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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755590 it is the complementary color #8AAA6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755590 shade: #7A558B, #8B679E, #9C79B1, #AD8BC4 and #BE9DD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755590 shade: #755590, #64437D, #53316A, #421F57 and #310D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755590 shade: #755591, #855591, #91558C, #91557C and #91556C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755590 shade: #755591, #655591 and #555591

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755590 shade matches the following richer shades: #755591, #7742A3, #7830B6, #7A1DC8 and #7C0BDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755590 shade: #755591, #74677E, #727A6B, #718D59 and #6F9F46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755590 shade: #555591, #655591, #755591, #855591 and #91558D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755590 shade: #4B365D, #604677, #755591, #8A68A6 and #9E82B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755590 shade: #755590, #915565 and #55915D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755590 shade: #755590, #917555 and #559175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755590 shade: #755590, #915565, #719155 and #559181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755590 shade: #755590, #915755, #719155 and #558F91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 41 / 0 / 44

HEX #755590

RGB 117 85 144

HSL 272.54, 0.26%, 0.45%

LAB 41.68, 25.26, -27.64

 

Complementary color

CMYK 19 / 0 / 35 / 33

HEX #8AAA6F

RGB 138 170 111

HSL 92.54, 0.26%, 0.55%

LAB 65.98, -21.77, 26.92

 

CMYK 12 / 39 / 0 / 45

HEX #7A558B

RGB 122 85 139

HSL 281.11, 0.24%, 0.44%

LAB 42, 25.71, -24.08

 

CMYK 12 / 35 / 0 / 38

HEX #8B679E

RGB 139 103 158

HSL 279.27, 0.22%, 0.51%

LAB 49.08, 24.94, -24.29

 

CMYK 12 / 32 / 0 / 31

HEX #9C79B1

RGB 156 121 177

HSL 277.5, 0.26%, 0.58%

LAB 56, 24.23, -24.51

 

CMYK 12 / 29 / 0 / 23

HEX #AD8BC4

RGB 173 139 196

HSL 275.79, 0.33%, 0.66%

LAB 62.79, 23.59, -24.73

 

CMYK 12 / 27 / 0 / 16

HEX #BE9DD7

RGB 190 157 215

HSL 274.14, 0.42%, 0.73%

LAB 69.45, 23, -24.97

 

CMYK 19 / 41 / 0 / 44

HEX #755590

RGB 117 85 144

HSL 272.54, 0.26%, 0.45%

LAB 41.68, 25.26, -27.64

 

CMYK 20 / 46 / 0 / 51

HEX #64437D

RGB 100 67 125

HSL 274.14, 0.3%, 0.38%

LAB 34.4, 26.14, -27.55

 

CMYK 22 / 54 / 0 / 58

HEX #53316A

RGB 83 49 106

HSL 275.79, 0.37%, 0.3%

LAB 26.95, 27.08, -27.45

 

CMYK 24 / 64 / 0 / 66

HEX #421F57

RGB 66 31 87

HSL 277.5, 0.47%, 0.23%

LAB 19.33, 28, -27.24

 

CMYK 28 / 81 / 0 / 73

HEX #310D44

RGB 49 13 68

HSL 279.27, 0.68%, 0.16%

LAB 11.68, 28.48, -26.67

 

CMYK 19 / 41 / 0 / 43

HEX #755591

RGB 117 85 145

HSL 272, 0.26%, 0.45%

LAB 41.73, 25.5, -28.17

 

CMYK 8 / 41 / 0 / 43

HEX #855591

RGB 133 85 145

HSL 288, 0.26%, 0.45%

LAB 43.55, 30.63, -25.19

 

CMYK 0 / 41 / 3 / 43

HEX #91558C

RGB 145 85 140

HSL 305, 0.26%, 0.45%

LAB 44.82, 33.56, -20.1

 

CMYK 0 / 41 / 14 / 43

HEX #91557C

RGB 145 85 124

HSL 321, 0.26%, 0.45%

LAB 44.19, 30.65, -11.38

 

CMYK 0 / 41 / 26 / 43

HEX #91556C

RGB 145 85 108

HSL 337, 0.26%, 0.45%

LAB 43.65, 28.04, -2.43

 

CMYK 19 / 41 / 0 / 43

HEX #755591

RGB 117 85 145

HSL 272, 0.26%, 0.45%

LAB 41.73, 25.5, -28.17

 

CMYK 30 / 41 / 0 / 43

HEX #655591

RGB 101 85 145

HSL 256, 0.26%, 0.45%

LAB 40.09, 20.54, -30.84

 

CMYK 41 / 41 / 0 / 43

HEX #555591

RGB 85 85 145

HSL 240, 0.26%, 0.45%

LAB 38.68, 15.89, -33.17

 

CMYK 19 / 41 / 0 / 43

HEX #755591

RGB 117 85 145

HSL 272, 0.26%, 0.45%

LAB 41.73, 25.5, -28.17

 

CMYK 27 / 60 / 0 / 36

HEX #7742A3

RGB 119 66 163

HSL 272.78, 0.42%, 0.45%

LAB 38.66, 41.43, -43.82

 

CMYK 34 / 74 / 0 / 29

HEX #7830B6

RGB 120 48 182

HSL 272.24, 0.58%, 0.45%

LAB 36.9, 55.05, -57.96

 

CMYK 39 / 86 / 0 / 22

HEX #7A1DC8

RGB 122 29 200

HSL 272.63, 0.75%, 0.45%

LAB 36.34, 66.19, -69.44

 

CMYK 43 / 95 / 0 / 14

HEX #7C0BDB

RGB 124 11 219

HSL 272.6, 0.9%, 0.45%

LAB 37.19, 74.06, -79.05

 

CMYK 19 / 41 / 0 / 43

HEX #755591

RGB 117 85 145

HSL 272, 0.26%, 0.45%

LAB 41.73, 25.5, -28.17

 

CMYK 8 / 18 / 0 / 51

HEX #74677E

RGB 116 103 126

HSL 273.91, 0.1%, 0.45%

LAB 45.52, 9.84, -10.9

 

CMYK 7 / 0 / 12 / 52

HEX #727A6B

RGB 114 122 107

HSL 92, 0.07%, 0.45%

LAB 50.17, -5.98, 7.19

 

CMYK 20 / 0 / 37 / 45

HEX #718D59

RGB 113 141 89

HSL 92.31, 0.23%, 0.45%

LAB 55.36, -19.73, 24.58

 

CMYK 30 / 0 / 56 / 38

HEX #6F9F46

RGB 111 159 70

HSL 92.36, 0.39%, 0.45%

LAB 60.44, -31.81, 40.78

 

CMYK 41 / 41 / 0 / 43

HEX #555591

RGB 85 85 145

HSL 240, 0.26%, 0.45%

LAB 38.68, 15.89, -33.17

 

CMYK 30 / 41 / 0 / 43

HEX #655591

RGB 101 85 145

HSL 256, 0.26%, 0.45%

LAB 40.09, 20.54, -30.84

 

CMYK 19 / 41 / 0 / 43

HEX #755591

RGB 117 85 145

HSL 272, 0.26%, 0.45%

LAB 41.73, 25.5, -28.17

 

CMYK 8 / 41 / 0 / 43

HEX #855591

RGB 133 85 145

HSL 288, 0.26%, 0.45%

LAB 43.55, 30.63, -25.19

 

CMYK 0 / 41 / 3 / 43

HEX #91558D

RGB 145 85 141

HSL 304, 0.26%, 0.45%

LAB 44.86, 33.75, -20.64

 

CMYK 19 / 42 / 0 / 64

HEX #4B365D

RGB 75 54 93

HSL 272.31, 0.27%, 0.29%

LAB 26.52, 17.97, -19.78

 

CMYK 19 / 41 / 0 / 53

HEX #604677

RGB 96 70 119

HSL 271.84, 0.26%, 0.37%

LAB 34.39, 21.5, -23.87

 

CMYK 19 / 41 / 0 / 43

HEX #755591

RGB 117 85 145

HSL 272, 0.26%, 0.45%

LAB 41.73, 25.5, -28.17

 

CMYK 17 / 37 / 0 / 35

HEX #8A68A6

RGB 138 104 166

HSL 272.9, 0.26%, 0.53%

LAB 49.57, 25.84, -28.24

 

CMYK 13 / 29 / 0 / 29

HEX #9E82B6

RGB 158 130 182

HSL 272.31, 0.26%, 0.61%

LAB 58.61, 20.8, -23.34

 

CMYK 19 / 41 / 0 / 44

HEX #755590

RGB 117 85 144

HSL 272.54, 0.26%, 0.45%

LAB 41.68, 25.26, -27.64

 

CMYK 0 / 41 / 30 / 43

HEX #915565

RGB 145 85 101

HSL 344, 0.26%, 0.45%

LAB 43.44, 27, 1.55

 

CMYK 41 / 0 / 36 / 43

HEX #55915D

RGB 85 145 93

HSL 128, 0.26%, 0.45%

LAB 55.04, -31.03, 21.65

 

CMYK 19 / 41 / 0 / 44

HEX #755590

RGB 117 85 144

HSL 272.54, 0.26%, 0.45%

LAB 41.68, 25.26, -27.64

 

CMYK 0 / 19 / 41 / 43

HEX #917555

RGB 145 117 85

HSL 32, 0.26%, 0.45%

LAB 51.15, 6.35, 21.78

 

CMYK 41 / 0 / 19 / 43

HEX #559175

RGB 85 145 117

HSL 152, 0.26%, 0.45%

LAB 55.55, -26.23, 8.81

 

CMYK 19 / 41 / 0 / 44

HEX #755590

RGB 117 85 144

HSL 272.54, 0.26%, 0.45%

LAB 41.68, 25.26, -27.64

 

CMYK 0 / 41 / 30 / 43

HEX #915565

RGB 145 85 101

HSL 344, 0.26%, 0.45%

LAB 43.44, 27, 1.55

 

CMYK 22 / 0 / 41 / 43

HEX #719155

RGB 113 145 85

HSL 92, 0.26%, 0.45%

LAB 56.5, -22.36, 28.25

 

CMYK 41 / 0 / 11 / 43

HEX #559181

RGB 85 145 129

HSL 164, 0.26%, 0.45%

LAB 55.85, -23.47, 2.38

 

CMYK 19 / 41 / 0 / 44

HEX #755590

RGB 117 85 144

HSL 272.54, 0.26%, 0.45%

LAB 41.68, 25.26, -27.64

 

CMYK 0 / 40 / 41 / 43

HEX #915755

RGB 145 87 85

HSL 2, 0.26%, 0.45%

LAB 43.5, 23.74, 11.4

 

CMYK 22 / 0 / 41 / 43

HEX #719155

RGB 113 145 85

HSL 92, 0.26%, 0.45%

LAB 56.5, -22.36, 28.25

 

CMYK 41 / 1 / 0 / 43

HEX #558F91

RGB 85 143 145

HSL 182, 0.26%, 0.45%

LAB 55.71, -18.38, -7.03

 

Description

Color code: HEX #755590 | qconv.com Color code: HEX #755590 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 85 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 85 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 41 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 41% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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