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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #759609 it is the complementary color #8A69F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #759609. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #759609 shade: #7A9604, #8BA817, #9CBA2A, #ADCC3D and #BEDE50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #759609. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #759609 shade: #759609, #648400, #537200, #426000 and #314E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #759609 shade: #749509, #959009, #956A09, #954409 and #951F09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #759609 shade: #749509, #4F9509, #299509, #09950F and #099535

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #759609 shade matches the following richer shades: #749509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #759609 shade: #749509, #6E8915, #677C22, #606F2F and #59623C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #759609 shade: #956B09, #959109, #759509, #4F9509 and #2A9509

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #759609 shade: #384704, #566E06, #749509, #93BC0B and #B1E30D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #759609 shade: #759609, #099546 and #7E0995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #759609 shade: #759609, #097595 and #950975

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #759609 shade: #759609, #099546, #2A0995 and #950958

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #759609 shade: #759609, #099570, #2A0995 and #95092E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 94 / 41

HEX #759609

RGB 117 150 9

HSL 74.04, 0.89%, 0.31%

LAB 57.67, -28.86, 59.23

 

Complementary color

CMYK 44 / 57 / 0 / 4

HEX #8A69F6

RGB 138 105 246

HSL 254.04, 0.89%, 0.69%

LAB 54.2, 45.87, -66.51

 

CMYK 19 / 0 / 97 / 41

HEX #7A9604

RGB 122 150 4

HSL 71.51, 0.95%, 0.3%

LAB 58, -26.84, 60.4

 

CMYK 17 / 0 / 86 / 34

HEX #8BA817

RGB 139 168 23

HSL 72, 0.76%, 0.37%

LAB 64.61, -27.93, 62.96

 

CMYK 16 / 0 / 77 / 27

HEX #9CBA2A

RGB 156 186 42

HSL 72.5, 0.63%, 0.45%

LAB 71.11, -28.79, 64.07

 

CMYK 15 / 0 / 70 / 20

HEX #ADCC3D

RGB 173 204 61

HSL 73.01, 0.58%, 0.52%

LAB 77.52, -29.46, 64.2

 

CMYK 14 / 0 / 64 / 13

HEX #BEDE50

RGB 190 222 80

HSL 73.52, 0.68%, 0.59%

LAB 83.85, -29.98, 63.77

 

CMYK 22 / 0 / 94 / 41

HEX #759609

RGB 117 150 9

HSL 74.04, 0.89%, 0.31%

LAB 57.67, -28.86, 59.23

 

CMYK 24 / 0 / 100 / 48

HEX #648400

RGB 100 132 0

HSL 74.55, 1%, 0.26%

LAB 50.93, -27.59, 55.02

 

CMYK 27 / 0 / 100 / 55

HEX #537200

RGB 83 114 0

HSL 76.32, 1%, 0.22%

LAB 44.05, -26.11, 49.29

 

CMYK 31 / 0 / 100 / 62

HEX #426000

RGB 66 96 0

HSL 78.75, 1%, 0.19%

LAB 36.97, -24.61, 43.4

 

CMYK 37 / 0 / 100 / 69

HEX #314E00

RGB 49 78 0

HSL 82.31, 1%, 0.15%

LAB 29.67, -23.06, 37.31

 

CMYK 22 / 0 / 94 / 42

HEX #749509

RGB 116 149 9

HSL 74.14, 0.89%, 0.31%

LAB 57.3, -28.81, 58.91

 

CMYK 0 / 3 / 94 / 42

HEX #959009

RGB 149 144 9

HSL 57.86, 0.89%, 0.31%

LAB 58.37, -11.65, 60.85

 

CMYK 0 / 29 / 94 / 42

HEX #956A09

RGB 149 106 9

HSL 41.57, 0.89%, 0.31%

LAB 47.9, 9.54, 52.9

 

CMYK 0 / 54 / 94 / 42

HEX #954409

RGB 149 68 9

HSL 25.29, 0.89%, 0.31%

LAB 38.8, 31.02, 46.24

 

CMYK 0 / 79 / 94 / 42

HEX #951F09

RGB 149 31 9

HSL 9.43, 0.89%, 0.31%

LAB 32.68, 47.36, 42

 

CMYK 22 / 0 / 94 / 42

HEX #749509

RGB 116 149 9

HSL 74.14, 0.89%, 0.31%

LAB 57.3, -28.81, 58.91

 

CMYK 47 / 0 / 94 / 42

HEX #4F9509

RGB 79 149 9

HSL 90, 0.89%, 0.31%

LAB 55.25, -42.94, 56.4

 

CMYK 72 / 0 / 94 / 42

HEX #299509

RGB 41 149 9

HSL 106.29, 0.89%, 0.31%

LAB 54.01, -52.97, 54.87

 

CMYK 94 / 0 / 90 / 42

HEX #09950F

RGB 9 149 15

HSL 122.57, 0.89%, 0.31%

LAB 53.59, -56.68, 53.26

 

CMYK 94 / 0 / 64 / 42

HEX #099535

RGB 9 149 53

HSL 138.86, 0.89%, 0.31%

LAB 53.82, -53.65, 40.38

 

CMYK 22 / 0 / 94 / 42

HEX #749509

RGB 116 149 9

HSL 74.14, 0.89%, 0.31%

LAB 57.3, -28.81, 58.91

 

CMYK 22 / 0 / 94 / 42

HEX #749509

RGB 116 149 9

HSL 74.14, 0.89%, 0.31%

LAB 57.3, -28.81, 58.91

 

CMYK 20 / 0 / 85 / 46

HEX #6E8915

RGB 110 137 21

HSL 73.97, 0.73%, 0.31%

LAB 53.23, -25.18, 52.91

 

CMYK 17 / 0 / 73 / 51

HEX #677C22

RGB 103 124 34

HSL 74, 0.57%, 0.31%

LAB 48.78, -21.01, 44.19

 

CMYK 14 / 0 / 58 / 56

HEX #606F2F

RGB 96 111 47

HSL 74.06, 0.41%, 0.31%

LAB 44.32, -16.18, 33.24

 

CMYK 9 / 0 / 39 / 62

HEX #59623C

RGB 89 98 60

HSL 74.21, 0.24%, 0.31%

LAB 39.89, -10.48, 20.5

 

CMYK 0 / 28 / 94 / 42

HEX #956B09

RGB 149 107 9

HSL 42, 0.89%, 0.31%

LAB 48.16, 8.96, 53.09

 

CMYK 0 / 3 / 94 / 42

HEX #959109

RGB 149 145 9

HSL 58.29, 0.89%, 0.31%

LAB 58.66, -12.18, 61.07

 

CMYK 21 / 0 / 94 / 42

HEX #759509

RGB 117 149 9

HSL 73.71, 0.89%, 0.31%

LAB 57.36, -28.38, 58.99

 

CMYK 47 / 0 / 94 / 42

HEX #4F9509

RGB 79 149 9

HSL 90, 0.89%, 0.31%

LAB 55.25, -42.94, 56.4

 

CMYK 72 / 0 / 94 / 42

HEX #2A9509

RGB 42 149 9

HSL 105.86, 0.89%, 0.31%

LAB 54.03, -52.78, 54.9

 

CMYK 21 / 0 / 94 / 72

HEX #384704

RGB 56 71 4

HSL 73.43, 0.89%, 0.15%

LAB 27.73, -15.93, 34.32

 

CMYK 22 / 0 / 95 / 57

HEX #566E06

RGB 86 110 6

HSL 73.85, 0.9%, 0.23%

LAB 42.98, -22.61, 47.12

 

CMYK 22 / 0 / 94 / 42

HEX #749509

RGB 116 149 9

HSL 74.14, 0.89%, 0.31%

LAB 57.3, -28.81, 58.91

 

CMYK 22 / 0 / 94 / 26

HEX #93BC0B

RGB 147 188 11

HSL 73.9, 0.89%, 0.39%

LAB 71, -34.3, 70.36

 

CMYK 22 / 0 / 94 / 11

HEX #B1E30D

RGB 177 227 13

HSL 74.02, 0.89%, 0.47%

LAB 84.13, -39.96, 81.25

 

CMYK 22 / 0 / 94 / 41

HEX #759609

RGB 117 150 9

HSL 74.04, 0.89%, 0.31%

LAB 57.67, -28.86, 59.23

 

CMYK 94 / 0 / 53 / 42

HEX #099546

RGB 9 149 70

HSL 146.14, 0.89%, 0.31%

LAB 54.02, -51.23, 32.31

 

CMYK 15 / 94 / 0 / 42

HEX #7E0995

RGB 126 9 149

HSL 290.14, 0.89%, 0.31%

LAB 31.35, 60.76, -47.05

 

CMYK 22 / 0 / 94 / 41

HEX #759609

RGB 117 150 9

HSL 74.04, 0.89%, 0.31%

LAB 57.67, -28.86, 59.23

 

CMYK 94 / 21 / 0 / 42

HEX #097595

RGB 9 117 149

HSL 193.71, 0.89%, 0.31%

LAB 45.57, -15.25, -24.99

 

CMYK 0 / 94 / 21 / 42

HEX #950975

RGB 149 9 117

HSL 313.71, 0.89%, 0.31%

LAB 33.71, 60.09, -23.08

 

CMYK 22 / 0 / 94 / 41

HEX #759609

RGB 117 150 9

HSL 74.04, 0.89%, 0.31%

LAB 57.67, -28.86, 59.23

 

CMYK 94 / 0 / 53 / 42

HEX #099546

RGB 9 149 70

HSL 146.14, 0.89%, 0.31%

LAB 54.02, -51.23, 32.31

 

CMYK 72 / 94 / 0 / 42

HEX #2A0995

RGB 42 9 149

HSL 254.14, 0.89%, 0.31%

LAB 19.46, 51.37, -67.01

 

CMYK 0 / 94 / 41 / 42

HEX #950958

RGB 149 9 88

HSL 326.14, 0.89%, 0.31%

LAB 32.46, 56.78, -6.35

 

CMYK 22 / 0 / 94 / 41

HEX #759609

RGB 117 150 9

HSL 74.04, 0.89%, 0.31%

LAB 57.67, -28.86, 59.23

 

CMYK 94 / 0 / 25 / 42

HEX #099570

RGB 9 149 112

HSL 164.14, 0.89%, 0.31%

LAB 54.79, -42.41, 10.3

 

CMYK 72 / 94 / 0 / 42

HEX #2A0995

RGB 42 9 149

HSL 254.14, 0.89%, 0.31%

LAB 19.46, 51.37, -67.01

 

CMYK 0 / 94 / 69 / 42

HEX #95092E

RGB 149 9 46

HSL 344.14, 0.89%, 0.31%

LAB 31.31, 53.61, 19.78

 

Description

Color code: HEX #759609 | qconv.com Color code: HEX #759609 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 150 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 150 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 94 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 94% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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