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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7553CD it is the complementary color #8AAC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7553CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7553CD shade: #7A53C8, #8B65DB, #9C77EE, #AD89FF and #BE9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7553CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7553CD shade: #7553CD, #6441BA, #532FA7, #421D94 and #310B81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7553CD shade: #7351CD, #9551CD, #B651CD, #CD51C2 and #CD51A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7553CD shade: #7351CD, #5251CD and #5151CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7553CD shade matches the following richer shades: #7351CD, #6B3FDF and #632DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7553CD shade: #7351CD, #7C63BA, #8475A8, #8C8896 and #949A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7553CD shade: #5172CD, #5151CD, #7251CD, #9351CD and #B451CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7553CD shade: #4D2E9D, #5C37BD, #7351CD, #8D71D6 and #A791DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7553CD shade: #7553CD, #CD5193 and #62CD51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7553CD shade: #7553CD, #CD7251 and #51CD72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7553CD shade: #7553CD, #CD5193, #ACCD51 and #51CD8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7553CD shade: #7553CD, #CD516E, #ACCD51 and #51CDB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 60 / 0 / 20

HEX #7553CD

RGB 117 83 205

HSL 256.72, 0.55%, 0.56%

LAB 44.77, 42.48, -58.65

 

Complementary color

CMYK 20 / 0 / 71 / 33

HEX #8AAC32

RGB 138 172 50

HSL 76.72, 0.55%, 0.44%

LAB 65.86, -29.05, 55.86

 

CMYK 39 / 59 / 0 / 22

HEX #7A53C8

RGB 122 83 200

HSL 260, 0.52%, 0.55%

LAB 44.93, 42.22, -55.47

 

CMYK 37 / 54 / 0 / 14

HEX #8B65DB

RGB 139 101 219

HSL 259.32, 0.62%, 0.63%

LAB 51.74, 41.07, -55.32

 

CMYK 34 / 50 / 0 / 7

HEX #9C77EE

RGB 156 119 238

HSL 258.66, 0.78%, 0.7%

LAB 58.45, 40, -55.15

 

CMYK 32 / 46 / 0 / 0

HEX #AD89FF

RGB 173 137 255

HSL 258.31, 1%, 0.77%

LAB 64.96, 38.5, -54.07

 

CMYK 25 / 39 / 0 / 0

HEX #BE9BFF

RGB 190 155 255

HSL 261, 1%, 0.8%

LAB 70.6, 33.04, -45.06

 

CMYK 43 / 60 / 0 / 20

HEX #7553CD

RGB 117 83 205

HSL 256.72, 0.55%, 0.56%

LAB 44.77, 42.48, -58.65

 

CMYK 46 / 65 / 0 / 27

HEX #6441BA

RGB 100 65 186

HSL 257.36, 0.48%, 0.49%

LAB 37.91, 43.78, -58.79

 

CMYK 50 / 72 / 0 / 35

HEX #532FA7

RGB 83 47 167

HSL 258, 0.56%, 0.42%

LAB 31.02, 45.03, -58.78

 

CMYK 55 / 80 / 0 / 42

HEX #421D94

RGB 66 29 148

HSL 258.66, 0.67%, 0.35%

LAB 24.24, 45.95, -58.4

 

CMYK 62 / 91 / 0 / 49

HEX #310B81

RGB 49 11 129

HSL 259.32, 0.84%, 0.27%

LAB 17.82, 45.85, -57.19

 

CMYK 44 / 60 / 0 / 20

HEX #7351CD

RGB 115 81 205

HSL 256.45, 0.55%, 0.56%

LAB 44.14, 43.19, -59.67

 

CMYK 27 / 60 / 0 / 20

HEX #9551CD

RGB 149 81 205

HSL 272.9, 0.55%, 0.56%

LAB 47.86, 50.8, -53.49

 

CMYK 11 / 60 / 0 / 20

HEX #B651CD

RGB 182 81 205

HSL 288.87, 0.55%, 0.56%

LAB 52.1, 58.76, -46.47

 

CMYK 0 / 60 / 5 / 20

HEX #CD51C2

RGB 205 81 194

HSL 305.32, 0.55%, 0.56%

LAB 54.82, 62.61, -35.65

 

CMYK 0 / 60 / 22 / 20

HEX #CD51A0

RGB 205 81 160

HSL 321.77, 0.55%, 0.56%

LAB 53.39, 57.46, -18.11

 

CMYK 44 / 60 / 0 / 20

HEX #7351CD

RGB 115 81 205

HSL 256.45, 0.55%, 0.56%

LAB 44.14, 43.19, -59.67

 

CMYK 60 / 60 / 0 / 20

HEX #5251CD

RGB 82 81 205

HSL 240.48, 0.55%, 0.56%

LAB 41.35, 36.92, -64.33

 

CMYK 60 / 60 / 0 / 20

HEX #5151CD

RGB 81 81 205

HSL 240, 0.55%, 0.56%

LAB 41.28, 36.75, -64.44

 

CMYK 44 / 60 / 0 / 20

HEX #7351CD

RGB 115 81 205

HSL 256.45, 0.55%, 0.56%

LAB 44.14, 43.19, -59.67

 

CMYK 52 / 72 / 0 / 13

HEX #6B3FDF

RGB 107 63 223

HSL 256.5, 0.71%, 0.56%

LAB 41.23, 56.36, -74.77

 

CMYK 59 / 81 / 0 / 5

HEX #632DF1

RGB 99 45 241

HSL 256.53, 0.88%, 0.56%

LAB 39.38, 68.12, -88.07

 

CMYK 44 / 60 / 0 / 20

HEX #7351CD

RGB 115 81 205

HSL 256.45, 0.55%, 0.56%

LAB 44.14, 43.19, -59.67

 

CMYK 33 / 47 / 0 / 27

HEX #7C63BA

RGB 124 99 186

HSL 257.24, 0.39%, 0.56%

LAB 47.95, 29.66, -42.54

 

CMYK 21 / 30 / 0 / 34

HEX #8475A8

RGB 132 117 168

HSL 257.65, 0.23%, 0.56%

LAB 52.35, 16.72, -25.14

 

CMYK 7 / 9 / 0 / 41

HEX #8C8896

RGB 140 136 150

HSL 257.14, 0.06%, 0.56%

LAB 57.45, 4.3, -6.93

 

CMYK 4 / 0 / 14 / 40

HEX #949A84

RGB 148 154 132

HSL 76.36, 0.1%, 0.56%

LAB 62.57, -6.23, 10.82

 

CMYK 60 / 44 / 0 / 20

HEX #5172CD

RGB 81 114 205

HSL 224.03, 0.55%, 0.56%

LAB 49.73, 16.2, -50.82

 

CMYK 60 / 60 / 0 / 20

HEX #5151CD

RGB 81 81 205

HSL 240, 0.55%, 0.56%

LAB 41.28, 36.75, -64.44

 

CMYK 44 / 60 / 0 / 20

HEX #7251CD

RGB 114 81 205

HSL 255.97, 0.55%, 0.56%

LAB 44.05, 42.98, -59.83

 

CMYK 28 / 60 / 0 / 20

HEX #9351CD

RGB 147 81 205

HSL 271.94, 0.55%, 0.56%

LAB 47.62, 50.34, -53.89

 

CMYK 12 / 60 / 0 / 20

HEX #B451CD

RGB 180 81 205

HSL 287.9, 0.55%, 0.56%

LAB 51.83, 58.27, -46.91

 

CMYK 51 / 71 / 0 / 38

HEX #4D2E9D

RGB 77 46 157

HSL 256.76, 0.55%, 0.4%

LAB 29.33, 41.64, -55.53

 

CMYK 51 / 71 / 0 / 26

HEX #5C37BD

RGB 92 55 189

HSL 256.57, 0.55%, 0.48%

LAB 35.36, 48.59, -64.74

 

CMYK 44 / 60 / 0 / 20

HEX #7351CD

RGB 115 81 205

HSL 256.45, 0.55%, 0.56%

LAB 44.14, 43.19, -59.67

 

CMYK 34 / 47 / 0 / 16

HEX #8D71D6

RGB 141 113 214

HSL 256.63, 0.55%, 0.64%

LAB 54.37, 33.38, -48.27

 

CMYK 25 / 35 / 0 / 13

HEX #A791DF

RGB 167 145 223

HSL 256.92, 0.55%, 0.72%

LAB 64.8, 24.48, -36.74

 

CMYK 43 / 60 / 0 / 20

HEX #7553CD

RGB 117 83 205

HSL 256.72, 0.55%, 0.56%

LAB 44.77, 42.48, -58.65

 

CMYK 0 / 60 / 28 / 20

HEX #CD5193

RGB 205 81 147

HSL 328.06, 0.55%, 0.56%

LAB 52.92, 55.73, -11.16

 

CMYK 52 / 0 / 60 / 20

HEX #62CD51

RGB 98 205 81

HSL 111.77, 0.55%, 0.56%

LAB 74.1, -54.26, 51.28

 

CMYK 43 / 60 / 0 / 20

HEX #7553CD

RGB 117 83 205

HSL 256.72, 0.55%, 0.56%

LAB 44.77, 42.48, -58.65

 

CMYK 0 / 44 / 60 / 20

HEX #CD7251

RGB 205 114 81

HSL 15.97, 0.55%, 0.56%

LAB 57.66, 32.77, 33.84

 

CMYK 60 / 0 / 44 / 20

HEX #51CD72

RGB 81 205 114

HSL 135.97, 0.55%, 0.56%

LAB 73.95, -53.99, 35.24

 

CMYK 43 / 60 / 0 / 20

HEX #7553CD

RGB 117 83 205

HSL 256.72, 0.55%, 0.56%

LAB 44.77, 42.48, -58.65

 

CMYK 0 / 60 / 28 / 20

HEX #CD5193

RGB 205 81 147

HSL 328.06, 0.55%, 0.56%

LAB 52.92, 55.73, -11.16

 

CMYK 16 / 0 / 60 / 20

HEX #ACCD51

RGB 172 205 81

HSL 75.97, 0.55%, 0.56%

LAB 77.89, -28.98, 56.57

 

CMYK 60 / 0 / 32 / 20

HEX #51CD8B

RGB 81 205 139

HSL 148.06, 0.55%, 0.56%

LAB 74.37, -49.51, 22.86

 

CMYK 43 / 60 / 0 / 20

HEX #7553CD

RGB 117 83 205

HSL 256.72, 0.55%, 0.56%

LAB 44.77, 42.48, -58.65

 

CMYK 0 / 60 / 46 / 20

HEX #CD516E

RGB 205 81 110

HSL 345.97, 0.55%, 0.56%

LAB 51.83, 51.58, 9.29

 

CMYK 16 / 0 / 60 / 20

HEX #ACCD51

RGB 172 205 81

HSL 75.97, 0.55%, 0.56%

LAB 77.89, -28.98, 56.57

 

CMYK 60 / 0 / 14 / 20

HEX #51CDB0

RGB 81 205 176

HSL 165.97, 0.55%, 0.56%

LAB 75.17, -41.33, 4.23

 

Description

Color code: HEX #7553CD | qconv.com Color code: HEX #7553CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 83 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 83 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 60 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 60% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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