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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #758F82 it is the complementary color #8A707D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #758F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #758F82 shade: #7A8F7D, #8BA190, #9CB3A3, #ADC5B6 and #BED7C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #758F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #758F82 shade: #758F82, #647D6F, #536B5C, #425949 and #314736

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #758F82 shade: #768F82, #768F7B, #778F76, #7D8F76 and #848F76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #758F82 shade: #768F82, #768F89, #768E8F, #76878F and #76808F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #758F82 shade matches the following richer shades: #768F82, #61A382, #4DB782, #39CB82 and #25DF82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #758F82 shade: #768F82, #8A7A82, #9E6682, #B25282 and #C63E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #758F82 shade: #768F76, #768F7B, #768F82, #768F89 and #768E8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #758F82 shade: #506259, #62786D, #768F82, #8CA197 and #A3B4AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #758F82 shade: #758F82, #767D8F and #8F7876

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #758F82 shade: #758F82, #82768F and #8F8276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #758F82 shade: #758F82, #767D8F, #8F7682 and #8F8776

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #758F82 shade: #758F82, #76768F, #8F7682 and #8F8F76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 9 / 44

HEX #758F82

RGB 117 143 130

HSL 150, 0.1%, 0.51%

LAB 57.11, -11.97, 3.86

 

Complementary color

CMYK 0 / 19 / 9 / 46

HEX #8A707D

RGB 138 112 125

HSL 330, 0.1%, 0.49%

LAB 50.06, 12.52, -3.3

 

CMYK 15 / 0 / 13 / 44

HEX #7A8F7D

RGB 122 143 125

HSL 128.57, 0.09%, 0.52%

LAB 57.33, -11.19, 7.08

 

CMYK 14 / 0 / 11 / 37

HEX #8BA190

RGB 139 161 144

HSL 133.64, 0.1%, 0.59%

LAB 64.15, -11.12, 6.27

 

CMYK 13 / 0 / 9 / 30

HEX #9CB3A3

RGB 156 179 163

HSL 138.26, 0.13%, 0.66%

LAB 70.84, -11.07, 5.5

 

CMYK 12 / 0 / 8 / 23

HEX #ADC5B6

RGB 173 197 182

HSL 142.5, 0.17%, 0.73%

LAB 77.4, -11.03, 4.77

 

CMYK 12 / 0 / 7 / 16

HEX #BED7C9

RGB 190 215 201

HSL 146.4, 0.24%, 0.79%

LAB 83.84, -11, 4.08

 

CMYK 18 / 0 / 9 / 44

HEX #758F82

RGB 117 143 130

HSL 150, 0.1%, 0.51%

LAB 57.11, -11.97, 3.86

 

CMYK 20 / 0 / 11 / 51

HEX #647D6F

RGB 100 125 111

HSL 146.4, 0.11%, 0.44%

LAB 50.13, -12.1, 4.65

 

CMYK 22 / 0 / 14 / 58

HEX #536B5C

RGB 83 107 92

HSL 142.5, 0.13%, 0.37%

LAB 42.95, -12.26, 5.51

 

CMYK 26 / 0 / 18 / 65

HEX #425949

RGB 66 89 73

HSL 138.26, 0.15%, 0.3%

LAB 35.57, -12.46, 6.45

 

CMYK 31 / 0 / 24 / 72

HEX #314736

RGB 49 71 54

HSL 133.64, 0.18%, 0.24%

LAB 27.91, -12.72, 7.52

 

CMYK 17 / 0 / 9 / 44

HEX #768F82

RGB 118 143 130

HSL 148.8, 0.1%, 0.51%

LAB 57.18, -11.62, 3.96

 

CMYK 17 / 0 / 14 / 44

HEX #768F7B

RGB 118 143 123

HSL 132, 0.1%, 0.51%

LAB 57, -13.03, 7.71

 

CMYK 17 / 0 / 17 / 44

HEX #778F76

RGB 119 143 118

HSL 117.6, 0.1%, 0.51%

LAB 56.95, -13.63, 10.5

 

CMYK 13 / 0 / 17 / 44

HEX #7D8F76

RGB 125 143 118

HSL 103.2, 0.1%, 0.51%

LAB 57.38, -11.4, 11.16

 

CMYK 8 / 0 / 17 / 44

HEX #848F76

RGB 132 143 118

HSL 86.4, 0.1%, 0.51%

LAB 57.9, -8.75, 11.98

 

CMYK 17 / 0 / 9 / 44

HEX #768F82

RGB 118 143 130

HSL 148.8, 0.1%, 0.51%

LAB 57.18, -11.62, 3.96

 

CMYK 17 / 0 / 4 / 44

HEX #768F89

RGB 118 143 137

HSL 165.6, 0.1%, 0.51%

LAB 57.37, -10.14, 0.23

 

CMYK 17 / 1 / 0 / 44

HEX #768E8F

RGB 118 142 143

HSL 182.4, 0.1%, 0.51%

LAB 57.25, -8.27, -3.39

 

CMYK 17 / 6 / 0 / 44

HEX #76878F

RGB 118 135 143

HSL 199.2, 0.1%, 0.51%

LAB 55.24, -4.35, -6.36

 

CMYK 17 / 10 / 0 / 44

HEX #76808F

RGB 118 128 143

HSL 216, 0.1%, 0.51%

LAB 53.25, -0.35, -9.33

 

CMYK 17 / 0 / 9 / 44

HEX #768F82

RGB 118 143 130

HSL 148.8, 0.1%, 0.51%

LAB 57.18, -11.62, 3.96

 

CMYK 40 / 0 / 20 / 36

HEX #61A382

RGB 97 163 130

HSL 150, 0.26%, 0.51%

LAB 61.95, -28.75, 10.62

 

CMYK 58 / 0 / 29 / 28

HEX #4DB782

RGB 77 183 130

HSL 150, 0.42%, 0.51%

LAB 67.32, -43, 17.99

 

CMYK 72 / 0 / 36 / 20

HEX #39CB82

RGB 57 203 130

HSL 150, 0.58%, 0.51%

LAB 73.02, -54.72, 25.67

 

CMYK 83 / 0 / 42 / 13

HEX #25DF82

RGB 37 223 130

HSL 150, 0.74%, 0.51%

LAB 78.91, -64.28, 33.43

 

CMYK 17 / 0 / 9 / 44

HEX #768F82

RGB 118 143 130

HSL 148.8, 0.1%, 0.51%

LAB 57.18, -11.62, 3.96

 

CMYK 0 / 12 / 6 / 46

HEX #8A7A82

RGB 138 122 130

HSL 330, 0.06%, 0.51%

LAB 52.88, 7.63, -2.11

 

CMYK 0 / 35 / 18 / 38

HEX #9E6682

RGB 158 102 130

HSL 330, 0.22%, 0.51%

LAB 49.96, 26.74, -6.18

 

CMYK 0 / 54 / 27 / 30

HEX #B25282

RGB 178 82 130

HSL 330, 0.38%, 0.51%

LAB 48.4, 44.5, -8.22

 

CMYK 0 / 69 / 34 / 22

HEX #C63E82

RGB 198 62 130

HSL 330, 0.54%, 0.51%

LAB 48.34, 59.44, -7.98

 

CMYK 17 / 0 / 17 / 44

HEX #768F76

RGB 118 143 118

HSL 120, 0.1%, 0.51%

LAB 56.88, -13.99, 10.4

 

CMYK 17 / 0 / 14 / 44

HEX #768F7B

RGB 118 143 123

HSL 132, 0.1%, 0.51%

LAB 57, -13.03, 7.71

 

CMYK 17 / 0 / 9 / 44

HEX #768F82

RGB 118 143 130

HSL 148.8, 0.1%, 0.51%

LAB 57.18, -11.62, 3.96

 

CMYK 17 / 0 / 4 / 44

HEX #768F89

RGB 118 143 137

HSL 165.6, 0.1%, 0.51%

LAB 57.37, -10.14, 0.23

 

CMYK 17 / 1 / 0 / 44

HEX #768E8F

RGB 118 142 143

HSL 182.4, 0.1%, 0.51%

LAB 57.25, -8.27, -3.39

 

CMYK 18 / 0 / 9 / 62

HEX #506259

RGB 80 98 89

HSL 150, 0.1%, 0.35%

LAB 39.85, -8.87, 2.85

 

CMYK 18 / 0 / 9 / 53

HEX #62786D

RGB 98 120 109

HSL 150, 0.1%, 0.43%

LAB 48.43, -10.46, 3.37

 

CMYK 17 / 0 / 9 / 44

HEX #768F82

RGB 118 143 130

HSL 148.8, 0.1%, 0.51%

LAB 57.18, -11.62, 3.96

 

CMYK 13 / 0 / 6 / 37

HEX #8CA197

RGB 140 161 151

HSL 151.43, 0.1%, 0.59%

LAB 64.4, -9.39, 2.71

 

CMYK 9 / 0 / 5 / 29

HEX #A3B4AB

RGB 163 180 171

HSL 148.24, 0.1%, 0.67%

LAB 71.8, -7.64, 2.57

 

CMYK 18 / 0 / 9 / 44

HEX #758F82

RGB 117 143 130

HSL 150, 0.1%, 0.51%

LAB 57.11, -11.97, 3.86

 

CMYK 17 / 13 / 0 / 44

HEX #767D8F

RGB 118 125 143

HSL 223.2, 0.1%, 0.51%

LAB 52.4, 1.39, -10.6

 

CMYK 0 / 16 / 17 / 44

HEX #8F7876

RGB 143 120 118

HSL 4.8, 0.1%, 0.51%

LAB 52.49, 8.57, 4.41

 

CMYK 18 / 0 / 9 / 44

HEX #758F82

RGB 117 143 130

HSL 150, 0.1%, 0.51%

LAB 57.11, -11.97, 3.86

 

CMYK 9 / 17 / 0 / 44

HEX #82768F

RGB 130 118 143

HSL 268.8, 0.1%, 0.51%

LAB 51.48, 9.68, -11.89

 

CMYK 0 / 9 / 17 / 44

HEX #8F8276

RGB 143 130 118

HSL 28.8, 0.1%, 0.51%

LAB 55.19, 2.82, 8.28

 

CMYK 18 / 0 / 9 / 44

HEX #758F82

RGB 117 143 130

HSL 150, 0.1%, 0.51%

LAB 57.11, -11.97, 3.86

 

CMYK 17 / 13 / 0 / 44

HEX #767D8F

RGB 118 125 143

HSL 223.2, 0.1%, 0.51%

LAB 52.4, 1.39, -10.6

 

CMYK 0 / 17 / 9 / 44

HEX #8F7682

RGB 143 118 130

HSL 331.2, 0.1%, 0.51%

LAB 52.3, 11.85, -2.91

 

CMYK 0 / 6 / 17 / 44

HEX #8F8776

RGB 143 135 118

HSL 40.8, 0.1%, 0.51%

LAB 56.56, -0.01, 10.22

 

CMYK 18 / 0 / 9 / 44

HEX #758F82

RGB 117 143 130

HSL 150, 0.1%, 0.51%

LAB 57.11, -11.97, 3.86

 

CMYK 17 / 17 / 0 / 44

HEX #76768F

RGB 118 118 143

HSL 240, 0.1%, 0.51%

LAB 50.44, 5.49, -13.55

 

CMYK 0 / 17 / 9 / 44

HEX #8F7682

RGB 143 118 130

HSL 331.2, 0.1%, 0.51%

LAB 52.3, 11.85, -2.91

 

CMYK 0 / 0 / 17 / 44

HEX #8F8F76

RGB 143 143 118

HSL 60, 0.1%, 0.51%

LAB 58.78, -4.47, 13.34

 

Description

Color code: HEX #758F82 | qconv.com Color code: HEX #758F82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 143 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 143 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 9 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 9% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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