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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #756F32 it is the complementary color #8A90CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #756F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #756F32 shade: #7A6F2D, #8B8140, #9C9353, #ADA566 and #BEB779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #756F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #756F32 shade: #756F32, #645D1F, #534B0C, #423900 and #312700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #756F32 shade: #767032, #765E32, #764B32, #763932 and #763232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #756F32 shade: #767032, #6A7632, #587632, #457632 and #337632

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #756F32 shade matches the following richer shades: #767032, #837B25, #918617 and #9F910A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #756F32 shade: #767032, #686540, #5B594E, #4D4E5B and #3F4369

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #756F32 shade: #764B32, #765D32, #766F32, #6B7632 and #597632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #756F32 shade: #3C391A, #595426, #767032, #938B3F and #B0A74B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #756F32 shade: #756F32, #327639 and #543276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #756F32 shade: #756F32, #32766F and #6F3276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #756F32 shade: #756F32, #327639, #323976 and #76326F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #756F32 shade: #756F32, #32764D, #323976 and #76325B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 57 / 54

HEX #756F32

RGB 117 111 50

HSL 54.63, 0.4%, 0.33%

LAB 46.15, -6.4, 34.27

 

Complementary color

CMYK 33 / 30 / 0 / 20

HEX #8A90CD

RGB 138 144 205

HSL 234.63, 0.4%, 0.67%

LAB 61.44, 12.11, -32.11

 

CMYK 0 / 9 / 63 / 52

HEX #7A6F2D

RGB 122 111 45

HSL 51.43, 0.46%, 0.33%

LAB 46.57, -4.5, 37.41

 

CMYK 0 / 7 / 54 / 45

HEX #8B8140

RGB 139 129 64

HSL 52, 0.37%, 0.4%

LAB 53.56, -5.31, 36.2

 

CMYK 0 / 6 / 47 / 39

HEX #9C9353

RGB 156 147 83

HSL 52.6, 0.31%, 0.47%

LAB 60.39, -5.93, 34.92

 

CMYK 0 / 5 / 41 / 32

HEX #ADA566

RGB 173 165 102

HSL 53.24, 0.3%, 0.54%

LAB 67.09, -6.42, 33.66

 

CMYK 0 / 4 / 36 / 25

HEX #BEB779

RGB 190 183 121

HSL 53.91, 0.35%, 0.61%

LAB 73.67, -6.83, 32.45

 

CMYK 0 / 5 / 57 / 54

HEX #756F32

RGB 117 111 50

HSL 54.63, 0.4%, 0.33%

LAB 46.15, -6.4, 34.27

 

CMYK 0 / 7 / 69 / 61

HEX #645D1F

RGB 100 93 31

HSL 53.91, 0.53%, 0.26%

LAB 38.96, -5.54, 35.36

 

CMYK 0 / 10 / 86 / 67

HEX #534B0C

RGB 83 75 12

HSL 53.24, 0.75%, 0.19%

LAB 31.57, -4.33, 35.67

 

CMYK 0 / 14 / 100 / 74

HEX #423900

RGB 66 57 0

HSL 51.82, 1%, 0.13%

LAB 23.95, -2.59, 32.81

 

CMYK 0 / 20 / 100 / 81

HEX #312700

RGB 49 39 0

HSL 47.76, 1%, 0.1%

LAB 16.02, -0.18, 23.32

 

CMYK 0 / 5 / 58 / 54

HEX #767032

RGB 118 112 50

HSL 54.71, 0.4%, 0.33%

LAB 46.54, -6.51, 34.74

 

CMYK 0 / 20 / 58 / 54

HEX #765E32

RGB 118 94 50

HSL 38.82, 0.4%, 0.33%

LAB 41.35, 3.96, 28.65

 

CMYK 0 / 36 / 58 / 54

HEX #764B32

RGB 118 75 50

HSL 22.06, 0.4%, 0.33%

LAB 36.2, 15.38, 22.32

 

CMYK 0 / 52 / 58 / 54

HEX #763932

RGB 118 57 50

HSL 6.18, 0.4%, 0.33%

LAB 31.83, 25.98, 16.7

 

CMYK 0 / 58 / 58 / 54

HEX #763232

RGB 118 50 50

HSL 0, 0.4%, 0.33%

LAB 30.31, 29.85, 14.71

 

CMYK 0 / 5 / 58 / 54

HEX #767032

RGB 118 112 50

HSL 54.71, 0.4%, 0.33%

LAB 46.54, -6.51, 34.74

 

CMYK 10 / 0 / 58 / 54

HEX #6A7632

RGB 106 118 50

HSL 70.59, 0.4%, 0.33%

LAB 47.3, -15.25, 35.35

 

CMYK 25 / 0 / 58 / 54

HEX #587632

RGB 88 118 50

HSL 86.47, 0.4%, 0.33%

LAB 45.99, -22.96, 33.49

 

CMYK 42 / 0 / 58 / 54

HEX #457632

RGB 69 118 50

HSL 103.24, 0.4%, 0.33%

LAB 44.87, -30.28, 31.9

 

CMYK 57 / 0 / 58 / 54

HEX #337632

RGB 51 118 50

HSL 119.12, 0.4%, 0.33%

LAB 44.08, -36.06, 30.76

 

CMYK 0 / 5 / 58 / 54

HEX #767032

RGB 118 112 50

HSL 54.71, 0.4%, 0.33%

LAB 46.54, -6.51, 34.74

 

CMYK 0 / 6 / 72 / 49

HEX #837B25

RGB 131 123 37

HSL 54.89, 0.56%, 0.33%

LAB 50.83, -7.6, 45.79

 

CMYK 0 / 8 / 84 / 43

HEX #918617

RGB 145 134 23

HSL 54.59, 0.73%, 0.33%

LAB 55.21, -7.78, 55.18

 

CMYK 0 / 9 / 94 / 38

HEX #9F910A

RGB 159 145 10

HSL 54.36, 0.88%, 0.33%

LAB 59.57, -7.6, 62

 

CMYK 0 / 5 / 58 / 54

HEX #767032

RGB 118 112 50

HSL 54.71, 0.4%, 0.33%

LAB 46.54, -6.51, 34.74

 

CMYK 0 / 3 / 38 / 59

HEX #686540

RGB 104 101 64

HSL 55.5, 0.24%, 0.33%

LAB 42.19, -5.03, 21.39

 

CMYK 0 / 2 / 14 / 64

HEX #5B594E

RGB 91 89 78

HSL 50.77, 0.08%, 0.33%

LAB 37.7, -1.36, 6.66

 

CMYK 15 / 14 / 0 / 64

HEX #4D4E5B

RGB 77 78 91

HSL 235.71, 0.08%, 0.33%

LAB 33.52, 2.63, -7.75

 

CMYK 40 / 36 / 0 / 59

HEX #3F4369

RGB 63 67 105

HSL 234.29, 0.25%, 0.33%

LAB 29.64, 8.86, -22.71

 

CMYK 0 / 36 / 58 / 54

HEX #764B32

RGB 118 75 50

HSL 22.06, 0.4%, 0.33%

LAB 36.2, 15.38, 22.32

 

CMYK 0 / 21 / 58 / 54

HEX #765D32

RGB 118 93 50

HSL 37.94, 0.4%, 0.33%

LAB 41.07, 4.56, 28.31

 

CMYK 0 / 6 / 58 / 54

HEX #766F32

RGB 118 111 50

HSL 53.82, 0.4%, 0.33%

LAB 46.25, -5.94, 34.4

 

CMYK 9 / 0 / 58 / 54

HEX #6B7632

RGB 107 118 50

HSL 69.71, 0.4%, 0.33%

LAB 47.38, -14.81, 35.46

 

CMYK 25 / 0 / 58 / 54

HEX #597632

RGB 89 118 50

HSL 85.59, 0.4%, 0.33%

LAB 46.06, -22.55, 33.59

 

CMYK 0 / 5 / 57 / 76

HEX #3C391A

RGB 60 57 26

HSL 54.71, 0.4%, 0.17%

LAB 23.54, -3.89, 19.64

 

CMYK 0 / 6 / 57 / 65

HEX #595426

RGB 89 84 38

HSL 54.12, 0.4%, 0.25%

LAB 35.21, -4.95, 27.28

 

CMYK 0 / 5 / 58 / 54

HEX #767032

RGB 118 112 50

HSL 54.71, 0.4%, 0.33%

LAB 46.54, -6.51, 34.74

 

CMYK 0 / 5 / 57 / 42

HEX #938B3F

RGB 147 139 63

HSL 54.29, 0.4%, 0.41%

LAB 57.1, -7.35, 41.01

 

CMYK 0 / 5 / 57 / 31

HEX #B0A74B

RGB 176 167 75

HSL 54.65, 0.4%, 0.49%

LAB 67.56, -8.77, 47.83

 

CMYK 0 / 5 / 57 / 54

HEX #756F32

RGB 117 111 50

HSL 54.63, 0.4%, 0.33%

LAB 46.15, -6.4, 34.27

 

CMYK 58 / 0 / 52 / 54

HEX #327639

RGB 50 118 57

HSL 126.18, 0.4%, 0.33%

LAB 44.13, -35.31, 27.11

 

CMYK 29 / 58 / 0 / 54

HEX #543276

RGB 84 50 118

HSL 270, 0.4%, 0.33%

LAB 28.04, 29.88, -33.36

 

CMYK 0 / 5 / 57 / 54

HEX #756F32

RGB 117 111 50

HSL 54.63, 0.4%, 0.33%

LAB 46.15, -6.4, 34.27

 

CMYK 58 / 0 / 6 / 54

HEX #32766F

RGB 50 118 111

HSL 173.82, 0.4%, 0.33%

LAB 45.34, -23.23, -2.64

 

CMYK 6 / 58 / 0 / 54

HEX #6F3276

RGB 111 50 118

HSL 293.82, 0.4%, 0.33%

LAB 31.74, 37.66, -27.27

 

CMYK 0 / 5 / 57 / 54

HEX #756F32

RGB 117 111 50

HSL 54.63, 0.4%, 0.33%

LAB 46.15, -6.4, 34.27

 

CMYK 58 / 0 / 52 / 54

HEX #327639

RGB 50 118 57

HSL 126.18, 0.4%, 0.33%

LAB 44.13, -35.31, 27.11

 

CMYK 58 / 52 / 0 / 54

HEX #323976

RGB 50 57 118

HSL 233.82, 0.4%, 0.33%

LAB 26.48, 16.5, -36.05

 

CMYK 0 / 58 / 6 / 54

HEX #76326F

RGB 118 50 111

HSL 306.18, 0.4%, 0.33%

LAB 32.44, 38.38, -21.67

 

CMYK 0 / 5 / 57 / 54

HEX #756F32

RGB 117 111 50

HSL 54.63, 0.4%, 0.33%

LAB 46.15, -6.4, 34.27

 

CMYK 58 / 0 / 35 / 54

HEX #32764D

RGB 50 118 77

HSL 143.82, 0.4%, 0.33%

LAB 44.48, -31.66, 16.27

 

CMYK 58 / 52 / 0 / 54

HEX #323976

RGB 50 57 118

HSL 233.82, 0.4%, 0.33%

LAB 26.48, 16.5, -36.05

 

CMYK 0 / 58 / 23 / 54

HEX #76325B

RGB 118 50 91

HSL 323.82, 0.4%, 0.33%

LAB 31.55, 34.95, -10.23

 

Description

Color code: HEX #756F32 | qconv.com Color code: HEX #756F32 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 111 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 111 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 57 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 57% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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