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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755F16 it is the complementary color #8AA0E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755F16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755F16 shade: #7A5F11, #8B7124, #9C8337, #AD954A and #BEA75D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755F16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755F16 shade: #755F16, #644D03, #533B00, #422900 and #311700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755F16 shade: #745E16, #744516, #742B16 and #741616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755F16 shade: #745E16, #707416, #577416, #3E7416 and #247416

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755F16 shade matches the following richer shades: #745E16 and #7F640B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755F16 shade: #745E16, #695821, #5D522C, #524C37 and #474643

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755F16 shade: #742C16, #744516, #745E16, #717416 and #587416

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755F16 shade: #2E2609, #51420F, #745E16, #967A1D and #B99623

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755F16 shade: #755F16, #197416 and #381674

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755F16 shade: #755F16, #16745E and #5E1674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755F16 shade: #755F16, #197416, #162C74 and #711674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755F16 shade: #755F16, #16742F, #162C74 and #74165B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 81 / 54

HEX #755F16

RGB 117 95 22

HSL 46.11, 0.68%, 0.27%

LAB 41.25, 1.04, 42.1

 

Complementary color

CMYK 41 / 31 / 0 / 9

HEX #8AA0E9

RGB 138 160 233

HSL 226.11, 0.68%, 0.73%

LAB 66.85, 10.47, -39.22

 

CMYK 0 / 22 / 86 / 52

HEX #7A5F11

RGB 122 95 17

HSL 44.57, 0.76%, 0.27%

LAB 41.79, 3.27, 44.57

 

CMYK 0 / 19 / 74 / 45

HEX #8B7124

RGB 139 113 36

HSL 44.85, 0.59%, 0.34%

LAB 48.79, 1.72, 44.44

 

CMYK 0 / 16 / 65 / 39

HEX #9C8337

RGB 156 131 55

HSL 45.15, 0.48%, 0.41%

LAB 55.66, 0.49, 43.52

 

CMYK 0 / 14 / 57 / 32

HEX #AD954A

RGB 173 149 74

HSL 45.45, 0.4%, 0.48%

LAB 62.4, -0.49, 42.31

 

CMYK 0 / 12 / 51 / 25

HEX #BEA75D

RGB 190 167 93

HSL 45.77, 0.43%, 0.55%

LAB 69.02, -1.29, 41.04

 

CMYK 0 / 19 / 81 / 54

HEX #755F16

RGB 117 95 22

HSL 46.11, 0.68%, 0.27%

LAB 41.25, 1.04, 42.1

 

CMYK 0 / 23 / 97 / 61

HEX #644D03

RGB 100 77 3

HSL 45.77, 0.94%, 0.2%

LAB 34.03, 2.79, 41.54

 

CMYK 0 / 29 / 100 / 67

HEX #533B00

RGB 83 59 0

HSL 42.65, 1%, 0.16%

LAB 26.64, 5.18, 36.09

 

CMYK 0 / 38 / 100 / 74

HEX #422900

RGB 66 41 0

HSL 37.27, 1%, 0.13%

LAB 18.99, 7.9, 27.45

 

CMYK 0 / 53 / 100 / 81

HEX #311700

RGB 49 23 0

HSL 28.16, 1%, 0.1%

LAB 11.03, 10.89, 16.72

 

CMYK 0 / 19 / 81 / 55

HEX #745E16

RGB 116 94 22

HSL 45.96, 0.68%, 0.27%

LAB 40.86, 1.14, 41.69

 

CMYK 0 / 41 / 81 / 55

HEX #744516

RGB 116 69 22

HSL 30, 0.68%, 0.27%

LAB 34.04, 16.15, 35.24

 

CMYK 0 / 63 / 81 / 55

HEX #742B16

RGB 116 43 22

HSL 13.4, 0.68%, 0.27%

LAB 28.11, 30.9, 29.34

 

CMYK 0 / 81 / 81 / 55

HEX #741616

RGB 116 22 22

HSL 0, 0.68%, 0.27%

LAB 24.78, 39.95, 25.86

 

CMYK 0 / 19 / 81 / 55

HEX #745E16

RGB 116 94 22

HSL 45.96, 0.68%, 0.27%

LAB 40.86, 1.14, 41.69

 

CMYK 3 / 0 / 81 / 55

HEX #707416

RGB 112 116 22

HSL 62.55, 0.68%, 0.27%

LAB 46.97, -13.31, 47.12

 

CMYK 25 / 0 / 81 / 55

HEX #577416

RGB 87 116 22

HSL 78.51, 0.68%, 0.27%

LAB 45.05, -24.59, 44.66

 

CMYK 47 / 0 / 81 / 55

HEX #3E7416

RGB 62 116 22

HSL 94.47, 0.68%, 0.27%

LAB 43.61, -34.45, 42.8

 

CMYK 69 / 0 / 81 / 55

HEX #247416

RGB 36 116 22

HSL 111.06, 0.68%, 0.27%

LAB 42.65, -42.04, 41.54

 

CMYK 0 / 19 / 81 / 55

HEX #745E16

RGB 116 94 22

HSL 45.96, 0.68%, 0.27%

LAB 40.86, 1.14, 41.69

 

CMYK 0 / 21 / 91 / 50

HEX #7F640B

RGB 127 100 11

HSL 46.03, 0.84%, 0.27%

LAB 43.73, 2.59, 48.12

 

CMYK 0 / 19 / 81 / 55

HEX #745E16

RGB 116 94 22

HSL 45.96, 0.68%, 0.27%

LAB 40.86, 1.14, 41.69

 

CMYK 0 / 16 / 69 / 59

HEX #695821

RGB 105 88 33

HSL 45.83, 0.52%, 0.27%

LAB 38.01, -0.02, 33.52

HEX #695821

CMYK 0 / 12 / 53 / 64

HEX #5D522C

RGB 93 82 44

HSL 46.53, 0.36%, 0.27%

LAB 35.09, -1.22, 23.83

HEX #5D522C

CMYK 0 / 7 / 33 / 68

HEX #524C37

RGB 82 76 55

HSL 46.67, 0.2%, 0.27%

LAB 32.34, -1.28, 13.42

HEX #524C37

CMYK 0 / 1 / 6 / 72

HEX #474643

RGB 71 70 67

HSL 45, 0.03%, 0.27%

LAB 29.73, -0.23, 1.95

HEX #474643

CMYK 0 / 62 / 81 / 55

HEX #742C16

RGB 116 44 22

HSL 14.04, 0.68%, 0.27%

LAB 28.31, 30.39, 29.54

 

CMYK 0 / 41 / 81 / 55

HEX #744516

RGB 116 69 22

HSL 30, 0.68%, 0.27%

LAB 34.04, 16.15, 35.24

 

CMYK 0 / 19 / 81 / 55

HEX #745E16

RGB 116 94 22

HSL 45.96, 0.68%, 0.27%

LAB 40.86, 1.14, 41.69

 

CMYK 3 / 0 / 81 / 55

HEX #717416

RGB 113 116 22

HSL 61.91, 0.68%, 0.27%

LAB 47.05, -12.85, 47.23

 

CMYK 24 / 0 / 81 / 55

HEX #587416

RGB 88 116 22

HSL 77.87, 0.68%, 0.27%

LAB 45.11, -24.16, 44.74

 

CMYK 0 / 17 / 80 / 82

HEX #2E2609

RGB 46 38 9

HSL 47.03, 0.67%, 0.11%

LAB 15.42, -0.46, 18.81

 

CMYK 0 / 19 / 81 / 68

HEX #51420F

RGB 81 66 15

HSL 46.36, 0.69%, 0.19%

LAB 28.59, 0.34, 31.62

 

CMYK 0 / 19 / 81 / 55

HEX #745E16

RGB 116 94 22

HSL 45.96, 0.68%, 0.27%

LAB 40.86, 1.14, 41.69

 

CMYK 0 / 19 / 81 / 41

HEX #967A1D

RGB 150 122 29

HSL 46.12, 0.68%, 0.35%

LAB 52.39, 1.42, 51.01

 

CMYK 0 / 19 / 81 / 27

HEX #B99623

RGB 185 150 35

HSL 46, 0.68%, 0.43%

LAB 63.55, 2.1, 60.33

 

CMYK 0 / 19 / 81 / 54

HEX #755F16

RGB 117 95 22

HSL 46.11, 0.68%, 0.27%

LAB 41.25, 1.04, 42.1

 

CMYK 78 / 0 / 81 / 55

HEX #197416

RGB 25 116 22

HSL 118.09, 0.68%, 0.27%

LAB 42.39, -44.21, 41.2

 

CMYK 52 / 81 / 0 / 55

HEX #381674

RGB 56 22 116

HSL 261.7, 0.68%, 0.27%

LAB 18.69, 38.67, -47.39

 

CMYK 0 / 19 / 81 / 54

HEX #755F16

RGB 117 95 22

HSL 46.11, 0.68%, 0.27%

LAB 41.25, 1.04, 42.1

 

CMYK 81 / 0 / 19 / 55

HEX #16745E

RGB 22 116 94

HSL 165.96, 0.68%, 0.27%

LAB 43.46, -31.86, 4.71

 

CMYK 19 / 81 / 0 / 55

HEX #5E1674

RGB 94 22 116

HSL 285.96, 0.68%, 0.27%

LAB 24.37, 45.63, -37.91

 

CMYK 0 / 19 / 81 / 54

HEX #755F16

RGB 117 95 22

HSL 46.11, 0.68%, 0.27%

LAB 41.25, 1.04, 42.1

 

CMYK 78 / 0 / 81 / 55

HEX #197416

RGB 25 116 22

HSL 118.09, 0.68%, 0.27%

LAB 42.39, -44.21, 41.2

 

CMYK 81 / 62 / 0 / 55

HEX #162C74

RGB 22 44 116

HSL 225.96, 0.68%, 0.27%

LAB 20.95, 20.03, -43.8

 

CMYK 3 / 81 / 0 / 55

HEX #711674

RGB 113 22 116

HSL 298.09, 0.68%, 0.27%

LAB 27.7, 49.64, -32.39

 

CMYK 0 / 19 / 81 / 54

HEX #755F16

RGB 117 95 22

HSL 46.11, 0.68%, 0.27%

LAB 41.25, 1.04, 42.1

 

CMYK 81 / 0 / 59 / 55

HEX #16742F

RGB 22 116 47

HSL 135.96, 0.68%, 0.27%

LAB 42.56, -41.95, 30.32

 

CMYK 81 / 62 / 0 / 55

HEX #162C74

RGB 22 44 116

HSL 225.96, 0.68%, 0.27%

LAB 20.95, 20.03, -43.8

 

CMYK 0 / 81 / 22 / 55

HEX #74165B

RGB 116 22 91

HSL 315.96, 0.68%, 0.27%

LAB 26.85, 46.32, -17.47

 

Description

Color code: HEX #755F16 | qconv.com Color code: HEX #755F16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 95 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 95 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 81 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 81% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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