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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #754DB5 it is the complementary color #8AB24A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #754DB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #754DB5 shade: #7A4DB0, #8B5FC3, #9C71D6, #AD83E9 and #BE95FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #754DB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #754DB5 shade: #754DB5, #643BA2, #53298F, #42177C and #310569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #754DB5 shade: #764FB5, #924FB5, #AD4FB5, #B54FA1 and #B54F86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #754DB5 shade: #764FB5, #5B4FB5 and #4F4FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #754DB5 shade matches the following richer shades: #764FB5, #723BC9, #6D26DE and #6812F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #754DB5 shade: #764FB5, #7B63A1, #80778D, #848B79 and #89A064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #754DB5 shade: #4F5EB5, #5B4FB5, #764FB5, #914FB5 and #AD4FB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #754DB5 shade: #50347D, #63419A, #764FB5, #8D6CC1 and #A389CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #754DB5 shade: #754DB5, #B54F7A and #51B54F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #754DB5 shade: #754DB5, #B5764F and #4FB576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #754DB5 shade: #754DB5, #B54F7A, #8EB54F and #4FB58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #754DB5 shade: #754DB5, #B54F5B, #8EB54F and #4FB5A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 57 / 0 / 29

HEX #754DB5

RGB 117 77 181

HSL 263.08, 0.41%, 0.51%

LAB 41.89, 39.37, -49.34

 

Complementary color

CMYK 22 / 0 / 58 / 30

HEX #8AB24A

RGB 138 178 74

HSL 83.08, 0.41%, 0.49%

LAB 67.83, -30.07, 47.83

 

CMYK 31 / 56 / 0 / 31

HEX #7A4DB0

RGB 122 77 176

HSL 267.27, 0.39%, 0.5%

LAB 42.12, 39.32, -45.98

 

CMYK 29 / 51 / 0 / 24

HEX #8B5FC3

RGB 139 95 195

HSL 266.4, 0.45%, 0.57%

LAB 49.02, 38.32, -45.94

 

CMYK 27 / 47 / 0 / 16

HEX #9C71D6

RGB 156 113 214

HSL 265.54, 0.55%, 0.64%

LAB 55.82, 37.37, -45.88

 

CMYK 26 / 44 / 0 / 9

HEX #AD83E9

RGB 173 131 233

HSL 264.71, 0.7%, 0.71%

LAB 62.51, 36.48, -45.83

 

CMYK 25 / 41 / 0 / 1

HEX #BE95FC

RGB 190 149 252

HSL 263.88, 0.94%, 0.79%

LAB 69.09, 35.65, -45.8

 

CMYK 35 / 57 / 0 / 29

HEX #754DB5

RGB 117 77 181

HSL 263.08, 0.41%, 0.51%

LAB 41.89, 39.37, -49.34

 

CMYK 38 / 64 / 0 / 36

HEX #643BA2

RGB 100 59 162

HSL 263.88, 0.47%, 0.43%

LAB 34.89, 40.47, -49.4

 

CMYK 42 / 71 / 0 / 44

HEX #53298F

RGB 83 41 143

HSL 264.71, 0.55%, 0.36%

LAB 27.87, 41.47, -49.3

 

CMYK 47 / 81 / 0 / 51

HEX #42177C

RGB 66 23 124

HSL 265.54, 0.69%, 0.29%

LAB 20.93, 42.01, -48.8

 

CMYK 53 / 95 / 0 / 59

HEX #310569

RGB 49 5 105

HSL 266.4, 0.91%, 0.22%

LAB 14.3, 41.44, -47.51

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 19 / 56 / 0 / 29

HEX #924FB5

RGB 146 79 181

HSL 279.41, 0.41%, 0.51%

LAB 45.69, 45.64, -43.06

 

CMYK 4 / 56 / 0 / 29

HEX #AD4FB5

RGB 173 79 181

HSL 295.29, 0.41%, 0.51%

LAB 49.27, 52.83, -37.17

 

CMYK 0 / 56 / 11 / 29

HEX #B54FA1

RGB 181 79 161

HSL 311.76, 0.41%, 0.51%

LAB 49.48, 51.56, -25.01

 

CMYK 0 / 56 / 26 / 29

HEX #B54F86

RGB 181 79 134

HSL 327.65, 0.41%, 0.51%

LAB 48.43, 47.49, -10.53

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 50 / 56 / 0 / 29

HEX #5B4FB5

RGB 91 79 181

HSL 247.06, 0.41%, 0.51%

LAB 39.84, 32.21, -52.77

 

CMYK 56 / 56 / 0 / 29

HEX #4F4FB5

RGB 79 79 181

HSL 240, 0.41%, 0.51%

LAB 38.88, 29.75, -54.35

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 43 / 71 / 0 / 21

HEX #723BC9

RGB 114 59 201

HSL 263.24, 0.57%, 0.51%

LAB 39.45, 53.58, -64.98

 

CMYK 51 / 83 / 0 / 13

HEX #6D26DE

RGB 109 38 222

HSL 263.15, 0.74%, 0.51%

LAB 37.68, 66.92, -80.02

 

CMYK 57 / 93 / 0 / 5

HEX #6812F2

RGB 104 18 242

HSL 263.04, 0.9%, 0.51%

LAB 37.46, 76.36, -91.8

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 24 / 39 / 0 / 37

HEX #7B63A1

RGB 123 99 161

HSL 263.23, 0.25%, 0.51%

LAB 46.59, 22.9, -30.06

 

CMYK 9 / 16 / 0 / 45

HEX #80778D

RGB 128 119 141

HSL 264.55, 0.09%, 0.51%

LAB 51.5, 7.95, -10.7

 

CMYK 5 / 0 / 13 / 45

HEX #848B79

RGB 132 139 121

HSL 83.33, 0.07%, 0.51%

LAB 56.83, -6.01, 8.76

 

CMYK 14 / 0 / 38 / 37

HEX #89A064

RGB 137 160 100

HSL 83, 0.24%, 0.51%

LAB 62.83, -18.61, 28.67

 

CMYK 56 / 48 / 0 / 29

HEX #4F5EB5

RGB 79 94 181

HSL 231.18, 0.41%, 0.51%

LAB 42.77, 20.25, -48.1

 

CMYK 50 / 56 / 0 / 29

HEX #5B4FB5

RGB 91 79 181

HSL 247.06, 0.41%, 0.51%

LAB 39.84, 32.21, -52.77

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 20 / 56 / 0 / 29

HEX #914FB5

RGB 145 79 181

HSL 278.82, 0.41%, 0.51%

LAB 45.56, 45.38, -43.27

 

CMYK 4 / 56 / 0 / 29

HEX #AD4FB5

RGB 173 79 181

HSL 295.29, 0.41%, 0.51%

LAB 49.27, 52.83, -37.17

 

CMYK 36 / 58 / 0 / 51

HEX #50347D

RGB 80 52 125

HSL 263.01, 0.41%, 0.35%

LAB 28.49, 29.5, -37.09

 

CMYK 36 / 58 / 0 / 40

HEX #63419A

RGB 99 65 154

HSL 262.92, 0.41%, 0.43%

LAB 35.53, 34.63, -43.55

 

CMYK 35 / 56 / 0 / 29

HEX #764FB5

RGB 118 79 181

HSL 262.94, 0.41%, 0.51%

LAB 42.43, 38.48, -48.46

 

CMYK 27 / 44 / 0 / 24

HEX #8D6CC1

RGB 141 108 193

HSL 263.29, 0.41%, 0.59%

LAB 52.11, 30.9, -39.89

 

CMYK 21 / 33 / 0 / 19

HEX #A389CE

RGB 163 137 206

HSL 262.61, 0.41%, 0.67%

LAB 61.77, 23.82, -32

 

CMYK 35 / 57 / 0 / 29

HEX #754DB5

RGB 117 77 181

HSL 263.08, 0.41%, 0.51%

LAB 41.89, 39.37, -49.34

 

CMYK 0 / 56 / 33 / 29

HEX #B54F7A

RGB 181 79 122

HSL 334.71, 0.41%, 0.51%

LAB 48.03, 45.9, -3.89

 

CMYK 55 / 0 / 56 / 29

HEX #51B54F

RGB 81 181 79

HSL 118.82, 0.41%, 0.51%

LAB 66.03, -49.73, 42.7

 

CMYK 35 / 57 / 0 / 29

HEX #754DB5

RGB 117 77 181

HSL 263.08, 0.41%, 0.51%

LAB 41.89, 39.37, -49.34

 

CMYK 0 / 35 / 56 / 29

HEX #B5764F

RGB 181 118 79

HSL 22.94, 0.41%, 0.51%

LAB 55.43, 20.59, 31.48

 

CMYK 56 / 0 / 35 / 29

HEX #4FB576

RGB 79 181 118

HSL 142.94, 0.41%, 0.51%

LAB 66.53, -44.09, 23.4

 

CMYK 35 / 57 / 0 / 29

HEX #754DB5

RGB 117 77 181

HSL 263.08, 0.41%, 0.51%

LAB 41.89, 39.37, -49.34

 

CMYK 0 / 56 / 33 / 29

HEX #B54F7A

RGB 181 79 122

HSL 334.71, 0.41%, 0.51%

LAB 48.03, 45.9, -3.89

 

CMYK 22 / 0 / 56 / 29

HEX #8EB54F

RGB 142 181 79

HSL 82.94, 0.41%, 0.51%

LAB 69.01, -29.48, 46.94

 

CMYK 56 / 0 / 23 / 29

HEX #4FB58B

RGB 79 181 139

HSL 155.29, 0.41%, 0.51%

LAB 66.96, -39.76, 12.6

 

CMYK 35 / 57 / 0 / 29

HEX #754DB5

RGB 117 77 181

HSL 263.08, 0.41%, 0.51%

LAB 41.89, 39.37, -49.34

 

CMYK 0 / 56 / 50 / 29

HEX #B54F5B

RGB 181 79 91

HSL 352.94, 0.41%, 0.51%

LAB 47.2, 42.48, 13.7

 

CMYK 22 / 0 / 56 / 29

HEX #8EB54F

RGB 142 181 79

HSL 82.94, 0.41%, 0.51%

LAB 69.01, -29.48, 46.94

 

CMYK 56 / 0 / 7 / 29

HEX #4FB5A9

RGB 79 181 169

HSL 172.94, 0.41%, 0.51%

LAB 67.71, -32.48, -2.83

 

Description

Color code: HEX #754DB5 | qconv.com Color code: HEX #754DB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 77 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 77 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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