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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #758ACE it is the complementary color #8A7531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #758ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #758ACE shade: #7A8AC9, #8B9CDC, #9CAEEF, #ADC0FF and #BED2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #758ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #758ACE shade: #758ACE, #6478BB, #5366A8, #425495 and #314282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #758ACE shade: #7389CE, #7673CE, #8F73CE, #A773CE and #C073CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #758ACE shade: #7389CE and #7373CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #758ACE shade matches the following richer shades: #7389CE, #6481DD, #5579EC and #4671FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #758ACE shade: #7389CE, #8391BF, #9299AF, #A1A1A0 and #B0A991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #758ACE shade: #73BACE, #73A2CE, #738ACE, #7573CE and #8D73CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #758ACE shade: #3E59B1, #556FC3, #7389CE, #92A3D9 and #B0BCE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #758ACE shade: #758ACE, #C973CE and #AECE73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #758ACE shade: #758ACE, #CE738A and #8ACE73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #758ACE shade: #758ACE, #C973CE, #CEB773 and #78CE73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #758ACE shade: #758ACE, #CE73B7, #CEB773 and #73CE8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 33 / 0 / 19

HEX #758ACE

RGB 117 138 206

HSL 225.84, 0.48%, 0.63%

LAB 58.43, 10.15, -37.48

 

Complementary color

CMYK 0 / 15 / 64 / 46

HEX #8A7531

RGB 138 117 49

HSL 45.84, 0.48%, 0.37%

LAB 49.92, -0.23, 39.58

 

CMYK 39 / 31 / 0 / 21

HEX #7A8AC9

RGB 122 138 201

HSL 227.85, 0.42%, 0.63%

LAB 58.54, 10.04, -34.47

 

CMYK 37 / 29 / 0 / 14

HEX #8B9CDC

RGB 139 156 220

HSL 227.41, 0.54%, 0.7%

LAB 65.3, 9.47, -34.45

 

CMYK 35 / 27 / 0 / 6

HEX #9CAEEF

RGB 156 174 239

HSL 226.99, 0.72%, 0.77%

LAB 71.94, 8.98, -34.48

 

CMYK 32 / 25 / 0 / 0

HEX #ADC0FF

RGB 173 192 255

HSL 226.1, 1%, 0.84%

LAB 78.35, 7.79, -33.12

 

CMYK 25 / 18 / 0 / 0

HEX #BED2FF

RGB 190 210 255

HSL 221.54, 1%, 0.87%

LAB 84.1, 2.93, -24.2

 

CMYK 43 / 33 / 0 / 19

HEX #758ACE

RGB 117 138 206

HSL 225.84, 0.48%, 0.63%

LAB 58.43, 10.15, -37.48

 

CMYK 47 / 36 / 0 / 27

HEX #6478BB

RGB 100 120 187

HSL 226.21, 0.39%, 0.56%

LAB 51.53, 10.91, -37.58

 

CMYK 51 / 39 / 0 / 34

HEX #5366A8

RGB 83 102 168

HSL 226.59, 0.34%, 0.49%

LAB 44.47, 11.84, -37.73

 

CMYK 56 / 44 / 0 / 42

HEX #425495

RGB 66 84 149

HSL 226.99, 0.39%, 0.42%

LAB 37.24, 13, -37.95

 

CMYK 62 / 49 / 0 / 49

HEX #314282

RGB 49 66 130

HSL 227.41, 0.45%, 0.35%

LAB 29.82, 14.51, -38.24

 

CMYK 44 / 33 / 0 / 19

HEX #7389CE

RGB 115 137 206

HSL 225.49, 0.48%, 0.63%

LAB 58.03, 10.22, -38.11

 

CMYK 43 / 44 / 0 / 19

HEX #7673CE

RGB 118 115 206

HSL 241.98, 0.48%, 0.63%

LAB 52.47, 24.11, -46.87

 

CMYK 31 / 44 / 0 / 19

HEX #8F73CE

RGB 143 115 206

HSL 258.46, 0.48%, 0.63%

LAB 54.61, 30.68, -43.34

 

CMYK 19 / 44 / 0 / 19

HEX #A773CE

RGB 167 115 206

HSL 274.29, 0.48%, 0.63%

LAB 57.01, 37.46, -39.4

 

CMYK 7 / 44 / 0 / 19

HEX #C073CE

RGB 192 115 206

HSL 290.77, 0.48%, 0.63%

LAB 59.82, 44.76, -34.8

 

CMYK 44 / 33 / 0 / 19

HEX #7389CE

RGB 115 137 206

HSL 225.49, 0.48%, 0.63%

LAB 58.03, 10.22, -38.11

 

CMYK 44 / 44 / 0 / 19

HEX #7373CE

RGB 115 115 206

HSL 240, 0.48%, 0.63%

LAB 52.24, 23.36, -47.25

 

CMYK 44 / 33 / 0 / 19

HEX #7389CE

RGB 115 137 206

HSL 225.49, 0.48%, 0.63%

LAB 58.03, 10.22, -38.11

 

CMYK 55 / 42 / 0 / 13

HEX #6481DD

RGB 100 129 221

HSL 225.62, 0.64%, 0.63%

LAB 55.72, 16.11, -50.26

 

CMYK 64 / 49 / 0 / 7

HEX #5579EC

RGB 85 121 236

HSL 225.7, 0.8%, 0.63%

LAB 53.67, 23.13, -61.98

 

CMYK 72 / 55 / 0 / 1

HEX #4671FC

RGB 70 113 252

HSL 225.82, 0.97%, 0.63%

LAB 52, 31.5, -73.62

 

CMYK 44 / 33 / 0 / 19

HEX #7389CE

RGB 115 137 206

HSL 225.49, 0.48%, 0.63%

LAB 58.03, 10.22, -38.11

 

CMYK 31 / 24 / 0 / 25

HEX #8391BF

RGB 131 145 191

HSL 226, 0.32%, 0.63%

LAB 60.64, 5.84, -25.52

 

CMYK 17 / 13 / 0 / 31

HEX #9299AF

RGB 146 153 175

HSL 225.52, 0.15%, 0.63%

LAB 63.33, 2.16, -12.3

 

CMYK 0 / 0 / 1 / 37

HEX #A1A1A0

RGB 161 161 160

HSL 60, 0.01%, 0.63%

LAB 66.22, -0.19, 0.51

HEX #A1A1A0

CMYK 0 / 4 / 18 / 31

HEX #B0A991

RGB 176 169 145

HSL 46.45, 0.16%, 0.63%

LAB 69.22, -1.58, 13.3

HEX #B0A991

CMYK 44 / 10 / 0 / 19

HEX #73BACE

RGB 115 186 206

HSL 193.19, 0.48%, 0.63%

LAB 71.7, -17.04, -17.06

 

CMYK 44 / 21 / 0 / 19

HEX #73A2CE

RGB 115 162 206

HSL 209.01, 0.48%, 0.63%

LAB 64.92, -4.12, -27.41

 

CMYK 44 / 33 / 0 / 19

HEX #738ACE

RGB 115 138 206

HSL 224.84, 0.48%, 0.63%

LAB 58.3, 9.64, -37.69

 

CMYK 43 / 44 / 0 / 19

HEX #7573CE

RGB 117 115 206

HSL 241.32, 0.48%, 0.63%

LAB 52.4, 23.86, -46.99

 

CMYK 32 / 44 / 0 / 19

HEX #8D73CE

RGB 141 115 206

HSL 257.14, 0.48%, 0.63%

LAB 54.43, 30.13, -43.65

 

CMYK 65 / 50 / 0 / 31

HEX #3E59B1

RGB 62 89 177

HSL 225.91, 0.48%, 0.47%

LAB 40.15, 18.81, -50

 

CMYK 56 / 43 / 0 / 24

HEX #556FC3

RGB 85 111 195

HSL 225.82, 0.48%, 0.55%

LAB 48.56, 15.51, -46.94

 

CMYK 44 / 33 / 0 / 19

HEX #7389CE

RGB 115 137 206

HSL 225.49, 0.48%, 0.63%

LAB 58.03, 10.22, -38.11

 

CMYK 33 / 25 / 0 / 15

HEX #92A3D9

RGB 146 163 217

HSL 225.63, 0.48%, 0.71%

LAB 67.51, 6.67, -29.34

 

CMYK 22 / 17 / 0 / 11

HEX #B0BCE3

RGB 176 188 227

HSL 225.88, 0.48%, 0.79%

LAB 76.52, 4.16, -20.83

 

CMYK 43 / 33 / 0 / 19

HEX #758ACE

RGB 117 138 206

HSL 225.84, 0.48%, 0.63%

LAB 58.43, 10.15, -37.48

 

CMYK 2 / 44 / 0 / 19

HEX #C973CE

RGB 201 115 206

HSL 296.7, 0.48%, 0.63%

LAB 60.9, 47.42, -33.04

 

CMYK 16 / 0 / 44 / 19

HEX #AECE73

RGB 174 206 115

HSL 81.1, 0.48%, 0.63%

LAB 78.68, -25.41, 41.65

 

CMYK 43 / 33 / 0 / 19

HEX #758ACE

RGB 117 138 206

HSL 225.84, 0.48%, 0.63%

LAB 58.43, 10.15, -37.48

 

CMYK 0 / 44 / 33 / 19

HEX #CE738A

RGB 206 115 138

HSL 344.84, 0.48%, 0.63%

LAB 59.18, 38.3, 3.36

 

CMYK 33 / 0 / 44 / 19

HEX #8ACE73

RGB 138 206 115

HSL 104.84, 0.48%, 0.63%

LAB 76.55, -38.34, 38.51

 

CMYK 43 / 33 / 0 / 19

HEX #758ACE

RGB 117 138 206

HSL 225.84, 0.48%, 0.63%

LAB 58.43, 10.15, -37.48

 

CMYK 2 / 44 / 0 / 19

HEX #C973CE

RGB 201 115 206

HSL 296.7, 0.48%, 0.63%

LAB 60.9, 47.42, -33.04

 

CMYK 0 / 11 / 44 / 19

HEX #CEB773

RGB 206 183 115

HSL 44.84, 0.48%, 0.63%

LAB 74.97, -1.02, 37.5

 

CMYK 42 / 0 / 44 / 19

HEX #78CE73

RGB 120 206 115

HSL 116.7, 0.48%, 0.63%

LAB 75.68, -44.08, 37.24

 

CMYK 43 / 33 / 0 / 19

HEX #758ACE

RGB 117 138 206

HSL 225.84, 0.48%, 0.63%

LAB 58.43, 10.15, -37.48

 

CMYK 0 / 44 / 11 / 19

HEX #CE73B7

RGB 206 115 183

HSL 315.16, 0.48%, 0.63%

LAB 60.61, 44.9, -20.39

 

CMYK 0 / 11 / 44 / 19

HEX #CEB773

RGB 206 183 115

HSL 44.84, 0.48%, 0.63%

LAB 74.97, -1.02, 37.5

 

CMYK 44 / 0 / 33 / 19

HEX #73CE8A

RGB 115 206 138

HSL 135.16, 0.48%, 0.63%

LAB 75.84, -41.86, 25.58

 

Description

Color code: HEX #758ACE | qconv.com Color code: HEX #758ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 138 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 138 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 33 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 33% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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