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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7550AC it is the complementary color #8AAF53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7550AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7550AC shade: #7A50A7, #8B62BA, #9C74CD, #AD86E0 and #BE98F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7550AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7550AC shade: #7550AC, #643E99, #532C86, #421A73 and #310860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7550AC shade: #744FAB, #8D4FAB, #A64FAB, #AB4F98 and #AB4F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7550AC shade: #744FAB, #5B4FAB and #4F4FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7550AC shade matches the following richer shades: #744FAB, #703BBF, #6C26D4 and #6812E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7550AC shade: #744FAB, #786397, #7C7783, #808B6F and #84A05A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7550AC shade: #4F5BAB, #5B4FAB, #744FAB, #8C4FAB and #A54FAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7550AC shade: #4E3573, #61428F, #744FAB, #8A69BA and #A085C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7550AC shade: #7550AC, #AB4F74 and #4FAB4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7550AC shade: #7550AC, #AB744F and #4FAB74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7550AC shade: #7550AC, #AB4F74, #86AB4F and #4FAB86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7550AC shade: #7550AC, #AB4F58, #86AB4F and #4FABA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 53 / 0 / 33

HEX #7550AC

RGB 117 80 172

HSL 264.13, 0.37%, 0.49%

LAB 42, 35.28, -43.85

 

Complementary color

CMYK 21 / 0 / 53 / 31

HEX #8AAF53

RGB 138 175 83

HSL 84.13, 0.37%, 0.51%

LAB 67.04, -27.75, 42.66

 

CMYK 27 / 52 / 0 / 35

HEX #7A50A7

RGB 122 80 167

HSL 268.97, 0.35%, 0.48%

LAB 42.25, 35.34, -40.45

 

CMYK 25 / 47 / 0 / 27

HEX #8B62BA

RGB 139 98 186

HSL 267.95, 0.39%, 0.56%

LAB 49.22, 34.39, -40.43

 

CMYK 24 / 43 / 0 / 20

HEX #9C74CD

RGB 156 116 205

HSL 266.97, 0.47%, 0.63%

LAB 56.05, 33.5, -40.42

 

CMYK 23 / 40 / 0 / 12

HEX #AD86E0

RGB 173 134 224

HSL 266, 0.59%, 0.7%

LAB 62.77, 32.68, -40.42

 

CMYK 22 / 37 / 0 / 5

HEX #BE98F3

RGB 190 152 243

HSL 265.05, 0.79%, 0.77%

LAB 69.38, 31.92, -40.44

 

CMYK 32 / 53 / 0 / 33

HEX #7550AC

RGB 117 80 172

HSL 264.13, 0.37%, 0.49%

LAB 42, 35.28, -43.85

 

CMYK 35 / 59 / 0 / 40

HEX #643E99

RGB 100 62 153

HSL 265.05, 0.42%, 0.42%

LAB 34.91, 36.36, -43.93

 

CMYK 38 / 67 / 0 / 47

HEX #532C86

RGB 83 44 134

HSL 266, 0.51%, 0.35%

LAB 27.74, 37.41, -43.91

 

CMYK 43 / 77 / 0 / 55

HEX #421A73

RGB 66 26 115

HSL 266.97, 0.63%, 0.28%

LAB 20.58, 38.18, -43.62

 

CMYK 49 / 92 / 0 / 62

HEX #310860

RGB 49 8 96

HSL 267.95, 0.85%, 0.2%

LAB 13.66, 37.95, -42.59

 

CMYK 32 / 54 / 0 / 33

HEX #744FAB

RGB 116 79 171

HSL 264.13, 0.37%, 0.49%

LAB 41.6, 35.34, -43.9

 

CMYK 18 / 54 / 0 / 33

HEX #8D4FAB

RGB 141 79 171

HSL 280.43, 0.37%, 0.49%

LAB 44.51, 42.08, -39.09

 

CMYK 3 / 54 / 0 / 33

HEX #A64FAB

RGB 166 79 171

HSL 296.74, 0.37%, 0.49%

LAB 47.8, 49.03, -33.68

 

CMYK 0 / 54 / 11 / 33

HEX #AB4F98

RGB 171 79 152

HSL 312.39, 0.37%, 0.49%

LAB 47.65, 47.12, -22.63

 

CMYK 0 / 54 / 26 / 33

HEX #AB4F7F

RGB 171 79 127

HSL 328.7, 0.37%, 0.49%

LAB 46.69, 43.26, -9.08

 

CMYK 32 / 54 / 0 / 33

HEX #744FAB

RGB 116 79 171

HSL 264.13, 0.37%, 0.49%

LAB 41.6, 35.34, -43.9

 

CMYK 47 / 54 / 0 / 33

HEX #5B4FAB

RGB 91 79 171

HSL 247.83, 0.37%, 0.49%

LAB 39.17, 29.14, -47.94

 

CMYK 54 / 54 / 0 / 33

HEX #4F4FAB

RGB 79 79 171

HSL 240, 0.37%, 0.49%

LAB 38.19, 26.47, -49.56

 

CMYK 32 / 54 / 0 / 33

HEX #744FAB

RGB 116 79 171

HSL 264.13, 0.37%, 0.49%

LAB 41.6, 35.34, -43.9

 

CMYK 41 / 69 / 0 / 25

HEX #703BBF

RGB 112 59 191

HSL 264.09, 0.53%, 0.49%

LAB 38.44, 50.62, -60.81

 

CMYK 49 / 82 / 0 / 17

HEX #6C26D4

RGB 108 38 212

HSL 264.14, 0.7%, 0.49%

LAB 36.61, 64.36, -76.04

 

CMYK 55 / 92 / 0 / 9

HEX #6812E8

RGB 104 18 232

HSL 264.11, 0.86%, 0.49%

LAB 36.37, 74.07, -87.92

 

CMYK 32 / 54 / 0 / 33

HEX #744FAB

RGB 116 79 171

HSL 264.13, 0.37%, 0.49%

LAB 41.6, 35.34, -43.9

 

CMYK 21 / 34 / 0 / 41

HEX #786397

RGB 120 99 151

HSL 264.23, 0.21%, 0.49%

LAB 45.84, 19.48, -25.32

 

CMYK 5 / 9 / 0 / 49

HEX #7C7783

RGB 124 119 131

HSL 265, 0.05%, 0.49%

LAB 50.82, 4.35, -5.87

 

CMYK 8 / 0 / 20 / 45

HEX #808B6F

RGB 128 139 111

HSL 83.57, 0.11%, 0.49%

LAB 56.29, -9.3, 13.66

 

CMYK 18 / 0 / 44 / 37

HEX #84A05A

RGB 132 160 90

HSL 84, 0.28%, 0.49%

LAB 62.33, -21.88, 33.26

 

CMYK 54 / 47 / 0 / 33

HEX #4F5BAB

RGB 79 91 171

HSL 232.17, 0.37%, 0.49%

LAB 41.35, 18.83, -44.49

 

CMYK 47 / 54 / 0 / 33

HEX #5B4FAB

RGB 91 79 171

HSL 247.83, 0.37%, 0.49%

LAB 39.17, 29.14, -47.94

 

CMYK 32 / 54 / 0 / 33

HEX #744FAB

RGB 116 79 171

HSL 264.13, 0.37%, 0.49%

LAB 41.6, 35.34, -43.9

 

CMYK 18 / 54 / 0 / 33

HEX #8C4FAB

RGB 140 79 171

HSL 279.78, 0.37%, 0.49%

LAB 44.39, 41.8, -39.3

 

CMYK 4 / 54 / 0 / 33

HEX #A54FAB

RGB 165 79 171

HSL 296.09, 0.37%, 0.49%

LAB 47.66, 48.75, -33.91

 

CMYK 32 / 54 / 0 / 55

HEX #4E3573

RGB 78 53 115

HSL 264.19, 0.37%, 0.33%

LAB 27.86, 25.52, -31.8

 

CMYK 32 / 54 / 0 / 44

HEX #61428F

RGB 97 66 143

HSL 264.16, 0.37%, 0.41%

LAB 34.84, 30.53, -37.97

 

CMYK 32 / 54 / 0 / 33

HEX #744FAB

RGB 116 79 171

HSL 264.13, 0.37%, 0.49%

LAB 41.6, 35.34, -43.9

 

CMYK 26 / 44 / 0 / 27

HEX #8A69BA

RGB 138 105 186

HSL 264.44, 0.37%, 0.57%

LAB 50.75, 30.05, -38.02

 

CMYK 20 / 33 / 0 / 22

HEX #A085C7

RGB 160 133 199

HSL 264.55, 0.37%, 0.65%

LAB 60.22, 23.56, -30.48

 

CMYK 32 / 53 / 0 / 33

HEX #7550AC

RGB 117 80 172

HSL 264.13, 0.37%, 0.49%

LAB 42, 35.28, -43.85

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F74

RGB 171 79 116

HSL 335.87, 0.37%, 0.49%

LAB 46.33, 41.77, -2.95

 

CMYK 54 / 0 / 54 / 33

HEX #4FAB4F

RGB 79 171 79

HSL 120, 0.37%, 0.49%

LAB 62.8, -46.3, 38.83

 

CMYK 32 / 53 / 0 / 33

HEX #7550AC

RGB 117 80 172

HSL 264.13, 0.37%, 0.49%

LAB 42, 35.28, -43.85

 

CMYK 0 / 32 / 54 / 33

HEX #AB744F

RGB 171 116 79

HSL 24.13, 0.37%, 0.49%

LAB 53.72, 17.47, 29.08

 

CMYK 54 / 0 / 32 / 33

HEX #4FAB74

RGB 79 171 116

HSL 144.13, 0.37%, 0.49%

LAB 63.38, -40.19, 20.21

 

CMYK 32 / 53 / 0 / 33

HEX #7550AC

RGB 117 80 172

HSL 264.13, 0.37%, 0.49%

LAB 42, 35.28, -43.85

 

CMYK 0 / 54 / 32 / 33

HEX #AB4F74

RGB 171 79 116

HSL 335.87, 0.37%, 0.49%

LAB 46.33, 41.77, -2.95

 

CMYK 22 / 0 / 54 / 33

HEX #86AB4F

RGB 134 171 79

HSL 84.13, 0.37%, 0.49%

LAB 65.56, -27.79, 42.78

 

CMYK 54 / 0 / 22 / 33

HEX #4FAB86

RGB 79 171 134

HSL 155.87, 0.37%, 0.49%

LAB 63.76, -36.38, 10.85

 

CMYK 32 / 53 / 0 / 33

HEX #7550AC

RGB 117 80 172

HSL 264.13, 0.37%, 0.49%

LAB 42, 35.28, -43.85

 

CMYK 0 / 54 / 49 / 33

HEX #AB4F58

RGB 171 79 88

HSL 354.13, 0.37%, 0.49%

LAB 45.57, 38.56, 13.03

 

CMYK 22 / 0 / 54 / 33

HEX #86AB4F

RGB 134 171 79

HSL 84.13, 0.37%, 0.49%

LAB 65.56, -27.79, 42.78

 

CMYK 54 / 0 / 5 / 33

HEX #4FABA2

RGB 79 171 162

HSL 174.13, 0.37%, 0.49%

LAB 64.48, -29.52, -3.7

 

Description

Color code: HEX #7550AC | qconv.com Color code: HEX #7550AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 80 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 80 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 53 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 53% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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