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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #758B05 it is the complementary color #8A74FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #758B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #758B05 shade: #7A8B00, #8B9D13, #9CAF26, #ADC139 and #BED34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #758B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #758B05 shade: #758B05, #647900, #536700, #425500 and #314300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #758B05 shade: #748A05, #8A7C05, #8A5805, #8A3405 and #8A1005

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #758B05 shade: #748A05, #508A05, #2C8A05, #098A05 and #058A25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #758B05 shade matches the following richer shades: #748A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #758B05 shade: #748A05, #6C7E11, #64731C, #5D6728 and #555C33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #758B05 shade: #8A5705, #8A7A05, #768A05, #528A05 and #2F8A05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #758B05 shade: #313A02, #526204, #748A05, #96B206 and #B7D908

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #758B05 shade: #758B05, #058A33 and #69058A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #758B05 shade: #758B05, #05768A and #8A0576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #758B05 shade: #758B05, #058A33, #19058A and #8A055B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #758B05 shade: #758B05, #058A5B, #19058A and #8A0533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 96 / 45

HEX #758B05

RGB 117 139 5

HSL 69.85, 0.93%, 0.28%

LAB 54.3, -23.55, 57.22

 

Complementary color

CMYK 45 / 54 / 0 / 2

HEX #8A74FA

RGB 138 116 250

HSL 249.85, 0.93%, 0.72%

LAB 56.88, 40.75, -64.41

 

CMYK 12 / 0 / 100 / 45

HEX #7A8B00

RGB 122 139 0

HSL 67.34, 1%, 0.27%

LAB 54.66, -21.44, 58.52

 

CMYK 11 / 0 / 88 / 38

HEX #8B9D13

RGB 139 157 19

HSL 67.83, 0.78%, 0.35%

LAB 61.35, -22.64, 61.1

 

CMYK 11 / 0 / 78 / 31

HEX #9CAF26

RGB 156 175 38

HSL 68.32, 0.64%, 0.42%

LAB 67.92, -23.63, 62.37

 

CMYK 10 / 0 / 70 / 24

HEX #ADC139

RGB 173 193 57

HSL 68.82, 0.54%, 0.49%

LAB 74.39, -24.41, 62.56

 

CMYK 10 / 0 / 64 / 17

HEX #BED34C

RGB 190 211 76

HSL 69.33, 0.61%, 0.56%

LAB 80.77, -25.02, 62.13

 

CMYK 16 / 0 / 96 / 45

HEX #758B05

RGB 117 139 5

HSL 69.85, 0.93%, 0.28%

LAB 54.3, -23.55, 57.22

 

CMYK 17 / 0 / 100 / 53

HEX #647900

RGB 100 121 0

HSL 70.41, 1%, 0.24%

LAB 47.47, -22.12, 52.4

 

CMYK 19 / 0 / 100 / 60

HEX #536700

RGB 83 103 0

HSL 71.65, 1%, 0.2%

LAB 40.47, -20.56, 46.58

 

CMYK 22 / 0 / 100 / 67

HEX #425500

RGB 66 85 0

HSL 73.41, 1%, 0.17%

LAB 33.25, -18.96, 40.56

 

CMYK 27 / 0 / 100 / 74

HEX #314300

RGB 49 67 0

HSL 76.12, 1%, 0.13%

LAB 25.77, -17.34, 34

 

CMYK 16 / 0 / 96 / 46

HEX #748A05

RGB 116 138 5

HSL 69.92, 0.93%, 0.28%

LAB 53.92, -23.49, 56.9

 

CMYK 0 / 10 / 96 / 46

HEX #8A7C05

RGB 138 124 5

HSL 53.68, 0.93%, 0.28%

LAB 51.64, -5.95, 55.97

 

CMYK 0 / 36 / 96 / 46

HEX #8A5805

RGB 138 88 5

HSL 37.44, 0.93%, 0.28%

LAB 41.84, 14.76, 48.79

 

CMYK 0 / 62 / 96 / 46

HEX #8A3405

RGB 138 52 5

HSL 21.2, 0.93%, 0.28%

LAB 33.71, 34.71, 43.22

 

CMYK 0 / 88 / 96 / 46

HEX #8A1005

RGB 138 16 5

HSL 4.96, 0.93%, 0.28%

LAB 28.86, 48.01, 39.8

 

CMYK 16 / 0 / 96 / 46

HEX #748A05

RGB 116 138 5

HSL 69.92, 0.93%, 0.28%

LAB 53.92, -23.49, 56.9

 

CMYK 42 / 0 / 96 / 46

HEX #508A05

RGB 80 138 5

HSL 86.17, 0.93%, 0.28%

LAB 51.72, -38.13, 54.22

 

CMYK 68 / 0 / 96 / 46

HEX #2C8A05

RGB 44 138 5

HSL 102.41, 0.93%, 0.28%

LAB 50.36, -48.79, 52.55

 

CMYK 93 / 0 / 96 / 46

HEX #098A05

RGB 9 138 5

HSL 118.2, 0.93%, 0.28%

LAB 49.79, -53.78, 51.85

 

CMYK 96 / 0 / 73 / 46

HEX #058A25

RGB 5 138 37

HSL 134.44, 0.93%, 0.28%

LAB 49.91, -52.17, 43.03

 

CMYK 16 / 0 / 96 / 46

HEX #748A05

RGB 116 138 5

HSL 69.92, 0.93%, 0.28%

LAB 53.92, -23.49, 56.9

 

CMYK 16 / 0 / 96 / 46

HEX #748A05

RGB 116 138 5

HSL 69.92, 0.93%, 0.28%

LAB 53.92, -23.49, 56.9

 

CMYK 14 / 0 / 87 / 51

HEX #6C7E11

RGB 108 126 17

HSL 69.91, 0.76%, 0.28%

LAB 49.68, -20.64, 50.82

 

CMYK 13 / 0 / 76 / 55

HEX #64731C

RGB 100 115 28

HSL 70.34, 0.61%, 0.28%

LAB 45.71, -18, 43.46

 

CMYK 10 / 0 / 61 / 60

HEX #5D6728

RGB 93 103 40

HSL 69.52, 0.44%, 0.28%

LAB 41.5, -13.82, 33.53

 

CMYK 8 / 0 / 45 / 64

HEX #555C33

RGB 85 92 51

HSL 70.24, 0.29%, 0.28%

LAB 37.53, -10.04, 22.64

 

CMYK 0 / 37 / 96 / 46

HEX #8A5705

RGB 138 87 5

HSL 36.99, 0.93%, 0.28%

LAB 41.58, 15.34, 48.6

 

CMYK 0 / 12 / 96 / 46

HEX #8A7A05

RGB 138 122 5

HSL 52.78, 0.93%, 0.28%

LAB 51.07, -4.84, 55.55

 

CMYK 14 / 0 / 96 / 46

HEX #768A05

RGB 118 138 5

HSL 69.02, 0.93%, 0.28%

LAB 54.07, -22.61, 57.08

 

CMYK 41 / 0 / 96 / 46

HEX #528A05

RGB 82 138 5

HSL 85.26, 0.93%, 0.28%

LAB 51.82, -37.4, 54.34

 

CMYK 66 / 0 / 96 / 46

HEX #2F8A05

RGB 47 138 5

HSL 101.05, 0.93%, 0.28%

LAB 50.44, -48.1, 52.65

 

CMYK 16 / 0 / 97 / 77

HEX #313A02

RGB 49 58 2

HSL 69.64, 0.93%, 0.12%

LAB 22.6, -12.11, 30.07

 

CMYK 16 / 0 / 96 / 62

HEX #526204

RGB 82 98 4

HSL 70.21, 0.92%, 0.2%

LAB 38.79, -18.25, 44.15

 

CMYK 16 / 0 / 96 / 46

HEX #748A05

RGB 116 138 5

HSL 69.92, 0.93%, 0.28%

LAB 53.92, -23.49, 56.9

 

CMYK 16 / 0 / 97 / 30

HEX #96B206

RGB 150 178 6

HSL 69.77, 0.93%, 0.36%

LAB 68.27, -28.45, 68.9

 

CMYK 16 / 0 / 96 / 15

HEX #B7D908

RGB 183 217 8

HSL 69.76, 0.93%, 0.44%

LAB 81.68, -33.12, 79.97

 

CMYK 16 / 0 / 96 / 45

HEX #758B05

RGB 117 139 5

HSL 69.85, 0.93%, 0.28%

LAB 54.3, -23.55, 57.22

 

CMYK 96 / 0 / 63 / 46

HEX #058A33

RGB 5 138 51

HSL 140.75, 0.93%, 0.28%

LAB 50.04, -50.59, 37

 

CMYK 24 / 96 / 0 / 46

HEX #69058A

RGB 105 5 138

HSL 285.11, 0.93%, 0.28%

LAB 26.58, 56.12, -48.14

 

CMYK 16 / 0 / 96 / 45

HEX #758B05

RGB 117 139 5

HSL 69.85, 0.93%, 0.28%

LAB 54.3, -23.55, 57.22

 

CMYK 96 / 14 / 0 / 46

HEX #05768A

RGB 5 118 138

HSL 189.02, 0.93%, 0.28%

LAB 45.39, -20.02, -18.74

 

CMYK 0 / 96 / 14 / 46

HEX #8A0576

RGB 138 5 118

HSL 309.02, 0.93%, 0.28%

LAB 31.39, 58.55, -27.5

 

CMYK 16 / 0 / 96 / 45

HEX #758B05

RGB 117 139 5

HSL 69.85, 0.93%, 0.28%

LAB 54.3, -23.55, 57.22

 

CMYK 96 / 0 / 63 / 46

HEX #058A33

RGB 5 138 51

HSL 140.75, 0.93%, 0.28%

LAB 50.04, -50.59, 37

 

CMYK 82 / 96 / 0 / 46

HEX #19058A

RGB 25 5 138

HSL 249.02, 0.93%, 0.28%

LAB 16.26, 48.84, -65.52

 

CMYK 0 / 96 / 34 / 46

HEX #8A055B

RGB 138 5 91

HSL 321.2, 0.93%, 0.28%

LAB 30.08, 55.15, -12.13

 

CMYK 16 / 0 / 96 / 45

HEX #758B05

RGB 117 139 5

HSL 69.85, 0.93%, 0.28%

LAB 54.3, -23.55, 57.22

 

CMYK 96 / 0 / 34 / 46

HEX #058A5B

RGB 5 138 91

HSL 158.8, 0.93%, 0.28%

LAB 50.65, -43.31, 16.48

 

CMYK 82 / 96 / 0 / 46

HEX #19058A

RGB 25 5 138

HSL 249.02, 0.93%, 0.28%

LAB 16.26, 48.84, -65.52

 

CMYK 0 / 96 / 63 / 46

HEX #8A0533

RGB 138 5 51

HSL 339.25, 0.93%, 0.28%

LAB 28.77, 51.65, 12.68

 

Description

Color code: HEX #758B05 | qconv.com Color code: HEX #758B05 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 139 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 139 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 96 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 96% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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