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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75A2ED it is the complementary color #8A5D12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75A2ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75A2ED shade: #7AA2E8, #8BB4FB, #9CC6FF, #ADD8FF and #BEEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75A2ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75A2ED shade: #75A2ED, #6490DA, #537EC7, #426CB4 and #315AA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75A2ED shade: #73A1ED, #7380ED, #8773ED, #A873ED and #C973ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75A2ED shade: #73A1ED, #7380ED and #7373ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75A2ED shade matches the following richer shades: #73A1ED and #669EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75A2ED shade: #73A1ED, #80A4E0, #8DA7D3, #99AAC6 and #A6AEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75A2ED shade: #73E3ED, #73C2ED, #73A2ED, #7381ED and #8573ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75A2ED shade: #2A70E3, #4F88E8, #73A1ED, #98B9F2 and #BCD2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75A2ED shade: #75A2ED, #D773ED and #D2ED73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75A2ED shade: #75A2ED, #ED73A2 and #A2ED73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75A2ED shade: #75A2ED, #D773ED, #EDBE73 and #89ED73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75A2ED shade: #75A2ED, #ED73DF, #EDBE73 and #73ED81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 32 / 0 / 7

HEX #75A2ED

RGB 117 162 237

HSL 217.5, 0.77%, 0.69%

LAB 66.32, 5.4, -42.33

 

Complementary color

CMYK 0 / 33 / 87 / 46

HEX #8A5D12

RGB 138 93 18

HSL 37.5, 0.77%, 0.31%

LAB 43.18, 12.13, 46.18

 

CMYK 47 / 30 / 0 / 9

HEX #7AA2E8

RGB 122 162 232

HSL 218.18, 0.71%, 0.69%

LAB 66.37, 5.08, -39.49

 

CMYK 45 / 28 / 0 / 2

HEX #8BB4FB

RGB 139 180 251

HSL 218.04, 0.93%, 0.76%

LAB 72.96, 4.48, -39.49

 

CMYK 39 / 22 / 0 / 0

HEX #9CC6FF

RGB 156 198 255

HSL 214.55, 1%, 0.81%

LAB 78.85, -0.04, -32.42

 

CMYK 32 / 15 / 0 / 0

HEX #ADD8FF

RGB 173 216 255

HSL 208.54, 1%, 0.84%

LAB 84.59, -5.06, -23.55

 

CMYK 25 / 8 / 0 / 0

HEX #BEEAFF

RGB 190 234 255

HSL 199.38, 1%, 0.87%

LAB 90.33, -9.57, -14.8

 

CMYK 51 / 32 / 0 / 7

HEX #75A2ED

RGB 117 162 237

HSL 217.5, 0.77%, 0.69%

LAB 66.32, 5.4, -42.33

 

CMYK 54 / 34 / 0 / 15

HEX #6490DA

RGB 100 144 218

HSL 217.63, 0.61%, 0.62%

LAB 59.63, 6.23, -42.38

 

CMYK 58 / 37 / 0 / 22

HEX #537EC7

RGB 83 126 199

HSL 217.76, 0.51%, 0.55%

LAB 52.82, 7.23, -42.47

 

CMYK 63 / 40 / 0 / 29

HEX #426CB4

RGB 66 108 180

HSL 217.89, 0.46%, 0.48%

LAB 45.88, 8.48, -42.59

 

CMYK 70 / 44 / 0 / 37

HEX #315AA1

RGB 49 90 161

HSL 218.04, 0.53%, 0.41%

LAB 38.79, 10.09, -42.74

 

CMYK 51 / 32 / 0 / 7

HEX #73A1ED

RGB 115 161 237

HSL 217.38, 0.77%, 0.69%

LAB 65.94, 5.53, -42.93

 

CMYK 51 / 46 / 0 / 7

HEX #7380ED

RGB 115 128 237

HSL 233.61, 0.77%, 0.69%

LAB 57.27, 24.91, -56.67

 

CMYK 43 / 51 / 0 / 7

HEX #8773ED

RGB 135 115 237

HSL 249.84, 0.77%, 0.69%

LAB 55.61, 37.01, -59.24

 

CMYK 29 / 51 / 0 / 7

HEX #A873ED

RGB 168 115 237

HSL 266.07, 0.77%, 0.69%

LAB 58.7, 44.97, -54.13

 

CMYK 15 / 51 / 0 / 7

HEX #C973ED

RGB 201 115 237

HSL 282.3, 0.77%, 0.69%

LAB 62.33, 53.51, -48.13

 

CMYK 51 / 32 / 0 / 7

HEX #73A1ED

RGB 115 161 237

HSL 217.38, 0.77%, 0.69%

LAB 65.94, 5.53, -42.93

 

CMYK 51 / 46 / 0 / 7

HEX #7380ED

RGB 115 128 237

HSL 233.61, 0.77%, 0.69%

LAB 57.27, 24.91, -56.67

 

CMYK 51 / 51 / 0 / 7

HEX #7373ED

RGB 115 115 237

HSL 240, 0.77%, 0.69%

LAB 54.05, 32.68, -61.83

 

CMYK 51 / 32 / 0 / 7

HEX #73A1ED

RGB 115 161 237

HSL 217.38, 0.77%, 0.69%

LAB 65.94, 5.53, -42.93

 

CMYK 59 / 37 / 0 / 2

HEX #669EFA

RGB 102 158 250

HSL 217.3, 0.94%, 0.69%

LAB 65.11, 8.66, -51.41

 

CMYK 51 / 32 / 0 / 7

HEX #73A1ED

RGB 115 161 237

HSL 217.38, 0.77%, 0.69%

LAB 65.94, 5.53, -42.93

 

CMYK 43 / 27 / 0 / 12

HEX #80A4E0

RGB 128 164 224

HSL 217.5, 0.61%, 0.69%

LAB 66.92, 3.13, -34.21

 

CMYK 33 / 21 / 0 / 17

HEX #8DA7D3

RGB 141 167 211

HSL 217.71, 0.44%, 0.69%

LAB 68.02, 1.46, -25.28

 

CMYK 23 / 14 / 0 / 22

HEX #99AAC6

RGB 153 170 198

HSL 217.33, 0.28%, 0.69%

LAB 69.18, 0.22, -16.26

 

CMYK 11 / 6 / 0 / 27

HEX #A6AEBA

RGB 166 174 186

HSL 216, 0.13%, 0.69%

LAB 70.82, -0.39, -7.1

 

CMYK 51 / 4 / 0 / 7

HEX #73E3ED

RGB 115 227 237

HSL 184.92, 0.77%, 0.69%

LAB 84.33, -29.29, -14.71

 

CMYK 51 / 18 / 0 / 7

HEX #73C2ED

RGB 115 194 237

HSL 201.15, 0.77%, 0.69%

LAB 75.04, -12.65, -28.8

 

CMYK 51 / 32 / 0 / 7

HEX #73A2ED

RGB 115 162 237

HSL 216.89, 0.77%, 0.69%

LAB 66.21, 4.96, -42.5

 

CMYK 51 / 46 / 0 / 7

HEX #7381ED

RGB 115 129 237

HSL 233.11, 0.77%, 0.69%

LAB 57.52, 24.31, -56.26

 

CMYK 44 / 51 / 0 / 7

HEX #8573ED

RGB 133 115 237

HSL 248.85, 0.77%, 0.69%

LAB 55.44, 36.56, -59.51

 

CMYK 81 / 51 / 0 / 11

HEX #2A70E3

RGB 42 112 227

HSL 217.3, 0.77%, 0.53%

LAB 49.04, 20.06, -64.48

 

CMYK 66 / 41 / 0 / 9

HEX #4F88E8

RGB 79 136 232

HSL 217.65, 0.77%, 0.61%

LAB 57.17, 11.64, -54.16

 

CMYK 51 / 32 / 0 / 7

HEX #73A1ED

RGB 115 161 237

HSL 217.38, 0.77%, 0.69%

LAB 65.94, 5.53, -42.93

 

CMYK 37 / 24 / 0 / 5

HEX #98B9F2

RGB 152 185 242

HSL 218, 0.78%, 0.77%

LAB 74.69, 2.59, -31.88

 

CMYK 24 / 15 / 0 / 4

HEX #BCD2F6

RGB 188 210 246

HSL 217.24, 0.76%, 0.85%

LAB 83.67, 0.29, -20.1

 

CMYK 51 / 32 / 0 / 7

HEX #75A2ED

RGB 117 162 237

HSL 217.5, 0.77%, 0.69%

LAB 66.32, 5.4, -42.33

 

CMYK 9 / 51 / 0 / 7

HEX #D773ED

RGB 215 115 237

HSL 289.18, 0.77%, 0.69%

LAB 64.02, 57.22, -45.36

 

CMYK 11 / 0 / 51 / 7

HEX #D2ED73

RGB 210 237 115

HSL 73.28, 0.77%, 0.69%

LAB 89.63, -26.49, 55.49

 

CMYK 51 / 32 / 0 / 7

HEX #75A2ED

RGB 117 162 237

HSL 217.5, 0.77%, 0.69%

LAB 66.32, 5.4, -42.33

 

CMYK 0 / 51 / 32 / 7

HEX #ED73A2

RGB 237 115 162

HSL 336.89, 0.77%, 0.69%

LAB 64.06, 51.92, -2.8

 

CMYK 32 / 0 / 51 / 7

HEX #A2ED73

RGB 162 237 115

HSL 96.89, 0.77%, 0.69%

LAB 86.74, -43.92, 51.36

 

CMYK 51 / 32 / 0 / 7

HEX #75A2ED

RGB 117 162 237

HSL 217.5, 0.77%, 0.69%

LAB 66.32, 5.4, -42.33

 

CMYK 9 / 51 / 0 / 7

HEX #D773ED

RGB 215 115 237

HSL 289.18, 0.77%, 0.69%

LAB 64.02, 57.22, -45.36

 

CMYK 0 / 20 / 51 / 7

HEX #EDBE73

RGB 237 190 115

HSL 36.89, 0.77%, 0.69%

LAB 79.65, 7.95, 43.99

 

CMYK 42 / 0 / 51 / 7

HEX #89ED73

RGB 137 237 115

HSL 109.18, 0.77%, 0.69%

LAB 85.57, -51.89, 49.66

 

CMYK 51 / 32 / 0 / 7

HEX #75A2ED

RGB 117 162 237

HSL 217.5, 0.77%, 0.69%

LAB 66.32, 5.4, -42.33

 

CMYK 0 / 51 / 6 / 7

HEX #ED73DF

RGB 237 115 223

HSL 306.89, 0.77%, 0.69%

LAB 66.21, 60.73, -33.96

 

CMYK 0 / 20 / 51 / 7

HEX #EDBE73

RGB 237 190 115

HSL 36.89, 0.77%, 0.69%

LAB 79.65, 7.95, 43.99

 

CMYK 51 / 0 / 46 / 7

HEX #73ED81

RGB 115 237 129

HSL 126.89, 0.77%, 0.69%

LAB 84.89, -56.12, 41.97

 

Description

Color code: HEX #75A2ED | qconv.com Color code: HEX #75A2ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 162 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 162 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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