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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #757E13 it is the complementary color #8A81EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #757E13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #757E13 shade: #7A7E0E, #8B9021, #9CA234, #ADB447 and #BEC65A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #757E13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #757E13 shade: #757E13, #646C00, #535A00, #424800 and #313600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #757E13 shade: #737C13, #7C6913, #7C4C13, #7C3013 and #7C1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #757E13 shade: #737C13, #577C13, #3A7C13, #1E7C13 and #137C24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #757E13 shade matches the following richer shades: #737C13 and #7D8807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #757E13 shade: #737C13, #6A711E, #60652A, #575A35 and #4D4E41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #757E13 shade: #7C4D13, #7C6913, #737C13, #577C13 and #3B7C13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #757E13 shade: #313408, #52580D, #737C13, #95A018 and #B6C41D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #757E13 shade: #757E13, #137C31 and #5B137C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #757E13 shade: #757E13, #13737C and #7C1373

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #757E13 shade: #757E13, #137C31, #1B137C and #7C135E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #757E13 shade: #757E13, #137C50, #1B137C and #7C133F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 85 / 51

HEX #757E13

RGB 117 126 19

HSL 65.05, 0.74%, 0.28%

LAB 50.39, -16.49, 51.19

 

Complementary color

CMYK 42 / 45 / 0 / 7

HEX #8A81EC

RGB 138 129 236

HSL 245.05, 0.74%, 0.72%

LAB 59.12, 29.29, -53.06

 

CMYK 3 / 0 / 89 / 51

HEX #7A7E0E

RGB 122 126 14

HSL 62.14, 0.8%, 0.27%

LAB 50.79, -14.34, 52.93

 

CMYK 3 / 0 / 77 / 44

HEX #8B9021

RGB 139 144 33

HSL 62.7, 0.63%, 0.35%

LAB 57.6, -15.49, 54.02

 

CMYK 4 / 0 / 68 / 36

HEX #9CA234

RGB 156 162 52

HSL 63.27, 0.51%, 0.42%

LAB 64.29, -16.37, 53.92

 

CMYK 4 / 0 / 61 / 29

HEX #ADB447

RGB 173 180 71

HSL 63.85, 0.43%, 0.49%

LAB 70.86, -17.06, 53.24

 

CMYK 4 / 0 / 55 / 22

HEX #BEC65A

RGB 190 198 90

HSL 64.44, 0.49%, 0.56%

LAB 77.32, -17.61, 52.28

 

CMYK 7 / 0 / 85 / 51

HEX #757E13

RGB 117 126 19

HSL 65.05, 0.74%, 0.28%

LAB 50.39, -16.49, 51.19

 

CMYK 7 / 0 / 100 / 58

HEX #646C00

RGB 100 108 0

HSL 64.44, 1%, 0.21%

LAB 43.41, -15.27, 49.37

 

CMYK 8 / 0 / 100 / 65

HEX #535A00

RGB 83 90 0

HSL 64.67, 1%, 0.18%

LAB 36.27, -13.53, 43.43

 

CMYK 8 / 0 / 100 / 72

HEX #424800

RGB 66 72 0

HSL 65, 1%, 0.14%

LAB 28.88, -11.73, 37.25

 

CMYK 9 / 0 / 100 / 79

HEX #313600

RGB 49 54 0

HSL 65.56, 1%, 0.11%

LAB 21.17, -9.86, 29.37

 

CMYK 7 / 0 / 85 / 51

HEX #737C13

RGB 115 124 19

HSL 65.14, 0.73%, 0.28%

LAB 49.63, -16.35, 50.46

 

CMYK 0 / 15 / 85 / 51

HEX #7C6913

RGB 124 105 19

HSL 49.14, 0.73%, 0.28%

LAB 44.85, -1.53, 46.65

 

CMYK 0 / 39 / 85 / 51

HEX #7C4C13

RGB 124 76 19

HSL 32.57, 0.73%, 0.28%

LAB 36.93, 15.61, 39.67

 

CMYK 0 / 61 / 85 / 51

HEX #7C3013

RGB 124 48 19

HSL 16.57, 0.73%, 0.28%

LAB 30.51, 31.45, 33.78

 

CMYK 0 / 85 / 85 / 51

HEX #7C1313

RGB 124 19 19

HSL 0, 0.73%, 0.28%

LAB 26.15, 43.33, 29.63

 

CMYK 7 / 0 / 85 / 51

HEX #737C13

RGB 115 124 19

HSL 65.14, 0.73%, 0.28%

LAB 49.63, -16.35, 50.46

 

CMYK 30 / 0 / 85 / 51

HEX #577C13

RGB 87 124 19

HSL 81.14, 0.73%, 0.28%

LAB 47.61, -28.64, 47.92

 

CMYK 53 / 0 / 85 / 51

HEX #3A7C13

RGB 58 124 19

HSL 97.71, 0.73%, 0.28%

LAB 46.13, -39.3, 46.02

 

CMYK 76 / 0 / 85 / 51

HEX #1E7C13

RGB 30 124 19

HSL 113.71, 0.73%, 0.28%

LAB 45.27, -46.27, 44.93

 

CMYK 85 / 0 / 71 / 51

HEX #137C24

RGB 19 124 36

HSL 129.71, 0.73%, 0.28%

LAB 45.19, -46.54, 38.52

 

CMYK 7 / 0 / 85 / 51

HEX #737C13

RGB 115 124 19

HSL 65.14, 0.73%, 0.28%

LAB 49.63, -16.35, 50.46

 

CMYK 8 / 0 / 95 / 47

HEX #7D8807

RGB 125 136 7

HSL 65.12, 0.9%, 0.28%

LAB 54.01, -18.41, 56.92

 

CMYK 7 / 0 / 85 / 51

HEX #737C13

RGB 115 124 19

HSL 65.14, 0.73%, 0.28%

LAB 49.63, -16.35, 50.46

 

CMYK 6 / 0 / 73 / 56

HEX #6A711E

RGB 106 113 30

HSL 65.06, 0.58%, 0.28%

LAB 45.59, -14.06, 42.72

 

CMYK 5 / 0 / 58 / 60

HEX #60652A

RGB 96 101 42

HSL 65.08, 0.41%, 0.28%

LAB 41.15, -11.14, 32.18

 

CMYK 3 / 0 / 41 / 65

HEX #575A35

RGB 87 90 53

HSL 64.86, 0.26%, 0.28%

LAB 37.11, -7.71, 20.98

 

CMYK 1 / 0 / 17 / 69

HEX #4D4E41

RGB 77 78 65

HSL 64.62, 0.09%, 0.28%

LAB 32.72, -3.05, 7.57

 

CMYK 0 / 38 / 85 / 51

HEX #7C4D13

RGB 124 77 19

HSL 33.14, 0.73%, 0.28%

LAB 37.19, 15.02, 39.9

 

CMYK 0 / 15 / 85 / 51

HEX #7C6913

RGB 124 105 19

HSL 49.14, 0.73%, 0.28%

LAB 44.85, -1.53, 46.65

 

CMYK 7 / 0 / 85 / 51

HEX #737C13

RGB 115 124 19

HSL 65.14, 0.73%, 0.28%

LAB 49.63, -16.35, 50.46

 

CMYK 30 / 0 / 85 / 51

HEX #577C13

RGB 87 124 19

HSL 81.14, 0.73%, 0.28%

LAB 47.61, -28.64, 47.92

 

CMYK 52 / 0 / 85 / 51

HEX #3B7C13

RGB 59 124 19

HSL 97.14, 0.73%, 0.28%

LAB 46.17, -38.98, 46.07

 

CMYK 6 / 0 / 85 / 80

HEX #313408

RGB 49 52 8

HSL 64.09, 0.73%, 0.12%

LAB 20.54, -8.06, 25.42

 

CMYK 7 / 0 / 85 / 65

HEX #52580D

RGB 82 88 13

HSL 64.8, 0.74%, 0.2%

LAB 35.6, -12.42, 38.9

 

CMYK 7 / 0 / 85 / 51

HEX #737C13

RGB 115 124 19

HSL 65.14, 0.73%, 0.28%

LAB 49.63, -16.35, 50.46

 

CMYK 7 / 0 / 85 / 37

HEX #95A018

RGB 149 160 24

HSL 64.85, 0.74%, 0.36%

LAB 63.01, -19.64, 61.67

 

CMYK 7 / 0 / 85 / 23

HEX #B6C41D

RGB 182 196 29

HSL 65.03, 0.74%, 0.44%

LAB 75.77, -23.21, 72.24

 

CMYK 7 / 0 / 85 / 51

HEX #757E13

RGB 117 126 19

HSL 65.05, 0.74%, 0.28%

LAB 50.39, -16.49, 51.19

 

CMYK 85 / 0 / 60 / 51

HEX #137C31

RGB 19 124 49

HSL 137.14, 0.73%, 0.28%

LAB 45.33, -44.93, 32.55

 

CMYK 27 / 85 / 0 / 51

HEX #5B137C

RGB 91 19 124

HSL 281.14, 0.73%, 0.28%

LAB 24.15, 47.76, -43.4

 

CMYK 7 / 0 / 85 / 51

HEX #757E13

RGB 117 126 19

HSL 65.05, 0.74%, 0.28%

LAB 50.39, -16.49, 51.19

 

CMYK 85 / 7 / 0 / 51

HEX #13737C

RGB 19 115 124

HSL 185.14, 0.73%, 0.28%

LAB 44.02, -22.39, -12.45

 

CMYK 0 / 85 / 7 / 51

HEX #7C1373

RGB 124 19 115

HSL 305.14, 0.73%, 0.28%

LAB 29.38, 52.68, -28.94

 

CMYK 7 / 0 / 85 / 51

HEX #757E13

RGB 117 126 19

HSL 65.05, 0.74%, 0.28%

LAB 50.39, -16.49, 51.19

 

CMYK 85 / 0 / 60 / 51

HEX #137C31

RGB 19 124 49

HSL 137.14, 0.73%, 0.28%

LAB 45.33, -44.93, 32.55

 

CMYK 78 / 85 / 0 / 51

HEX #1B137C

RGB 27 19 124

HSL 244.57, 0.73%, 0.28%

LAB 16.28, 39.36, -56.62

 

CMYK 0 / 85 / 24 / 51

HEX #7C135E

RGB 124 19 94

HSL 317.14, 0.73%, 0.28%

LAB 28.27, 49.59, -17.12

 

CMYK 7 / 0 / 85 / 51

HEX #757E13

RGB 117 126 19

HSL 65.05, 0.74%, 0.28%

LAB 50.39, -16.49, 51.19

 

CMYK 85 / 0 / 35 / 51

HEX #137C50

RGB 19 124 80

HSL 154.86, 0.73%, 0.28%

LAB 45.82, -39.19, 16.22

 

CMYK 78 / 85 / 0 / 51

HEX #1B137C

RGB 27 19 124

HSL 244.57, 0.73%, 0.28%

LAB 16.28, 39.36, -56.62

 

CMYK 0 / 85 / 49 / 51

HEX #7C133F

RGB 124 19 63

HSL 334.86, 0.73%, 0.28%

LAB 27.05, 46.03, 1.69

 

Description

Color code: HEX #757E13 | qconv.com Color code: HEX #757E13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 126 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 126 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 85 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 85% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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