.44%, 0.46%

LAB 63.49, -34.15, 46.25

 

CMYK 33 / 0 / 69 / 41

HEX #64962F

RGB 100 150 47

HSL 89.13, 0.52%, 0.39%

LAB 56.81, -33.92, 47.03

 

CMYK 37 / 0 / 79 / 48

HEX #53841C

RGB 83 132 28

HSL 88.27, 0.65%, 0.31%

LAB 50.01, -33.49, 47.2

 

CMYK 42 / 0 / 92 / 55

HEX #427209

RGB 66 114 9

HSL 87.43, 0.85%, 0.24%

LAB 43.08, -32.72, 46.02

 

CMYK 49 / 0 / 100 / 62

HEX #316000

RGB 49 96 0

HSL 89.38, 1%, 0.19%

LAB 36.02, -31.42, 42.25

 

CMYK 31 / 0 / 61 / 34

HEX #75A942

RGB 117 169 66

HSL 90.29, 0.44%, 0.46%

LAB 63.8, -34.61, 46.59

 

CMYK 14 / 0 / 61 / 34

HEX #91A942

RGB 145 169 66

HSL 73.98, 0.44%, 0.46%

LAB 65.58, -23.59, 49.08

 

CMYK 0 / 2 / 61 / 34

HEX #A9A542

RGB 169 165 66

HSL 57.67, 0.44%, 0.46%

LAB 66.32, -11.39, 50.42

 

CMYK 0 / 19 / 61 / 34

HEX #A98942

RGB 169 137 66

HSL 41.36, 0.44%, 0.46%

LAB 58.71, 3.74, 41.94

 

CMYK 0 / 36 / 61 / 34

HEX #A96D42

RGB 169 109 66

HSL 25.05, 0.44%, 0.46%

LAB 51.57, 19.48, 33.56

 

CMYK 31 / 0 / 61 / 34

HEX #75A942

RGB 117 169 66

HSL 90.29, 0.44%, 0.46%

LAB 63.8, -34.61, 46.59

 

CMYK 47 / 0 / 61 / 34

HEX #59A942

RGB 89 169 66

HSL 106.6, 0.44%, 0.46%

LAB 62.42, -44.17, 44.67

 

CMYK 61 / 0 / 59 / 34

HEX #42A946

RGB 66 169 70

HSL 122.33, 0.44%, 0.46%

LAB 61.63, -49.96, 41.68

 

CMYK 61 / 0 / 42 / 34

HEX #42A962

RGB 66 169 98

HSL 138.64, 0.44%, 0.46%

LAB 62.01, -45.76, 28

 

CMYK 61 / 0 / 26 / 34

HEX #42A97D

RGB 66 169 125

HSL 154.37, 0.44%, 0.46%

LAB 62.52, -40.38, 14.02

 

CMYK 31 / 0 / 61 / 34

HEX #75A942

RGB 117 169 66

HSL 90.29, 0.44%, 0.46%

LAB 63.8, -34.61, 46.59

 

CMYK 38 / 0 / 75 / 26

HEX #75BC2F

RGB 117 188 47

HSL 90.21, 0.6%, 0.46%

LAB 69.44, -44.38, 60.06

 

CMYK 43 / 0 / 86 / 19

HEX #75CF1C

RGB 117 207 28

HSL 90.17, 0.76%, 0.46%

LAB 75.13, -52.92, 70.38

 

CMYK 48 / 0 / 96 / 11

HEX #75E209

RGB 117 226 9

HSL 90.14, 0.92%, 0.46%

LAB 80.85, -60.49, 77.75

 

CMYK 31 / 0 / 61 / 34

HEX #75A942

RGB 117 169 66

HSL 90.29, 0.44%, 0.46%

LAB 63.8, -34.61, 46.59

 

CMYK 22 / 0 / 43 / 41

HEX #759655

RGB 117 150 85

HSL 90.46, 0.28%, 0.46%

LAB 58.27, -23.34, 30.56

 

CMYK 11 / 0 / 21 / 49

HEX #758368

RGB 117 131 104

HSL 91.11, 0.11%, 0.46%

LAB 52.96, -10.39, 12.91

 

CMYK 5 / 9 / 0 / 52

HEX #75707B

RGB 117 112 123

HSL 267.27, 0.05%, 0.46%

LAB 48.01, 4.18, -5.38

 

CMYK 18 / 35 / 0 / 44

HEX #755D8E

RGB 117 93 142

HSL 269.39, 0.21%, 0.46%

LAB 43.6, 19.94, -23.45

 

CMYK 0 / 2 / 61 / 34

HEX #A9A542

RGB 169 165 66

HSL 57.67, 0.44%, 0.46%

LAB 66.32, -11.39, 50.42

 

CMYK 14 / 0 / 61 / 34

HEX #91A942

RGB 145 169 66

HSL 73.98, 0.44%, 0.46%

LAB 65.58, -23.59, 49.08

 

CMYK 31 / 0 / 61 / 34

HEX #75A942

RGB 117 169 66

HSL 90.29, 0.44%, 0.46%

LAB 63.8, -34.61, 46.59

 

CMYK 47 / 0 / 61 / 34

HEX #5AA942

RGB 90 169 66

HSL 106.02, 0.44%, 0.46%

LAB 62.46, -43.86, 44.72

 

CMYK 61 / 0 / 59 / 34

HEX #42A945

RGB 66 169 69

HSL 121.75, 0.44%, 0.46%

LAB 61.62, -50.09, 42.14

 

CMYK 30 / 0 / 61 / 57

HEX #4C6D2B

RGB 76 109 43

HSL 90, 0.43%, 0.3%

LAB 42.23, -24.06, 32.5

 

CMYK 30 / 0 / 61 / 45

HEX #618B36

RGB 97 139 54

HSL 89.65, 0.44%, 0.38%

LAB 53.25, -29.31, 39.98

 

CMYK 31 / 0 / 61 / 34

HEX #75A942

RGB 117 169 66

HSL 90.29, 0.44%, 0.46%

LAB 63.8, -34.61, 46.59

 

CMYK 27 / 0 / 54 / 26

HEX #8ABD56

RGB 138 189 86

HSL 89.71, 0.44%, 0.54%

LAB 71.19, -34.05, 46.13

 

CMYK 21 / 0 / 42 / 21

HEX #9FC974

RGB 159 201 116

HSL 89.65, 0.44%, 0.62%

LAB 76.32, -28.49, 37.97

 

CMYK 30 / 0 / 61 / 34

HEX #75A842

RGB 117 168 66

HSL 90, 0.44%, 0.46%

LAB 63.49, -34.15, 46.25

 

CMYK 61 / 0 / 18 / 34

HEX #42A98A

RGB 66 169 138

HSL 161.94, 0.44%, 0.46%

LAB 62.82, -37.36, 7.23

 

CMYK 0 / 61 / 6 / 34

HEX #A9429F

RGB 169 66 159

HSL 305.83, 0.44%, 0.46%

LAB 45.41, 53.82, -30.3

 

CMYK 30 / 0 / 61 / 34

HEX #75A842

RGB 117 168 66

HSL 90, 0.44%, 0.46%

LAB 63.49, -34.15, 46.25

 

CMYK 61 / 31 / 0 / 34

HEX #4275A9

RGB 66 117 169

HSL 210.29, 0.44%, 0.46%

LAB 47.94, -0.85, -32.93

 

CMYK 0 / 61 / 31 / 34

HEX #A94275

RGB 169 66 117

HSL 330.29, 0.44%, 0.46%

LAB 43.68, 47.52, -7.53

 

CMYK 30 / 0 / 61 / 34

HEX #75A842

RGB 117 168 66

HSL 90, 0.44%, 0.46%

LAB 63.49, -34.15, 46.25

 

CMYK 61 / 0 / 18 / 34

HEX #42A98A

RGB 66 169 138

HSL 161.94, 0.44%, 0.46%

LAB 62.82, -37.36, 7.23

 

CMYK 31 / 61 / 0 / 34

HEX #7542A9

RGB 117 66 169

HSL 269.71, 0.44%, 0.46%

LAB 38.8, 42.41, -47.19

 

CMYK 0 / 61 / 43 / 34

HEX #A94261

RGB 169 66 97

HSL 341.94, 0.44%, 0.46%

LAB 43.05, 45.15, 3.9

 

CMYK 30 / 0 / 61 / 34

HEX #75A842

RGB 117 168 66

HSL 90, 0.44%, 0.46%

LAB 63.49, -34.15, 46.25

 

CMYK 61 / 0 / 0 / 34

HEX #42A9A9

RGB 66 169 169

HSL 180, 0.44%, 0.46%

LAB 63.67, -29.16, -8.85

 

CMYK 31 / 61 / 0 / 34

HEX #7542A9

RGB 117 66 169

HSL 269.71, 0.44%, 0.46%

LAB 38.8, 42.41, -47.19

 

CMYK 0 / 61 / 61 / 34

HEX #A94242

RGB 169 66 66

HSL 0, 0.44%, 0.46%

LAB 42.35, 42.36, 22.06

 

Description

Color code: HEX #75A842 | qconv.com Color code: HEX #75A842 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 168 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 168 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 61 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 61% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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