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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #757C1B00 it is the complementary color #8A83E400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #757C1B00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #757C1B00 shade: #7A7C1600, #8B8E2900, #9CA03C00, #ADB24F00 and #BEC46200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #757C1B00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #757C1B00 shade: #757C1B00, #646A0800, #53580000, #42460000 and #31340000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #757C1B00 shade: #767D1C, #7D6A1C, #7D501C, #7D351C and #7D1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #757C1B00 shade: #767D1C, #5C7D1C, #427D1C, #277D1C and #1C7D2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #757C1B00 shade matches the following richer shades: #767D1C, #818A0F and #8C9603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #757C1B00 shade: #767D1C, #6C7128, #616534, #575841 and #4C4C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #757C1B00 shade: #7D501C, #7D6A1C, #777D1C, #5D7D1C and #437D1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #757C1B00 shade: #373A0D, #565C14, #767D1C, #969F23 and #B6C12A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #757C1B00 shade: #757C1B, #1C7D36 and #5D1C7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #757C1B00 shade: #757C1B, #1C777D and #7D1C77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #757C1B00 shade: #757C1B, #1C7D36, #221C7D and #7D1C63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #757C1B00 shade: #757C1B, #1C7D53, #221C7D and #7D1C46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #757C1B00

RGBA 117 124 27 0

HSLA 64.33, 0.64%, 0.3%, 0

LABA 49.83, -15.11, 48.21, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #8A83E400

RGBA 138 131 228 0

HSLA 244.33, 0.64%, 0.7%, 0

LABA 59.19, 25.89, -48.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7A7C1600

RGBA 122 124 22 0

HSLA 61.18, 0.7%, 0.29%, 0

LABA 50.23, -13.01, 50.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8B8E2900

RGBA 139 142 41 0

HSLA 61.78, 0.55%, 0.36%, 0

LABA 57.07, -14.03, 50.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9CA03C00

RGBA 156 160 60 0

HSLA 62.4, 0.45%, 0.43%, 0

LABA 63.78, -14.82, 50.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ADB24F00

RGBA 173 178 79 0

HSLA 63.03, 0.39%, 0.5%, 0

LABA 70.38, -15.43, 49.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BEC46200

RGBA 190 196 98 0

HSLA 63.67, 0.45%, 0.58%, 0

LABA 76.87, -15.91, 47.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #757C1B00

RGBA 117 124 27 0

HSLA 64.33, 0.64%, 0.3%, 0

LABA 49.83, -15.11, 48.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #646A0800

RGBA 100 106 8 0

HSLA 63.67, 0.86%, 0.22%, 0

LABA 42.82, -13.96, 46.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #53580000

RGBA 83 88 0 0

HSLA 63.41, 1%, 0.17%, 0

LABA 35.63, -12.4, 42.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #42460000

RGBA 66 70 0 0

HSLA 63.43, 1%, 0.14%, 0

LABA 28.22, -10.56, 36.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #31340000

RGBA 49 52 0 0

HSLA 63.46, 1%, 0.1%, 0

LABA 20.48, -8.63, 28.6, 0

 

CMYK 6 / 0 / 78 / 51

HEX #767D1C

RGB 118 125 28

HSL 64.33, 0.63%, 0.3%

LAB 50.22, -15.14, 48.26

 

CMYK 0 / 15 / 78 / 51

HEX #7D6A1C

RGB 125 106 28

HSL 48.25, 0.63%, 0.3%

LAB 45.29, -1.26, 43.84

 

CMYK 0 / 36 / 78 / 51

HEX #7D501C

RGB 125 80 28

HSL 32.16, 0.63%, 0.3%

LAB 38.17, 14.08, 36.88

 

CMYK 0 / 58 / 78 / 51

HEX #7D351C

RGB 125 53 28

HSL 15.46, 0.63%, 0.3%

LAB 31.78, 29.6, 30.29

 

CMYK 0 / 78 / 78 / 51

HEX #7D1C1C

RGB 125 28 28

HSL 0, 0.63%, 0.3%

LAB 27.5, 41.08, 25.63

 

CMYK 6 / 0 / 78 / 51

HEX #767D1C

RGB 118 125 28

HSL 64.33, 0.63%, 0.3%

LAB 50.22, -15.14, 48.26

 

CMYK 26 / 0 / 78 / 51

HEX #5C7D1C

RGB 92 125 28

HSL 80.41, 0.63%, 0.3%

LAB 48.29, -26.59, 45.75

 

CMYK 47 / 0 / 78 / 51

HEX #427D1C

RGB 66 125 28

HSL 96.49, 0.63%, 0.3%

LAB 46.86, -36.55, 43.86

 

CMYK 69 / 0 / 78 / 51

HEX #277D1C

RGB 39 125 28

HSL 113.2, 0.63%, 0.3%

LAB 45.88, -44.2, 42.58

 

CMYK 78 / 0 / 66 / 51

HEX #1C7D2A

RGB 28 125 42

HSL 128.66, 0.63%, 0.3%

LAB 45.75, -44.94, 36.46

 

CMYK 6 / 0 / 78 / 51

HEX #767D1C

RGB 118 125 28

HSL 64.33, 0.63%, 0.3%

LAB 50.22, -15.14, 48.26

 

CMYK 7 / 0 / 89 / 46

HEX #818A0F

RGB 129 138 15

HSL 64.39, 0.8%, 0.3%

LAB 54.95, -17.47, 56.35

 

CMYK 7 / 0 / 98 / 41

HEX #8C9603

RGB 140 150 3

HSL 64.08, 0.96%, 0.3%

LAB 59.34, -18.96, 62.17

 

CMYK 6 / 0 / 78 / 51

HEX #767D1C

RGB 118 125 28

HSL 64.33, 0.63%, 0.3%

LAB 50.22, -15.14, 48.26

 

CMYK 4 / 0 / 65 / 56

HEX #6C7128

RGB 108 113 40

HSL 64.11, 0.48%, 0.3%

LAB 45.84, -12.47, 38.65

 

CMYK 4 / 0 / 49 / 60

HEX #616534

RGB 97 101 52

HSL 64.9, 0.32%, 0.3%

LAB 41.37, -9.65, 27.07

 

CMYK 1 / 0 / 26 / 65

HEX #575841

RGB 87 88 65

HSL 62.61, 0.15%, 0.3%

LAB 36.72, -4.75, 13.25

 

CMYK 1 / 1 / 0 / 70

HEX #4C4C4D

RGB 76 76 77

HSL 240, 0.01%, 0.3%

LAB 32.35, 0.22, -0.6

 

CMYK 0 / 36 / 78 / 51

HEX #7D501C

RGB 125 80 28

HSL 32.16, 0.63%, 0.3%

LAB 38.17, 14.08, 36.88

 

CMYK 0 / 15 / 78 / 51

HEX #7D6A1C

RGB 125 106 28

HSL 48.25, 0.63%, 0.3%

LAB 45.29, -1.26, 43.84

 

CMYK 5 / 0 / 78 / 51

HEX #777D1C

RGB 119 125 28

HSL 63.71, 0.63%, 0.3%

LAB 50.3, -14.68, 48.36

 

CMYK 26 / 0 / 78 / 51

HEX #5D7D1C

RGB 93 125 28

HSL 79.79, 0.63%, 0.3%

LAB 48.36, -26.17, 45.84

 

CMYK 46 / 0 / 78 / 51

HEX #437D1C

RGB 67 125 28

HSL 95.88, 0.63%, 0.3%

LAB 46.9, -36.21, 43.92

 

CMYK 5 / 0 / 78 / 77

HEX #373A0D

RGB 55 58 13

HSL 64, 0.63%, 0.14%

LAB 23.23, -8.29, 26.31

 

CMYK 7 / 0 / 78 / 64

HEX #565C14

RGB 86 92 20

HSL 65, 0.64%, 0.22%

LAB 37.27, -12.4, 38.03

 

CMYK 6 / 0 / 78 / 51

HEX #767D1C

RGB 118 125 28

HSL 64.33, 0.63%, 0.3%

LAB 50.22, -15.14, 48.26

 

CMYK 6 / 0 / 78 / 38

HEX #969F23

RGB 150 159 35

HSL 64.35, 0.64%, 0.38%

LAB 62.85, -18.3, 58.51

 

CMYK 6 / 0 / 78 / 24

HEX #B6C12A

RGB 182 193 42

HSL 64.37, 0.64%, 0.46%

LAB 74.98, -21.33, 68.29

 

CMYK 6 / 0 / 78 / 51

HEX #757C1B

RGB 117 124 27

HSL 64.33, 0.64%, 0.3%

LAB 49.83, -15.11, 48.21

 

CMYK 78 / 0 / 57 / 51

HEX #1C7D36

RGB 28 125 54

HSL 136.08, 0.63%, 0.3%

LAB 45.88, -43.32, 30.7

 

CMYK 26 / 78 / 0 / 51

HEX #5D1C7D

RGB 93 28 125

HSL 280.21, 0.63%, 0.3%

LAB 25.68, 45.09, -41.53

 

CMYK 6 / 0 / 78 / 51

HEX #757C1B

RGB 117 124 27

HSL 64.33, 0.64%, 0.3%

LAB 49.83, -15.11, 48.21

 

CMYK 78 / 5 / 0 / 51

HEX #1C777D

RGB 28 119 125

HSL 183.71, 0.63%, 0.3%

LAB 45.53, -23.19, -10.77

 

CMYK 0 / 78 / 5 / 51

HEX #7D1C77

RGB 125 28 119

HSL 303.71, 0.63%, 0.3%

LAB 30.69, 50.97, -29.4

 

CMYK 6 / 0 / 78 / 51

HEX #757C1B

RGB 117 124 27

HSL 64.33, 0.64%, 0.3%

LAB 49.83, -15.11, 48.21

 

CMYK 78 / 0 / 57 / 51

HEX #1C7D36

RGB 28 125 54

HSL 136.08, 0.63%, 0.3%

LAB 45.88, -43.32, 30.7

 

CMYK 73 / 78 / 0 / 51

HEX #221C7D

RGB 34 28 125

HSL 243.71, 0.63%, 0.3%

LAB 18.59, 35.42, -53.41

 

CMYK 0 / 78 / 21 / 51

HEX #7D1C63

RGB 125 28 99

HSL 316.08, 0.63%, 0.3%

LAB 29.64, 47.85, -18.23

 

CMYK 6 / 0 / 78 / 51

HEX #757C1B

RGB 117 124 27

HSL 64.33, 0.64%, 0.3%

LAB 49.83, -15.11, 48.21

 

CMYK 78 / 0 / 34 / 51

HEX #1C7D53

RGB 28 125 83

HSL 154.02, 0.63%, 0.3%

LAB 46.36, -37.8, 15.26

 

CMYK 73 / 78 / 0 / 51

HEX #221C7D

RGB 34 28 125

HSL 243.71, 0.63%, 0.3%

LAB 18.59, 35.42, -53.41

 

CMYK 0 / 78 / 44 / 51

HEX #7D1C46

RGB 125 28 70

HSL 334.02, 0.63%, 0.3%

LAB 28.47, 44.21, -0.92

 

Description

Color code: HEX #757C1B00 | qconv.com Color code: HEX #757C1B00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 124 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 124 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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